Browse By Person: McNamara, Andrew

McNamara, Andrew (2021) Bauhaus Now: Art, Design and Architecture: A legacy of migration and modernism. [Exhibition/Event]

Stephen, Ann & McNamara, Andrew (2021) Art Education in Crisis under COVID: State of the Arts, Australia. Art Monthly Australasia, Autumn(327), p. 104.

McNamara, Andrew (2021) George Johnson. In Stephen, Ann (Ed.) Light and Darkness: Late Modernism and the JW Power Collection. Power Publications, Sydney, NSW, pp. 198-199.

McNamara, Andrew (2021) James Doolin. In Stephen, Ann (Ed.) Light and Darkness: Late Modernism and the JW Power Collection. Power Publications, Sydney, NSW, pp. 74-75.

McNamara, Andrew (2021) Stanislaus Ostoja-Kotkowski. In Stephen, Ann (Ed.) Light and Darkness: Late Modernism and the JW Power Collection. Power Publications, Sydney, NSW, pp. 58-59.

McNamara, Andrew (2021) Sydney Ball. In Stephen, Ann (Ed.) Light and Darkness: Late Modernism and the JW Power Collection. Power Publications, Sydney, NSW, pp. 44-45.

McNamara, Andrew (2021) Tim Johnson. In Stephen, Ann (Ed.) Light and Darkness: Late Modernism and the JW Power Collection. Power Publications, Sydney, NSW, pp. 116-117.

McNamara, Andrew (2020) When the Reality is Unreal: Camps, Towers and Internment. In Bassler, Moritz, Hjartarson, Benedikt, Frohne, Ursula, Ayers, David, & Bru, Sascha (Eds.) Realisms of the Avant-Garde. Walter de Gruyter, Berlin, Germany, pp. 223-243.

Goad, Philip, Stephen, Ann, McNamara, Andrew, Edquist, Harriet, & Wunsche, Isabel (2019) Bauhaus diaspora and beyond: Transforming education through art, design and architecture. Melbourne University Publishing, Australia.

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McNamara, Andrew, Coombs, Gretchen, & Sade, Gavin (2019) Introduction. In Sade, G, Coombs, G, & McNamara, A (Eds.) Undesign: Critical practices at the intersection of art and design. Routledge, United Kingdom, pp. 1-8.

McNamara, Andrew (2019) Surpassing modernity: Ambivalence in art, politics and society. Bloomsbury Academic, United Kingdom.

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McNamara, Andrew & Gronemeyer, Wiebke (2019) Udo Sellbach: Seeing it, still. Discipline, 5, pp. 93-102.

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McNamara, Andrew E. (2018) ‘Condensing magnitudes: Robert Smithson’s “Time Crystals”. Art Monthly Australasia, September(310), pp. 36-38.

McNamara, Andrew (2018) Addressing the essential asymmetry of research and creation in research-creation. In Lacasse, S & Stevance, S (Eds.) Pour une ethique partagee de la recherche-creation en milieu universitaire (Recherches en musique). Presses de l'Universite Laval, Canada, pp. 61-80.

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Coombs, Gretchen, McNamara, Andrew, & Sade, Gavin (Eds.) (2018) Undesign: Critical practices at the intersection of art and design. Routledge, Abingdon, Oxon.

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McNamara, Andrew & Stephen, Ann (2018) A cartography of desires and taboos: The modern primitive and the antipodes. In Meecham, P (Ed.) A companion to modern art (Wiley Blackwell Companions to Art History, 13). John Wiley & Sons, United States of America, pp. 37-53.

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McNamara, Andrew, Stephen, Ann, & Wunsche, Isabel (2017) Case studies of modernist refugees and emigres to Australia, 1930-1950: light, colour and educational studies under the shadow of fascism and war. In Pratas Cruzeiro, C (Ed.) Migrations: Migration processes and artistic practices in a time of war: From the 20th century to the present. Faculdade de Belas-Artes, Universidade de Lisboa, Portugal, pp. 271-289.

McNamara, Andrew (2017) Words and pictures in the age of the image: An interview with W.J.T. Mitchell. In Purgar, K (Ed.) W.J.T. Mitchell's image theory: Living pictures (Routledge Advances in Art and Visual Studies, Volume 22). Routledge, United States of America, pp. 100-113.

McNamara, Andrew (2016) Inversions, conversions, aberrations: Visual acuity and the erratic chemistry of art-historical transmission in a transcultural situation. Australian and New Zealand Journal of Art, 16(1), pp. 3-21.

