Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > ART THEORY AND CRITICISM (190100)"
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- Australian and New Zealand Standard Research Classification (42113)
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Number of items at this level: 49.
McNamara, Andrew E. (Ed.) (2011) Sweat : the subtropical imaginary. IMA Publishing, Brisbane , QLD.
McNamara, Andrew E. (2009) An apprehensive aesthetic : the legacy of modernist culture. Peter Lang Publishing, Bern.
McNamara, Andrew E., Stephen, Ann, & Goad, Philip (2008) Modern Times : The Untold Story of Modernism in Australia. Melbourne University Press/The Miegunyah Press, Melbourne.
Coombs, Gretchen & Gomez-Pena, Guillermo (2011) The City as a Bohemian Theme Park. In Laura, Levin (Ed.) Guillermo Gomez-Pena: Conversations Across Borders. Seagull Books, Chicago University Press.
McNamara, Andrew E. (2013) Beyond “Beyondness”. In Elkins, James & Montgomery, Harper (Eds.) Beyond the Aesthetic and the Anti-Aesthetic. The Pennsylvania State University Press, Pennsylvania, United States of America, pp. 151-154.
McNamara, Andrew E. (2011) "Introduction". In McNamara, Andrew E. (Ed.) Sweat : the Subtropical Imaginary. IMA Publishing, Brisbane , Qld, pp. 8-15.
McNamara, Andrew E. (2011) Place and displacement : southeast Queensland architecture. In McNamara, Andrew E. (Ed.) Sweat : the Subtropical Imaginary. IMA Publishing, Brisbane , Qld, pp. 181-198.
McNamara, Andrew E. (2011) Two ways : between tradition and innovation. In McLean, Ian (Ed.) How Aborigines Invented the Idea of Contemporary Art : Writings on Aboriginal Contemporary Art. IMA Publishing & Power Publications, Sydney, Brisbane, pp. 111-113.
McNamara, Andrew E. (2010) Visual acuity is not what it seems : on Ian Burn's 'Late' reflections. In Stephen, Ann (Ed.) Mirror Mirror : Then and Now. Institute of Modern Art, Brisbane, QLD, pp. 24-32.
McNamara, Andrew E. (2009) The colour of modernism : colour-form experiments in Europe and Australia. In Bru, S., Baetens, J., Hjartarson, B., Nicholls, P., Ørum, T., & Berg, H. (Eds.) Europa! Europa? : The Avant-Garde, Modernism and the Fate of a Continent. De Gruyter, Berlin, pp. 494-513.
McNamara, Andrew E. & Stephen, Ann (2011) The story of the sixties...a pile-up on the freeway of advanced art. In Anderson, Jaynie (Ed.) The Cambridge Companion to Australian Art. Cambridge University Press, Melbourne, VIC, pp. 168-179.
Pennings, Mark W. (2011) Clichés, communication and the meaning of existence. In Grant Stevens, Are You Upset With Me? Institute of Modern Art, Brisbane.
Taylor, Mark (2006) Becoming-artistic. In Inview : Works from the VUW Art Collection. Adam Art Gallery, Wellington, NZ, p. 68.
Coombs, Gretchen (2010) Guillermo Gómez-Peña : a "new age shaman” in a bohemian theme park. Reconstruction: Studies in Contemporary Culture, 10(3).
Coombs, Gretchen (2014) See to believe : the Center for Tactical Magic’s sleight of hand. Journal of Aesthetics and Culture, 6.
Dee, Mike (1996) Sun, sea, sex, sand and conservatism in the Australian television soap opera. Young People Now, March, pp. 1-5.
Hudson, Peter, Lewis, Karen, & Hudson, Suzanne (2011) Preservice teachers' real-world experiences for teaching art. Australian Art Education, 34(1), pp. 79-98.
Ianziti, Gary J. (2006) Between Livy and Polybius : Leonardo Bruni on the First Punic War. Memoirs of the American Academy in Rome, 51, pp. 173-197.
McArdle, Felicity A. & Piscitelli, Barbara (2002) Early childhood art education : a palimpsest. Australian Art Education, 25(1), pp. 11-15.
McNamara, Andrew E. (2008) Illegible echoes : Felix Gonzalez-Torres, the artist-spy. Image & Narrative, 2(22), on-line.
McNamara, Andrew E. (2010) Wilkins Hill : on the cusp of meaning. Column, pp. 55-58.
