The aural point of view in the early films of Rolf de Heer
Starrs, D. Bruno (2011) The aural point of view in the early films of Rolf de Heer. Quarterly Review of Film and Video, 28(1), pp. 28-40.
This paper argues that his use of the aural point of view (APOV) in his early films (Tail of a tiger , Incident at Raven's Gate , Dingo , Bad boy Bubby  and The quiet room ) permit greater audience identification with the protagonist/s and help define writer/director/producer Rolf de Heer as an aural auteur.
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|Item Type:||Journal Article|
|Additional Information:||The author-version of this article will be available 18 months after publication.
For more information, please refer to the journal's website (see hypertext link) or contact the author.
|Keywords:||aural point of view, Rolf de Heer|
|Subjects:||Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > FILM TELEVISION AND DIGITAL MEDIA (190200) > Film and Television (190204)
Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > FILM TELEVISION AND DIGITAL MEDIA (190200) > Cinema Studies (190201)
Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > FILM TELEVISION AND DIGITAL MEDIA (190200)
|Divisions:||Current > QUT Faculties and Divisions > Creative Industries Faculty|
|Copyright Owner:||Copyright 2010 Taylor & Francis|
|Deposited On:||02 Oct 2007 00:00|
|Last Modified:||30 Jun 2012 14:10|
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