The Ambidrum: Automated Rhythmic Improvisation
This paper outlines a system for machine improvisation with a human performer where the focus is limited to the provision of rhythmic complementarity. Complementarity is achieved through the real-time measurement of metrical coherence in currently playing rhythmic material that informs the generation of subsequent material. A robust computational approach building on recent theories of improvisational intelligence and situated cognition is described. This algorithm can be effective across a range of musical
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|Item Type:||Conference Paper|
|Keywords:||music, sound, technology|
|Subjects:||Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Musicology and Ethnomusicology (190409)|
|Divisions:||Current > QUT Faculties and Divisions > Creative Industries Faculty|
|Copyright Owner:||Copyright 2006 Toby M. Gifford and Andrew R. Brown|
|Deposited On:||14 Feb 2007|
|Last Modified:||29 Feb 2012 23:18|
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