Multiplicity, Embodiment and the Contemporary Dancer: Moving Identities
Roche, Jennifer (2015) Multiplicity, Embodiment and the Contemporary Dancer: Moving Identities. Palgrave Macmillan, Basingstoke, Hampshire.
In recent years, the practice of contemporary dancers has altered significantly in the transition from canonical choreographic vocabularies to a proliferation of choreographic signatures within mainstream and independent dance. Dancers are often required to collaborate creatively on the formation of choreographic material, thus engaging conceptually with emerging cultural paradigms.
This book explores the co-creative practice of contemporary dancers solely from the point of view of the dancer. It reveals multiple dancing perspectives, drawn from interviews, current writing and evocative accounts from inside the choreographic process, illuminating the myriad ways that dancers contribute to the production of contemporary dance culture.
A key insight of the book is that a dancer's signature way of being is a 'moving identity', which incorporates past dance experience, anatomical structures and conditioned human movement as a self-in-process. The moving identity is the movement signature that the dancer forms throughout a career path.
Impact and interest:
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|Keywords:||Contemporary Dance, Multiplicity, Embodiment, Moving Identity, Dancer|
|Subjects:||Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Dance (190403)|
|Divisions:||Current > QUT Faculties and Divisions > Creative Industries Faculty
Past > Schools > School of Media, Entertainment & Creative Arts
|Copyright Owner:||Copyright 2015 Jennifer Roche|
|Deposited On:||26 Apr 2015 22:17|
|Last Modified:||14 Jan 2016 05:32|
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