Current > Schools > Drama
 | Up a level |
Jump to: Book | Book Chapter | Journal Article | Conference Paper | Conference Item | Creative Work | Report | Review | QUT Thesis | Other
Number of items at this level: 204.
Book
Comans, Christine Anne Wilmington (2009) La Boite The Story of an Australian Theatre Company. Playlab Press, Brisbane, Australia.
Heim, Caroline L. (2010) Theatre audience contribution : facilitating a new text through the post-performance discussion. Lambert Academic Publishing, Saarbrucken, Germany.
Makeham, Paul B. (1999) Industrial Relations: Proceedings from the 1999 Australasian Drama Studies Association Conference. QUT, Brisbane, Australia.
607
607Megarrity, David (2008) Together alone : balancing sole authorship and collaborative approaches to performance making. VDM Verlag Dr.Muller, Saarbrucken, Germany.
Book Chapter
Delbridge, Matthew & Vincs, Kim (2008) The silk road project : dance and embodiment in the age of motion capture. In Barbour, John (Ed.) Sites of Activity : ACUADS Research 08-09. Australian Council of University Art and Design Schools (ACUADS), Southbank, Victoria, pp. 8-9.
Gattenhof, Sandra Jane (2012) Destination know-where : a road map of a PhD journey in theatre for young people. In Forrest, David & , (Eds.) The Doctoral Journey in Dance Education and Drama Education: Reflections on Doctoral Studies by Australian and New Zealand Art Educators. Australian Scholarly Publishing Pty Ltd., North Melbourne, Australia, pp. 95-110.
Hadley, Bree J. (2008) Reality just arrived - Mark Ravenhill's 'Faust is Dead'. In Fitzsimmons, Lorna (Ed.) International Faust Studies: Adaptation, Reception, Translation. Continuum, London, pp. 258-275.
Heim, Caroline L. (2008) The theatre programme : a public discourse at a staging of Maxwell Anderson's "Anne of the Thousand Days". In Maxwell, Ian (Ed.) Being There: After, Proceedings of the 2006 Annual Conference of the Australasian Drama, Theatre, and Performance Studies. The University of Sydney.
Journal Article
Comans, Christine Anne Wilmington (2009) The new wave : a Brisbane perspective : La Boite Theatre Company's distinctive contribution. Double Dialogues, 11 Winter.
129
129Delbridge, Matthew (2013) The ecological approach to visual perception and the actor performance captured in the gaming landscape. Animation Practice, Process & Production, 2(1). (In Press)
8
8Delbridge, Matthew & Tompkins, Joanne (2012) Reproduction, mediation, and experience : virtual reality, motion capture and early modern theatre. Space–Event-Agency–Experience.
48
48Gattenhof, Sandra J. (2008) YAQ: Twenty years of supporting Queensland's young people and their creative practice. YAQ Papers - 10th Anniversary Edition, pp. 11-13.
183
183Gattenhof, Sandra J. & Hadley, Bree J. (2011) Measurable progress? Teaching artsworkers to assess and articulate the impact of their work. M/C Journal, 14(6).
21
21Gattenhof, Sandra Jane (2009) Drama, the arts and the Australian National Curriculum. NJ Drama Australia Journal, 33(1), pp. 83-94.
Gattenhof, Sandra Jane (2009) Positioning the Arts in the Australian National Curriculum. Lowdown Magazine : Youth Performing Arts in Australia, 31(4), pp. 6-9.
234
234Gattenhof, Sandra Jane (2012) The Yonder project : literacy and social competency development in primary school students through co-creation of live performance. NJ - Journal of Drama Australia, 36, pp. 50-61.
Gattenhof, Sandra Jane (2013) The art of careful listening : children as co-artists in the making of live performance. The Journal of Drama and Theatre Education in Asia (DaTEAsia). (In Press)
Gattenhof, Sandra Jane & Radvan, Mark (2009) In the mouth of the imagination : positioning children as co-researchers and co-artists to create a professional children's theatre production. Research in Drama Education, 14(2), pp. 211-224.
