Browse By Person: Stock, Cheryl
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Number of items: 38.
Stock, Cheryl F. (1996) Robert Helpmann - Master Showman. Brolga, 5, pp. 35-45.
Stock, Cheryl F. (1997) Three Views of an Intercultural Dance and Music Journey. In Batchelor, Don (Ed.) Two WayTraffic: Aspects of Australian/Asian interculturalism in theatre and dance. Centre for Innovation in the Arts, QUT, Brisbane, QLD, pp. 58-65.
Stock, Cheryl F. (1998) Questions of gender and power in professional dance in Vietnam: A Western choreographer’s perspective. Brolga, pp. 7-21.
Stock, Cheryl F. (1998) Dancing the dual phoenix - Collaborating across cultures: A choreographer’s view of a Vietnamese – Australian collaboration. Korean Journal of Dance Studies, 2(Fall), pp. 109-127.
Stock, Cheryl F. (1999) Moving Bodies Across Cultures: an analysis of a Vietnamese/Australian dance and theatre project. In Australasian Drama Studies, Hamilton, New Zealand.
Stock, Cheryl F. (1999) Making intercultural dance in Vietnam : issues of context and process from the perspective of an Australian choreographer and her colleagues from Vietnam Opera Ballet Theatre (Nhà Hát Nhạc Vũ Kịch Việt Nam) 1995-1999. PhD thesis, Queensland University of Technology.
Stock, Cheryl F. (2000) Reflective Practitioner: choreography as research in an intercultural context. In Onuki, Hideaki (Ed.) World Dance 2000 - A Celebration of the Millennium: Choreography Today, Tokyo, Japan.
Stock, Cheryl F. (2001) The Myth of an International Dance Language: Tensions between Internationalisation and Cultural Difference. In Burridge, Stephanie (Ed.) Asia Pacific Dance Bridge: Academic Conference, 2001, Singapore.
Stock, Cheryl F. (2002) here/there/then/now. [Live Performance (Dance)]
Stock, Cheryl F. (2003) Doi Moi and the crisis in Vietnamese dance. In Drummond, Lisa B. W. & Thomas, Mandy (Eds.) Consuming Urban Culture in Contemporary Vietnam. RoutledgeCurzon, London; New York, pp. 219-241.
Stock, Cheryl F. (2003) Intercultural dance. In Whiteoak, John & Scott-Maxwell, Aline (Eds.) Currency companion to music and dance in Australia. Currency House in association with Currency Press, Sydney, N.S.W, pp. 354-356.
Stock, Cheryl F. (2004) Training the Thinking Dancer: creating careers in dance in the 21st Century. In Beijing Forum on International Dance Education and Development, 23-27 September, 2004, Beijing.
Stock, Cheryl F. (2005) The Cocacolonisation of difference: homogenised diversity in 21st century cultural practice. In Nor, Mohd Anis Md & Revathi, Murugappan (Eds.) Global and local dance in performance. Cultural Centre, University of Malaya and Ministry of Culture, Arts and Heritage, Malaysia, pp. 15-27.
Stock, Cheryl F. (2005) The Interval Between…The Space Between…: Concepts of Time and Space in Asian Art and Performance. In Sarkar Munsi, Urmimala (Ed.) Time and Space in Asian context: Contemporary Dance in Asia. World Dance Alliance, pp. 17-38.
Stock, Cheryl F. (2005) here/there/then/now: site, collaboration, interdisciplinary performance. In Dance Rebooted- Initializing the Grid Australian National Dance Research Conference, 1-4 July, 2005, Deakin University, Melbourne.
Stock, Cheryl F. (2006) Accented Body : the body as site and in site. [Live Performance (Dance)]
Stock, Cheryl F. (2006) A Legacy of Innovation: Contextualising an International Creative Practice Project. Kolkata, West Bengal. 2004. In Vella, Richard (Ed.) SPIN SPeculation and INnovation: Applying Practice Led Research in the Creative Industries, 2005, Creative Industries Faculty, QUT, Brisbane.
Stock, Cheryl F. & Dyson, Julie (2006) Looking out from Down Under – Australian dance today. In Burridge, Stephanie (Ed.) Shifting sands : dance in Asia and the Pacific. Australian Dance Council, Australia, Australian Capital Territory, Braddon, pp. 15-23.
Stock, Cheryl F. (2007) Accented Body and Beyond: a Model for Practice-Led Research with Multiple Theory/Practice Outcomes. In Re-thinking Theory and Practice/Repenser pratique et théorie, 21-24 June, 2007, Le Centre National de la Danse, Paris, France.
Stock, Cheryl F. (2008) Different inflections : intercultural dance in Australia. The Korean Journal of Dance, 57(30 Dec), pp. 289-310.
