The hunt

Dena, Christy (2010) The hunt. [Other]

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"Information Thru Play:

In 2010, responding to the success of The Threshold, Juxt Interactive again asked No Mimes Media, to partner in creating a transmedia experience to entertain and inform Cisco's Global Sales Force. The Hunt put employees at the center of a thriller where characters sent and responded to their emails, left phone messages, communicated through Facebook and Twitter, even asked them to retrieve items from a dead drop and to send them photographs and information. And while helping fictional characters Isabel and Keith escape an ancient secret organization, the sales force also learned about new Cisco technologies coming to market.

Cisco had new demands for the 2010 experience. A geographically and culturally dispersed sales force raises challenges when it comes to introducing dozens of new products and technologies each year. Cisco wanted The Hunt to have global reach, to educate, to build collaboration, and to be fun. This demanded new ways of storytelling and new ways of thinking. The Hunt was quick and intense, unfolding in real time in just two weeks.

Many experienced players were poised to participate and expectations were high. Many of the mechanics of the previous year's experience were repeated, and the audience ripped through the opening, discovering video clips and websites in minutes. The surprise was discovering Facebook and Twitter accounts, where characters responded to player postings and comments in real time.

The Hunt involved audience members from countries around the world, including China, India, Netherlands, Germany, Norway, Pakistan, Japan, the United Kingdom, and the United States. It highlighted new Cisco technologies like Pulse and Mediator, painlessly engaging the audience in what those technologies do and how they work. Players collaborated across silos, creating networks of cross-disciplinary experts.

The Hunt pushed the boundaries of storytelling, with events unfolding on Twitter and Facebook, and in the real world where the audience had to use social engineering to find and secure a package with vital information.

With thousands of players highly engaged around the world, The Hunt once again proved that transmedia experiences can effectively be used to not only meet the goals of a brand, but entertain their audience as well."

Impact and interest:

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ID Code: 77372
Item Type: Creative Work (Other)
Refereed: No
Additional Information: A Transmedia Entertainment Experience
Other Contributors:
Role Contributors
Co-Experience Designer and Co-Game-Master
  • Christy Dena
Story Development
  • No Memes Media, JUXT Inter Active
Game Concept
  • No Memes Media, JUXT Inter Active
Experience Design
  • No Memes Media
  • No Memes Media
Content Production
  • No Memes Media
Live Event Production
  • No Memes Media
  • No Memes Media
  • No Memes Media, JUXT Inter Active
  • No Memes Media
  • No Memes Media
Creative Direction
  • JUXT Inter Active
  • JUXT Inter Active
  • JUXT Inter Active
Account Management
  • JUXT Inter Active
  • JUXT Inter Active
Funders: Cisco (USA), No Mimes Media (USA)
Material: Global alternate reality game (online, mobile, live action, live events)
Measurements or Duration: 3 weeks
Number of Pieces: 1
Publisher: Cisco
Location: From date: To date:
Global, Cisco 2010
Additional URLs:
Subjects: Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400)
Divisions: Current > QUT Faculties and Divisions > Creative Industries Faculty
Current > Schools > School of Media, Entertainment & Creative Arts
Deposited On: 08 Oct 2014 23:12
Last Modified: 13 Oct 2014 05:20

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