Gattenhof, Sandra Jane & Vogelpoel, Nicholas (2013) Arts-health intersections : a model of practice for consistency in the arts-health sector. Journal of Applied Arts and Health, 3(3), pp. 259-274.
8
8Hadley, Bree, Rajak, Jelena, Filmer, Andrew, Caines, Rebecca, & Read, Alan (2010) The 'Dirty Work' of the Lie. The 'Dirty Work' of the Lie, 15(2), pp. 123-129.
39 
1
39 1Hadley, Bree J. (2011) Creating successful cultural Brokers : the pros and cons of a community of practice approach in arts management education. Asia Pacific Journal of Arts and Cultural Managemen, 8(1), pp. 645-659.
Hadley, Bree J. (2008) Influences, institutions and outcomes : a survey of masters and doctoral theses on actor training in Australia, 1979-2004. Australasian Drama Studies, 53(October 2008), pp. 8-16.
302
302Hadley, Bree J. (2008) Mobilising the monster: modern disabled performers' manipulation of the freakshow. M/C Journal, 11(3).
145
145Hadley, Bree J. (2011) Re-constructing Asianness in Australia : Yumi Umiumare, Owen Leong, and the remobilisation of monstrosity. Liminalities: A Journal of Performance Studies, 7(3), pp. 1-13.
Hadley, Bree J. (2007) Unthinkable complexity : dance, datascapes and the desire to connect in Lucy Guerin's Aether. Brolga, 27, pp. 17-25.
Hadley, Bree J. & Caines, Rebecca (2009) Negotiating selves : exploring cultures of disclosure. MC Journal, 12(5).
Hadley, Bree J., Trace, Genevieve, & Winter, Sarah (2010) Uncertainties that matter: risk, response-ability, ethics and the moment of exchange in Live Art. About Performance, 10, pp. 137-151.
Heim, Caroline L. (2012) Tutorial facilitation in the humanities based on the tenets of Carl Rogers. Higher Education, 63(3), pp. 289-298.
138
138Heim, Caroline Louise & Heim, Christian (2010) Marginalising the mainstream : a signed performance of The Miracle Worker places deaf issues centre-stage. M/C Journal, 13(3), pp. 1-2.
119
119Heim, Dr Caroline Louise (2006) Negotiating meanings: audience reception to a contemporary staging of Maxwell Anderson’s Mary of Scotland”. Crossings, 11(1).
69
69Makeham, Paul B. (1993) 'The black hole of our history' : a conversation with Louis Nowra. Canadian Theatre Review, 74(Spring), pp. 27-31.
85
85Makeham, Paul B., Hadley, Bree J., & Kwok, Joon-Yee (2012) A ‘Value Ecology’ approach to the performing arts. M/C Journal, 15(3).
34
34Smith, Graham & Wermuth, Urs D. (2010) 4-Carbamoylpiperidinium phenylacetate hemihydrate. Acta Crystallographica. Section E: Structure Reports Online, 66(12), o3260.
7 
6 5
7 6 5Tompkins, Joanne & Delbridge, Matthew (2009) Using virtual reality modelling in cultural management, archiving and research. EVA London 2009, pp. 260-269.
22
22Conference Paper
Delbridge, Matthew (2009) Directing for the 360 degree frame : developing a directorial approach to performance capture. In TaPRA 2009 Annual Conference, 7-9 September 2009, University of Plymouth. (Unpublished)
148
148Delbridge, Matthew (2009) Performance space to performance place. In Queen Mary University of London Postgraduate Symposium, June 2009, London. (Unpublished)
14
14Delbridge, Matthew (2010) The absence of form. In TaPRA Dealing with Digital Symposium 2010, March 20th 2010, Bedford Square, London. (Unpublished)
18
18Delbridge, Matthew & Tompkins, Joanne (2011) Technology, memory and experience : virtual reality, motion capture and early modern theatre. In Performance Studies International (PSi) Conference 2011, 25-29 May 2011, Utrecht University, Utrecht. (Unpublished)
13
13Gattenhof, Sandra Jane (2008) In the mouth of the imagination : positioning children as co-researchers and co-artists to create a professional children’s theatre production. In gener8 - Drama Australia National Conference, 9-11 May 2008, Adelaide.
