Browse By Person: Goldsmith, Ben
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Number of items: 25.
Balnaves, Mark, O'Regan, Tom, & Goldsmith, Ben (2011) Rating the Audience : the Business of Media. Bloomsbury Academic, London.
O'Regan, Tom, Ward, Susan, & Goldsmith, Ben (2010) Local Hollywood: global film production and the Gold Coast. University Of Queensland Press, Brisbane, Queensland, Australia.
Goldsmith, Ben & O'Regan, Tom (2005) The film studio: film production in the global economy. Rowman & Littlefield Publishers, New York, New York.
Goldsmith, Ben & O'Regan, Tom (2008) International film production: interests and motivations. In Wasko, Janet & Erickson , Mary (Eds.) Cross-border cultural production: economic runaway or globalization? Cambria Press, Amherst, New York, United States, 13-44.
Goldsmith, Ben & O'Regan, Tom (2005) The policy environment of the contemporary film studio. In Contracting out Hollywood: runaway productions and foreign location shooting. Rowman and Littlefield, Lanham, Maryland, United States, 41-66.
O'Regan, Tom & Goldsmith, Ben (2002) Emerging global ecologies of production. In Harries, Dan (Ed.) The new media book. British Film Institute, London, United Kingdom, pp. 92-105.
Goldsmith, Ben, Cunningham, Stuart D., & Thomas, Julian (2012) Convergence and Australian content : the importance of access. Media International Australia Incorporating Culture and Policy, -(144), pp. 13-18.
Goldsmith, Ben & Thomas, Julian (2012) The Convergence Review and the future of Australian content regulation. Telecommunications Journal of Australia, 62(3), 44.1-44.12.
Goldsmith, Ben (2012) The Killing of Angel Street. Metro Magazine, 174, pp. 70-81.
Goldsmith, Ben (2011) Australian content and convergence. Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources, 140, 12-15.
Goldsmith, Ben (2011) Cinematic and televisual cities. Studies in Australasian Cinema, 5(3), 215-221.
Yecies, Brian, Shim, Ae-Gyung, & Goldsmith, Ben (2011) Digital intermediary: Korean transnational cinema. Media International Australia incorporating Culture and Policy, 141, pp. 137-145.
Goldsmith, Ben, Lee, Kwang-Suk, & Yecies, Brian (2011) In search of the Korean digital wave. Media International Australia incorporating Culture and Policy, 141, 70-77.
Goldsmith, Ben (2011) Melbourne on film dossier: 'Ghost Rider'. Senses of Cinema, 59.
Yecies, Brian & Goldsmith, Ben (2010) Cinematic hooks for Korean studies: using the 'Apache' framework for inspiring students about Korea in and through film. The International Review of Korean Studies, 7(1), 47-72.
Ward, Sue, O'Regan, Tom, & Goldsmith, Ben (2010) From 'Neighbours' to 'Packed to the Rafters': accounting for longevity in the evolution of Aussie soaps. Media International Australia, 136, 162-176.
Goldsmith, Ben (2010) Outward-looking Australian cinema. Studies in Australasian Cinema, 4(3), 199-214.
Goldsmith, Ben (2006) A bureaucratic cinema: the fraught relationship between government and film. Metro Magazine: Media and Education Magazine, 150, 170-171.
Goldsmith, Ben & Spurgeon, Christina (2004) Introduction: Culture, trade, services. Media International Australia incorporating Culture and Policy, 111, 5-7.
Goldsmith, Ben & O'Regan, Tom (2004) Locomotives and stargates. International Journal of Cultural Policy, 10(1), 29-45.
Goldsmith, Ben (2002) Cultural diversity, cultural networks and trade: international cultural policy debate. Media International Australia incorporating Culture and Policy, 102, 35-53. (In Press)
Goldsmith, Ben (2000) Something rotten in the state of Minnesota: or the morality of backwoodsmen: 'A Simple Plan'. Metro Magazine: Media and Education Magazine, 121-122, 134-137.
Goldsmith, Ben (2000) A positive unsettlement: the story of Sakshi Anmatyerre. Griffith Law Review, 9(2), 321-333.
Goldsmith, Ben (1999) 'The comfort lies in all the things you can do': the Australian drive-in: cinema of distraction. Journal of Popular Culture, 33(1), 153-164.
Goldsmith, Ben (2004) 'The Pianist' and the ruins of Berlin. In Morris, Brian & Verhoeven, Deb (Eds.) Proceedings of 'Passionate city: an international symposium', School of Applied Communication, RMIT University, Melbourne, Victoria, Australia.