What is that place? Observations of the impact of environment colour through photographic analysis
Smith, Dianne J. & Demirbilek, Nur (2009) What is that place? Observations of the impact of environment colour through photographic analysis. In Smith, Dianne J., Green-Armytage, Paul, Pope, Margaret, & Harkness, Nick (Eds.) Proceedings of the 11th Congress of the International Colour Association, The Colour Society of Australia Inc, Sydney, New South Wales, pp. 1-8.
Isolating the impact of a colour, or a combination of colours, is extremely difficult to achieve because it is difficult to remove other environmental elements such as sound, odours, light, and occasion from the experience of being in a place. In order to ascertain the impact of colour on how we interpret the world in day to day situations, the current study records participant responses to achromatic scenes of the built environment prior to viewing the same scene in colour. A number of environments were photographed in colour or copied from design books; and copies of the images saved as both colour and black/grey/white.
An overview of the study will be introduced by firstly providing examples of studies which have linked colour to meaning and emotions. For example, yellow is said to be connected to happiness1 ; or red evokes feelings of anger2 or passion. A link between colour and the way we understand and/or feel is established however, there is a further need for knowledge of colour in context. In response to this need, the current achromatic/chromatic environmental study will be described and discussed in light of the findings. Finally, suggestions for future research are posed.
Based on previous research the authors hypothesised that a shift in environmental perception by participants would occur. It was found that the impact of colour includes a shift in perception of aspects such as its atmosphere and youthfulness. Through studio-class discussions it was also noted that the predicted age of the place, the function, and in association, the potential users when colour was added (or deleted) were often challenged.
It is posited that the ability of a designer (for example, interior designer, architect, or landscape architect) to design for a particular target group—user and/or clients will be enhanced through more targeted studies relating colour in situ. The importance of noting the perceptual shift for the participants in our study, who were young designers, is the realisation that colour potentially holds the power to impact on the identity of an architectural form, an interior space, and/or particular elements such as doorways, furniture settings, and the like.
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|Item Type:||Conference Paper|
|Keywords:||Colour, Interior design, Design, Environmental interpretation, Photographic analysis|
|Subjects:||Australian and New Zealand Standard Research Classification > BUILT ENVIRONMENT AND DESIGN (120000) > DESIGN PRACTICE AND MANAGEMENT (120300) > Design Innovation (120302)
Australian and New Zealand Standard Research Classification > BUILT ENVIRONMENT AND DESIGN (120000) > DESIGN PRACTICE AND MANAGEMENT (120300) > Design Practice and Management not elsewhere classified (120399)
|Divisions:||Past > QUT Faculties & Divisions > Faculty of Built Environment and Engineering
Past > Schools > School of Design
|Copyright Owner:||Copyright 2009 Nur Demirbilek and Dianne Smith|
Matters of copyright for all images and text associated with the abstracts and papers contained within the AIC 2009 Programme and Abstract Book and AIC 2009 Proceedings are the responsibility of the authors. The AIC and The Colour Society of Australia will not accept responsibility for any liabilities arising from the publication of any of the submissions.
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Please use the following format to cite material from the AIC 2009 Programme:
Author(s). "Title of paper", Proceedings of 11th Congress of the International Colour Association, Sydney, 2009, page numbers.
The papers appearing in these Abstracts and Proceedings compose the proceedings of the technical conference cited on the cover and title page of this volume. They reflect the authors’ opinions and are published as presented, in the interests of timely dissemination. Their inclusion in this publication does not necessarily constitute endorsement by the editors or by the Colour Society of Australia. Papers were selected by the congress programme committee to be presented in oral or poster format. Some, where noted, were double blind refereed and others reviewed by editors or programme committees.
|Deposited On:||21 Oct 2009 22:54|
|Last Modified:||29 Feb 2012 13:56|
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