214
214Gattenhof, Sandra Jane (2011) More than just audiences. In Herd, Nick (Ed.) Engaging Young Audiences Research Colloquium, 17 November 2011, Sydney, Australia. (Unpublished)
111
111Gattenhof, Sandra Jane (2008) Theatrical risking : performance innovation in Australian theatre for young people. In International Theatre for Young Audiences Research Network, Friday 9 May 2008, Adelaide.
342
342Gattenhof, Sandra Jane (2011) The art of careful listening : children as co-artists in the making of live performance. In Adams, Christine (Ed.) Spaces of Performance Drama Australia National Conference, 31 March to 2 April 2011, State Theatre Centre of Western Australia, Perth, WA.
72
72Hadley, Bree (2010) (Dia)logics of difference : disability, performance & spectatorship. In Performance Studies international (PSi) Conference 2010, June 2010, Toronto, Canada. (Unpublished)
Hadley, Bree (2010) Paving for diverse pathways : using industry-linked learning to support Performing Arts students in their transition to protean careers. In Paving for diverse pathways, Canberra, Australia.
Hadley, Bree (2010) Stripping Sight Bare : Alison Jones’ ‘Portraits by Proxy’. In Australasian Association for Drama Theatre and Performance Studies (ADSA) Conference 2010, July 2010, Canberra, Australia. (Unpublished)
Hadley, Bree J. (2008) Body, space, self : locating and dis-locating subjectivities in contemporary performance. In Turangawaewae/A sense of place : Australasian Drama Studies Conference, 30 June – 3 July 2008, University of Otago, Dunedin, New Zealand. (Unpublished)
39
39Hadley, Bree J. (2007) But they can't just be handing out flyers : real-life learning on the Brisbane festivals scene. In ATN Evaluation & Assessment Conference, 28-29 November 2007, Queensland University of Technology, Brisbane, Australia. (Unpublished)
35
35Hadley, Bree J. (2009) Celebrating difference/censoring difference? : Marie Chouinard’s bODY rEMIX. In Silent Voices, Hidden Lives: Performance and Censorship, International Federation of Theatre Research / Federation International de la Recherche Theatrale Conference 2009, 14-18 July 2009, University of Lisbon, Lisbon. (Unpublished)
Hadley, Bree J. (2011) Do you see what I mean? charting changing representations and receptions of the disabled body in contemporary and pop cultural performance. In Hadley, Bree J. (Ed.) Australasian Association for Theatre Drama & Performance Studies Conference 2011, 28 June - 1 July 2011, Monash University, Melbourne, Vic. (Unpublished)
Hadley, Bree J. (2009) Duplicity/complicity : misperforming the social drama of disability. In PSI 15 : Misperformance : Misfitting, Misfiring, Misreading, Performance Studies international Conference #15, June 24-28, 2009, University of Zagreb, Zagreb, Croatia. (Unpublished)
Hadley, Bree J. (2006) During and enduring : forced entertainment's bloody mess and the phenomenon of time in performance. In Maxwell, Ian (Ed.) The Australasian Association for Theatre Drama and Performance Studies Conference, 4-7 July 2006, University of Sydney.
