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Browse By Person: Howlett, Mike

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Number of items: 8.

Book Chapter

Howlett, Mike (2012) Interlude 2 : Comments and commentaries by industry Professionals and Producers. In Frith, Simon & Zagorski-Thomas, Simon (Eds.) The Art of Record Production : An Introductory Reader for a New Academic Field. Ashgate Publishing, Farnham, United Kingdom, pp. 189-190.

Howlett, Mike (2012) Interlude 3 : Comments and Commentaries by Industry Professionals and Producers. In Frith, Simon & Zagorski-Thomas, Simon (Eds.) The Art of Record Production : An Introductory Reader for a New Academic Field. Ashgate Publishing, Farnham, United Kingdom, p. 272.

Howlett, Mike (2009) Performing for (and against) the microphone : personal takes : producing a credible vocal. In Cook, Nicholas, Clarke, Eric, Leech-Wilkinson, Daniel, & Rink, John (Eds.) The Cambridge Companion to Recorded Music. Cambridge University Press, Cambridge, pp. 30-31.

Journal Article

Campelo, Isabel & Howlett, Mike (2013) The “virtual” producer in the recording studio : media networks in long distance peripheral performances. Journal on the Art of Record Production, 8.
Number of full-text downloads 42

Howlett, Mike (2012) Song means : Analysing and interpreting recorded popular song by Allan Moore. Journal on the Art of Record Production, online-online.
Number of full-text downloads 153

Conference Paper

Howlett, Mike (2012) The record producer as a nexus. In Zagorski-Thomas, Simon (Ed.) Journal on the Art of Record Production, Art of Record Production, San Francisco State University .
Number of full-text downloads 300

Howlett, Mike (2007) Fixing the volatile : studio vocal performance techniques. In Journal of the Art of Record Production, Queensland University of Technology, Brisbane.
Number of full-text downloads 205

Thesis

Howlett, Mike (2009) The record producer as nexus : creative inspiration, technology and the recording industry. PhD thesis, University of Glamorgan.
Number of full-text downloads 295

This list was generated on Sat Aug 30 08:15:25 2014 EST.