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Number of items at this level: 131.

Book

Brader, Andy (2011) Songs of Resilience. Meaningful Music Making For Life, 3. Cambridge Scholars Publishing, United Kingdom.
Number of full-text downloads 335

Brown, Andrew R. (2007) Computers in music education : amplifying musiciality. Routledge, New York.

Dillon, Steven C. & Brown, Andrew R. (2011) Sound thinking : tips and tools for understanding popular music. Exploding Art Pty Ltd, Brisbane, QLD.
Number of full-text downloads 38

Book Chapter

Brader, Andy (2011) Producing better outcomes : music and public services. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 3-19.

Brader, Andy, Farr-Wharton, Ben, Dodge, Greg, & Dick, Tom (2011) Resourcing resilience through recreational music programs. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 145-164.

Brown, Andrew R. & Dillon, Steve C. (2012) Meaningful engagement with music composition. In The Act of Musical Composition: Studies in the Creative Process. Ashgate, London. (In Press)

Brown, Andrew R. & Dillon, Steven C. (2012) Collaborative digital media performance with generative music systems. In McPherson, Gary E. & Welch, Graham F. (Eds.) The Oxford Handbook of Music Education (Volume 2). Oxford University Press, New York, United States of America, pp. 549-566.

Brown, Andrew R. & Sorensen, Andrew C. (2009) Integrating Creative Practice and Research in the Digital Media Arts. In Smith, Hazel & Dean, Roger (Eds.) Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh University Press, Edinburgh, pp. 153-165.
Number of full-text downloads 194

Dillon, Steve (2012) Musicianship for meaningful engagement. In Brown, Andrew R. (Ed.) Sound Musicianship : Understanding the Crafts of Music. Cambridge Scholars Publishing, United Kingdom, pp. 143-154.

Dillon, Steven C. (2009) Examining meaningful engagement : musicology and virtual music making environments. In Mackinlay, Elizabeth & Bartleet, Brydie-Lee (Eds.) Islands : Proceedings of the Musicological Society of Australasia. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 297-310.
Number of full-text downloads 133

Dillon, Steven C. (2005) Meaningful engagement with music technology. In Mackinlay, Elizabeth, Collins, Dennis, & Owens, Samantha (Eds.) Aesthetics and Experience in Music Performance. Cambridge Scholars Press, United Kingdom, Newcastle, pp. 329-341.

Dillon, Steven C. (2011) Music is a Wordless Knowing of Others : Resilience in Virtual Ensembles. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, p. 239.

Dillon, Steven C. & Hirche, Kathy L. (2010) Navigating technological contexts and experience design in music education. In Ballantyne, Julie & Bartleet, Brydie-Leigh (Eds.) Navigating music and sound education. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 175-192.

Dillon, Steven C., Seeto, Deidre, & Berry, Anne (2011) Ezine and iRadio as knowledge creation metaphors for scaffolding learning in physical and virtual learning spaces. In Keppell, Mike, Souter, Kay, & Riddle, Matthew (Eds.) Physical and Virtual Learning Spaces in Higher Education : Concepts for the Modern Learning Environment. IGI Global, Hershey PA, pp. 163-181.

Graham, Philip W. (2013) Australian copyright regimes and political economy of music. In Tschmuck, Peter, Pearce, Philip L., & Campbell, Steven (Eds.) Music Business and the Experience Economy : The Australasian Case. Springer Berlin Heidelberg, Berlin, Germany, pp. 11-26.

Graham, Philip W. (2013) Dromoeconomics. In Armitage, John (Ed.) The Virilio Dictionary. Edinburgh University Press, Edinburgh, United Kingdom.

Graham, Philip W. (2013) Hypercapitalism : language, new media and social perceptions of value. In Wodak, Ruth (Ed.) Critical Discourse Analysis : Doing CDA/Case studies [Volume 3]. Sage Publications Ltd., London, pp. 245-268.

Graham, Philip W. & Luke, Allan (2013) Critical discourse analysis and political economy of communication : understanding the new corporate order. In Wodak, Ruth (Ed.) Critical Discourse Analysis : Concepts, History, Theory : Volume 1. Sage Publications Ltd., London, pp. 103-130.

Howlett, Mike (2012) Interlude 2 : Comments and commentaries by industry Professionals and Producers. In Frith, Simon & Zagorski-Thomas, Simon (Eds.) The Art of Record Production : An Introductory Reader for a New Academic Field. Ashgate Publishing, Farnham, United Kingdom, pp. 189-190.

