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Number of items at this level: 118.
Book
Brader, Andy (2011) Songs of Resilience. Meaningful Music Making For Life, 3. Cambridge Scholars Publishing, United Kingdom.
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82Brown, Andrew R. (2005) Making music with Java : an introduction to computer music, Java programming, and the jMusic library. Lulu, Raleigh, North Carolina.
Dillon, Steven C. & Brown, Andrew R. (2011) Sound thinking : tips and tools for understanding popular music. Exploding Art Pty Ltd, Brisbane, QLD.
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35Book Chapter
Brader, Andy (2011) Producing better outcomes : music and public services. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 3-19.
Brader, Andy, Farr-Wharton, Ben, Dodge, Greg, & Dick, Tom (2011) Resourcing resilience through recreational music programs. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 145-164.
Brown, Andrew R. & Dillon, Steve C. (2012) Meaningful engagement with music composition. In The Act of Musical Composition: Studies in the Creative Process. Ashgate, London. (In Press)
Brown, Andrew R. & Dillon, Steven C. (2012) Collaborative digital media performance with generative music systems. In McPherson, Gary E. & Welch, Graham F. (Eds.) The Oxford Handbook of Music Education (Volume 2). Oxford University Press, New York, United States of America, pp. 549-566.
Brown, Andrew R. & Sorensen, Andrew C. (2009) Integrating Creative Practice and Research in the Digital Media Arts. In Smith, Hazel & Dean, Roger (Eds.) Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh University Press, Edinburgh, pp. 153-165.
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163Dillon, Steven C. (2009) Examining meaningful engagement : musicology and virtual music making environments. In Mackinlay, Elizabeth & Bartleet, Brydie-Lee (Eds.) Islands : Proceedings of the Musicological Society of Australasia. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 297-310.
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99Dillon, Steven C. (2005) Meaningful engagement with music technology. In Mackinlay, Elizabeth, Collins, Dennis, & Owens, Samantha (Eds.) Aesthetics and Experience in Music Performance. Cambridge Scholars Press, United Kingdom, Newcastle, pp. 329-341.
Dillon, Steven C. (2010) ‘Music is a wordless knowing of others.’ Resilience in virtual ensembles. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne. (In Press)
Dillon, Steven C. & Hirche, Kathy L. (2010) Navigating technological contexts and experience design in music education. In Ballantyne, Julie & Bartleet, Brydie-Leigh (Eds.) Navigating music and sound education. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 175-192.
Dillon, Steven C., Seeto, Deidre, & Berry, Anne (2011) Ezine and iRadio as knowledge creation metaphors for scaffolding learning in physical and virtual learning spaces. In Keppell, Mike, Souter, Kay, & Riddle, Matthew (Eds.) Physical and Virtual Learning Spaces in Higher Education : Concepts for the Modern Learning Environment. IGI Global, Hershey PA, pp. 163-181.
Dillon, Steven C., Seeto, Deidre, & Berry, Anne (2010) Planning for success in a blended learning environment. In Keppell, Mike, Souter, Kay, & Riddle, Matthew (Eds.) Physical and Virtual Learning Spaces in Higher Education : Concepts for the Modern Learning Environment. IGI Global. (In Press)
Graham, Philip W. (2013) Australian copyright regimes and political economy of music. In Tschmuck, Peter, Pearce, Philip L., & Campbell, Steven (Eds.) Music Business and the Experience Economy : The Australasian Case. Springer Berlin Heidelberg, Berlin, Germany, pp. 11-26.
Graham, Philip W. (2013) Dromoeconomics. In Armitage, John (Ed.) The Virilio Dictionary. Edinburgh University Press, Edinburgh, United Kingdom. (In Press)
Graham, Philip W. (2013) Hypercapitalism : language, new media and social perceptions of value. In Wodak, Ruth (Ed.) Critical Discourse Analysis : Doing CDA/Case studies [Volume 3]. Sage Publications Ltd., London, pp. 245-268.
Graham, Philip W. & Luke, Allan (2013) Critical discourse analysis and political economy of communication : understanding the new corporate order. In Wodak, Ruth (Ed.) Critical Discourse Analysis : Concepts, History, Theory : Volume 1. Sage Publications Ltd., London, pp. 103-130.
