Current > Research Centres > Australasian CRC for Interaction Design (ACID)
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- Australasian CRC for Interaction Design (ACID) (98)
- Research Centres (8462)
- Current (27813)
Number of items at this level: 98.
Adeney, Roland & Brown, Andrew R. (2009) Performing with grid music systems. In Sorensen, Andrew C. (Ed.) Improvise : The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 102-110.
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195Adkins, Barbara A. (2009) PhD pedagogy and the changing knowledge landscapes of universities. Higher Education Research and Development Journal, 28(2), pp. 165-177.
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8Adkins, Barbara A., Dillon, Steven C., Brown, Andrew R., Hirche, Kathy L., & Gibbons, Craig R. (2007) The role of generative arts in supporting cultural participation: A conceptualisation of the Jam2Jam network jamming tool. In VSMM2007, Springer, Brisbane. (In Press)
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294Adkins, Barbara A. & Nasarczyk, Jason (2009) Asynchronicity and the ‘time envelope’ of online annotation : the case of the photosharing website, Flickr. Australian Journal of Communication, 35(3), pp. 115-140.
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134Barrett, Lloyd & Brown, Andrew R. (2009) Towards a definition of the performing AudioVisualist. In Sorensen, Andrew C. (Ed.) ACMA '09 : Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 46-55.
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353Brown, Andrew (2009) Soundcipher : a music and sound library for processing. In Scavone, Gary, Verfaille, Vincent, & da Silva, Andrey (Eds.) Proceedings of the International Computer Music Conference, International Computer Music Association, Montreal, pp. 431-434.
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304Brown, Andrew R. (2005) Exploring rhythmic automata. In Rothlauf, F., Branke, J., Cagnon, S., Corne, D.W., Drechsler, R., Jin, Y., et al. (Eds.) Applications of Evolutionary Computing : EvoWorkshops 2005, April 2005, Lausanne, Switzerland.
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2Brown, Andrew R. (2005) Making music with Java : an introduction to computer music, Java programming, and the jMusic library. Lulu, Raleigh, North Carolina.
Brown, Andrew R. (2010) Network jamming : distributed performance using generative music. In Proceedings of the New Instruments for Musical Expression Conference 2010, University of Technology Sydney, University of Technology Sydney, Sydney, pp. 283-286.
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51Brown, Andrew R. (2010) Visualizing digital media interactions : providing feedback on jam2jam AV performances. In Robinson, Ricky & Bodker, Mads (Eds.) OzCHI 2010 Conference Proceedings, CHISIG and ACM, Queensland University of Technology, Brisbane, Queensland, pp. 196-199.
Brown, Andrew R. & Dillon, Steve C. (2012) Meaningful engagement with music composition. In The Act of Musical Composition: Studies in the Creative Process. Ashgate, London. (In Press)
Brown, Andrew R. & Dillon, Steve C. (2011) eBILITY : from tool use to partnerships. Journal of Music, Technology and Education, 4(2-3), pp. 201-215.
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51Brown, Andrew R. & Dillon, Steven C. (2012) Collaborative digital media performance with generative music systems. In McPherson, Gary E. & Welch, Graham F. (Eds.) The Oxford Handbook of Music Education (Volume 2). Oxford University Press, New York, United States of America, pp. 549-566.
Brown, Andrew R., Dillon, Steven C., Kerr, Thorin, & Sorensen, Andrew C. (2009) Evolving interactions : agile design for networked media performance. In Kjeldskov, Jesper, Paay, Jeni, Viller, Stephen, & Schultz, Rebecca (Eds.) OZCHI 2009 Proceedings : Design: Open 24/7, Melbourne, pp. 41-48.
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1Brown, Andrew R. & Gifford, Toby M. (2009) Generation in context : an exploratory method for musical enquiry. In Stevens, Catherine, Schubert, Emery, Kruithof, Bridget, Buckley, Kym, & Fazio, Steven (Eds.) The Second International Conference on Music Communication Science, HCSNet, Sydney, pp. 7-10.
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107Brown, Andrew R. & Kerr, Thorin (2009) Adaptive music techniques. In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association, Brisbane, pp. 26-31.