Hadley, Bree J. (2008) Encountering in between bodies : complicity, proximity and the crisis of meaning. In Interregnum : in between states : the 14th performance studies international conference, August 20-24 2008, University of Copenhagen, Copenhagen, Denmark. (Unpublished)
40
40Hadley, Bree J. (2009) Practice as method : the ex/centric fixations project. In Material Interventions : Applying Creative Research, 30 November - 1 December 2009, Deakin University, Melbourne. (Unpublished)
Hadley, Bree J. (2008) Recognition, misrecognition and the crisis of meaning : the risky mechanics of staging the 'monstrous'. In Re-constructing Asian-ness(es) in the global age : International Federation of Theatre Research/Federation International de la Recherche Theatrale Conference, July 14-19 2008, Chung-Ang University, Seoul, Korea. (Unpublished)
27
27Hadley, Bree J. (2007) Staging Asian-Australian identities. In The 2nd Asian-Australian Identities : Asian-Australian Studies Research Network Conference, June 27-30 2007, University of Melbourne, Melbourne, Australia. (Unpublished)
93
93Hadley, Bree J. (2011) “That you would post such a thing implies that you are a despicable human being”: spectatorship, social media, & the struggle for meaning in disability performance. In Performance Studies International (PSi) Conference 2011, 25-29 May 2011, Utrecht University, Utrecht. (Unpublished)
Hadley, Bree J. (2007) Virtuosity/discipline/docility. In Somatechnics Conference 2007, April 19-21, 2007, Macquarie University, Sydney, Australia. (Unpublished)
45
45Hadley, Bree J. (2007) With a vengeance : staging identity in contemporary performance. In Extreme states : issues of scale : political, performative, emotional : Australasian Association for Drama, Theatre and Performance Studies Conference, 3-6 July 2007, University of Melbourne/LaTrobe University, Melbourne, Australia. (Unpublished)
33
33Hadley, Bree J., Cochrane, Bernadette, Kennedy, Flloyd, & Kehoul, Gillian (2008) Where does practice live? How a magdamodel helped develop a sense of belonging between practitioners and academic researchers [PANEL]. In Turangawaewae/A sense of place : Australasian Association for Drama, Theatre and Performance Studies Conference, June 30-July 3 2008., University of Otago, Dunedin, New Zealand. (Unpublished)
58
58Hadley, Bree J., Richards, Allison, & Guthrie, Adrian (2008) Ma-cinations : finding a place for collaborative practice. In Turangawaewae/A sense of place : Australasian Association for Drama, Theatre and Performance Studies Conference, June 30-July 3 2008, University of Otago, Dunedin, New Zealand. (Unpublished)
17
17Hadley, Bree J., Trace, Genevieve, & Winter, Sarah (2009) The moment of exchange : risk, vulnerability, responsibility. In Australasian Association for Drama, Theatre and Performance Studies Conference 2009 : Boom or Bust, 30 June - 3 July 2009, Edith Cowan University, Perth, Western Australia. (Unpublished)
Heim, Caroline L. (2005) Negotiating meanings : audience reception to a contemporary staging of Maxwell Anderson’s Mary of Scotland. In Work in Progress Conference, 30 September - 1 October 2005, University of Queensland. (Unpublished)
Heim, Caroline L. (2010) Undressing the actor : the erotic relationship with the audience. In Australasian Association for Drama, Theatre and Performance Studies Conference 2010, 29 June - 2 July 2010, Australian National University. (Unpublished)
Heim, Caroline L. (2010) The naked audience : audience performance at a recent staging of Gibson’s "the Miracle Worker". In Australasian Association for Drama, Theatre and Performance Studies Conference 2010, 29 June - 2 July 2010, Australian National University. (Unpublished)
Makeham, Paul B. (2008) Regional performance : mapping "The North". In AusStage Symposium : Transforming Research into Live Performance, 25 September 2008, School of Humanities, Flinders University, Adelaide. (Unpublished)
99
99Makeham, Paul B. & Radvan, Mark (2012) Working with actors in open disclosure simulations. In Iedema, Rick (Ed.) 1st International Incident Disclosure Conference, University of Technology Sydney, University of Technology Sydney.
