Restrung new chamber festival : an exploration of contemporary string practice

Bentley, Danielle Sarah (2011) Restrung new chamber festival : an exploration of contemporary string practice. PhD thesis, Queensland University of Technology.


The Restrung New Chamber Festival was a practice-led research project which explored the intricacies of musical relationships. Specifically, it investigated the nature of contemporary string practice, with "New music" at its core. For the purposes of this project, "New music" will be defined in terms of representing a "global sonorous space" (Nancy 2007:12), which Hulse describes as "a spectacular comingling of styles and an unprecedented explosion of creative possibilities" (Hulse n.d.:2). Approaches to staging such an event are contextualised through a comparative analysis with relevant Australian and European festivals. The Restrung model derived inspiration from both art music and popular music festival models, in several aspects. One strategy was to engage audiences through combinations of musical, visual and spatial features. Another strategy was to encourage interaction by audiences with installations, workshops and forums. Restrung represents a new and distinctive model which presented art music within an immersive environment. This exegesis presents an evaluation framework which investigates the relationship between curatorial input and the experiential qualities of the festival. The context of an overview of trends in arts festival curation informs the discussion, as well as approaches to identifying new and receptive audiences. It is expected that the evaluation framework will provide a useful and practical guide for curators working in contemporary string practice, hybrid arts, experimental and cross-art form festival design.

Impact and interest:

Search Google Scholar™

Citation counts are sourced monthly from Scopus and Web of Science® citation databases.

These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science® generally from 1980 onwards.

Citations counts from the Google Scholar™ indexing service can be viewed at the linked Google Scholar™ search.

Full-text downloads:

526 since deposited on 05 Apr 2012
57 in the past twelve months

Full-text downloads displays the total number of times this work’s files (e.g., a PDF) have been downloaded from QUT ePrints as well as the number of downloads in the previous 365 days. The count includes downloads for all files if a work has more than one.

ID Code: 49582
Item Type: QUT Thesis (PhD)
Supervisor: Dillon, Steve & Arthurs, Andrew
Keywords: new music, classical music, string music, hybrid arts, Brisbane, Queensland, festival, Restrung New Chamber Festival, Creative Industries, practice-led research
Divisions: Current > QUT Faculties and Divisions > Creative Industries Faculty
Past > Schools > Music & Sound
Institution: Queensland University of Technology
Deposited On: 05 Apr 2012 06:12
Last Modified: 09 Apr 2012 23:25

Export: EndNote | Dublin Core | BibTeX

Repository Staff Only: item control page