Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > ART THEORY AND CRITICISM (190100) > Art Theory and Criticism not elsewhere classified (190199)"
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- Australian and New Zealand Standard Research Classification (47368)
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Number of items at this level: 29.
McNamara, Andrew E. & Krapp, Peter (Eds.) (2002) Medium Cool. Duke University Press / South Atlantic Quarterly (SAQ), Duke University, Durham, NC, USA.
McNamara, Andrew E. & Krapp, Peter (2002) Medium Cool. Duke University Press / South Atlantic Quarterly (SAQ), Duke University, Durham, NC, USA.
Morley, David & Neilsen, Philip M. (2012) The Cambridge companion to creative writing [Edited book]. Cambridge Companions to Literature. Cambridge University Press (CUP), New York, N. Y..
Stephen, Ann, McNamara, Andrew E., & Goad, Philip (2006) Modernism and Australia: Documents on art, design and architecture 1917-1967. The Miegunyah Press/Melbourne University Publishing, Australia, Victoria, Melbourne.
Hamilton, Jillian G. (2006) A reformation of space : intimate transactions in art and distributed communication. In Hamilton, Jillian G. (Ed.) Intimate Transactions : Art, Exhibition and Interaction within Distributed Network Environments. ACID (Australasian CRC for Interaction Design), Brisbane Australia, pp. 116-129.
Hartley, John (2009) The new Golden Legend: Patrick Nicholas's secular saints. In Nicholas, Patrick R. (Ed.) Belle : Modern Italian Muses. Photonicholas.com, Orvieto, Italy, pp. 2-5.
McNamara, Andrew E. (2001) The Aboriginal Medium: Negotiating the Caesura of Exchange. In de Vries, Hent & Weber, Samuel (Eds.) Religion and Media. Stanford University Press, pp. 487-513.
McNamara, Andrew E. (2007) Modernism and the medium: On Greenberg and Weber. In Morgan Wortham, Simon & Hall, Gary (Eds.) Experimenting : essays with Samuel Weber. Fordham University Press, United States of America, New York, pp. 159-182.
McNamara, Andrew E. (2008) The Promise of Modernity—Ken G. Hall's "Dad and Dave Come to Town" (1938-39). In Stephen, Ann, Goad, Philip, & McNamara, Andrew (Eds.) Modern Times: The Untold Story of Modernism in Australia. The Miegunyah Press/Powerhouse Publishing, Melbourne and Sydney, xxv-xxviii.
McNamara, Andrew E. (2007) Wondrous objectivity : art history, Freud, and detection. In Liu, Catherine, Mowitt, John, Pepper, Thomas, & Spicer, Jakki (Eds.) Dreams of Interpretation : A Century down the Royal Road. University of Minnesota Press, Minneapolis, pp. 283-299.
Coombs, Gretchen (2015) Inside out : When objects inhabit the streets. IDEA Journal, 15, pp. 90-101.
Klaebe, Helen G. & Gutiérrez, Juan José (2011) Words and Silences : The journal of the International Oral History Association. Words and Silences, 6(1).
Mafe, Daniel J. (2006) Pontormo, Umberg and the End of the World: Painting and Lacan's Das Ding. The International Journal of the Humanities, 2(2), pp. 1929-1933.
McNamara, Andrew E. (2001) Erich Buchholz: The Inconvenient Footnote within Art History. Art and Australia, 39(2), pp. 256-263.
McNamara, Andrew E. (2012) Six rules for practice-led research. Text : Journal of Writing and Writing Courses, pp. 1-15.
McNamara, Andrew E. (1996) Words and Pictures in the Age of the Image: An Interview with W.J.T. Mitchell. Eyeline, Autumn-Wi(30), pp. 16-21.
O'Connor, Justin & Coombs, Gretchen (2012) Game of funds : return of the culture wars? The Conversation.
Pedersen, Courtney B. (2007) 'I Cherish This'. Eyeline, p. 68.
Pennings, Mark W. (2009) American realism, New York, circa 1900. Artlines, 2009(2), pp. 20-27.
Pennings, Mark W. (2006) Biennale of Sydney 2006. Eyeline, pp. 31-34.
Pennings, Mark W. (2008) "Craig Easton". Eyeline, p. 59.
Pennings, Mark W. (2006) Drawing Restraint 9 – Matthew Barney. Machine, 1(6), pp. 4-6.
Pennings, Mark W. (2006) Gross Out; Day is Done: Mike Kelley. Eyeline, p. 52.
Pennings, Mark W. (2008) Mariko Mori: Tom Na H-iu. Eyeline - Contemporary Visual Arts, p. 66.
Pennings, Mark W. (2006) Peter Alwast and the Aesthetics of Disinclination. Eyeline, pp. 32-35.
Pennings, Mark W. (2008) Wilkins Hill and the Art of Hermeneutical Uncertainty. Eyeline - Contemporary Visual Arts, pp. 30-34.
Pennings, Mark W. (2005) Relational Aesthetics and Critical Culture. In Transforming Aesthetics, July 8, 2005, Art Gallery of New South Wales. (Unpublished)
Gaffney, Kiley (2015) Cosmopolitan tendencies in recent intersubjective art. PhD thesis, University of Queensland.
McNamara, Andrew E. (2007) Gail Hastings: making space for the invisible architecture of the social.