A Framework for Comparison of Process in Algorithmic Music Systems

, , Miranda, Eduardo, & Diederich, Joachim (2005) A Framework for Comparison of Process in Algorithmic Music Systems. In Brown, P, Edmonds, E, & Burraston, D (Eds.) Generative Arts Practice. Creativity & Cognition Studio Press, Australia, pp. 109-124.

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This paper presents a framework being developed to clarify discussion of algorithmic musical processes. We will firstly present some of the current terminological problems then discuss related research and background concepts. Following this, two principal attributes that enable intuitive comparison of algorithmic compositional processes will be defined in detail. The framework will then be demonstrated by applying it to some representative examples of differing algorithmic music systems.

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ID Code: 6544
Item Type: Chapter in Book, Report or Conference volume (Conference contribution)
Measurements or Duration: 16 pages
Event Title: Generative Arts Practice: A Creativity & Cognition Symposium
Event Dates: 2005-12-05 - 2005-12-07
Event Location: UNSPECIFIED
Keywords: Algorithmic Music, Analysis, Computer Music, Generative Art
ISBN: 0-9751533-3-1
Pure ID: 34258204
Divisions: Past > QUT Faculties & Divisions > Creative Industries Faculty
Copyright Owner: Consult author(s) regarding copyright matters
Copyright Statement: This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the document is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recognise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to qut.copyright@qut.edu.au
Deposited On: 22 Mar 2007 10:00
Last Modified: 26 Oct 2025 19:52