The double risk of primitivism

McNamara, Andrew E. & Stephen, Ann (2013) The double risk of primitivism. [Textual Work]

View at publisher

Description

This essay examines the possibilities for practices that appeal to the primitive in the contemporary cultural context. The idea of the primitive is driven by a desire to challenge the limitations of Western culture, while at the same time attracting the charge of promoting Eurocentrism. This essay investigates this double risk and how artists have sought to evade it, confound it, or accentuate it.

Impact and interest:

Citation counts are sourced monthly from Scopus and Web of Science® citation databases.

These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science® generally from 1980 onwards.

Citations counts from the Google Scholar™ indexing service can be viewed at the linked Google Scholar™ search.

Full-text downloads:

223 since deposited on 09 Feb 2014
56 in the past twelve months

Full-text downloads displays the total number of times this work’s files (e.g., a PDF) have been downloaded from QUT ePrints as well as the number of downloads in the previous 365 days. The count includes downloads for all files if a work has more than one.

ID Code: 67100
Item Type: Creative Work (Textual Work)
Refereed: No
Funders: Heide Museum of Modern Art, Besen Family Foundation
Material: Exhibition Catalogue Essay
Measurements or Duration: 18 pages
Number of Pieces: 1
Published Source: Future Primitive
Publisher: Heide Museum of Modern Art
Locations/Venues:
Location: From date: To date:
Heide Museum of Modern Art 2013-11-23 2013-03-02
Additional URLs:
Keywords: Contemporary art, Aesthetics, Art history, Visual Arts
ISBN: 9781921330322
Subjects: Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > ART THEORY AND CRITICISM (190100)
Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > ART THEORY AND CRITICISM (190100) > Art Criticism (190101)
Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > ART THEORY AND CRITICISM (190100) > Art History (190102)
Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > VISUAL ARTS AND CRAFTS (190500) > Fine Arts (incl. Sculpture and Painting) (190502)
Australian and New Zealand Standard Research Classification > PHILOSOPHY AND RELIGIOUS STUDIES (220000) > PHILOSOPHY (220300) > Aesthetics (220301)
Divisions: Current > QUT Faculties and Divisions > Creative Industries Faculty
Current > Schools > School of Media, Entertainment & Creative Arts
Copyright Owner: Copyright 2013 Heide Museum of Modern Art, artists, writers and photographers.
Copyright Statement: This book is in copyright. Apart from any use permitted under the Copyright Act 1968 and subsequent amendments, no part may be reproduced, stored in a retrieval system, or transmitted, in any form, or by any means whatsoever without the prior permission of the copyright owners.
Deposited On: 09 Feb 2014 23:57
Last Modified: 16 Feb 2014 00:50

Export: EndNote | Dublin Core | BibTeX

Repository Staff Only: item control page