Voices of the Unheard

Procopis, Brian & Dillon, Steven C. (2011) Voices of the Unheard. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 165-184.

[img] Draft Version (PDF 235kB)
Administrators only

    View at publisher


    Adversity has the effect of eliciting talents, which, in prosperous circumstances, would have lain dormant.

    Horace - Roman lyric poet and satirist 65BC – 8 BC

    This quotation from Horace could well be the chorus to a medley of songs sung by people who face extraordinary adversity and have gained emotional resilience through music making. In this chapter we present three composition ventures that are stories or verses in a new song and whose chorus summarises the nature of the resilience factors present in the narratives. We are aware that words on a page like this can have the effect of filtering out the engaging nature of musical experience and reduce music to a critique or an evaluation of its aesthetic value. This disjuncture between language and the ephemeral, embodied experience is a problem for those who use these creative processes in therapeutic and salutogenic ways (Antonovsky, 1996) for public health. The notion of salutogenic health, put simply, delineates it from therapy in that the processes focus upon wellness rather than therapy. Whilst we include evidence from the fields of community music therapy (Pavlicevic, 2004; Leitschuh et al., 1991), neuroscience (Bittman et al., 2001) and community music (Bartleet et al., 2009) the framework for a salutogenic health outcome in community music is one which seeks to employ music practices and the qualities of music making that provide positive health benefit to communities –to enhance health and well being rather than the “treatment” of disorders. It is essentially a holistic and interdisciplinary study. Therapy and salutogenic health are not mutually exclusive as both depend upon the qualities of music experience to affect change. Collecting, analysing and presenting evidence of change in human behaviour that can be directly attributed to creative music making is a problem of evaluation.

    Impact and interest:

    Citation countsare sourced monthly from Scopus and Web of Science® citation databases.

    These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science® generally from 1980 onwards.

    Citations counts from the Google Scholar™ indexing service can be viewed at the linked Google Scholar™ search.

    ID Code: 38643
    Item Type: Book Chapter
    Additional URLs:
    Keywords: Resilience, Singing, salutogenic health, autoethnography, Music and Health
    ISBN: 9781443826525
    Subjects: Australian and New Zealand Standard Research Classification > MEDICAL AND HEALTH SCIENCES (110000) > PUBLIC HEALTH AND HEALTH SERVICES (111700) > Health Promotion (111712)
    Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Musicology and Ethnomusicology (190409)
    Divisions: Current > Research Centres > Australasian CRC for Interaction Design (ACID)
    Current > QUT Faculties and Divisions > Creative Industries Faculty
    Past > Institutes > Institute for Creative Industries and Innovation
    Current > Schools > Music & Sound
    Copyright Owner: Copyright 2011 by Andy Brader and contributors
    Copyright Statement: No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner.
    Deposited On: 18 Nov 2010 10:13
    Last Modified: 31 Oct 2013 16:10

    Export: EndNote | Dublin Core | BibTeX

    Repository Staff Only: item control page