Browse By Person: Brown, Hugh
|Up a level|
Group by: Item Type | Date
Number of items: 11.
Brown, Hugh, Lovink, Geert, Merrick, Helen, Rossiter, Ned, Teh, David, & Willson, Michele (Eds.) (2001) Politics of a Digital Present: An Inventory of Australian Net Culture, Criticism and Theory. Fibreculture Publications, Melbourne, Vic.
Brown, Hugh (2012) Online musical cultures. In Brown, Andrew R. (Ed.) Sound Musicianship: Understanding the Crafts of Music. Cambridge Scholars Publishing, Newcastle Upon Tyne, United Kingdom, pp. 251-261.
Brown, Hugh (2009) Awash in a Sea of Possibilities: Anchoring a 21st Century Music Business. In Mackinlay, Elizabeth, Bartleet, Brydie-Leigh, & Barney, Katelyn (Eds.) Musical Islands: Exploring Connections between Music, Place and Research. Cambridge Scholars Press, Newcastle Upon Tyne, United Kingdom, pp. 264-287.
Brown, Hugh (2012) Valuing independence: Esteem value and its role in the independent music scene. Popular Music and Society, 35(4), pp. 519-539.
Brown, Hugh D. (2006) A Digital Business Model for Independent Musicians. In Association of Internet Researchers Doctoral Colloquium, 27 September 2006, Brisbane. (Unpublished)
Brown, Hugh (2010) How the record industry got it so wrong. In Musicological Society of Australia, Qld Annual student symposium, 9 December 2010, University of Queensland, Brisbane, Qld. (Unpublished)
Brown, Hugh & Graham, Philip W. (2007) From garage to greatness: Reflections on home-studio production experience. In Art of Record Production Annual Conference, 10-11 December 2007, Queensland University of Technology, Brisbane, Qld. (Unpublished)
Brown, Hugh (2007) Third legs, tentacles and trust: Anatomy of a 21st century music business. In Conference of the Australian and New Zealand Musicological Societies, 22-25 November 2007, Qld Conservatorium, Brisbane, Qld. (Unpublished)
Brown, Hugh (2017) Dad Joke Blues EP. [Digital/Creative Work]
Brown, Hugh (2007) I am leaving! I am leaving! [Digital/Creative Work]
Brown, Hugh (2010) It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century. PhD by Publication, Queensland University of Technology.