McNamara, Andrew E. & Ross, Toni (2007) On medium specificity and discipline crossovers in modern art : An interview with Jacques Ranciére on Medium-Specificity and Discipline Crossovers in Modern Art. Australian and New Zealand Journal of Art, 8(1), pp. 101-109.
Park, Ji Yong (2012) Design process excludes users : the co-creation activities between user and designer. Digital Creativity, 23(1), pp. 79-92.
Pennings, Mark (2005) Video Installation Networks. Photofile, 74, pp. 54-55.
Pennings, Mark W. (2010) Gemma Smith and the intuitive abstract. Eyeline Magazine, pp. 36-43.
Pennings, Mark W. & Webb, Mark (2012) Confronting consensus : the art and politics of Christopher Howlett. Eyeline, pp. 38-47.
Pinxit, Vaughn (2011) Is the contemporary era behind us? Art Monthly Australia, 241, pp. 23-24.
Seevinck, Jennifer (2010) Tracing moments. Leonardo & Leonardo Music Journal, 43(3), pp. 312-313.
Volz, Kirsty (2010) Domestic ecologies : gender and domesticity in Harold Pinter's Rooms. IDEA Journal, 2010, pp. 54-62.
Coombs, Gretchen (2014) Activism, art and social practice : a case study using Jacques Ranciere’s framework for analysis. In Proceedings of the 2013 Annual Conference of the Art Association of Australia and New Zealand, Art Association of Australia and New Zealand - AAANZ, Melbourne, Australia, pp. 1-16.
Gaffney, Kiley (2012) Worldly feelings made material : cosmopolitan aesthetics, affect and recent relational art. In Cultural Studies Association of Australasia Annual Conference 2012 : Materialities: Economies, Empiricism & Things, 4 - 6 December 2012, University of Sydney, Australia. (Unpublished)
Mafe, Daniel (2010) Imaging affect : abstraction and the echo of the unknowable. In Baker, Su & Thomas, Paul (Eds.) New Imaging : Transdisciplinary Strategies for Art Beyond the New Media, Transdisciplinary Imaging Conference 2010 Sydney, Australia, Sydney, NSW, pp. 82-90.
Mafe, Daniel (2009) Theoretical critique of the work of art : co-producers in research. In Woodrow, Ross (Ed.) ACUADS 2009 Conference Interventions in the Public Domain, ACUADS, Queensland College of Art, Griffith University.
Mafe, Daniel & Brown, Andrew R. (2012) Abstraction as noise : enhancing the poetic. In Baker, Su & Thomas, Paul (Eds.) The Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture: Interference as a Strategy for Art Conference Proceedings, Transdisciplinary Imaging Conference, Victorian College of the Arts, Melbourne, VIC, pp. 194-205.
Pytel, Andrzej & Lindquist, Marissa (2012) Nearness and revealing : The edible veil of the sensible being. In Zampollo, Francesca & Smith, Chris (Eds.) International Conference on Design Food and Designing for Food, London Metropolitan University, London, London Metropolitan University, London, pp. 414-421.
McNamara, Andrew E. & Stephen, Ann (2013) The double risk of primitivism. [Textual Work]
Pennings, Mark W. (2012) 18th Biennale of Sydney. [Textual Work]
Fredericks, Bronwyn L. (1997) land home place belong - Pamela Croft. Land home place belong - Pamela Croft. Rockhampton Art Gallery, Local Product Exhibition No.4, pp. 2-3.
McNamara, Andrew E. (2013) APT7 : highs and lows. Eyeline, 78/79, pp. 82-83.
McNamara, Andrew E. (2013) Tabloid academia. The I.B.Tauris blog.
McNamara, Andrew E. (2012) "What is contemporary art? A review of two books by Terry Smith'. Australian and New Zealand Journal of Art, 12, pp. 252-258.
Pennings, Mark W. (2012) All our relations. At Forum, 50(9), p. 170.
Pennings, Mark W. (2011) Andrzej Zielinski : pulp digital fictions. Art Monthly Australia, pp. 42-43.
Pennings, Mark W. (2009) Chris Howlett - "Flashbacks". Eyeline, 70, p. 83.
Pennings, Mark W. (2014) Jeff Wall photographs. Eyeline, 81, pp. 46-50.
Pennings, Mark W. (2013) Marcel Cousins : every little thing. Eyeline, 77, p. 85.
Pedersen, Courtney Brook (2010) Virginia's secret. LEVEL Launch Exhibition catalogue.
Pennings, Mark W. (2011) Psychedelic Culture. New Psychedelia.
Pennings, Mark W. (2010) Putting on a show : the theatricality of sport. Basil Sellars Art Prize.