Howlett, Mike (2012) Interlude 3 : Comments and Commentaries by Industry Professionals and Producers. In Frith, Simon & Zagorski-Thomas, Simon (Eds.) The Art of Record Production : An Introductory Reader for a New Academic Field. Ashgate Publishing, Farnham, United Kingdom, p. 272.

Howlett, Mike (2009) Performing for (and against) the microphone : personal takes : producing a credible vocal. In Cook, Nicholas, Clarke, Eric, Leech-Wilkinson, Daniel, & Rink, John (Eds.) The Cambridge Companion to Recorded Music. Cambridge University Press, Cambridge, pp. 30-31.

Procopis, Brian & Dillon, Steven C. (2011) Voices of the Unheard. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 165-184.

Ruthmann, Alex & Dillon, Steven (2012) Technology in the lives and schools of adolescents. In McPherson, Gary E. & Welch, Graham F. (Eds.) The Oxford Handbook of Music Education (Volume 1). Oxford University Press, New York, United States of America.

Vella, Richard J. (2003) Tertiary education in music. In Whiteoak, John & Scott-Maxwell, Aline (Eds.) Currency Companion to Music and Dance in Australia. Currency House in association with Currency Press, Sydney, N.S.W.

Journal Article

Brader, Andy (2009) Synchronous learner support for music sequencing software. Journal of Music, Technology and Education, 2(2-3), pp. 159-174.
Number of full-text downloads 127

Brader, Andy, Luke, Allan, Klenowski, Valentina, Connolly, Stephen, & Behzadpour, Adib (2013) Designing online assessment tools for disengaged youth. International Journal of Inclusive Education.
Number of full-text downloads 43

Brown, Andrew R. (1999) Music, media and making : humanising digital media in music education. International Journal of Music Education, 33(May), pp. 10-17.
Number of full-text downloads 48
Number of citations in Scopus 3

Brown, Andrew R. & Dillon, Steve C. (2011) eBILITY : from tool use to partnerships. Journal of Music, Technology and Education, 4(2-3), pp. 201-215.
Number of full-text downloads 80

Brown, Andrew R. & Sorensen, Andrew C. (2009) Interacting with generative music through live coding. Contemporary Music Review, 28(1), pp. 17-29.
Number of full-text downloads 274
Number of citations in Scopus 8
Number of citations in Web of Science® 5

Burnard, Pamela, Dillon, Steven C., Rusinek, Gabriel, & Saether, Eva (2008) Inclusive pedagogies in music education: A comparative study of music teachers' perspectives from four countries. International Journal of Music Education, 26(2), pp. 109-126.
Number of full-text downloads 782
Number of citations in Scopus 7
Number of citations in Web of Science® 6

Campelo, Isabel & Howlett, Mike (2013) The “virtual” producer in the recording studio : media networks in long distance peripheral performances. Journal on the Art of Record Production, 8.
Number of full-text downloads 5

Collins, Nick & Brown, Andrew R. (2009) Generative Music editorial. Contemporary Music Review, 28(1), pp. 1-4.
Number of full-text downloads 133

Dillon, Steve, Myllykoski, Mikko, Rantalainen, Aapo, Ruthmann, S. Alex, Thorgersen, Ketil, & Väkevä, Lauri (2012) Open source [Editorial]. Journal of Music, Technology and Education, 5(2), pp. 129-132.

Dillon, Steve C. (2012) An open-source approach to music education through jam2jam XO. Journal of Music, Technology and Education, 5(2), pp. 171-180.

Dillon, Steven C. (2006) Jam2jam : network jamming. Media Culture Journal, 9(6).

Dillon, Steven C. (2011) The promise and possibilities of music, digital media and National Broadband Network. Education Technology Solutions.
Number of full-text downloads 72

Dillon, Steven C., Adkins, Barbara A., Brown, Andrew R., & Hirche, Kathy L. (2009) Communities of sound : examining meaningful engagement with generative music making and virtual ensembles. International Journal of Community Music, 1(3), pp. 357-374.
Number of full-text downloads 220

Dillon, Steven C., Bartleet, Brydie-Leigh, & Leong, Samuel (2012) Editorial. International Journal of Community Music, 5(1), pp. 3-9.

