Biennale of Sydney 2006
Pennings, Mark W. (2006) Biennale of Sydney 2006. Eyeline, pp. 31-34.
This review critiques the Sydney Biennale. It analyses the curatorial themes on offer and situates the Biennale within the broader context of the experience economy and the influence of Art Fairs on the display of contemporary art. It mainly considers the Middle Eastern and Chinese art in the various exhibition centres such as The Art Gallery of New South Wales, The Museum of Contemporary Art, The Australaian Centre for Photography, and Artspace.
Impact and interest:
Citation countsare sourced monthly fromand citation databases.
These databases contain citations from different subsets of available publications and different time periods and thus the citation count from each is usually different. Some works are not in either database and no count is displayed. Scopus includes citations from articles published in 1996 onwards, and Web of Science® generally from 1980 onwards.
Citations counts from theindexing service can be viewed at the linked Google Scholar™ search.
Full-text downloadsdisplays the total number of times this work’s files (e.g., a PDF) have been downloaded from QUT ePrints as well as the number of downloads in the previous 365 days. The count includes downloads for all files if a work has more than one.
|Item Type:||Journal Article|
|Keywords:||Sydney Biennale, 2006, Charles Merewether, Zones of Contact, Olga Chernysheva, Akram Zaatari, Tom Nicholson|
|Subjects:||Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > ART THEORY AND CRITICISM (190100) > Art Theory and Criticism not elsewhere classified (190199)|
|Divisions:||Current > QUT Faculties and Divisions > Creative Industries Faculty|
|Copyright Owner:||Copyright 2006 Eyeline Publishing Limited|
|Deposited On:||16 Apr 2007|
|Last Modified:||09 Jun 2010 22:39|
Repository Staff Only: item control page