Browse By Person: Hadley, Bree
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Number of items: 103.
Book
Hadley, Bree J. & Heim, Caroline L. (2012) Compass points : the locations, landscapes and coordinates of identities in contemporary performance making : proceedings of the Australasian Association for Theatre, Drama & Performance Studies (ADSA) Conference 2012. Queensland University of Technology, Brisbane, Qld.
Book Chapter
Hadley, Bree J. & Heim, Caroline L. (2012) Navigating the field of contemporary performance. In Compass Points : The Locations, Landscapes and Coordinates of Identities in Contemporary Performance Making. Queensland University of Technology, Brisbane, Qld.
Hadley, Bree J. (2008) Reality just arrived - Mark Ravenhill's 'Faust is Dead'. In Fitzsimmons, Lorna (Ed.) International Faust Studies: Adaptation, Reception, Translation. Continuum, London, pp. 258-275.
Journal Article
Hadley, Bree J. (2012) Self-making as public spectacle : bodies, bodily training and reality TV. Scope : An Online Journal of Film Studies, 24.
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51Makeham, Paul B., Hadley, Bree J., & Kwok, Joon-Yee (2012) A ‘Value Ecology’ approach to the performing arts. M/C Journal, 15(3).
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34Hadley, Bree (2012) Using information communication technologies to develop dynamic curriculum frameworks for diverse cohorts: a case study from event management. Journal of Further & Higher Education, 36(2), pp. 263-290.
Hadley, Bree J. (2011) Creating successful cultural Brokers : the pros and cons of a community of practice approach in arts management education. Asia Pacific Journal of Arts and Cultural Managemen, 8(1), pp. 645-659.
Hadley, Bree J. (2011) (Dia)logics of difference disability, performance and spectatorship in Liz Crow's Resistance on the Plinth. Performance Research, 16(2), pp. 124-131.
Gattenhof, Sandra J. & Hadley, Bree J. (2011) Measurable progress? Teaching artsworkers to assess and articulate the impact of their work. M/C Journal, 14(6).
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21Hadley, Bree J. (2011) Re-constructing Asianness in Australia : Yumi Umiumare, Owen Leong, and the remobilisation of monstrosity. Liminalities: A Journal of Performance Studies, 7(3), pp. 1-13.
Hadley, Bree, Rajak, Jelena, Filmer, Andrew, Caines, Rebecca, & Read, Alan (2010) The 'Dirty Work' of the Lie. The 'Dirty Work' of the Lie, 15(2), pp. 123-129.
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39 1Hadley, Bree J., Trace, Genevieve, & Winter, Sarah (2010) Uncertainties that matter: risk, response-ability, ethics and the moment of exchange in Live Art. About Performance, 10, pp. 137-151.
Hadley, Bree J. & Caines, Rebecca (2009) Negotiating selves : exploring cultures of disclosure. MC Journal, 12(5).
Hadley, Bree J. (2008) Influences, institutions and outcomes : a survey of masters and doctoral theses on actor training in Australia, 1979-2004. Australasian Drama Studies, 53(October 2008), pp. 8-16.
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301Hadley, Bree J. (2008) Mobilising the monster: modern disabled performers' manipulation of the freakshow. M/C Journal, 11(3).
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142Hadley, Bree J. (2007) Unthinkable complexity : dance, datascapes and the desire to connect in Lucy Guerin's Aether. Brolga, 27, pp. 17-25.
Hadley, Bree J. (2007) Dis/identification in contemporary physical performance: NYID's scene of the beginning from the end. Australasian Drama Studies, 50, pp. 111-122.
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282Conference Paper
Hadley, Bree J. (2012) Engaging Noemi Lakmeier's living installations : the ethics of embarrassment. In Australasian Association for Theatre, Drama and Performance Studies 2012 : Compass Points - The Locations, Landscapes and Coordinates of Identities, 3-6 July 2012, Queensland University of Technology, Brisbane, QLD. (Unpublished)
Hadley, Bree J. (2012) Improvising a future in the performing arts : a new strategy to help performance studies students successfully shift between academic culture, professional culture, industry and career? In Performance - Culture - Industry, Performance Studies internaitonal (PSi) Conference 2012, 27 June - 1 July 2012, University of Leeds, England. (Unpublished)
Hadley, Bree J. (2011) Do you see what I mean? charting changing representations and receptions of the disabled body in contemporary and pop cultural performance. In Hadley, Bree J. (Ed.) Australasian Association for Theatre Drama & Performance Studies Conference 2011, 28 June - 1 July 2011, Monash University, Melbourne, Vic. (Unpublished)
Hadley, Bree J. (2011) “That you would post such a thing implies that you are a despicable human being”: spectatorship, social media, & the struggle for meaning in disability performance. In Performance Studies International (PSi) Conference 2011, 25-29 May 2011, Utrecht University, Utrecht. (Unpublished)
Hadley, Bree (2010) Paving for diverse pathways : using industry-linked learning to support Performing Arts students in their transition to protean careers. In Paving for diverse pathways, Canberra, Australia.
