Erich Buchholz: The Inconvenient Footnote within Art History
McNamara, Andrew E. (2001) Erich Buchholz: The Inconvenient Footnote within Art History. Art and Australia, 39(2), pp. 256-263.
![[img]](http://eprints.qut.edu.au/style/images/fileicons/application_pdf.png)
Abstract
Outside of Germany, the Berlin artist, Erich Buchholz, is not well-known. Yet he laid claim to having made the first abstract three-dimensional space, or installation, in art history. Buchholz was therefore at the forefront of inter-disciplinary practices in the 1920s, which aimed to span practices as diverse as the visual arts, film, design and architecture. This article examines both the basis of Buchholz's claim for innovation and the reason for his lack of art-historical prominence.
Citations:
Citation countsare sourced monthly from Scopus and Web of Science citation databases.
These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science generally from 1980 onwards.
Citations counts from the Google Scholar™ indexing service can be viewed at the linked Google Scholar™ search.
Full-text downloads:
Full-text downloadsdisplays the total number of times this work’s files (e.g., a PDF) have been downloaded from QUT ePrints as well as the number of downloads in the previous 365 days. The count includes downloads for all files if a work has more than one.
Export: EndNote | Dublin Core | BibTeX
Staff only: HERDC collection form
Repository Staff Only: item control page