Dillon, Steven C. & Devito, Don (2011) DIScoveringABILITIES : creating interactive performances over the Internet. Education Technology Solutions, 40, pp. 73-74.
Number of full-text downloads 39

Dillon, Steven C. & Jones, Anita (2009) Exploring new kinds of relationships using generative music making software. Australasian Psychiatry, 17(1), S163-S166.
Number of full-text downloads 88
Number of citations in Scopus 1

Gaffney, Kiley (2009) Culture and Power: A History of Cultural Studies [Book Review]. Media International Australia, Incorporating Culture & Policy, 131, pp. 165-166.
Number of full-text downloads 10

Gaffney, Kiley (2005) How to Get a 2:1 in Media, Communication and Cultural Studies [Book Review]. Media International Australia, Incorporating Culture & Policy, 115, pp. 151-152.
Number of full-text downloads 3

Gaffney, Kiley (2007) No more Labor heartland? YouDecide2007.
Number of full-text downloads 12

Gaffney, Kiley (2007) The other APT : an exhibition of other perspectives. Machine Magazine, 2(4), p. 17.
Number of full-text downloads 8

Graham, Philip W. (2012) Don’t put your daughter on the stage, Mrs Worthington. Music Forum : Journal of the Music Council of Australia, 18(4), pp. 56-57.

Graham, Philip W. (2012) New digital business models for recorded music. Music Forum : Journal of the Music Council of Australia, 18(2), pp. 18-21.

Graham, Philip W. (2012) Why the music business matters. Music Forum : Journal of the Music Council of Australia, 18(3), pp. 54-57.

Graham, Philip W. (2013) The cost of the uncollective unconsciousness. Music Forum magazine : Journal of the Music Council of Australia, 19(2), pp. 14-17.

Howlett, Mike (2012) Song means : Analysing and interpreting recorded popular song by Allan Moore. Journal on the Art of Record Production, online-online.
Number of full-text downloads 130

Livingstone, Steven R., Muhlberger, Ralf, Brown, Andrew R., & Thompson, William F. (2010) Changing musical emotion : a computational rule system for modifying score and performance. Computer Music Journal, 34(1), pp. 41-64.
Number of citations in Scopus 12
Number of citations in Web of Science® 7

Spurgeon, Christina L., Ferrier, Liz, Gunders, Lisa, & Graham, Phil (2012) Young citizens, values and new/s media. Continuum : Journal of Media & Cultural Studies, 26(6), pp. 911-922.

Wooller, Rene & Brown, Andrew R. (2011) Note sequence morphing algorithms for performance of electronic dance music. Digital Creativity, 22(1), pp. 13-25.
Number of full-text downloads 24
Number of citations in Scopus 1

Conference Paper

Adeney, Roland & Brown, Andrew R. (2009) Performing with grid music systems. In Sorensen, Andrew C. (Ed.) Improvise : The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 102-110.
Number of full-text downloads 228

Barrett, Lloyd & Brown, Andrew R. (2009) Towards a definition of the performing AudioVisualist. In Sorensen, Andrew C. (Ed.) ACMA '09 : Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 46-55.
Number of full-text downloads 641

Bentley, Danielle S. (2009) Restrung New Chamber Festival : Bridging the Gap Between High Art Music and Popular Sensibilities. In Strong, Catherine (Ed.) Proceedings of the IASPM-ANZ 2008 Conference, Brisbane Queensland, December 2008, IASPM-ANZ, Queensland Conservatorium of Music, Griffith University, pp. 22-31.
Number of full-text downloads 171

Brader, Andy (2009) Characterising creativity : a holistic methodology for the assessment of creative works. In 35th International Association of Educational Assessment Conference, 13th - 18th September, 2009, Brisbane, Australia.
Number of full-text downloads 182

Brown, Andrew (2009) Soundcipher : a music and sound library for processing. In Scavone, Gary, Verfaille, Vincent, & da Silva, Andrey (Eds.) Proceedings of the International Computer Music Conference, International Computer Music Association, Montreal, pp. 431-434.
Number of full-text downloads 407

Brown, Andrew R. (1994) Computing in performing arts education and practice. In Steele, James & Hedberg, John (Eds.) Selected Papers from LETA 94, AJET Publications Limited, Adelaide, pp. 24-26.
Number of full-text downloads 19

Brown, Andrew R. (1995) Defining synthesizer teaching. In Lee, Helen & Barrett, Margaret (Eds.) Honing the Craft : Improving the quality of music education, ASME 10th National Conference, 29 June - 2 July 1995, Hobart.
Number of full-text downloads 41

Brown, Andrew R. (2010) Network jamming : distributed performance using generative music. In Proceedings of the New Instruments for Musical Expression Conference 2010, University of Technology Sydney, University of Technology Sydney, Sydney, pp. 283-286.
Number of full-text downloads 70

Brown, Andrew R. (2010) Visualizing digital media interactions : providing feedback on jam2jam AV performances. In Robinson, Ricky & Bodker, Mads (Eds.) OzCHI 2010 Conference Proceedings, CHISIG and ACM, Queensland University of Technology, Brisbane, Queensland, pp. 196-199.

