Liminal Electronic Musics: Post-Punk Experimentation in Australia in the 1970s-1980s
Knowles, Julian D. (2008) Liminal Electronic Musics: Post-Punk Experimentation in Australia in the 1970s-1980s. In Wilkie, Sonia & Hood, Anthony (Eds.) 'Sound : Space' Australasian Computer Music Conference, 2008, July 10-12, 2008, Sydney Conservatorium of Music, University of Sydney.
This paper presents a survey of some key experimental electronic music scenes in Australia in the 1970s and 1980s that were situated outside the frame of music institutions and the electro-acoustic music tradition. Specifically it focuses on experimentalism in the popular music field in this period, outlining the 'little bands' scene in Melbourne and the scene around the Terse Tapes and M Squared labels in Sydney, It locates a set of international reference points in No Wave, industrial music and Krautrock and discusses the work of some individuals who traversed the popular music and experimental music scenes, acting as a nexus for musical ideas. The paper proposes that experimental practices in popular music exert a significant force on experimental electronic music practices in a wider sense and the links to more academic forms of music experimentation need to be better understood. In doing so the paper calls for a more expanded and complete view of the historical development of electronic music as a way of better understanding current experimental electronic music scenes in Australia.
Citation countsare sourced monthly fromand citation databases.
These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science® generally from 1980 onwards.
Citations counts from theindexing service can be viewed at the linked Google Scholar™ search.
Full-text downloadsdisplays the total number of times this work’s files (e.g., a PDF) have been downloaded from QUT ePrints as well as the number of downloads in the previous 365 days. The count includes downloads for all files if a work has more than one.
|Item Type:||Conference Paper|
|Keywords:||Electronic music, popular music, post, punk, experimental music, electro, acoustic music, Australia, Little Bands, No Wave, Terse Tapes, M Squared, Clifton Hill Community Music Centre, Severed Heads, Primitive Calculators, Tom Ellard|
|Subjects:||Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > FILM TELEVISION AND DIGITAL MEDIA (190200) > Film Television and Digital Media not elsewhere classified (190299)|
Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Musicology and Ethnomusicology (190409)
|Divisions:||Current > QUT Faculties and Divisions > Creative Industries Faculty|
Past > Institutes > Institute for Creative Industries and Innovation
|Copyright Owner:||Copyright 2008 Julian D. Knowles|
|Deposited On:||21 Jul 2008|
|Last Modified:||29 Feb 2012 23:52|
Repository Staff Only: item control page