Browse By Person: Brown, Andrew

Group by: Item Type | Date

Jump to: 1987 | 1993 | 1994 | 1995 | 1996 | 1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012

Number of items: 87.

1987

Brown, Andrew R. & Purcell, Kevin (1987) Using computers in the music classroom. In ACC '87, Schools' Congress Proceedings, Australian Computer Society, Melbourne, pp. 15-23.

1993

Brown, Andrew R. (1993) HyperCard test engine using Rasch Analysis. In Lo, Bruce (Ed.) Reaching out with I.T. : Proceedings of the 10th Annual Conference of the Australian Society for Computers in Learning in Tertiary Education, Australian Society for Computers in Learning in Tertiary Education, Lismore, pp. 65-71.

1994

Brown, Andrew R. (1994) Teaching Synthesizer Performance. Research Studies in Music Education, -(3), pp. 25-35.

Brown, Andrew R. (1994) Computing in performing arts education and practice. In Steele, James & Hedberg, John (Eds.) Selected Papers from LETA 94, AJET Publications Limited, Adelaide, pp. 24-26.

1995

Brown, Andrew R. (1995) Digital Technology and the Study of Music. International Journal of Music Education, 25(1), pp. 14-19.

282

Brown, Andrew R. (1995) Defining synthesizer teaching. In Lee, Helen & Barrett, Margaret (Eds.) Honing the Craft : Improving the quality of music education, ASME 10th National Conference, 29 June - 2 July 1995, Hobart.

1996

Brown, Andrew R. (1996) The Art of Engaging: Implications for computer music systems. In Brown, Andrew R. (Ed.) Australian Computer Music Conference, July 12-14 1996, Brisbane, Australia.

104

1997

Brown, Andrew R. (1997) Changing Technologies, Changing Minds: Taking account of music technologies in the curriculum1. In Gifford, E, Brown, A.R., & Thomas, A (Eds.) Australian Society for Music Education XI National Conference.

128

1998

Brown, Andrew R. (1998) Composer Views: Context in the use of computers for musical composition. In Actes des Journees d'Imformatique Musicale 1998, 1998, France.

100

Brown, Andrew R. (1998) Composing by Pen: Exploring the effectiveness of a system for writing music notation on computers via pen input. Australian Journal of Music Education, 1998(1), pp. 48-56.

1999

Brown, Andrew R. (1999) An Introduction to Music Analysis with Computer. XArt Online Journal, 4(1).

610

Brown, Andrew R. (1999) Music, media and making : humanising digital media in music education. International Journal of Music Education, 33(May), pp. 10-17.

Brown, Andrew R. (1999) Tools and Outcomes: Computer music systems and musical directions. In Australasian Computer Music Conference 1999, July 7, Wellington, New Zealand.

150

2000

Brown, Andrew R. & Sorensen, Andrew C. (2000) Introducing jMusic. In Brown, Andrew R. & Wilding, Richard (Eds.) Australasian Computer Music Conference, 5-8 July 2000, Queensland University of Technology, Brisbane.

502

2001

Towsey, Michael W., Brown, Andrew R., Wright, Susan K., & Diederich, Joachim (2001) Towards melodic extension using genetic algorithms. Educational Technology & Society, 4(2), pp. 54-65.

489

Brown, Andrew R. (2001) How the computer assists composers: A survey of contemporary practise. In Knowles, Julian (Ed.) Australasian Computer Music Conference, June 2001, University of Western Sydney.

245

Brown, Andrew R. (2001) Modes of Compositional Engagement. Mikropolyphony, 6.

379

Brown, Andrew R., Towsey, Michael W., Wright, Susan K., & Deiderich, Joachim (2001) Statistical Analysis of the features of diatonic music using jMusic software. In Computing ARTS 2001 – Digital resources for research in the Humanities, 26-28th September, 2001, Sydney, Australia: The University of Sydney..

303

2002

Brown, Andrew R. (2002) Opportunities for Evolutionary Music Composition. In Doornbusch, Paul (Ed.) Australasian Computer Music Conference, Melbourne.

212

2003

Brown, Andrew R. (2003) Australasian digital instrument building. In Australasian Computer Music Association Conference 2003: Converging Technologies., 5th - 7th July, 2003, Edith Cowan University Mount Lawley, Western Australia.

603

Dillon, Steven C., Nalder, Glenda L., Brown, Andrew R., & Smith, Judith E. (2003) Digital multimedia portfolios (D-MAP) in music learning. In Artistic Practice as Research, 27-30 September 2003, Brisbane, Australia.

Brown, Andrew R. (2003) Software development as research. In Artistic Practice as Research, 27-30 September 2003, Brisbane, Australia.

