Hamlet + Ophelia = ?
Starrs, D. Bruno (2002) Hamlet + Ophelia = ? [Textual Work]
This short one act play tells the story of the last few minutes in the lives of a re-imagined Hamlet and Ophelia. Their post-apocalyptic world is crumbling around them and their disillusionment and disgust causes them to make the ultimate rebellion; suicide. Along with the surreal staging of the Prince's evil King Claudius and Queen Gertrude, apparently alive and looking down on them from their portrait frames, this play crosses other boundaries imposed by standard theatrical conventions by placing actors in the audience, who, in the climactic finish, take Hamlet's advice and join him and Ophelia in the noble act of self-slaughter. Described by Linda Hassell, script assessor for Playlab Queensland, as; "Existentialist in nature, the piece portrays the pointlessness of existence, metaphorically depicting those very fine lines between patricide and genocide, death and regeneration, sexuality and terrorism and hope and despair . . . a very (dare I say it?) profound piece of writing." Certainly, 'Hamlet + Ophelia = ?' is not for everyone. It is deliberately provocative and disturbing. The author has tried to push the concept of theatre as entertainment out the door and onto the garbage heap and he makes no apologies for this. Another less flattering comment than Ms. Hassell's came from the A.C.T. Writers Centre when Jose Marques asked; "What are you trying to do, drive people away from the theatre?" To this the author should have answered "Sure, why not?" This short play was published in the October 2002 issue of "Ygdrasil: A Journal of the Poetic Arts" (online).
Citation countsare sourced monthly fromand citation databases.
These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science® generally from 1980 onwards.
Citations counts from theindexing service can be viewed at the linked Google Scholar™ search.
Full-text downloadsdisplays the total number of times this work’s files (e.g., a PDF) have been downloaded from QUT ePrints as well as the number of downloads in the previous 365 days. The count includes downloads for all files if a work has more than one.
|Item Type:||Creative Work (Textual Work)|
|Additional Information:||ISSN 1480-6401|
|Keywords:||Stageplay, re, imagined Shakespeare|
|Subjects:||Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000)|
Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Drama Theatre and Performance Studies (190404)
Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400)
|Divisions:||Current > QUT Faculties and Divisions > Creative Industries Faculty|
|Copyright Owner:||Copyright D. 2002 Bruno Starrs|
|Deposited On:||19 Mar 2007|
|Last Modified:||25 Jul 2011 08:27|
Repository Staff Only: item control page