Brown, Andrew R., Dillon, Steven C., Kerr, Thorin, & Sorensen, Andrew C. (2009) Evolving interactions : agile design for networked media performance. In Kjeldskov, Jesper, Paay, Jeni, Viller, Stephen, & Schultz, Rebecca (Eds.) OZCHI 2009 Proceedings : Design: Open 24/7, Melbourne, pp. 41-48.
Number of full-text downloads 33
Number of citations in Scopus 1

Brown, Andrew R. & Gifford, Toby M. (2009) Generation in context : an exploratory method for musical enquiry. In Stevens, Catherine, Schubert, Emery, Kruithof, Bridget, Buckley, Kym, & Fazio, Steven (Eds.) The Second International Conference on Music Communication Science, HCSNet, Sydney, pp. 7-10.
Number of full-text downloads 130

Brown, Andrew R. & Gifford, Toby M. (2010) Interrogating statistical models of music perception. In Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11), University of Washington, Seattle, Washington, pp. 715-717.
Number of full-text downloads 173

Brown, Andrew R. & Kerr, Thorin (2009) Adaptive music techniques. In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association, Brisbane, pp. 26-31.
Number of full-text downloads 460

Brown, Andrew R. & Sorensen, Andrew C. (2007) aa-cell in practice : an approach to musical live coding. In Proceedings of the International Computer Music Conference, International Computer Music Association, Copenhagen, pp. 292-299.
Number of full-text downloads 120

Dillon, Steven C. (2009) Generative systems as relational bridges. In Proceedings of the The 32nd National Conference of the Musicological Society of Australia : BRIDGES, University of Newcastle, New South Wales.
Number of full-text downloads 39

Dillon, Steven C., Adkins, Barbara A., Brown, Andrew R., & Hirche, Kathy L. (2008) Communities of sound : generative music making and virtual ensembles. In Coffman, Don D. (Ed.) International Society for Music Education : Community Music Activity Commission- CMA XI: Projects, Perspectives & Conversations, 15-18 July 2008, Rome, Italy. (In Press)

Dillon, Steven C. & Brown, Andrew R. (2010) Access to meaningful relationships through virtual instruments and ensembles. In Coffman, Don D (Ed.) Proceedings of the ISME Commission for Community Music Activity: CMA XII Harmonizing the Diversity that is Community Music Activity, ISME, China National Convention Centre and China National Convention Centre, Hangzhou, China.
Number of full-text downloads 84

Dillon, Steven C. & Brown, Andrew R. (2010) The educational affordances of generative media in arts education. In Chova, L. Gómez, Belenguer, D. Martí, & Torres, I. Candel (Eds.) INTED2010 Proceedings CD, International Association of Technology, Education and Development (IATED), Hotel SH Valencia Palace, Valencia, Spain, 005311-005320.
Number of full-text downloads 102

Gaffney, Kiley (2012) Worldly feelings made material : cosmopolitan aesthetics, affect and recent relational art. In Cultural Studies Association of Australasia Annual Conference 2012 : Materialities: Economies, Empiricism & Things, 4 - 6 December 2012, University of Sydney, Australia. (Unpublished)

Gifford, Toby & Brown, Andrew R. (2009) Do androids dream of electric chimera? In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 56-63.
Number of full-text downloads 148

Gifford, Toby M. & Brown, Andrew R. (2010) Anticipatory timing in algorithmic rhythm generation. In Opie, Timothy T. (Ed.) Proceedings of the Australasian Computer Music Conference 2010, Australasian Computer Music Association (ACMA), Australian National University, Canberra, pp. 21-28.
Number of full-text downloads 68

Hewitt, Donna G. (2011) Choreographic approaches to music composition for a new musical interface : the eMic. In Williamon, Aaron, Edwards, Darryl, & Bartel, Lee (Eds.) Proceedings of the International Symposium on Performance Science 2011, European Association of Conservatoires (AEC), University of Toronto, Toronto, pp. 169-174.
Number of full-text downloads 60

Howlett, Mike (2007) Fixing the volatile : studio vocal performance techniques. In Journal of the Art of Record Production, Queensland University of Technology, Brisbane.
Number of full-text downloads 188

