Browse By Person: Stock, Cheryl
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Number of items: 38.
Stock, Cheryl F., Phillips, Maggi, & Vincs, Kim (2009) Dancing between diversity and consistency : refining assessment in postgraduate degrees in dance. West Australian Academy of the Performing Arts, Edith Cowan University, Mt Lawley, Western Australia.
Stock, Cheryl F. (Ed.) (2008) Dance dialogues : conversations across cultures, artforms and practices. The Australian Dance Council and Queensland University of Technology, Canberra, ACT.
Stock, Cheryl F. (2014) Writing embodied practice from the inside : outside the exegesis. In Ravelli, Louise, Paltridge, Brian, & Starfield, Sue (Eds.) Doctoral Writing in the Creative and Performing Arts. Libri Publishing Ltd., Oxfordshire, United Kingdom.
Stock, Cheryl F. & Page , Stephen (2012) Awakening the spirit : telling the stories. In Burridge, Stephanie & Dyson, Julie (Eds.) Shaping the Landscape : Celebrating Dance in Australia. Routledge (Taylor & Francis), New Delhi, pp. 52-68.
Stock, Cheryl F. (2012) Different inflections. In Burridge, Stephanie & Dyson , Julie (Eds.) Shaping the Landscape : Celebrating Dance in Australia. Routledge, New Delhi, pp. 84-103.
Phillips, Maggi, Stock, Cheryl F., & Vincs, Kim (2009) Dancing doctorates down-under? Defining and assessing ‘doctorateness’ when embodiment enters the thesis. In Stock, Cheryl (Ed.) Dance Dialogues: Conversations Across Cultures, Artforms and Practices. Refereed Proceedings of the World Dance Alliance Global Summit, Brisbane, Australia, 13 – 18 July 2008. Australian Dance Council—Ausdance Inc. & Queensland University of Technology, Canberra ACT.
Stock, Cheryl F. (2009) Beyond the intercultural to the accented body : an Australian perspective. In Butterworth, Jo & Wildschut, Liesbeth (Eds.) Contemporary Choreography : A Critical Reader. Routledge (Taylor & Francis Group), Abingdon, Oxon & New Yiork, pp. 281-298.
Stock, Cheryl F. (2008) Connectivity : dancing bodies linking culture, site and technology. In Sarkar Munsi, Urmimala (Ed.) Dance : Transcending Borders. Tulika Books, New Delhi, India, pp. 58-77.
Stock, Cheryl F. & Dyson, Julie (2006) Looking out from Down Under – Australian dance today. In Burridge, Stephanie (Ed.) Shifting sands : dance in Asia and the Pacific. Australian Dance Council, Australia, Australian Capital Territory, Braddon, pp. 15-23.
Stock, Cheryl F. (2005) The Cocacolonisation of difference: homogenised diversity in 21st century cultural practice. In Nor, Mohd Anis Md & Revathi, Murugappan (Eds.) Global and local dance in performance. Cultural Centre, University of Malaya and Ministry of Culture, Arts and Heritage, Malaysia, pp. 15-27.
Stock, Cheryl F. (2005) The Interval Between…The Space Between…: Concepts of Time and Space in Asian Art and Performance. In Sarkar Munsi, Urmimala (Ed.) Time and Space in Asian context: Contemporary Dance in Asia. World Dance Alliance, pp. 17-38.
Stock, Cheryl F. (2003) Doi Moi and the crisis in Vietnamese dance. In Drummond, Lisa B. W. & Thomas, Mandy (Eds.) Consuming Urban Culture in Contemporary Vietnam. RoutledgeCurzon, London; New York, pp. 219-241.
Stock, Cheryl F. (2003) Intercultural dance. In Whiteoak, John & Scott-Maxwell, Aline (Eds.) Currency companion to music and dance in Australia. Currency House in association with Currency Press, Sydney, N.S.W, pp. 354-356.
Stock, Cheryl F. (1997) Three Views of an Intercultural Dance and Music Journey. In Batchelor, Don (Ed.) Two WayTraffic: Aspects of Australian/Asian interculturalism in theatre and dance. Centre for Innovation in the Arts, QUT, Brisbane, QLD, pp. 58-65.
Stock, Cheryl (2013) Acquiring ‘doctorateness’ in the creative industries : an Australian perspective on professional research doctorates. Text: Journal of Writing and Writing Courses : Special Issue No 22 Examination of doctoral degrees in creative arts : process, practice and standards, pp. 1-17.
Stock, Cheryl F. (2012) Adaptation and empathy : intercultural communication in a choreographic project. Journal of Intercultural Studies, 33(4), pp. 445-462.