Hadley, Bree (2010) (Dia)logics of difference : disability, performance & spectatorship. In Performance Studies international (PSi) Conference 2010, June 2010, Toronto, Canada. (Unpublished)
Hadley, Bree (2010) Stripping Sight Bare : Alison Jones’ ‘Portraits by Proxy’. In Australasian Association for Drama Theatre and Performance Studies (ADSA) Conference 2010, July 2010, Canberra, Australia. (Unpublished)
Hadley, Bree J. (2009) Practice as method : the ex/centric fixations project. In Material Interventions : Applying Creative Research, 30 November - 1 December 2009, Deakin University, Melbourne. (Unpublished)
Hadley, Bree J. (2009) Celebrating difference/censoring difference? : Marie Chouinard’s bODY rEMIX. In Silent Voices, Hidden Lives: Performance and Censorship, International Federation of Theatre Research / Federation International de la Recherche Theatrale Conference 2009, 14-18 July 2009, University of Lisbon, Lisbon. (Unpublished)
Hadley, Bree J., Trace, Genevieve, & Winter, Sarah (2009) The moment of exchange : risk, vulnerability, responsibility. In Australasian Association for Drama, Theatre and Performance Studies Conference 2009 : Boom or Bust, 30 June - 3 July 2009, Edith Cowan University, Perth, Western Australia. (Unpublished)
Hadley, Bree J. (2009) Duplicity/complicity : misperforming the social drama of disability. In PSI 15 : Misperformance : Misfitting, Misfiring, Misreading, Performance Studies international Conference #15, June 24-28, 2009, University of Zagreb, Zagreb, Croatia. (Unpublished)
Hadley, Bree J. (2008) Encountering in between bodies : complicity, proximity and the crisis of meaning. In Interregnum : in between states : the 14th performance studies international conference, August 20-24 2008, University of Copenhagen, Copenhagen, Denmark. (Unpublished)
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40Hadley, Bree J. (2008) Body, space, self : locating and dis-locating subjectivities in contemporary performance. In Turangawaewae/A sense of place : Australasian Drama Studies Conference, 30 June – 3 July 2008, University of Otago, Dunedin, New Zealand. (Unpublished)
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39Hadley, Bree J., Richards, Allison, & Guthrie, Adrian (2008) Ma-cinations : finding a place for collaborative practice. In Turangawaewae/A sense of place : Australasian Association for Drama, Theatre and Performance Studies Conference, June 30-July 3 2008, University of Otago, Dunedin, New Zealand. (Unpublished)
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17Hadley, Bree J. (2008) Recognition, misrecognition and the crisis of meaning : the risky mechanics of staging the 'monstrous'. In Re-constructing Asian-ness(es) in the global age : International Federation of Theatre Research/Federation International de la Recherche Theatrale Conference, July 14-19 2008, Chung-Ang University, Seoul, Korea. (Unpublished)
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27Hadley, Bree J., Cochrane, Bernadette, Kennedy, Flloyd, & Kehoul, Gillian (2008) Where does practice live? How a magdamodel helped develop a sense of belonging between practitioners and academic researchers [PANEL]. In Turangawaewae/A sense of place : Australasian Association for Drama, Theatre and Performance Studies Conference, June 30-July 3 2008., University of Otago, Dunedin, New Zealand. (Unpublished)
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58Hadley, Bree J. (2007) But they can't just be handing out flyers : real-life learning on the Brisbane festivals scene. In ATN Evaluation & Assessment Conference, 28-29 November 2007, Queensland University of Technology, Brisbane, Australia. (Unpublished)
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35Hadley, Bree J. (2007) With a vengeance : staging identity in contemporary performance. In Extreme states : issues of scale : political, performative, emotional : Australasian Association for Drama, Theatre and Performance Studies Conference, 3-6 July 2007, University of Melbourne/LaTrobe University, Melbourne, Australia. (Unpublished)
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33Hadley, Bree J. (2007) Staging Asian-Australian identities. In The 2nd Asian-Australian Identities : Asian-Australian Studies Research Network Conference, June 27-30 2007, University of Melbourne, Melbourne, Australia. (Unpublished)
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87Hadley, Bree J. (2007) Virtuosity/discipline/docility. In Somatechnics Conference 2007, April 19-21, 2007, Macquarie University, Sydney, Australia. (Unpublished)
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45Hadley, Bree J. (2007) Partnerships, social capital and the successful management of small scale cultural festivals: A case study of Hobart’s Antarctic Midwinter Festival. In Re-eventing the city/town: Events as catalysts for social change, Fourth International Event Research Conference, 10th-12th July 2007, University of Technology Sydney and Victoria University, Melbourne, 10th-12th July 2007.