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399Brown, Andrew R. & Sorensen, Andrew C. (2009) Integrating Creative Practice and Research in the Digital Media Arts. In Smith, Hazel & Dean, Roger (Eds.) Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh University Press, Edinburgh, pp. 153-165.
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163Brown, Andrew R. & Sorensen, Andrew C. (2009) Interacting with generative music through live coding. Contemporary Music Review, 28(1), pp. 17-29.
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4Brown, Andrew R. & Sorensen, Andrew C. (2007) aa-cell in practice : an approach to musical live coding. In Proceedings of the International Computer Music Conference, International Computer Music Association, Copenhagen, pp. 292-299.
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65Brown, Andrew R., Wooller, Rene W., & Kate, Thomas (2007) The Morph Table: A collaborative interface for musical interaction. In Riddel, Alistair & Thorogood, Alex (Eds.) Australiasian Computer Music Conference, 19-21 June 2007, Canberra, Australia.
Browning, David, Erp, Marlyn, Bødker, Mads, Bidwell, Nicola, & Turner, Truna Aka J. (2009) Designing for naturally engaging experiences. In Proceedings of Human-Computer Interaction – INTERACT 2009, Springer, Centre for Economic Studies, Uppsala, Sweden, pp. 961-962.
Callisen, Christian T. & Adkins, Barbara A. (2010) The old face of 'new' social networks : the republic of letters as a virtual community. In IR11.0 : Sustainability, Participation, Action', the 11th Annual Conference for the Association of Internet Researchers, 21-23 Oct 2010, Gothenburg, Sweden. (Unpublished)
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232Christensen, Sharon A., Dixon, William M., Duncan, William D., & Jones, Stephen E (2004) Land Contracts in Queensland. The Federation Press, Leichhardt.
Collins, Nick & Brown, Andrew R. (2009) Generative Music editorial. Contemporary Music Review, 28(1), pp. 1-4.
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92Desai, Gaurang (2008) An activity theory framework for industrial design. Journal of Design Research, 7(3), pp. 304-316.
Dillon, Steven C. (2009) Examining meaningful engagement : musicology and virtual music making environments. In Mackinlay, Elizabeth & Bartleet, Brydie-Lee (Eds.) Islands : Proceedings of the Musicological Society of Australasia. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 297-310.
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99Dillon, Steven C. (2007) Examining meaningful engagement: Musicology and virtual music making environments. In ISLANDS - Conference of the Australian and New Zealand Musicological Societies, 22-25 November 2007, Brisbane. (Unpublished)
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190Dillon, Steven C. (2009) Generative systems as relational bridges. In Proceedings of the The 32nd National Conference of the Musicological Society of Australia : BRIDGES, University of Newcastle, New South Wales.
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35Dillon, Steven C. (2005) Meaningful engagement with music technology. In Mackinlay, Elizabeth, Collins, Dennis, & Owens, Samantha (Eds.) Aesthetics and Experience in Music Performance. Cambridge Scholars Press, United Kingdom, Newcastle, pp. 329-341.
Dillon, Steven C. (2010) ‘Music is a wordless knowing of others.’ Resilience in virtual ensembles. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne. (In Press)
Dillon, Steven C. (2007) Music meaning and transformation: meaningful music making for life. Cambridge Scholars Publishing, Newcastle, United Kingdom.
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1,106Dillon, Steven C. (2008) Refocusing the ‘I’ : developing a research agenda for meaningful music making for life. In International Society for Music Education Conference, 17-25 July 2008, Bologna, Italy. (Unpublished)
Dillon, Steven C., Adkins, Barbara A., Brown, Andrew R., & Hirche, Kathy L. (2009) Communities of sound : examining meaningful engagement with generative music making and virtual ensembles. International Journal of Community Music, 2(1). (In Press)
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170Dillon, Steven C., Adkins, Barbara A., Brown, Andrew R., & Hirche, Kathy L. (2008) Communities of sound : generative music making and virtual ensembles. In Coffman, Don D. (Ed.) International Society for Music Education : Community Music Activity Commission- CMA XI: Projects, Perspectives & Conversations, 15-18 July 2008, Rome, Italy. (In Press)
Dillon, Steven C. & Brown, Andrew R. (2010) Access to meaningful relationships through virtual instruments and ensembles. In Coffman, Don D (Ed.) Proceedings of the ISME Commission for Community Music Activity: CMA XII Harmonizing the Diversity that is Community Music Activity, ISME, China National Convention Centre and China National Convention Centre, Hangzhou, China.