Howlett, Mike (2012) Interlude 2 : Comments and commentaries by industry Professionals and Producers. In Frith, Simon & Zagorski-Thomas, Simon (Eds.) The Art of Record Production : An Introductory Reader for a New Academic Field. Ashgate Publishing, Farnham, United Kingdom, pp. 189-190.
Howlett, Mike (2012) Interlude 3 : Comments and Commentaries by Industry Professionals and Producers. In Frith, Simon & Zagorski-Thomas, Simon (Eds.) The Art of Record Production : An Introductory Reader for a New Academic Field. Ashgate Publishing, Farnham, United Kingdom, p. 272.
Howlett, Mike (2009) Performing for (and against) the microphone : personal takes : producing a credible vocal. In Cook, Nicholas, Clarke, Eric, Leech-Wilkinson, Daniel, & Rink, John (Eds.) The Cambridge Companion to Recorded Music. Cambridge University Press, Cambridge, pp. 30-31.
Procopis, Brian & Dillon, Steven C. (2010) Voices of the unheard. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 177-195. (In Press)
Ruthmann, Alex & Dillon, Steven (2012) Technology in the lives and schools of adolescents. In McPherson, Gary E. & Welch, Graham F. (Eds.) The Oxford Handbook of Music Education (Volume 1). Oxford University Press, New York, United States of America.
Vella, Richard J. (2003) Tertiary education in music. In Whiteoak, John & Scott-Maxwell, Aline (Eds.) Currency Companion to Music and Dance in Australia. Currency House in association with Currency Press, Sydney, N.S.W.
Journal Article
Brader, Andy (2009) Synchronous learner support for music sequencing software. Journal of Music, Technology and Education, 2(2-3), pp. 159-174.
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89Brown, Andrew R. (1999) Music, media and making : humanising digital media in music education. International Journal of Music Education, 33(May), pp. 10-17.
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39 3Brown, Andrew R. & Dillon, Steve C. (2011) eBILITY : from tool use to partnerships. Journal of Music, Technology and Education, 4(2-3), pp. 201-215.
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51Brown, Andrew R. & Sorensen, Andrew C. (2009) Interacting with generative music through live coding. Contemporary Music Review, 28(1), pp. 17-29.
187 5 
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187 5 4Burnard, Pamela, Dillon, Steven C., Rusinek, Gabriel, & Saether, Eva (2008) Inclusive pedagogies in music education: A comparative study of music teachers' perspectives from four countries. International Journal of Music Education, 26(2), pp. 109-126.
460 6 6
460 6 6Collins, Nick & Brown, Andrew R. (2009) Generative Music editorial. Contemporary Music Review, 28(1), pp. 1-4.
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92Dillon, Steve, Myllykoski, Mikko, Rantalainen, Aapo, Ruthmann, S. Alex, Thorgersen, Ketil, & Väkevä, Lauri (2012) Open source [Editorial]. Journal of Music, Technology and Education, 5(2), pp. 129-132.
Dillon, Steve C. (2012) An open-source approach to music education through jam2jam XO. Journal of Music, Technology and Education, 5(2), pp. 171-180.
Dillon, Steven C. (2011) The promise and possibilities of music, digital media and National Broadband Network. Education Technology Solutions.
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51Dillon, Steven C., Adkins, Barbara A., Brown, Andrew R., & Hirche, Kathy L. (2009) Communities of sound : examining meaningful engagement with generative music making and virtual ensembles. International Journal of Community Music, 2(1). (In Press)
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170Dillon, Steven C., Bartleet, Brydie-Leigh, & Leong, Samuel (2012) Editorial. International Journal of Community Music, 5(1), pp. 3-9.
Dillon, Steven C. & Devito, Don (2011) DIScoveringABILITIES : creating interactive performances over the Internet. Education Technology Solutions, 40, pp. 73-74.
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25Dillon, Steven C. & Jones, Anita (2009) Exploring new kinds of relationships using generative music making software. Australasian Psychiatry. (In Press)
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69 1Graham, Philip W. (2012) Don’t put your daughter on the stage, Mrs Worthington. Music Forum : Journal of the Music Council of Australia, 18(4), pp. 56-57.
Graham, Philip W. (2012) New digital business models for recorded music. Music Forum : Journal of the Music Council of Australia, 18(2), pp. 18-21.
