Performance space to performance place
Delbridge, Matthew (2009) Performance space to performance place. In Queen Mary University of London Postgraduate Symposium, June 2009, London. (Unpublished)
The focus of this paper questions how the performance place was transformed to a performance space. This major change in distinction holds an ongoing significance to the development of the actors, scenographers, animators, writers and film directors craft within current digitally mediated and interactive performance environments. As part of this discussion this paper traces the crucial seed of the revolution that transformed modern scenographic practice from the droll of the romantic realism of the Victorian stage to the open potential of the performance environment of today. This is achieved through close readings on the practical work of Edward Gordon Craig and Adolphe Appia as well as the scenographic discussions of Chris Baugh.
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|Item Type:||Conference Paper|
|Keywords:||Scenography, Theatre Design, Edward Gordon Craig|
|Subjects:||Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Drama Theatre and Performance Studies (190404)|
|Divisions:||Current > Schools > Drama
Current > QUT Faculties and Divisions > Creative Industries Faculty
|Copyright Owner:||Copyright 2009 please consult the author|
|Deposited On:||20 Sep 2010 00:24|
|Last Modified:||14 Jun 2011 14:59|
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