Making strange

Lindquist, Marissa & Pytel, Andrzej (2012) Making strange. [Design/Architectural Work]

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Preview
'The Edible Veil of the Sensible Being' Series [Image 1] (Image: JPEG 5MB)
Supplemental Material.
Image credit: Andrzej Pytel
[img]
Preview
'The Edible Veil of the Sensible Being' Series [Image 2] (Image: JPEG 6MB)
Supplemental Material.
Image credit: Andrzej Pytel
[img]
Preview
'The Edible Veil of the Sensible Being' Series [Image 3] (Image: JPEG 4MB)
Supplemental Material.
Image credit: Andrzej Pytel
[img]
Preview
'The Edible Veil of the Sensible Being' Series [Image 4] (Image: JPEG 4MB)
Supplemental Material.
Image credit: Marissa Lindquist
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Preview
'The Edible Veil of the Sensible Being' Series [Image 5] (Image: JPEG 7MB)
Supplemental Material.
Image credit: Andrzej Pytel
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Preview
'The Edible Veil of the Sensible Being' Series [Image 6] (Image: JPEG 4MB)
Accepted Version.
Image credit: Andrzej Pytel
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Preview
Making Strange Sculpture Proposal (PDF 470kB)
Supplemental Material.
Image credit: Marissa Lindquist
[img] Making Strange Collaboration (HTML 71kB)
Published Version.
Image credit: Andrzej Pytel / House of Ezis

View at publisher (open access)

Description

Marking Strange is a series of collaborative experimental creative works undertaken by Marissa Lindquist and Andrzej Pytel which explores the relationship between the body, new materiality and its application within different facets of design production.

The ongoing experimental practice looks toward both organic and inorganic materials as a means of informing scholarly research, material development for commercial, installation and speculative design production and for academic studio programs. The work draws from theoretical positions such as Heidegger’s "nearness and revealing" (1927-1954), Simondon’s "transduction theory" (1989) and Burke's "sublime" (1757).

Making Strange work has been exhibited within the Australian Pavilion Catalogue, FORMATIONS: New Practices in Australian Architecture, directed by Gerard Reinmuth and Anthony Burke with TOKO Concept Design, for the Venice International Architecture Biennale, 2012.

Impact and interest:

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Citations counts from the Google Scholar™ indexing service can be viewed at the linked Google Scholar™ search.

Full-text downloads:

117 since deposited on 07 Dec 2014
41 in the past twelve months

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ID Code: 79095
Item Type: Creative Work (Design/Architectural Work)
Refereed: No
Material: Mixed Media (Organic Materials, Fabric)
Measurements or Duration: 2400x1200mm
Number of Pieces: 12
Published Source: Experimental Materials
Publisher: House of Ezis
Keywords: Experimental, Materials, Body, Spatial Design, Strange Making
Subjects: Australian and New Zealand Standard Research Classification > BUILT ENVIRONMENT AND DESIGN (120000)
Australian and New Zealand Standard Research Classification > BUILT ENVIRONMENT AND DESIGN (120000) > DESIGN PRACTICE AND MANAGEMENT (120300)
Australian and New Zealand Standard Research Classification > BUILT ENVIRONMENT AND DESIGN (120000) > DESIGN PRACTICE AND MANAGEMENT (120300) > Textile and Fashion Design (120306)
Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > VISUAL ARTS AND CRAFTS (190500) > Performance and Installation Art (190504)
Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > VISUAL ARTS AND CRAFTS (190500) > Visual Arts and Crafts not elsewhere classified (190599)
Divisions: Current > Schools > School of Design
Current > QUT Faculties and Divisions > Creative Industries Faculty
Copyright Owner: Copyright 2014 [please consult the author]
Deposited On: 07 Dec 2014 23:59
Last Modified: 07 Dec 2014 23:59

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