Stock, Cheryl F. (Ed.) (2008) Dance dialogues : conversations across cultures, artforms and practices. The Australian Dance Council and Queensland University of Technology, Canberra, ACT.
Stock, Cheryl F. (2008) Creating collaborative partnerships : enabling public access to live urban art, innovative performance and creative research. Brolga, 28, pp. 21-40.
Stock, Cheryl F. (2008) Connectivity : dancing bodies linking culture, site and technology. In Sarkar Munsi, Urmimala (Ed.) Dance : Transcending Borders. Tulika Books, New Delhi, India, pp. 58-77.
Phillips, Maggi, Stock, Cheryl F., & Vincs, Kim (2009) Dancing doctorates down-under? Defining and assessing ‘doctorateness’ when embodiment enters the thesis. In Stock, Cheryl (Ed.) Dance Dialogues: Conversations Across Cultures, Artforms and Practices. Refereed Proceedings of the World Dance Alliance Global Summit, Brisbane, Australia, 13 – 18 July 2008. Australian Dance Council—Ausdance Inc. & Queensland University of Technology, Canberra ACT.
Stock, Cheryl F., Phillips, Maggi, & Vincs, Kim (2009) Dancing the Thesis : Potentials and Pitfalls in Practice-led Research. In Re-searching Dance: International Conference on Dance Research, Jawaharalal Nehru University, Dance Alliance-India, India International Centre, New Delhi, pp. 53-59.
Stock, Cheryl F. (2009) Choreographing research : supervising the dancing thesis. TEXT Special Issue Website Series No. 6 Supervising the Creative Arts Research Higher Degree: Towards Best Practice, 13 (Special Issue Number 6), pp. 1-15.
Stock, Cheryl F., Phillips, Maggi, & Vincs, Kim (2009) Dancing between diversity and consistency : refining assessment in postgraduate degrees in dance. West Australian Academy of the Performing Arts, Edith Cowan University, Mt Lawley, Western Australia.
Stock, Cheryl F. (2009) Beyond the intercultural to the accented body : an Australian perspective. In Butterworth, Jo & Wildschut, Liesbeth (Eds.) Contemporary Choreography : A Critical Reader. Routledge (Taylor & Francis Group), Abingdon, Oxon & New Yiork, pp. 281-298.
Stock, Cheryl F. (2010) Aesthetic tensions : evaluating outcomes for practice-led research and industry. TEXT Journal, Special Issue, 8.
Stock, Cheryl F. (2010) Adapting, renewing, subverting : what place the performing arts in the creative industries? Tirai Panggung : Performing Arts Journal, 10, pp. 20-45.
Stock, Cheryl F. (2011) Approaches to acquiring ‘doctorateness’ in the creative industries : an Australian perspective. In Justice, Lorraine & Friedman, Ken (Eds.) Pre-Conference Proceedings, Hong Kong Polytechnic University, Hong Kong .
Stock, Cheryl F. (2011) Creating new narratives through shared time and space : the performer/audience connection in multi-site dance events. In Caldwell, Linda (Ed.) In Time Together : Viewing and Reviewing Contemporary Dance Practice : Refereed Proceedings of the World Dance Alliance Global Summit 2010, World Dance Alliance-Americas under the auspices of the Texas Woman’s University Website, New York University, New York.
Stock, Cheryl F. (2012) Adaptation and empathy : intercultural communication in a choreographic project. Journal of Intercultural Studies, 33(4), pp. 445-462.
Stock, Cheryl F. & Page , Stephen (2012) Awakening the spirit : telling the stories. In Burridge, Stephanie & Dyson, Julie (Eds.) Shaping the Landscape : Celebrating Dance in Australia. Routledge (Taylor & Francis), New Delhi, pp. 52-68.
Stock, Cheryl F. (2012) Different inflections. In Burridge, Stephanie & Dyson , Julie (Eds.) Shaping the Landscape : Celebrating Dance in Australia. Routledge, New Delhi, pp. 84-103.
Stock, Cheryl F. (2013) Naik Naik. [Performance]
Stock, Cheryl (2013) Acquiring ‘doctorateness’ in the creative industries : an Australian perspective on professional research doctorates. Text: Journal of Writing and Writing Courses : Special Issue No 22 Examination of doctoral degrees in creative arts : process, practice and standards, pp. 1-17.
Stock, Cheryl F. (2014) Writing embodied practice from the inside : outside the exegesis. In Ravelli, Louise, Paltridge, Brian, & Starfield, Sue (Eds.) Doctoral Writing in the Creative and Performing Arts. Libri Publishing Ltd., Oxfordshire, United Kingdom, pp. 297-318.