McNamara, Andrew (2015) Critical reckonings: Global art and art history after the West and Eurocentrism [Review]. Art Journal, 74(3), pp. 67-69.

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Stephen, Ann & McNamara, Andrew (2015) The modern primitive and the Antipodes: the visual arts and Oceania. In Ross, S & Lindgren, A C (Eds.) The Modernist World (Routledge Worlds series). Routledge, United Kingdom, pp. 291-298.

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McNamara, Andrew (2013) APT7: Highs and lows. Eyeline, 78/79, pp. 82-83, 2013. [Article]

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McNamara, Andrew (2013) Beyond ''beyondness''. In Elkins, J & Montgomery, H (Eds.) Beyond the aesthetic and the anti-aesthetic. Penn State University Press, United States, pp. 151-154.

McNamara, Andrew (2013) Tabloid Academia. The I.B.Tauris Blog, -, 2013. [Article]

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McNamara, Andrew & Stephen, Ann (2013) The double risk of primitivism. In Michael, Linda (Ed.) Future Primitive. Heide Museum of Modern Art, Bulleen, Vic, pp. 29-44.

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McNamara, Andrew E. (2012) "Gail Hastings". Less Is More: Minimal + Post-Minimal Art in Australia, August 2012. [Article]

McNamara, Andrew (2012) Six rules for practice-led research. TEXT: Journal of Writing and Writing Programs, 2012(S14), pp. 1-15.

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McNamara, Andrew (2012) What is contemporary art?; Contemporary art: World currents [Book Review]. Australian and New Zealand Journal of Art, 12, pp. 252-258.

Wilson, Andrew, McNamara, Andrew, & Pennings, Mark (2011) Brisbane - Tokyo: Subtropical housing research. In McNamara, A (Ed.) Sweat : The Subtropical Imaginary. Institute of Modern Art, Australia, pp. 106-128.

McNamara, Andrew (2011) Introduction. In McNamara, A (Ed.) Sweat : The Subtropical Imaginary. Institute of Modern Art, Australia, pp. 9-15.

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McNamara, Andrew (2011) Place and displacement: Southeast Queensland Architecture. In McNamara, A (Ed.) Sweat : The Subtropical Imaginary. Institute of Modern Art, Australia, pp. 181-198.

McNamara, Andrew (Ed.) (2011) Sweat: The Subtropical Imagery. Institute of Modern Art, Brisbane, Brisbane, Qld.

McNamara, Andrew (2011) Two ways : between tradition and innovation. In McLean, I (Ed.) How Aborigines invented the idea of contemporary art : writings on Aboriginal art. Institute of Modern Art and Power Publications, Australia, pp. 111-113.

McNamara, Andrew & Stephen, Ann (2011) The story of the sixties...a pile-up on the freeway of advanced art. In Anderson, J (Ed.) The Cambridge Companion to Australian Art. Cambridge University Press, Australia, pp. 168-179.

McNamara, Andrew (2010) The Good and the Bad - On APT 6: Rohan Wealleans performing identity at the disjuncture between customary and contemporary culture. Eyeline, 71, pp. 78-79, 2010. [Article]

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McNamara, Andrew (2010) Visual acuity is not what it seems: On Ian Burn's 'Late' reflections. In Stephen, A (Ed.) Mirror Mirror : Then and Now. Institute of Modern Art, Australia, pp. 24-32.

McNamara, Andrew (2010) Wilkins Hill: On the cusp of meaning. Column, 6, pp. 55-58.

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McNamara, Andrew (2009) An apprehensive aesthetic: The legacy of modernist culture. Peter Lang Publishing, Switzerland.

McNamara, Andrew (2009) The colour of modernism: Colour-form experiments in Europe and Australia. In Bru, S, Orum, T, Baetens, J, Nicholls, P, Hjartarson, B, & van den Berg, H (Eds.) Europa! Europa? The Avant-Garde, Modernism and the Fate of a Continent. Mouton de Gruyter Publisher, Germany, pp. 494-513.

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McNamara, Andrew (2008) The Bauhaus in Australia: Interdiscipinary confluences in modernist practices. In Goad, P, Stephen, A, & McNamara, A (Eds.) Modern Times: The Untold Story of Modernism in Australia. The Miegunyah Press, Australia, pp. 2-15.

McNamara, Andrew (2008) Illegible echoes: Felix Gonzalez-Torres, the artist-spy. Image and Narrative: online magazine of the visual narrative, 22(Autofiction and/in Image...), pp. 1-17.