Howlett, Mike (2012) The record producer as a nexus. In Zagorski-Thomas, Simon (Ed.) Journal on the Art of Record Production, Art of Record Production, San Francisco State University .
Number of full-text downloads 235

Kelman, Kristina, Loades, Sophie, & Arthurs, Andy (2013) Preparing students for meaningful entrepreneurial careers : two case studies. In 31st World Conference of the International Society for Music Education, 20-25 July 2014, Porto Alegre, Brazil. (Unpublished)

Knowles, Julian D. (2007) A Survey of Web 2.0 Music Trends and Some Implications for Tertiary Music Communities. In Grant, Catherine (Ed.) Music in Australian Tertiary Institutions: Issues for the 21st Century, June 29-July 1, Queensland Conservatorium Griffith University, Brisbane, Australia.
Number of full-text downloads 1,411

Knowles, Julian D. & Hewitt, Donna (2012) Performance recordivity : studio music in a live context. In Burgess, Richard James & Isakoff, Katia (Eds.) 7th Art of Record Production Conference, 2 - 4 December 2011, San Francisco State University, San Francisco, CA.
Number of full-text downloads 165

Opie, Timothy T. & Brown, Andrew R. (2010) Aesthetic implications of the eco-structuralist process. In Opie, Timothy T. (Ed.) Proceedings of the Australasian Computer Music Conference 2010, Australasian Computer Music Association (ACMA), Australian National University, Canberra, pp. 43-50.
Number of full-text downloads 117

Opie, Timothy T. & Brown, Andrew R. (2009) Eco-structure data forms : classification of data analysis using perceived design affordances for musical outcomes. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association (ACMA), Brisbane, pp. 123-129.
Number of full-text downloads 77

Wooller, Rene & Brown, Andrew R. (2009) TraSe algorithm : automatic evolutionary morphing of electronic dance music. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association, Brisbane, pp. 64-71.
Number of full-text downloads 83

Conference Item

Dillon, Steven C. (2008) Refocusing the ‘I’ : developing a research agenda for meaningful music making for life. In International Society for Music Education Conference, 17-25 July 2008, Bologna, Italy. (Unpublished)

Ruthmann, Alex, Finney, John, Seddon, Frederick, Dillon, Steven C., Leong, Samuel, Burnard, Pamela, et al. (2008) Music education with digital technology : changing identities, researching digital classrooms, and strategies for change. In International Society of Music Education Conference : Symposium, 17-25 July 2008, Bologna, Italy.
Number of full-text downloads 992

Saether, Eva, Ballantyn, Julie, Ruthmann, Alex, Dillon, Steven C., & Harrison, Scott (2008) International perspectives on pedagogies of inclusion in music education : theorising practice. In Symposium : International Perspectives on Pedagogies of Inclusion in Music Education : Theorising Practice, Bologna Italy, International Society for Music Education. (Unpublished)
Number of full-text downloads 211

Willsteed, Terence John (2011) View from a bridge : what makes a musical city. In Byrne, Jean (Ed.) Creative Workers in Creative Cities, 5-6 May 2011, Barcelona, Spain.
Number of full-text downloads 161

Creative Work

Brader, Andy (2005) That's how it was, this is how it is. [Film/Video]
Number of full-text downloads 8

Brader, Andy (2006) Youth Festival Music Performance : Deception Bay. [Live Performance (Music)]
Number of full-text downloads 35

Brader, Andy (2007) Youth Festival Music Performance : Kingston. [Live Performance (Music)]
Number of full-text downloads 20

Davidson, Robert & Dean, Paul (2002) Taken. [Other]
Number of full-text downloads 34

Davidson, Robert A., Connolly, Gerry, Powell, Christa M., Patterson, Michael D., Davidson, Kylie J., & Babbage, John R. (2007) North of the Border. [Live Performance (Music)]
Number of full-text downloads 38

Davidson, Robert A. & Dimond, Jonathan (2007) Airwaves: 100 years of radio. [Other]
Number of full-text downloads 34

Gaffney, Kiley (2013) Ephemerality, affect and the "Art Dump". [Live Performance (Music)]

Gaffney, Kiley (2011) GOMA Birthday Song. [Digital/Creative Work]

Gaffney, Kiley & Hunt, Tom (2013) BlaqCarrie - Raw Shining (engineer/producer). [Digital/Creative Work]

Gaffney, Kiley & Saunders, Barry J. (2007) West End : seat of power? (Griffith, QLD). [Film/Video]