Stock, Cheryl F. (2010) Aesthetic tensions : evaluating outcomes for practice-led research and industry. TEXT Journal, Special Issue, 8.
Stock, Cheryl F. (2010) Adapting, renewing, subverting : what place the performing arts in the creative industries? Tirai Panggung : Performing Arts Journal, 10, pp. 20-45.
Stock, Cheryl F. (2009) Choreographing research : supervising the dancing thesis. TEXT Special Issue Website Series No. 6 Supervising the Creative Arts Research Higher Degree: Towards Best Practice, 13 (Special Issue Number 6), pp. 1-15.
Stock, Cheryl F. (2008) Different inflections : intercultural dance in Australia. The Korean Journal of Dance, 57(30 Dec), pp. 289-310.
Stock, Cheryl F. (2008) Creating collaborative partnerships : enabling public access to live urban art, innovative performance and creative research. Brolga, 28, pp. 21-40.
Stock, Cheryl F. (1998) Questions of gender and power in professional dance in Vietnam: A Western choreographer’s perspective. Brolga, pp. 7-21.
Stock, Cheryl F. (1998) Dancing the dual phoenix - Collaborating across cultures: A choreographer’s view of a Vietnamese – Australian collaboration. Korean Journal of Dance Studies, 2(Fall), pp. 109-127.
Stock, Cheryl F. (1996) Robert Helpmann - Master Showman. Brolga, 5, pp. 35-45.
Stock, Cheryl F. (2011) Approaches to acquiring ‘doctorateness’ in the creative industries : an Australian perspective. In Justice, Lorraine & Friedman, Ken (Eds.) Pre-Conference Proceedings, Hong Kong Polytechnic University, Hong Kong .
Stock, Cheryl F. (2011) Creating new narratives through shared time and space : the performer/audience connection in multi-site dance events. In Caldwell, Linda (Ed.) In Time Together : Viewing and Reviewing Contemporary Dance Practice : Refereed Proceedings of the World Dance Alliance Global Summit 2010, World Dance Alliance-Americas under the auspices of the Texas Woman’s University Website, New York University, New York.
Stock, Cheryl F., Phillips, Maggi, & Vincs, Kim (2009) Dancing the Thesis : Potentials and Pitfalls in Practice-led Research. In Re-searching Dance: International Conference on Dance Research, Jawaharalal Nehru University, Dance Alliance-India, India International Centre, New Delhi, pp. 53-59.
Stock, Cheryl F. (2007) Accented Body and Beyond: a Model for Practice-Led Research with Multiple Theory/Practice Outcomes. In Re-thinking Theory and Practice/Repenser pratique et théorie, 21-24 June, 2007, Le Centre National de la Danse, Paris, France.
Stock, Cheryl F. (2006) A Legacy of Innovation: Contextualising an International Creative Practice Project. Kolkata, West Bengal. 2004. In Vella, Richard (Ed.) SPIN SPeculation and INnovation: Applying Practice Led Research in the Creative Industries, 2005, Creative Industries Faculty, QUT, Brisbane.
Stock, Cheryl F. (2005) here/there/then/now: site, collaboration, interdisciplinary performance. In Dance Rebooted- Initializing the Grid Australian National Dance Research Conference, 1-4 July, 2005, Deakin University, Melbourne.
Stock, Cheryl F. (2004) Training the Thinking Dancer: creating careers in dance in the 21st Century. In Beijing Forum on International Dance Education and Development, 23-27 September, 2004, Beijing.
Stock, Cheryl F. (2001) The Myth of an International Dance Language: Tensions between Internationalisation and Cultural Difference. In Burridge, Stephanie (Ed.) Asia Pacific Dance Bridge: Academic Conference, 2001, Singapore.
Stock, Cheryl F. (2000) Reflective Practitioner: choreography as research in an intercultural context. In Onuki, Hideaki (Ed.) World Dance 2000 - A Celebration of the Millennium: Choreography Today, Tokyo, Japan.
Stock, Cheryl F. (1999) Moving Bodies Across Cultures: an analysis of a Vietnamese/Australian dance and theatre project. In Australasian Drama Studies, Hamilton, New Zealand.
Stock, Cheryl F. (2013) Naik Naik. [Performance]
Stock, Cheryl F. (2006) Accented Body : the body as site and in site. [Live Performance (Dance)]
Stock, Cheryl F. (2002) here/there/then/now. [Live Performance (Dance)]
Stock, Cheryl F. (1999) Making intercultural dance in Vietnam : issues of context and process from the perspective of an Australian choreographer and her colleagues from Vietnam Opera Ballet Theatre (Nhà Hát Nhạc Vũ Kịch Việt Nam) 1995-1999. PhD thesis, Queensland University of Technology.