Graham, Philip W. (2012) Why the music business matters. Music Forum : Journal of the Music Council of Australia, 18(3), pp. 54-57.
Graham, Philip W. (2013) The cost of the uncollective unconsciousness. Music Forum magazine : Journal of the Music Council of Australia, 19(2), pp. 14-17.
Howlett, Mike (2012) Song means : Analysing and interpreting recorded popular song by Allan Moore. Journal on the Art of Record Production, online-online.
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52Livingstone, Steven R., Muhlberger, Ralf, Brown, Andrew R., & Thompson, William F. (2010) Changing musical emotion : a computational rule system for modifying score and performance. Computer Music Journal, 34(1), pp. 41-64.
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9 5Spurgeon, Christina L., Ferrier, Liz, Gunders, Lisa, & Graham, Phil (2012) Young citizens, values and new/s media. Continuum : Journal of Media & Cultural Studies, 26(6), pp. 911-922.
Wooller, Rene & Brown, Andrew R. (2011) Note sequence morphing algorithms for performance of electronic dance music. Digital Creativity, 22(1), pp. 13-25.
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8 1Conference Paper
Adeney, Roland & Brown, Andrew R. (2009) Performing with grid music systems. In Sorensen, Andrew C. (Ed.) Improvise : The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 102-110.
195
195Barrett, Lloyd & Brown, Andrew R. (2009) Towards a definition of the performing AudioVisualist. In Sorensen, Andrew C. (Ed.) ACMA '09 : Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 46-55.
353
353Bentley, Danielle S. (2009) Restrung New Chamber Festival : Bridging the Gap Between High Art Music and Popular Sensibilities. In Strong, Catherine (Ed.) Proceedings of the IASPM-ANZ 2008 Conference, Brisbane Queensland, December 2008, IASPM-ANZ, Queensland Conservatorium of Music, Griffith University, pp. 22-31.
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144Brader, Andy (2009) Characterising creativity : a holistic methodology for the assessment of creative works. In 35th International Association of Educational Assessment Conference, 13th - 18th September, 2009, Brisbane, Australia.
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164Brown, Andrew (2009) Soundcipher : a music and sound library for processing. In Scavone, Gary, Verfaille, Vincent, & da Silva, Andrey (Eds.) Proceedings of the International Computer Music Conference, International Computer Music Association, Montreal, pp. 431-434.
304
304Brown, Andrew R. (1994) Computing in performing arts education and practice. In Steele, James & Hedberg, John (Eds.) Selected Papers from LETA 94, AJET Publications Limited, Adelaide, pp. 24-26.
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13Brown, Andrew R. (1995) Defining synthesizer teaching. In Lee, Helen & Barrett, Margaret (Eds.) Honing the Craft : Improving the quality of music education, ASME 10th National Conference, 29 June - 2 July 1995, Hobart.
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20Brown, Andrew R. (2005) Exploring rhythmic automata. In Rothlauf, F., Branke, J., Cagnon, S., Corne, D.W., Drechsler, R., Jin, Y., et al. (Eds.) Applications of Evolutionary Computing : EvoWorkshops 2005, April 2005, Lausanne, Switzerland.
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4 2Brown, Andrew R. (2010) Network jamming : distributed performance using generative music. In Proceedings of the New Instruments for Musical Expression Conference 2010, University of Technology Sydney, University of Technology Sydney, Sydney, pp. 283-286.
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51Brown, Andrew R. (2010) Visualizing digital media interactions : providing feedback on jam2jam AV performances. In Robinson, Ricky & Bodker, Mads (Eds.) OzCHI 2010 Conference Proceedings, CHISIG and ACM, Queensland University of Technology, Brisbane, Queensland, pp. 196-199.
Brown, Andrew R., Dillon, Steven C., Kerr, Thorin, & Sorensen, Andrew C. (2009) Evolving interactions : agile design for networked media performance. In Kjeldskov, Jesper, Paay, Jeni, Viller, Stephen, & Schultz, Rebecca (Eds.) OZCHI 2009 Proceedings : Design: Open 24/7, Melbourne, pp. 41-48.
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22 1Brown, Andrew R. & Gifford, Toby M. (2009) Generation in context : an exploratory method for musical enquiry. In Stevens, Catherine, Schubert, Emery, Kruithof, Bridget, Buckley, Kym, & Fazio, Steven (Eds.) The Second International Conference on Music Communication Science, HCSNet, Sydney, pp. 7-10.