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463Hadley, Bree J. (2006) During and enduring : forced entertainment's bloody mess and the phenomenon of time in performance. In Maxwell, Ian (Ed.) The Australasian Association for Theatre Drama and Performance Studies Conference, 4-7 July 2006, University of Sydney.
Hadley, Bree J. (2005) Yumi Umiumare – Choreographic challenges to (mis)conceptions of Asianness in Australia. In Journeys to the Interior: Australasian Association for Drama, Theatre and Performance Studies (ADSA) Annual Conference 2005, 4th-7th July 2005, Charles Sturt University, Wagga Wagga, 4th-7th July 2005. (Unpublished)
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202Creative Work
Hadley, Bree J. (2008) Exist documentation: description of creative works in the International Live Art Event "exist in 08". [Creative Work]
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37Report
Gattenhof, Sandra Jane & Hadley, Bree J. (2011) Creating Queensland, creative communities partnership - major Brisbane festival & Australia Council for the Arts. Queensland University of Technology, Brisbane , QLD.
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10Review
Hadley, Bree J. (2012) Review: "Transfigured Stages : Major Practitioners and Theatre Aesthetics in Australia" by Margaret Hamilton. Theatre Research International, 37(2), pp. 198-199.
Hadley, Bree J. (2012) Colour and Camp Bring Shakespeare’s As You Like It to Life. The Australian, 27(Feb).
Hadley, Bree J. (2011) Four characters stuck inside a mystery [Review]. The Australian, September(26).
Hadley, Bree J. (2011) Review of "Christoph Schlingensief : art without borders" edited by Tara Forrest and Anna Teresa Scheer. Performance Paradigm, 7, pp. 1-5.
Hadley, Bree J. (2011) Loss and grief at the heart of text messages [REVIEW]. The AUstralian, June(30).
Hadley, Bree J. (2011) An emotional father and son reunion that sometimes is at a loss for words [Review]. The Australian, April(11).
Hadley, Bree J. (2011) Contemporary take on Caesar a triumph of style over substance [Review]. The Australian, Feb(21).
Hadley, Bree J. (2010) Contemporary take on deconstructed Medea : a review. The Australian, 23(Nov).
Hadley, Bree J. (2010) Textbook portrayal of grieving stereotypes fails to cohere : a review. The Australian, 30(Aug).
Hadley, Bree J. (2010) Teenager loner in a chat room tangled up in guile and guilability : a review. The Australian, 26(Jul).
Hadley, Bree J. (2010) Eschewing the fat: strong production but Neil LaBute below his best : a review. The Australian, 7(Jun).
Hadley, Bree (2010) Independent Brisbane: Four Plays [BOOK REVIEW]. Australasian Drama Studies, 56, pp. 242-244.
Hadley, Bree (2010) Hoodie-wearing Hamlet mixes horror with humour in a play for our times [REVIEW]. Hoodie-wearing Hamlet mixes horror with humour in a play for our times [REVIEW], Feb(12).
Hadley, Bree J. (2008) Desires and despair given voice in Russian. Desires and despair given voice in Russian.
Hadley, Bree J. (2008) The female of the species by Joanna Murray-Smith [REVIEW]. Australian Stage Online.
Hadley, Bree (2007) Review : Anne Bogart, 'And then, you act : making art in an unpredictable world'. Australasian Drama Studies, 51, pp. 151-153.
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122Hadley, Bree (2006) Review : Peta Tait, Circus Bodies : cultural identity in aerial performance. Australasian Drama Studies, 48, pp. 252-255.
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