Performing for (and against) the microphone : personal takes : producing a credible vocal
Howlett, Mike (2009) Performing for (and against) the microphone : personal takes : producing a credible vocal. In Cook, Nicholas, Clarke, Eric, Leech-Wilkinson, Daniel, & Rink, John (Eds.) The Cambridge Companion to Recorded Music. Cambridge University Press, Cambridge, pp. 30-31.
This contribution proposes the effect of the studio practice compiling vocals from many takes on the performance of vocalists.
Citation countsare sourced monthly fromand citation databases.
These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science® generally from 1980 onwards.
Citations counts from theindexing service can be viewed at the linked Google Scholar™ search.
|Item Type:||Book Chapter|
|Keywords:||Music recording technology|
|Subjects:||Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Musicology and Ethnomusicology (190409)|
Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Performing Arts and Creative Writing not elsewhere classified (190499)
|Divisions:||Current > QUT Faculties and Divisions > Creative Industries Faculty|
Current > Schools > Music & Sound
|Deposited On:||30 Jul 2010 07:14|
|Last Modified:||30 Jul 2010 07:14|
Repository Staff Only: item control page