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51Dillon, Steven C. & Brown, Andrew R. (2007) Realising the possibilities of technology in music education research and philosophy. In Fifth International Research in Music Education Conference, 10th- 14th April 2007, Exeter, UK. (Unpublished)
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141Dillon, Steven C. & Brown, Andrew R. (2010) The educational affordances of generative media in arts education. In Chova, L. Gómez, Belenguer, D. Martí, & Torres, I. Candel (Eds.) INTED2010 Proceedings CD, International Association of Technology, Education and Development (IATED), Hotel SH Valencia Palace, Valencia, Spain, 005311-005320.
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80Dillon, Steven C. & Devito, Don (2011) DIScoveringABILITIES : creating interactive performances over the Internet. Education Technology Solutions, 40, pp. 73-74.
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25Dillon, Steven C. & Hirche, Kathy L. (2010) Navigating technological contexts and experience design in music education. In Ballantyne, Julie & Bartleet, Brydie-Leigh (Eds.) Navigating music and sound education. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 175-192.
Dillon, Steven C. & Jones, Anita (2009) Exploring new kinds of relationships using generative music making software. Australasian Psychiatry. (In Press)
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1Dillon, Steven C., Seeto, Deidre, & Berry, Anne (2011) Ezine and iRadio as knowledge creation metaphors for scaffolding learning in physical and virtual learning spaces. In Keppell, Mike, Souter, Kay, & Riddle, Matthew (Eds.) Physical and Virtual Learning Spaces in Higher Education : Concepts for the Modern Learning Environment. IGI Global, Hershey PA, pp. 163-181.
Dillon, Steven C., Seeto, Deidre, & Berry, Anne (2010) Planning for success in a blended learning environment. In Keppell, Mike, Souter, Kay, & Riddle, Matthew (Eds.) Physical and Virtual Learning Spaces in Higher Education : Concepts for the Modern Learning Environment. IGI Global. (In Press)
Garonne, Christophe & Davidsson, Per (2012) Business planning, idea change, flexibility and performance: the best of both worlds? In Zacharakis, A, Carter , S, Gruber , M, leleux , B, Corbett , A, Honig, B., et al. (Eds.) Frontiers of Entrepreneurship Research, Volume 31 - 2011: Proceedings of the 31st Annual Entrepreneurship Research Conference, Babson College, Arthur M. Blank Center for Entrepreneurship, Syracuse, New York, p. 431.
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29Gifford, Toby & Brown, Andrew R. (2009) Do androids dream of electric chimera? In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 56-63.
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127Hedemann, Callum L., Sorensen, Andrew C., & Brown, Andrew R. (2008) Metascore: User Interface Design for Generative Film Scoring. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.
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372Heyer, Clint, Brereton, Margot, & Viller, Stephen (2008) Cross-channel mobile social software : an empirical study. In Proceeding of the twenty-sixth annual CHI conference on Human factors in computing systems - CHI 08 CHI 08, Association for Computing Machinery, Florence, Italy, pp. 1525-1534.
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1Jacobs, Joanne & Polson, Debra (2006) Mobile learning, social learning. In Proceedings of Online Learning and Teaching Conference on Learning on the Move (OLT 2006), Brisbane, Queensland.
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101Leavy, Brett A., Hills, James, Barker, Christopher I., Gard, Stephan, & Wyeld, Theodor G. (2006) Digital Songlines - Digitising the Arts, Culture and Heritage Landscape of Aboriginal Australia. In Dean, David Arnold & Champion, Erik (Eds.) New Heritage: Beyond Verisimilitude. Conference on cultural heritage and new media, March 2006, Hong Kong.
Livingstone, Steven R. & Brown, Andrew R. (2005) Dynamic Response: Real-Time Adaptation for Music Emotion. In Second Australasian conference on Interactive entertainment, Sydney.
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364Livingstone, Steven R., Brown, Andrew R., & Muhlberger, Ralf (2005) Influencing the Perceived Emotions of Music with Intent. In Innocent, Troy (Ed.) 3rd Iteration, December 2005, Melbourne.