2004

Brown, Andrew R. (2004) An aesthetic comparison of rule-based and genetic algorithms for generating melodies. Organised Sound, 9(2), pp. 191-198.

158

Brown, Andrew & Jenkins, Greg (2004) The Interactive Dynamic Stochastic Synthesizer. In Norris, Michael (Ed.) Australasian Computer Music Conference, 1-3 July 2004, Wellington, New Zealand.

181

Brown, Andrew (2004) Playing with Dynamic Sound. In Edmonds, Ernest & Gibson, Ross (Eds.) Interaction: System, Practice, Theory, 16-19 November 2004, Sydney, Australia.

2005

Brown, Andrew R. & Voltz, Bradley D. (2005) Elements of Effective e-Learning Design. International Review of Research in Open and Distance Learning, 6(1).

1,015

Brown, Andrew, Dillon, Steven, Nalder, Glenda, & Smith, Judith (2005) Digital Multimedia Portfolios Supporting Authentic Learning in the Arts. In ePortfolio Conference 2004, 28-9 October 2004, France, La Rochelle.

Livingstone, Steven R. & Brown, Andrew R. (2005) Dynamic Response: Real-Time Adaptation for Music Emotion. In Second Australasian conference on Interactive entertainment, Sydney.

212

Brown, Andrew R. (2005) Exploring Rhythmic Automata. Applications of Evolutionary Computing, 3449, pp. 551-556.

Brown, Andrew R. (2005) Exploring rhythmic automata. In Rothlauf, F., Branke, J., Cagnon, S., Corne, D.W., Drechsler, R., Jin, Y., et al. (Eds.) Applications of Evolutionary Computing : EvoWorkshops 2005, April 2005, Lausanne, Switzerland.

Brown, Andrew R. (2005) Extending Dynamic Stochastic Synthesis. In International Computer Music Conference, 5-9 September 2005, Barcelona, Spain.

304

Brown, Andrew R. (2005) Generative Music in Live Performance. In Opie, Timothy T. & Brown, Andrew R. (Eds.) Australasian Computer Music Conference, July 12-14, Brisbane.

341

Livingstone, Steven R., Brown, Andrew R., & Muhlberger, Ralf (2005) Influencing the Perceived Emotions of Music with Intent. In Innocent, Troy (Ed.) 3rd Iteration, December 2005, Melbourne.

392

Brown, Andrew & Wooller, Rene (2005) Investigating Morphing Algorithms for Generative Music. In Innocent, T (Ed.) Procedings of Third Iteration, 30 November - 2 December 2005, Australia, Victoria, Melbourne.

Brown, Andrew R. (2005) Making music with Java : an introduction to computer music, Java programming, and the jMusic library. Lulu, Raleigh, North Carolina.

Livingstone, Steven R., Brown, Andrew R., & Muhlberger, Ralf (2005) Playing With Affect: Music performance with awareness of score and audience. In Opie, Tim & Brown, Andrew R. (Eds.) Australasian Computer Music Conference, July 2005, Brisbane, Australia.

841

Wooller, Rene, Brown, Andrew R, Miranda, Eduardo, Diederich, Joachim, & Berry, Rodney (2005) A framework for comparison of process in algorithmic music systems. In David, Burraston & Ernest, Edmonds (Eds.) Generative Arts Practice, 5-7 December 2005, Sydney, Australia.

414

2006

Gifford, Toby M. & Brown, Andrew R. (2006) The Ambidrum: Automated Rhythmic Improvisation. In Australasian Computer Music Conference, July 2006, Adelaide, Australia.

129

Mafe, Daniel J. & Brown, Andrew R. (2006) Emergent Matters: Reflections on Collaborative Practice-led Research. In Speculation and Innovation, April 2005, QUT Brisbane, Australia.

260

Opie, Timothy T. & Brown, Andrew R. (2006) An Introduction to Eco-Structuralism. In International Computer Music Conference, New Orleans, USA.

292

Gerber, Anna M. & Brown, Andrew R. (2006) Visualising Music with Impromptu. In Australasian Computer Music Conference, July 2006, Adelaide, Australia.

238

Dillon, Steven C. & Brown, Andrew R. (2006) The art of ePortfolios : insights from the creative arts experience. In Jafari, Ali & Kaufman, Catherine (Eds.) Handbook of Research on ePortfolios. Idea Group Reference, Hershey, PA, pp. 420-433.

Brown, Andrew R. & Dillon, Steven C. (2006) ePortfolios in Arts Learning and Assessment. Music Education Research and Innovation, 12(1), pp. 7-36.

Yuille, Jermey, Forward, Miranda, Brown, Andrew R., Sade, Gavin J., Greg, Jenkins, & Weight, Jenny (2006) senseMix : sharing creative mobile content. In Eighth conference on Human–Computer Interaction with Mobile Devices and Services, 12-15 September 2006, Espoo, Helsinki.