Hewitt, Donna G. & Huddy, Avril (2010) IDOL. [Performance]
Number of full-text downloads 41

Knowles, Julian D. (2006) Defibrillator. [Other]
Number of full-text downloads 2,862

Knowles, Julian D. (2008) Guitar Environment #1. [Digital/Creative Work]
Number of full-text downloads 50

Knowles, Julian D. (2003) Sleeper [for laptop computer and live performer]. [Other]
Number of full-text downloads 2,589

Knowles, Julian D. & Hewitt, Donna G. (2006) Amphibian. [Live Performance (Music)]

Knowles, Julian D. & Hewitt, Donna G. (2006) Nodule. [Live Performance (Music)]
Number of full-text downloads 4,075

Sade, Gavin J., Bracks, Priscilla, & Jenkins, Greg (2009) Distracted. [Digital/Creative Work]

Willsteed, John, Graham, Philip W., & Hunt, Tom (2013) Any old love. [Digital/Creative Work]

Reference Entry

Graham, Philip W. (2013) Politics/transpolitics. In Armitage, John (Ed.) The Virilio Dictionary. Edinburgh University Press, Edinburgh.

Report

QUT Thesis

Adeney, Roland William (2011) The HarmonyGrid : music, space and performance in grid music systems. PhD thesis, Queensland University of Technology.
Number of full-text downloads 261

Bentley, Danielle Sarah (2011) Restrung new chamber festival : an exploration of contemporary string practice. PhD thesis, Queensland University of Technology.
Number of full-text downloads 238

Gonzalez, Roger Oriol (2009) ¡Latin jazz! : a syncretic journey from Spain, Cuba, the United States and back. Masters by Research by Creative Works, Queensland University of Technology.
Number of full-text downloads 4,533

Hansson, Clare (2006) Marian McPartland, jazz pianist : an overview of a musical career. PhD thesis, Queensland University of Technology.
Number of full-text downloads 1,279

Hirche, Kathryn Lisa (2011) Meaningful musical engagement : the potential impact of generative music systems on learning experiences. Masters by Research thesis, Queensland University of Technology.
Number of full-text downloads 72

Kerr, Thorin (2009) Performing composition : developing a computer assisted composition system through live coding performance. Masters by Research thesis, Queensland University of Technology.
Number of full-text downloads 178

Klein, Eve Elizabeth (2011) The pomegranate cycle : reconfiguring opera through performance, technology & composition. PhD by Creative Works, Queensland University of Technology.
Number of full-text downloads 279

Millard, Bradley David (2007) The developing clarinet player : new multi-genre, pan-technical repertoire. Masters by Research thesis, Queensland University of Technology.
Number of full-text downloads 4,009

Ong, John Chun-kuo (2011) Resonance : a music director’s theomusicological study of ‘praise’ and ‘glory’ in a selection of four liturgical music excerpts. Masters by Research thesis, Queensland University of Technology.
Number of full-text downloads 129

Wooller, René William (2007) Techniques for automated and interactive note sequence morphing of mainstream electronic music. PhD thesis, Queensland University of Technology.
Number of full-text downloads 931

Thesis

Howlett, Mike (2009) The record producer as nexus : creative inspiration, technology and the recording industry. PhD thesis, University of Glamorgan.
Number of full-text downloads 224

Other

Brown, Andrew R. (2009) SoundCipher.

Brown, Andrew R. & Dillon, Steven C. (2009) AV jam. (Unpublished)
Number of full-text downloads 51

Davidson, Robert A. (2009) Brisbane songs. (Unpublished)
Number of full-text downloads 45

Davidson, Robert A. (2008) Generation after generation. (Unpublished)
Number of full-text downloads 41

Davidson, Robert A. (2008) Insufficient Knowledge. (Unpublished)
Number of full-text downloads 45

Davidson, Robert A. (2008) Joy for organ. (Unpublished)
Number of full-text downloads 14

Davidson, Robert A. (2008) Remember. (Unpublished)
Number of full-text downloads 25

Davidson, Robert A. (2008) Smoke Signals. (Unpublished)
Number of full-text downloads 16

Davidson, Robert A., Babbage, John R., Powell, Christa M., Hoey, Bernard, & Davidson, Kylie J. (2008) Spirit dancing. (Unpublished)
Number of full-text downloads 65

Davidson, Robert A., Vella, Richard J., & Bourke, Nike (2008) Ontology. (Unpublished)
Number of full-text downloads 52

This list was generated on Sat Apr 19 13:58:01 2014 EST.