The other APT : an exhibition of other perspectives
Gaffney, Kiley (2007) The other APT : an exhibition of other perspectives. Machine Magazine, 2(4), p. 17.
It’s hard not to be somewhat cynical about the self-congratulatory ‘diversity’ at the centre of the growing calendar of art bi/tri-ennials. The –ennial has proven expedient to the global tourism circuit, keeping regional economies and a relatively moderate pool of transnational artists afloat and the Asia Pacific Triennial is no exception. The mediation of representation that is imperative to the ‘best of’ formats of these transnational art shows hinges on a categorical backwardness that can feel more than a little like a Miss World competition than a progressive art show because the little tag in parenthesis after each artist’s name seems just as politically precarious now as it did forty years ago. Despite a weighty corpus of practical and critical work to the contrary, identity politics are so intrinsic to art capitalization, for both artists and institutions, that extricating ourselves from the particular and strategic politics of identification is seemingly impossible. Not that everyone wants to of course.
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|Item Type:||Journal Article|
|Subjects:||Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > ART THEORY AND CRITICISM (190100) > Art Criticism (190101)|
|Divisions:||Current > QUT Faculties and Divisions > Creative Industries Faculty
Past > Schools > Music & Sound
|Copyright Owner:||copyright 2007 Kiley Gaffney|
|Deposited On:||09 Dec 2013 01:40|
|Last Modified:||22 May 2014 12:20|
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