Symbols and power in the theatre of the oppressed
Morelos, Ronaldo (1999) Symbols and power in the theatre of the oppressed. .
Impact and interest:
Citation countsare sourced monthly fromand citation databases.
These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science® generally from 1980 onwards.
Citations counts from theindexing service can be viewed at the linked Google Scholar™ search.
|Item Type:||QUT Thesis (Masters by Research)|
|Additional Information:||Presented to the Centre for Innovation in the Arts, Queensland University of Technology. Includes index.|
|Keywords:||Theater Political aspects, Theater and society, thesis, masters, aesthetics, political aspects, Augusto Boal, cultural activism, drama, social aspects, drama in education, Edward Lansdale, human behaviour, persuasive communication, performing arts, philosophy, symbolism in art, power, theatre, Brazil, therapy, theatre and society, theatre of the oppressed, theatre studies, performance studies|
|Institution:||Queensland University of Technology|
|Copyright Owner:||Copyright Ronaldo Morelos|
|Deposited On:||22 Sep 2010 23:03|
|Last Modified:||09 Feb 2011 23:55|
Repository Staff Only: item control page