2007

Adkins, Barbara A., Dillon, Steven C., Brown, Andrew R., Hirche, Kathy L., & Gibbons, Craig R. (2007) The role of generative arts in supporting cultural participation: A conceptualisation of the Jam2Jam network jamming tool. In VSMM2007, Springer, Brisbane. (In Press)

256

Brown, Andrew R. (2007) Software Development as Music Education Research. International Journal of Education & the Arts, 8(6).

292

Livingstone, Steven R., Muhlberger, Ralf, Brown, Andrew R., & Loch, Andrew (2007) Controlling musical emotionality: an affective computational architecture for influencing musical emotions. Digital Creativity, 18(1), pp. 43-53.

Brown, Andrew R. (2007) Code Jamming. M/C: a journal of media and culture, 9(6).

220

Brown, Andrew R. (2007) Computers in music education : amplifying musiciality. Routledge, New York.

Brown, Andrew R., Wooller, Rene W., & Kate, Thomas (2007) The Morph Table: A collaborative interface for musical interaction. In Riddel, Alistair & Thorogood, Alex (Eds.) Australiasian Computer Music Conference, 19-21 June 2007, Canberra, Australia.

Brown, Andrew R. & Dillon, Steven C. (2007) Networked improvisational musical environments : learning through online collaborative music making. In Finney, John & Burnard, Pamela (Eds.) Teaching Music in the Digital Age. Continuum International Publishing Group, pp. 96-106.

Dillon, Steven C. & Brown, Andrew R. (2007) Realising the possibilities of technology in music education research and philosophy. In Fifth International Research in Music Education Conference, 10th- 14th April 2007, Exeter, UK. (Unpublished)

117

Brown, Andrew R. & Sorensen, Andrew C. (2007) aa-cell in practice : an approach to musical live coding. In Proceedings of the International Computer Music Conference, International Computer Music Association, Copenhagen, pp. 292-299.

2008

Dillon, Steven C., Adkins, Barbara A., Brown, Andrew R., & Hirche, Kathy L. (2008) Communities of sound : generative music making and virtual ensembles. In Coffman, Don D. (Ed.) International Society for Music Education : Community Music Activity Commission- CMA XI: Projects, Perspectives & Conversations, 15-18 July 2008, Rome, Italy. (In Press)

Sorensen, Andrew C. & Brown, Andrew R. (2008) A Computational Model For The Generation Of Orchestral Music In The Germanic Symphonic Tradition: A progress report. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.

150

Gifford, Toby M. & Brown, Andrew R. (2008) Listening for noise: An approach to percussive onset detection. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydeny.

204

Hedemann, Callum L., Sorensen, Andrew C., & Brown, Andrew R. (2008) Metascore: User Interface Design for Generative Film Scoring. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.

187

Wooller, Rene W. & Brown, Andrew R. (2008) A framework for discussing tonality in electronic dance music. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.

172

2009

Barrett, Lloyd & Brown, Andrew R. (2009) Towards a definition of the performing AudioVisualist. In Sorensen, Andrew C. (Ed.) ACMA '09 : Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 46-55.

245

Collins, Nick & Brown, Andrew R. (2009) Generative Music editorial. Contemporary Music Review, 28(1), pp. 1-4.

Brown, Andrew R. & Dillon, Steven C. (2009) AV jam. (Unpublished)

Brown, Andrew R. & Kerr, Thorin (2009) Adaptive music techniques. In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association, Brisbane, pp. 26-31.

271

Dillon, Steven C., Adkins, Barbara A., Brown, Andrew R., & Hirche, Kathy L. (2009) Communities of sound : examining meaningful engagement with generative music making and virtual ensembles. International Journal of Community Music, 2(1). (In Press)

Gifford, Toby & Brown, Andrew R. (2009) Do androids dream of electric chimera? In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 56-63.

118

Opie, Timothy T. & Brown, Andrew R. (2009) Eco-structure data forms : classification of data analysis using perceived design affordances for musical outcomes. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association (ACMA), Brisbane, pp. 123-129.

Brown, Andrew R., Dillon, Steven C., Kerr, Thorin, & Sorensen, Andrew C. (2009) Evolving interactions : agile design for networked media performance. In Kjeldskov, Jesper, Paay, Jeni, Viller, Stephen, & Schultz, Rebecca (Eds.) OZCHI 2009 Proceedings : Design: Open 24/7, Melbourne, pp. 41-48.

