Subtraction and refraction: self and process in the work of Martin Smith
Robb, Charles A. (2008) Subtraction and refraction: self and process in the work of Martin Smith. In Ortega, Maurice (Ed.) Martin Smith photographs: in response to... Queensland Centre for Photography, Brisbane, QLD, pp. 13-15.
The article analyses the work of Brisbane-based photographer Martin Smith in relation to ideas of male subjectivity and the notion of loss. It contends that Smith's work exempifies a notion of masculinity that uses layering and interpenetration of image and medium to represent a masculine subjectivity characterised by contingency and intersubjective awareness.
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|Item Type:||Book Chapter|
|Keywords:||Photography, Masculinity, Representation, Melancholia|
|Subjects:||Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > VISUAL ARTS AND CRAFTS (190500) > Lens-based Practice (190503)|
|Divisions:||Past > Disciplines > Art & Design|
Current > QUT Faculties and Divisions > Creative Industries Faculty
|Copyright Owner:||Copyright 2008 Charles A. Robb and Queensland Centre of Photography|
|Copyright Statement:||This paper is available under under License Creative Commons Attribution Non-commercial http://creativecommons.org/licenses/by-nc/2.5/|
|Deposited On:||12 Feb 2009 14:32|
|Last Modified:||29 Feb 2012 23:48|
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