26
26Megarrity, David (2007) COLLABORATORY : characteristics of collaborative creativity. In Effective Teaching and Learning Conference : Preparing Students for Work in the Real World, 1-2 November 2007, Queensland University of Technology, Brisbane, Queensland. (Unpublished)
133
133Megarrity, David (2004) Creating theatre for young audiences : UKULELE MEKULELE and SHOW. In Creating Theatre for Young People, June 16, 2004, Sydney Opera House, Sydney. (Unpublished)
26
26Megarrity, David (2008) Sounds from the empty city : a practice-led case study in the confluence of music, narrative and emotion. In International Conference on Music and Emotion, 31st August – 3rd September 2009, Durham University, Durham. (Unpublished)
67
67Smith, Judith E., Meijer, George, & Kielly-Coleman, Nicole (2010) Assurance of learning : the role of work integrated learning and industry partners. In Campbell, , M. (Ed.) Work Integrated Learning : Responding to Challenges, Australian Collaborative Education Network (ACEN) Incorporated, Curtin University of Technology, Perth, WA, pp. 409-419.
204
204Conference Item
Delbridge, Matthew (2010) Devising a scenographic approach in Jonzi D's Hip Hop theatre. In London Scenography Conference : Scenography Stages the Nation, 19-22 July 2010, Regents College, London. (Unpublished)
196
196Delbridge, Matthew (2011) Preparing the actor for performance capture. In Shakespeare Reverie Symposium, 6-8 October 2011, Cobb and Co Museum, Toowoomba, QLD. (Unpublished)
6
6Delbridge, Matthew, Flaus, John, & Strangio, Lawrence (2010) Stretch : episodes of a recreation in progress. In Enter the New Wave Symposium, 26-28 September 2007, University of Melbourne, Victoria. (Unpublished)
15
15Delbridge, Matthew & Tompkins, Joanne (2010) A world elsewhere : virtual reality, motion capture and early modern theatre. In Shakespeare's Spaces, 28-29 August 2010, University of Tasmania, Hobart. (Unpublished)
44
44Gattenhof, Sandra (2009) A Position for the Arts in the Australian National Curriculum. In Drama New South Wales State Conference : DramALIVE, 20 May 2009, Sydney. (Unpublished)
107
107Gattenhof, Sandra Jane (2009) The Arts and the National Curriculum for Australian Schools. In Queensland Independent Schools Curriculum Forum, 25 May 2009, Brisbane. (Unpublished)
84
84Makeham, Paul B. (2009) Applied theatre and organisational transformation. In 4th Asia Pacific Symposium on Emotions and Worklife, 27th November 2009, Griffith University, Southbank, Brisbane, Australia. (Unpublished)
Makeham, Paul B. (2007) Creative Industries. In I Fórum Internacional de Criatividade e Inovação, 19-20 June 2007, Hotel Unique, São Paulo, Brazil. (Unpublished)
102
102Makeham, Paul B., Casey, Maryrose, Kehoul, Gillian, & Ryan, Delyse (2005) Dramatic teaching : focussing on drama, theatre, and performance in higher education. In Journeys to the Interior : 2005 Conference of the Australasian Association for Theatre, Drama and performance Studies (ADSA), 4-7 July 2005, Charles Sturt University, Wagga Wagga, Australia. (Unpublished)
95
95Makeham, Paul B. & Dunstone, Bill (2004) Performance Research in Rangeland Communities. In Listening to the Image : 2004 Conference of the Australasian Association for Theatre, Drama and Performance Studies, 30 June - 3 July 2004, Victoria University of Wellington, Wellington New Zealand. (Unpublished)
8
8McElwain, Sean & Lavender, Nigel (2011) Large-scale community projects in regional Queensland : unlocking creative potential and community identity : Artspoken Queensland Regional Arts and Culture Conference 2011. In Artspoken Queensland Regional Arts and Culture Conference 2011, 13th - 14th October 2011, Bundaberg, Qld. (Unpublished)
