Mein Kodak Avant-Garde Photography in 1920s Germany
Simmonds, Toni Mia (2004) Mein Kodak Avant-Garde Photography in 1920s Germany. Masters by Research thesis, Queensland University of Technology.
This study examines some of the fundamental principles of a number of influential photographers working in Germany in the 1920s and assesses the ways they understood the world through their camera's lens. German photography initiated a complex engagement with the modern world and marked a significant reevaluation of the relationship between the camera, perception and reality. The unique quality of the photographic image's verisimilitude of nature was an important phenomenon in this re-evaluation, as it led to assumptions about the capacity of photography to reveal the truth of reality. László Moholy-Nagy's innovative employment of a variety of photographic techniques provide an effective conduit to modern theories about photography that not only expose the presumptions surrounding the photographic image, but also the inherent complications. I propose that the avant-garde photographic experiments of 1920s Germany radically changed the ways in which humanity perceived and interacted with the surrounding world.
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|Item Type:||QUT Thesis (Masters by Research)|
|Supervisor:||Pennings, Mark & McNamara, Andrew|
|Keywords:||photography, German, 1920, camera, perception, reality, Laszlo Moholy-Nagy|
|Divisions:||Current > QUT Faculties and Divisions > Creative Industries Faculty|
|Department:||Faculty of Creative Industries|
|Institution:||Queensland University of Technology|
|Copyright Owner:||Copyright Toni Mia Simmonds|
|Deposited On:||03 Dec 2008 03:54|
|Last Modified:||28 Oct 2011 19:41|
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