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693Livingstone, Steven R., Brown, Andrew R., & Muhlberger, Ralf (2005) Playing With Affect: Music performance with awareness of score and audience. In Opie, Tim & Brown, Andrew R. (Eds.) Australasian Computer Music Conference, July 2005, Brisbane, Australia.
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960Livingstone, Steven R., Muhlberger, Ralf, Brown, Andrew R., & Loch, Andrew (2007) Controlling musical emotionality: an affective computational architecture for influencing musical emotions. Digital Creativity, 18(1), pp. 43-53.
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10Livingstone, Steven R., Muhlberger, Ralf, Brown, Andrew R., & Thompson, William F. (2010) Changing musical emotion : a computational rule system for modifying score and performance. Computer Music Journal, 34(1), pp. 41-64.
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5Mitchell, Shane, Warren, Michael, McKinnon, David, & Upcroft, Ben (2010) A robust structure and motion replacement for bundle adjustment. In Wyeth, Gordon & Upcroft, Ben (Eds.) Proceedings of the 2010 Australasian Conference on Robotics & Automation, Brisbane.
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181Opie, Timothy T. & Brown, Andrew R. (2009) Eco-structure data forms : classification of data analysis using perceived design affordances for musical outcomes. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association (ACMA), Brisbane, pp. 123-129.
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65Podleschny, Nicole (2008) Playing urban sustainability : the ecology of a simulation game. In Vetere, Frank, Graham, Connor, & Satchell, Christine (Eds.) OZCHI 2008, 8-12 December 2008, Cairns, Australia.
Podleschny, Nicole (2009) Videogames, learning, and the social context : approaches to an ethnographic case study. Ejournalist, 9(1), pp. 71-80.
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52Procopis, Brian & Dillon, Steven C. (2010) Voices of the unheard. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 177-195. (In Press)
Pumpa, Malcolm R. (2007) Beyond the Map: Issues in the Design of a Virtual 3D Knowledge Space for Aboriginal Knowledge. In 13th Annual Virtual Systems and Multi-media Conference, 23/9/07, QUT Brisbane, Australia.
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352Pumpa, Malcolm R. & Wyeld, Theodor G. (2006) Database and Narratological Representation of Australian Aboriginal Knowledge as Information Visualisation using a Game Engine. In Tenth International Conference on Information Visualisation (IV'06), 5-7 July 20, London.
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2Pumpa, Malcolm R., Wyeld, Theodor G., & Adkins, Barbara A. (2006) Performing Traditional Knowledge using a Game Engine: Communicating and Sharing Australian Aboriginal Knowledge Practices. In Sixth International Conference on Advanced Learning Technologies (ICALT'06), 5-7 July , Kerkrade, The Netherlands.
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261Redhead, Fiona & Brereton, Margot (2009) Designing interaction for local communications : an urban screen study. In Proceedings of Interact 09 : 12th IFIP TC13 Conference on Human-Computer Interaction, 24 -28 Aug 2009, Uppsala. (In Press)
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1Ruthmann, Alex & Dillon, Steven (2012) Technology in the lives and schools of adolescents. In McPherson, Gary E. & Welch, Graham F. (Eds.) The Oxford Handbook of Music Education (Volume 1). Oxford University Press, New York, United States of America.
Ruthmann, Alex, Finney, John, Seddon, Frederick, Dillon, Steven C., Leong, Samuel, Burnard, Pamela, et al. (2008) Music education with digital technology : changing identities, researching digital classrooms, and strategies for change. In International Society of Music Education Conference : Symposium, 17-25 July 2008, Bologna, Italy.
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567Saether, Eva, Ballantyn, Julie, Ruthmann, Alex, Dillon, Steven C., & Harrison, Scott (2008) International perspectives on pedagogies of inclusion in music education : theorising practice. In Symposium : International Perspectives on Pedagogies of Inclusion in Music Education : Theorising Practice, Bologna Italy, International Society for Music Education. (Unpublished)
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178Sorensen, Andrew C. & Brown, Andrew R. (2008) A Computational Model For The Generation Of Orchestral Music In The Germanic Symphonic Tradition: A progress report. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.
