Curtains and carnality : processural seductions in eighteenth century text and space
Downey, Georgina & Taylor, Mark (2010) Curtains and carnality : processural seductions in eighteenth century text and space. In Chapman, Michael & Ostwald, Michael (Eds.) Imaging : Proceedings of the 27th International SAHANZ Conference, Society of Architectural Historians, Australia & New Zealand , Newcastle, New South Wales, pp. 121-126.
Libertine erotic novellas included a number of seductive descriptions of unfolding spaces often seen through the eyes of a narrator. Instructional volumes such as Point de lendermain by Vivant Denon (1777) aimed at the sexual education of young women and the titillation of men also followed suit. Similarly architectural theory such as Le Camus de Mézières’, The Genius of Architecture (1780) also promoted the sensuous and seductive aspects of surfaces and spatial arrangements. In the erotic settings of the cabinet, descriptions of curtains generate as much arousal as the outline of a naked body, and for some players it is the space that is desired above their lover.
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|Item Type:||Conference Paper|
|Keywords:||Interior Design, Eighteenth Century, Erotic|
|Subjects:||Australian and New Zealand Standard Research Classification > BUILT ENVIRONMENT AND DESIGN (120000) > ARCHITECTURE (120100) > Interior Design (120106)|
|Divisions:||Past > QUT Faculties & Divisions > Faculty of Built Environment and Engineering|
Past > Schools > School of Design
|Copyright Owner:||Copyright 2010 SAHANZ and the authors.|
|Copyright Statement:||Copyright for the volume belongs to SAHNZ. Copyright for the papers contained in this book remains the property of the individual authors. Individual authors were responsible for obtaining the appropriate permission to reproduce any or all images published in this volume. The editors and publishers accept no responsibility if any author has not obtained the appropriate permissions. Other than fair dealing for the purposes of private study, research, criticism or review, as permitted under copyright lax, no part of this volume may be reproduced by any process without the prior permission of the publishers and the authors.|
|Deposited On:||01 Sep 2010 11:53|
|Last Modified:||01 Mar 2012 00:16|
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