Vivid Spaces: The Settings of Virginia Woolf and Edith Wharton
This paper is an investigation of architectural settings that are evoked through description, occupation and transformation by the narrative structure of the novel. It begins by exploring the notion of vividness as an authentic presence of that which is narrated, and the presence of a pictorial representation in the reader. Invoked in the imagination these narrative spaces are discussed through fragments, settings and places for conversations.
Two case studies are used to discuss the various ways in which spaces are made vivid by their incompleteness, and consequently exist in the imagination of the reader. The first is a novel by Virginia Woolf, the second a novel by Edith Wharton. In each text episodes and themes are used to explore the interconnectedness between aspect, room and encounter. It further discusses how in engaging vividness architectural descriptions are transposed into metaphors for character descriptions in a fluid manner. Particular examples from the case studies highlight gendered constructions of a setting, furnishing and decorating; and how rooms have spatial attachment to an occasion, and how conversely revisiting a setting in the narrative engages the temporal.
The paper concludes by proposing another way of seeing architecture that is outside the traditional canon.
Citation countsare sourced monthly fromand citation databases.
These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science generally from 1980 onwards.
Citations counts from theindexing service can be viewed at the linked Google Scholar™ search.
Full-text downloadsdisplays the total number of times this work’s files (e.g., a PDF) have been downloaded from QUT ePrints as well as the number of downloads in the previous 365 days. The count includes downloads for all files if a work has more than one.
|Item Type:||Conference Paper|
|Keywords:||interior design, aesthetic theory, gender theory|
|Subjects:||Australian and New Zealand Standard Research Classification > BUILT ENVIRONMENT AND DESIGN (120000) > URBAN AND REGIONAL PLANNING (120500) > History and Theory of the Built Environment (excl. Architecture) (120502)|
Australian and New Zealand Standard Research Classification > BUILT ENVIRONMENT AND DESIGN (120000) > ARCHITECTURE (120100) > Architectural Design (120101)
Australian and New Zealand Standard Research Classification > BUILT ENVIRONMENT AND DESIGN (120000) > ARCHITECTURE (120100) > Interior Design (120106)
|Divisions:||Past > QUT Faculties & Divisions > Faculty of Built Environment and Engineering|
Current > QUT Faculties and Divisions > Creative Industries Faculty
|Copyright Owner:||Copyright 2000 Rebecca Sinclair and Mark Taylor|
|Deposited On:||11 Mar 2008|
|Last Modified:||03 Mar 2011 15:44|
Repository Staff Only: item control page