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209TURNER, Jane (truna aka j.turner) & Thomas, Lubi (2010) The 48 hour game making challenge: Jams, Jellybeans and the fruits of passion. [Creative Work]
TURNER, Jane (truna aka j.turner) & Thomas, Lubi (2011) IGDA Perspective May 2011 : Apres le deluge - The Brisbane [Briz-lantis] story. [Creative Work]
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54Turner, Jane & Browning, David (2009) Designing spatial story-telling software. In Proceedings of the 21st Annual Conference of the Australian Computer-Human Interaction Special Interest Group on Design: Open 24/7 - OZCHI '09, ACM, University of Melbourne, Melbourne, Victoria, pp. 153-160.
Turner, Jane & Browning, David (2010) Workshop on HCI and game interfaces : a long romance. In OZCHI 2010 : Design – Interaction – Participation, 22 - 26 November 2010, Queensland University of Technology, Brisbane, Qld.
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82Turner, Jane, Browning, David, & Bidwell, Nicola (2009) Wanderer beyond game worlds. Leonardo Electronic Almanac, 16(2-3 - Special Issue).
Turner, Jane & Thomas, Lubi (2010) GCAP 2010 presentation : jams, jellybeans and the fruits of passion. [Creative Work]
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22Turner, Jane & Thomas, Lubi (2011) Jams, jelly beans and the fruits of passion - art book (26 Pages). [Creative Work]
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6Turner, Jane & Thomas, Lubi (2012) Visualising the 48 hour game making challenge. The Dean's Research Seminar Poster Exhibition. (Unpublished)
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18Turner, Jane (Truna), Thomas, Lubi, & Owen, Cameron (2010) 48 Hour Game Making Challenge - In Progress [Four Episodes]. [Creative Work]
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13Turner, Jane (truna aka j. turner), Browning, David, & Moyes, Gordon (2012) Performing design analysis: game design creativity and the theatre of the impressed. In Cermak-Sassenrath, Daniel & Walker, Charles (Eds.) Proceedings of The 8th Australasian Conference on Interactive Entertainment, ACM (Association for Computing Machinery) Press, Auckland, New Zealand, pp. 1-10.
Turner, Jane (truna aka j. turner), Thomas, Lubi, Rosman, Giselle, & Ditton, Matt (2011) Journeys with friends. In Games Connect Asia Pacific 2011, 14-16 November , Melbourne, Victoria. (Unpublished)
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29Turner, Jane (truna aka j.turner) & Moyes, Gordon (2012) Performing design: game design, practice, praxis and the theatre of the impressed. Colab Journal of Creative Technologies, online-online.
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15Turner, Jane (truna aka j.turner) & Thomas, Lubi (2011) The Fifth 48 Hour Game Making Challenge (2011). [Creative Work]
Warren, Michael, McKinnon, David, Gifford, Toby, He, Hu, Shiel, Michael, Preller, Dawid, et al. (2010) Vision only pose estimation and scene reconstruction on airborne platforms. In Robotics, Science and Systems Conference, 27-30 June 2010, Zaragoza, Spain.
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156Warren, Michael, McKinnon, David, He, Hu, & Upcroft, Ben (2010) Unaided stereo vision based pose estimation. In Australasian Conference on Robotics and Automation (ACRA 2010), 1-3 December 2010, Brisbane, Queensland.
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61Wooller, Rene & Brown, Andrew R. (2009) TraSe algorithm : automatic evolutionary morphing of electronic dance music. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association, Brisbane, pp. 64-71.
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73Wooller, Rene W. & Brown, Andrew R. (2008) A framework for discussing tonality in electronic dance music. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.
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237Wyeld, Theodor G. & Pumpa, Malcolm R. (2007) Narratological Constructs in the Gestalt of the 3D Game environment: Aboriginal Knowledge and its Connection to the Data Landscape Metaphor. In 11th International Conference Information Visualization (IV '07), 4-6 July 2007, Zurich, Switzerland.
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188Yuille, Jermey, Forward, Miranda, Brown, Andrew R., Sade, Gavin J., Greg, Jenkins, & Weight, Jenny (2006) senseMix : sharing creative mobile content. In Eighth conference on Human–Computer Interaction with Mobile Devices and Services, 12-15 September 2006, Espoo, Helsinki.