Brown, Andrew R. & Gifford, Toby M. (2009) Generation in context : an exploratory method for musical enquiry. In Stevens, Catherine, Schubert, Emery, Kruithof, Bridget, Buckley, Kym, & Fazio, Steven (Eds.) The Second International Conference on Music Communication Science, HCSNet, Sydney, pp. 7-10.

Brown, Andrew R. & Sorensen, Andrew C. (2009) Integrating Creative Practice and Research in the Digital Media Arts. In Smith, Hazel & Dean, Roger (Eds.) Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh University Press, Edinburgh, pp. 153-165.

113

Brown, Andrew R. & Sorensen, Andrew C. (2009) Interacting with generative music through live coding. Contemporary Music Review, 28(1), pp. 17-29.

Adeney, Roland & Brown, Andrew R. (2009) Performing with grid music systems. In Sorensen, Andrew C. (Ed.) Improvise : The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 102-110.

157

Brown, Andrew R. (2009) SoundCipher.

Brown, Andrew (2009) Soundcipher : a music and sound library for processing. In Scavone, Gary, Verfaille, Vincent, & da Silva, Andrey (Eds.) Proceedings of the International Computer Music Conference, International Computer Music Association, Montreal, pp. 431-434.

201

Wooller, Rene & Brown, Andrew R. (2009) TraSe algorithm : automatic evolutionary morphing of electronic dance music. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association, Brisbane, pp. 64-71.

2010

Brown, Andrew R. (2010) Visualizing digital media interactions : providing feedback on jam2jam AV performances. In Robinson, Ricky & Bodker, Mads (Eds.) OzCHI 2010 Conference Proceedings, CHISIG and ACM, Queensland University of Technology, Brisbane, Queensland, pp. 196-199.

Dillon, Steven C. & Brown, Andrew R. (2010) The educational affordances of generative media in arts education. In Chova, L. Gómez, Belenguer, D. Martí, & Torres, I. Candel (Eds.) INTED2010 Proceedings CD, International Association of Technology, Education and Development (IATED), Hotel SH Valencia Palace, Valencia, Spain, 005311-005320.

Dillon, Steven C. & Brown, Andrew R. (2010) Access to meaningful relationships through virtual instruments and ensembles. In Coffman, Don D (Ed.) Proceedings of the ISME Commission for Community Music Activity: CMA XII Harmonizing the Diversity that is Community Music Activity, ISME, China National Convention Centre and China National Convention Centre, Hangzhou, China.

Opie, Timothy T. & Brown, Andrew R. (2010) Aesthetic implications of the eco-structuralist process. In Opie, Timothy T. (Ed.) Proceedings of the Australasian Computer Music Conference 2010, Australasian Computer Music Association (ACMA), Australian National University, Canberra, pp. 43-50.

Gifford, Toby M. & Brown, Andrew R. (2010) Anticipatory timing in algorithmic rhythm generation. In Opie, Timothy T. (Ed.) Proceedings of the Australasian Computer Music Conference 2010, Australasian Computer Music Association (ACMA), Australian National University, Canberra, pp. 21-28.

Livingstone, Steven R., Muhlberger, Ralf, Brown, Andrew R., & Thompson, William F. (2010) Changing musical emotion : a computational rule system for modifying score and performance. Computer Music Journal, 34(1), pp. 41-64.

Brown, Andrew R. & Gifford, Toby M. (2010) Interrogating statistical models of music perception. In Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11), University of Washington, Seattle, Washington, pp. 715-717.

Brown, Andrew R. (2010) Network jamming : distributed performance using generative music. In Proceedings of the New Instruments for Musical Expression Conference 2010, University of Technology Sydney, University of Technology Sydney, Sydney, pp. 283-286.

2011

Brown, Andrew R. & Dillon, Steven C. (2011) Collaborative digital media performance with generative music systems. In MacPherson, Gary (Ed.) The Oxford Handbook of Music Education. Oxford University Press, London & New York. (In Press)

Brown, Andrew R. & Dillon, Steve C. (2011) eBILITY : from tool use to partnerships. Journal of Music Technology and Education. (In Press)

Wooller, Rene & Brown, Andrew R. (2011) Note sequence morphing algorithms for performance of electronic dance music. Digital Creativity, 22(1), pp. 13-25.

Brown, Andrew R., Wooller, Rene, & Miranda, Eduardo (2011) Evolutionary morphing for music composition. In Miranda, Eduardo (Ed.) A-Life for Music : Music : Music and Computer Models of Living Systems. A-R Editions, Middleton, Wis, pp. 115-132.

2012

Brown, Andrew R. & Dillon, Steve C. (2012) Meaningful engagement with music composition. In The Act of Musical Composition: Studies in the Creative Process. Ashgate, London. (In Press)

This list was generated on Sat Feb 11 06:04:03 2012 EST.

Export as	RSS 1.0 Atom RSS 2.0