An Opera of Clouds : Time and Space in mixed media performance
McCombe, Christine (2003) An Opera of Clouds : Time and Space in mixed media performance. In Australasian Computer Music Association Conference: Converginh Technologies., 5-7 July, Melbourne, Victoria..
In this paper the author/composer will discuss her mixed media work ‘An Opera of Clouds’ with reference to the perception and experience of Time and Space in a performance or installation context. “An Opera of Clouds‿ is a hybrid work consisting of chamber music, electroacoustic composition and spoken text with live sound diffusion and video projections. Through combining these different technologies and performance media the work aims to explore various temporalities and imaginary spaces. This paper will discuss the compositional process and structure of “An Opera of Clouds‿ and, by focussing on the use of audio and visual technology in the work, will explore the composer’s approach to perceptual Time and Space. Critical analysis and discussion will be based on the aesthetic and temporal theories of Susanne Langer and Jonathan Kramer as well as referring to the work of Sean Cubitt on the aesthetics of digital art and Gaston Bachelard’s seminal work ‘The Poetics of Space’.
In this paper I will discuss the relationships between the technologies incorporated in the work and the different levels of interaction between the sonic, visual and spatial elements. This interaction of technologies is central to the articulation and animation of the main themes of “An Opera of Clouds‿ – the strangeness and intensity of human experience, distance and disembodiment, and our perceptions of time and space. The use of various audio and visual technologies has allowed me to create a work which is part performance, part installation and which attempts to find new contexts for musical expression.
Impact and interest:
Citation countsare sourced monthly fromand citation databases.
These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science® generally from 1980 onwards.
Citations counts from theindexing service can be viewed at the linked Google Scholar™ search.
Full-text downloadsdisplays the total number of times this work’s files (e.g., a PDF) have been downloaded from QUT ePrints as well as the number of downloads in the previous 365 days. The count includes downloads for all files if a work has more than one.
|Item Type:||Conference Paper|
|Keywords:||Computer music, Mixed media, Time and space|
|Subjects:||Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Musicology and Ethnomusicology (190409)|
|Divisions:||Current > QUT Faculties and Divisions > Creative Industries Faculty|
|Copyright Owner:||Copyright 2003 (please consult author)|
|Deposited On:||16 Jul 2004|
|Last Modified:||09 Jun 2010 22:21|
Repository Staff Only: item control page