McNamara, Andrew (2008) Modern Times: The Untold History of Modernism in Australia. [Exhibition/Event]

McNamara, Andrew E. (2008) The Promise of Modernity—Ken G. Hall's "Dad and Dave Come to Town" (1938-39). In Stephen, Ann, Goad, Philip, & McNamara, Andrew (Eds.) Modern Times: The Untold Story of Modernism in Australia. The Miegunyah Press/Powerhouse Publishing, Melbourne and Sydney, xxv-xxviii.

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McNamara, Andrew (2008) The inexplicable balson. In Symposium Papers - Colour in Art - revisting 1919 and R-Balson-/41. Ivan Dougherty Gallery, Australia, pp. 44-47.

McNamara, Andrew (2007) Duchamp: Creativity is a Form of Onanism. Reading Room: a journal of art and culture, 1(7), pp. 140-160.

McNamara, Andrew (2007) Gail Hastings: Make Space for the Invisible Architecture of the Social. Art Gallery Of NSW.

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McNamara, Andrew (2007) Modernism and the Medium: On Greenberg and Weber. In Hall, G & Wortham, S (Eds.) Experimenting: Essays With Samuel Weber. Fordham University Press, United States of America, pp. 159-182.

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McNamara, Andrew & Ross, Toni (2007) On medium specificity and discipline crossovers in modern art. Australian and New Zealand Journal of Art, 8(1), pp. 101-109.

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McNamara, Andrew (2007) Wondrous Objectivity: Art History, Freud and Detection. In Liu, C, Mowitt, J, Pepper, T, & Spicer, J (Eds.) The Dreams Of Interpretation: A Century Down the Royal Road. University of Minnesota Press, United States of America, pp. 283-299.

McNamara, Andrew E. & Ross, Toni (2007) An interview with Jacques Rancière : on medium-specificity and discipline crossovers in modern art. Australian and New Zealand Journal of Art, 8(1), pp. 101-109.

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Stephen, Ann, McNamara, Andrew, & Goad, Philip (2006) Modernism & Australia: Documents on Art, Design and Architecture 1917-1967. Miegunyah Press, Australia.

McNamara, Andrew (2006) The Myth of New Media. Media-N, 2(3), pp. 70-72.

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McNamara, Andrew (2005) No Two Ways About It: On The Clifford Possum Tjapaltarri Retrospective. Eyeline, pp. 13-17.

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McNamara, Andrew (2005) Space Cadets. In Lehmann, S (Ed.) Absolutely Public: Crossover Art and Architecture. Images Publishing Group, Australia, pp. 72-75.

McNamara, Andrew (2004) Art and thought. Australian and New Zealand Journal of Art, 4 & 5(2 & 1), pp. 203-210.

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McNamara, Andrew (2004) Optative Death: Gerhard Richtrer in the Wake of the Vanguard. In Klaver, E (Ed.) Images of the Corpse: From the Renaissance to Cyberspace. University of Wisconsin Press, Madison, United States, pp. 133-152.

McNamara, Andrew (Ed.) (2003) 1962 Scott Redford: Selected Works 1983-1992. University Art Museum, The University of Queensland, Australia, Queensland, Brisbane.

McNamara, Andrew & Krapp, Peter (2002) Introduction. South Atlantic Quarterly, 101(3), pp. 441-448.

McNamara, Andrew (2002) Apprehension? Performativity and Medium-Specificity in Modern Art. The South Atlantic Quarterly, 101(3), pp. 479-499.

McNamara, Andrew (2002) How 'Creative Industries' Evokes the Legacy of Modernist Visual Art. Media International Australia incorporating Culture and Policy, 102(February 2002), pp. 66-76.

Krapp, Peter (2002) Medium Cool. Duke University Press, Durham.

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McNamara, Andrew (2001) The Aboriginal Medium: Negotiating the Caesura of Exchange. In Religion And Media. Stanford University Press, California, USA, pp. 487-513.

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McNamara, Andrew (2001) Erich Buchholz: The Inconvenient Footnote in Art History. Art and Australia, pp. 256-264.

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McNamara, Andrew (1996) Words and pictures in the age of the image: an interview with W.J.T. (Tom) Mitchell. Eyeline.

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McNamara, Andrew E. & Butler, Rex (1995) All About Yve: An Interview with Yve-Alain Bois. Eyeline, Autumn(27), pp. 16-21.

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