Book review : "Artificial Hells: participatory art and the politics of spectatorship by Claire Bishop"
Coombs, Gretchen (2014) Book review : "Artificial Hells: participatory art and the politics of spectatorship by Claire Bishop". Art & the Public Sphere, 2(3), pp. 143-150.
In the years since Nicolas Bourriaud’s Relational Aesthetics (1998) was published, a plethora of books (Shannon Jackson’s Social Works: Performing Art, Supporting Publics , Nato Thompson’s Living as Form: Socially Engaged Art from 1991–2011 , Grant Kester’s Conversation Pieces: Community and Communication in Modern Art , Pablo Helguera’s Education for Socially Engaged Art: A Material and Techniques Handbook ), conferences and articles have surfaced creating a rich and textured discourse that has responded to, critiqued and reconfigured the proposed social utopias of Bourriaud’s aesthetics. As a touchstone for this emerging discourse, Relational Aesthetics outlines in a contemporary context the plethora of social and process-based art forms that took as their medium the ‘social’. It is, however, Clare Bishop’s book Artificial Hells: Participatory Art and the Politics of Spectatorship (Verso), that offers a deeper art historical and theoretically considered rendering of this growing and complicated form of art, and forms a central body of work in this broad constellation of writings about participatory art, or social practice art/socially engaged art (SEA), as it is now commonly known...
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|Subjects:||Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > ART THEORY AND CRITICISM (190100) > Art Criticism (190101)
Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > ART THEORY AND CRITICISM (190100) > Visual Cultures (190104)
|Divisions:||Current > Schools > School of Design
Current > QUT Faculties and Divisions > Creative Industries Faculty
|Copyright Owner:||Copyright 2014 Intellect Books|
|Deposited On:||22 Sep 2014 00:03|
|Last Modified:||22 Sep 2014 00:03|
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