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107Brown, Andrew R. & Gifford, Toby M. (2010) Interrogating statistical models of music perception. In Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11), University of Washington, Seattle, Washington, pp. 715-717.
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150Brown, Andrew R. & Kerr, Thorin (2009) Adaptive music techniques. In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association, Brisbane, pp. 26-31.
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399Brown, Andrew R. & Sorensen, Andrew C. (2007) aa-cell in practice : an approach to musical live coding. In Proceedings of the International Computer Music Conference, International Computer Music Association, Copenhagen, pp. 292-299.
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65Dillon, Steven C. (2009) Generative systems as relational bridges. In Proceedings of the The 32nd National Conference of the Musicological Society of Australia : BRIDGES, University of Newcastle, New South Wales.
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35Dillon, Steven C., Adkins, Barbara A., Brown, Andrew R., & Hirche, Kathy L. (2008) Communities of sound : generative music making and virtual ensembles. In Coffman, Don D. (Ed.) International Society for Music Education : Community Music Activity Commission- CMA XI: Projects, Perspectives & Conversations, 15-18 July 2008, Rome, Italy. (In Press)
Dillon, Steven C. & Brown, Andrew R. (2010) Access to meaningful relationships through virtual instruments and ensembles. In Coffman, Don D (Ed.) Proceedings of the ISME Commission for Community Music Activity: CMA XII Harmonizing the Diversity that is Community Music Activity, ISME, China National Convention Centre and China National Convention Centre, Hangzhou, China.
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51Dillon, Steven C. & Brown, Andrew R. (2010) The educational affordances of generative media in arts education. In Chova, L. Gómez, Belenguer, D. Martí, & Torres, I. Candel (Eds.) INTED2010 Proceedings CD, International Association of Technology, Education and Development (IATED), Hotel SH Valencia Palace, Valencia, Spain, 005311-005320.
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80Gifford, Toby & Brown, Andrew R. (2009) Do androids dream of electric chimera? In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 56-63.
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127Gifford, Toby M. & Brown, Andrew R. (2010) Anticipatory timing in algorithmic rhythm generation. In Opie, Timothy T. (Ed.) Proceedings of the Australasian Computer Music Conference 2010, Australasian Computer Music Association (ACMA), Australian National University, Canberra, pp. 21-28.
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55Hewitt, Donna G. (2011) Choreographic approaches to music composition for a new musical interface : the eMic. In Williamon, Aaron, Edwards, Darryl, & Bartel, Lee (Eds.) Proceedings of the International Symposium on Performance Science 2011, European Association of Conservatoires (AEC), University of Toronto, Toronto, pp. 169-174.
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43Howlett, Mike (2007) Fixing the volatile : studio vocal performance techniques. In Journal of the Art of Record Production, Queensland University of Technology, Brisbane.
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155Howlett, Mike (2012) The record producer as a nexus. In Zagorski-Thomas, Simon (Ed.) Journal on the Art of Record Production, Art of Record Production, San Francisco State University .
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75Knowles, Julian D. (2007) A Survey of Web 2.0 Music Trends and Some Implications for Tertiary Music Communities. In Grant, Catherine (Ed.) Music in Australian Tertiary Institutions: Issues for the 21st Century, June 29-July 1, Queensland Conservatorium Griffith University, Brisbane, Australia.
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1,201Knowles, Julian D. & Hewitt, Donna (2012) Performance recordivity : studio music in a live context. In Burgess, Richard James & Isakoff, Katia (Eds.) 7th Art of Record Production Conference, 2 - 4 December 2011, San Francisco State University, San Francisco, CA.
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106Opie, Timothy T. & Brown, Andrew R. (2010) Aesthetic implications of the eco-structuralist process. In Opie, Timothy T. (Ed.) Proceedings of the Australasian Computer Music Conference 2010, Australasian Computer Music Association (ACMA), Australian National University, Canberra, pp. 43-50.
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89Opie, Timothy T. & Brown, Andrew R. (2009) Eco-structure data forms : classification of data analysis using perceived design affordances for musical outcomes. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association (ACMA), Brisbane, pp. 123-129.