2
2Megarrity, David (2011) Development sites in the empty city : from picture book to performance. In 20th Biennial Congress of the International Research Society for Children’s Literature: Fear and Safety in Children’s Literature, 4-8 July 2011, Queensland University of Technology, Brisbane, Qld. (Unpublished)
28
28Creative Work
Delbridge, Matthew (2009) Digital scenography for "Markus the Sadist" : UK National Tour. [Creative Work]
31
31Delbridge, Matthew (2009) "The Lost Lounge" - Split Britches (Lois Weaver, Peggy Shaw). [Creative Work]
102
102Hadley, Bree J. (2008) Exist documentation: description of creative works in the International Live Art Event "exist in 08". [Creative Work]
37
37Heim, Caroline L. & Heim, Christian (2010) Shadowlands (Directed by Caroline Heim). [Creative Work]
13
13Makeham, Paul B., Ashkanasy, Neal, Lawrence, Sandra, Brown, James, & Portmann, Geoffrey T. (2010) Workplace Emotion: Fear and Anger. [Creative Work]
Makeham, Paul B., Gattenhof, Sandra J., & Haseman, Bradley C. (2008) TAFE Governance Transitions Prophetical. [Creative Work]
Makeham, Paul B., Portmann, Geoffrey T., Comans, Christine A., & Gattenhof, Sandra J. (2008) Queensland Health Prophetical: Energising Through Conflict. [Creative Work]
Makeham, Paul B., Portmann, Geoffrey T., Taylor, Wayne T., Nolan, Ellissa, & Murray, Clare (2009) CARRS-Q screen profiles. [Creative Work]
1,759
1,759Megarrity, David, Fenton, David, & Oxlade, Jonathon (2010) The empty city (Stage adaptation). [Creative Work]
414
414Megarrity, David & McGough, Roger (2006) Unlucky for Some : 13 poems by Roger McGough. [Creative Work]
133
133Megarrity, David & de Saint Exupery, Antoine (2002) The Little Prince (studio adaptation). [Creative Work]
265
265Report
Gattenhof, Sandra Jane (2012) Looking Yonder : Longitudinal Research and Evaluation of the Yonder Participative Arts-based Learning Model Report 2010-2012. Queensland University of Technology, Brisbane , QLD.
46
46Gattenhof, Sandra Jane & Hadley, Bree J. (2011) Creating Queensland, creative communities partnership - major Brisbane festival & Australia Council for the Arts. Queensland University of Technology, Brisbane , QLD.
10
10Makeham, Paul B., Gesche, Astrid H., Williamson, Jane, Elliott, Robert G., & McPherson, Ian (2006) Internationalising the curriculum : attending to cultural diversity in teaching and learning across three faculties at QUT. Queensland University of Technology, Brisbane, Queensland.
93
93Review
Hadley, Bree (2010) Hoodie-wearing Hamlet mixes horror with humour in a play for our times [REVIEW]. Hoodie-wearing Hamlet mixes horror with humour in a play for our times [REVIEW], Feb(12).
Hadley, Bree (2010) Independent Brisbane: Four Plays [BOOK REVIEW]. Australasian Drama Studies, 56, pp. 242-244.
Hadley, Bree (2007) Review : Anne Bogart, 'And then, you act : making art in an unpredictable world'. Australasian Drama Studies, 51, pp. 151-153.
122
122Hadley, Bree (2006) Review : Peta Tait, Circus Bodies : cultural identity in aerial performance. Australasian Drama Studies, 48, pp. 252-255.
137
137Hadley, Bree J. (2011) Contemporary take on Caesar a triumph of style over substance [Review]. The Australian, Feb(21).
Hadley, Bree J. (2010) Contemporary take on deconstructed Medea : a review. The Australian, 23(Nov).
Hadley, Bree J. (2008) Desires and despair given voice in Russian. Desires and despair given voice in Russian.
Hadley, Bree J. (2010) Eschewing the fat: strong production but Neil LaBute below his best : a review. The Australian, 7(Jun).