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65Wooller, Rene & Brown, Andrew R. (2009) TraSe algorithm : automatic evolutionary morphing of electronic dance music. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association, Brisbane, pp. 64-71.
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73Conference Item
Dillon, Steven C. (2008) Refocusing the ‘I’ : developing a research agenda for meaningful music making for life. In International Society for Music Education Conference, 17-25 July 2008, Bologna, Italy. (Unpublished)
Ruthmann, Alex, Finney, John, Seddon, Frederick, Dillon, Steven C., Leong, Samuel, Burnard, Pamela, et al. (2008) Music education with digital technology : changing identities, researching digital classrooms, and strategies for change. In International Society of Music Education Conference : Symposium, 17-25 July 2008, Bologna, Italy.
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567Saether, Eva, Ballantyn, Julie, Ruthmann, Alex, Dillon, Steven C., & Harrison, Scott (2008) International perspectives on pedagogies of inclusion in music education : theorising practice. In Symposium : International Perspectives on Pedagogies of Inclusion in Music Education : Theorising Practice, Bologna Italy, International Society for Music Education. (Unpublished)
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178Willsteed, Terence John (2011) View from a bridge : What makes A musical City. In Byrne, Jean (Ed.) Creative Workers in Creative Cities, 5-6 May 2011, Barcelona, Spain.
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78Creative Work
Davidson, Robert A., Connolly, Gerry, Powell, Christa M., Patterson, Michael D., Davidson, Kylie J., & Babbage, John R. (2007) North of the Border. [Creative Work]
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29Reference Entry
Graham, Philip W. (2013) Politics/transpolitics. In Armitage, John (Ed.) The Virilio Dictionary. Edinburgh University Press, Edinburgh.
Report
Brader, Andy (2009) Technical support and professional development : using remote desktops to address bottlenecks in music technology. (Unpublished)
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136QUT Thesis
Adeney, Roland William (2011) The HarmonyGrid : music, space and performance in grid music systems. PhD thesis, Queensland University of Technology.
155
155Barton, Georgina (2003) The influence of culture on instrumental music teaching: A Participant-Observation case study of Karnatic and Queensland Instrumental music teachers in context. PhD thesis, Queensland University of Technology.
3,764
3,764Bentley, Danielle Sarah (2011) Restrung new chamber festival : an exploration of contemporary string practice. PhD thesis, Queensland University of Technology.
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87Gonzalez, Roger Oriol (2009) ¡Latin jazz! : a syncretic journey from Spain, Cuba, the United States and back. Masters by Research by Creative Works, Queensland University of Technology.
3,461
3,461Hansson, Clare (2006) Marian McPartland, jazz pianist : an overview of a musical career. PhD thesis, Queensland University of Technology.
892
892Hirche, Kathryn Lisa (2011) Meaningful musical engagement : the potential impact of generative music systems on learning experiences. Masters by Research thesis, Queensland University of Technology.
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26Kerr, Thorin (2009) Performing composition : developing a computer assisted composition system through live coding performance. Masters by Research thesis, Queensland University of Technology.
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138Klein, Eve Elizabeth (2011) The pomegranate cycle : reconfiguring opera through performance, technology & composition. PhD by Creative Works, Queensland University of Technology.
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69Millard, Bradley David (2007) The developing clarinet player : new multi-genre, pan-technical repertoire. Masters by Research thesis, Queensland University of Technology.
2,774
2,774Ong, John Chun-kuo (2011) Resonance : a music director’s theomusicological study of ‘praise’ and ‘glory’ in a selection of four liturgical music excerpts. Masters by Research thesis, Queensland University of Technology.
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57Wooller, René William (2007) Techniques for automated and interactive note sequence morphing of mainstream electronic music. PhD thesis, Queensland University of Technology.
812
812Thesis
Dillon, Steven C. (2001) The student as maker : an examination of the meaning of music to students in a school and the ways in which we give access to meaningful music education. PhD thesis, Institute for Education LaTrobe University.
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532Howlett, Mike (2009) The record producer as nexus : creative inspiration, technology and the recording industry. PhD thesis, University of Glamorgan.
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152Other
Davidson, Robert A., Babbage, John R., Powell, Christa M., Hoey, Bernard, & Davidson, Kylie J. (2008) Spirit dancing. (Unpublished)
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