Hadley, Bree J. (2011) Four characters stuck inside a mystery [Review]. The Australian, September(26).
Hadley, Bree J. (2011) Loss and grief at the heart of text messages [REVIEW]. The AUstralian, June(30).
Hadley, Bree J. (2011) Review of "Christoph Schlingensief : art without borders" edited by Tara Forrest and Anna Teresa Scheer. Performance Paradigm, 7, pp. 1-5.
Hadley, Bree J. (2010) Teenager loner in a chat room tangled up in guile and guilability : a review. The Australian, 26(Jul).
Hadley, Bree J. (2010) Textbook portrayal of grieving stereotypes fails to cohere : a review. The Australian, 30(Aug).
Hadley, Bree J. (2011) An emotional father and son reunion that sometimes is at a loss for words [Review]. The Australian, April(11).
Hadley, Bree J. (2008) The female of the species by Joanna Murray-Smith [REVIEW]. Australian Stage Online.
Makeham, Paul B. (1994) Louis Nowra, 'Radiance' (Sydney: Currency Press, 1993). Australasian Drama Studies, 25, pp. 189-193.
174
174Makeham, Paul B. (2009) "Men at play : masculinities in Australian theater since the 1950s" -- By Jonathan Bollen, Adrian Kiernander and Bruce Parr. Theatre Research International, 35(2), pp. 215-216.
208
208QUT Thesis
Brown, David Ian (2010) From ennui to enthusiasm : a playwright’s exploration of dramaturgy. PhD by Creative Works, Queensland University of Technology.
345
345Davis, Susan Elizabeth (2010) ICTs for creative practice in drama : creating cyberdrama with young people in school contexts. PhD thesis, Queensland University of Technology.
545
545Jamieson, Helen Varley (2008) Adventures in cyberformance. Masters by Research thesis, Queensland University of Technology.
640
640Knapton, Benjamin (2008) Activating simultaneity in performance : exploring Robert Lepage's working principles in the making of Gaijin. Masters by Research thesis, Queensland University of Technology.
1,197
1,197Kwok, Joon-Yee (2010) When sparks fly : developing formal mentoring programs for the career development of young and emerging artists. Masters by Research thesis, Queensland University of Technology.
186
186Mercer, Leah Gwenyth (2009) Complementarity and the uncertainty principle as aesthetic principles : the practice and performance of The Physics Project. PhD thesis, Queensland University of Technology.
504
504Other
Gattenhof, Sandra J., Last, Daniel W., & Brown, Hannah F. 2008 Brisbane Festival The Grand Inquisitor Teacher Resource Materials. (Unpublished)
316
316Gattenhof, Sandra J., Saunders, John N., & Hughes, Kelty (2008) 2008 Brisbane Festival The Three Sisters Teacher Resource Materials. (Unpublished)
318
318Gattenhof, Sandra J., Short, Karlee J., & Young, Kate L. (2008) 2008 Brisbane Festival The Kingdom of Desire Teacher Resource Materials. (Unpublished)
Gattenhof, Sandra J., Winn, Kelisha E., & Tester, Nikia M. (2008) 2008 Brisbane Festival bODY_rEMIX/gOLDBERG_vARIATIONS Teacher Resource Materials. (Unpublished)
223
223Gattenhof, Sandra Jane, Boyd, Amanda, & Franklin, Jill (2009) L'Oratorio d'Aurélia: 2009 Brisbane Festival teacher resource.
160
160Gattenhof, Sandra Jane, Brown, Brent, & Hewitt, Rebecca (2009) The trial of the Catonville Nine : 2009 Brisbane Festival teacher resource.
272
272Gattenhof, Sandra Jane, Ennis, Amara, & Klaricich, Jenna (2009) Miracle in Brisbane : 2009 Brisbane Festival teacher resource.
631
631Gattenhof, Sandra Jane, Hollins, Katie, & Shenfield, Robyn (2009) Moon water : 2009 Brisbane Festival teacher resource.
218
218