Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > FILM TELEVISION AND DIGITAL MEDIA (190200)"

Subjects classification (32824)
- Australian and New Zealand Standard Research Classification (32824)
  - STUDIES IN CREATIVE ARTS AND WRITING (190000) (1649)
    - FILM TELEVISION AND DIGITAL MEDIA (190200) (426)
      - Cinema Studies (190201) (51)
      - Computer Gaming and Animation (190202) (39)
      - Electronic Media Art (190203) (72)
      - Film Television and Digital Media not elsewhere classified (190299) (47)
      - Film and Television (190204) (102)
      - Interactive Media (190205) (109)

Group by: Authors/Creators | Item Type

Jump to: NULL | A | B | C | D | F | G | H | J | K | L | M | O | P | R | S | T | V | W | Z

Number of items at this level: 181.

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Cobcroft, Rachel S., Coates, Jessica M., & Bledsoe, Elliott (Eds.) (2008) Building an Australasian Commons : Creative Commons case studies vol. 1. Queensland University of Technology, Brisbane, Queensland.

Cunningham, Stuart & Turner, Graeme (Eds.) (2006) The Media and Communications in Australia. Allen & Unwin, Crows Nest, N.S.W..

368

Sinclair, John, Jacka, Elizabeth, & Cunningham, Stuart (Eds.) (1996) New Patterns in Global Television : Peripheral Vision. Oxford University Press, London and New York.

A

Armstrong, Keith (2006) Towards a Connective and Ecosophical New Media Art Practice. In Jillian, Hamilton (Ed.) Intimate Transactions: Art, Exhibition and Interaction Within Distributed Network Environments. ACID Press, Brisbane, Australia, pp. 12-34.

Armstrong, Keith M. (2007) Ecology, Performance and Collaboration - Embodying Intimate Transactions. In Experience and Abstraction: Bodily Knowledges and Interaction, 07/05/07, ACE Teleseminar Room, University of California, Irvine (UCI).

Armstrong, Keith M. (2002) Flow : Carnival of the Bridge. [Creative Work]

Armstrong, Keith M. (2007) Grounded Media: Expanding the Scope of Ecological Art Practices Within New Media Arts Culture. In Hutchinson, Andrew (Ed.) Proceedings of perthDAC 2007, Curtin University of Technology, Perth, Australia, pp. 21-31.

Armstrong, Keith M. (2008) 'Grounded media' : expanding the scope of ecological art practices within new media arts culture. Media-Space Journal.

375

Armstrong, Keith M. (2006) Lie of the Land. [Creative Work]

110

Armstrong, Keith M. (2001) Presentation of Major Works of the Transmute collective. [Creative Work]

Armstrong, Keith M. (2003) Towards an Ecosophical Praxis of New Media Space design. QUT.

157

Armstrong, Keith M. (2005) Videos in 'Creative Queensland' presentation, World Expo, Aichi, Japan. [Creative Work]

Armstrong, Keith M. (2007) The last generation. [Creative Work]

Armstrong, Keith M., Dean, Roger, & Lawson, Stuart (2011) Finitude (Mallee:Time). [Creative Work]

Armstrong, Keith M. & Dipple, Kelli (2001) Transaction, sci-art research project. [Creative Work]

Armstrong, Keith M., Fry, Tony, Barclay, Leah, Jeremijenko, Natalie, Muller, James, Boyle, Kirsty, et al. (2012) The Remnant Emergency Artlab. [Creative Work]

Armstrong, Keith M., Jeremijenko, Natalie, Barclay, Leah, Muller, James, Fry, Tony, Nelson, Ilka, et al. (2010) The Botanical Gardens X-tension, (Remnant Emergency Artlab). [Creative Work]

Armstrong, Keith M., O'Neill, Lisa, Sade, Gavin, & Webster, Guy (2001) Liquid gold (The new adventures of Ling Change). [Creative Work]

Armstrong, Keith M., O'Neill, Lisa, & Webster, Guy (2004) Intimate transactions (stage 2). [Creative Work]

Armstrong, Keith M., O'Neill, Lisa, & Webster, Guy (2005) Transmute Collective: Intimate transactions (stage 3). [Creative Work]

Armstrong, Keith M., O'Neill, Lisa, Webster, Guy, & Sade, Gavin (1999) Transit Lounge - Version 1. [Creative Work]

Armstrong, Keith M., O'Neill, Lisa, Webster, Guy, & Sade, Gavin J. (2000) transit_lounge 2 (The further adventures of Ling Change). [Creative Work]

Armstrong, Keith M., Vincent, Charlotte, & Webster, Guy (2006) Shifting intimacies. [Creative Work]

B

Brader, Andy & Luke, Allan (2012) Reengaging marginalised youth through digital music production : performance, audience and evaluation. Pedagogies : An International Journal, 8. (In Press)

Bridgstock, Ruth S. (2011) Making it creatively : building sustainable careers in the arts and creative industries. Australian Career Practitioner Magazine, 22(2), pp. 11-13.

224

Bridgstock, Ruth S. (2011) Skills for creative industries graduate success. Education and Training, 53(1), pp. 9-26.

250

Brisbin, Christopher A. (2007) Cracks in the glass : the emergence of a new image typology from the spatio-temporal schisms of the ‘filmic’ Virtual Reality panorama. In 24th International Conference of the Society of Architectural Historians Australia and New Zealand [SAHANZ], Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, 21-24 September 2007, Adelaide, South Australia.

256

Brisbin, Christopher A. (2007) Spatial transfiguration : anamorphic mixed-reality in the Virtual Reality panorama. In 24th International Conference of the Society of Architectural Historians Australia and New Zealand [SAHANZ], Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, 21-24 September 2007, Adelaide, South Australia.

428

Brisbin, Christopher A. (2006) framelessness + temporality : the nineteenth-century & virtual reality panorama. In School of Geography, Planning, and Archietcure Research Showcase, The University of Queensland.

Brown, Andrew R. (2010) Visualizing digital media interactions : providing feedback on jam2jam AV performances. In Robinson, Ricky & Bodker, Mads (Eds.) OzCHI 2010 Conference Proceedings, CHISIG and ACM, Queensland University of Technology, Brisbane, Queensland, pp. 196-199.

Brown, Andrew R. & Gifford, Toby M. (2010) Interrogating statistical models of music perception. In Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11), University of Washington, Seattle, Washington, pp. 715-717.

150

Bruns, Axel & Humphreys, Sal M. (2007) Playing on the edge: facilitating the emergence of local digital grassroots. In Internet Research 8.0: Let's Play, 18-20 October, Vancouver. (Unpublished)

184

C

Carter, Chris P. (2010) "Re-imagining animation : the changing face of the moving image by Paul Wells and Johnny Hardstaff" (Book Review). Senses of Cinema.

Carter, Chris P., Van Opdenbosch, Paul, & Bennett, Joel (2013) Establishing virtual production as a research and teaching activity at QUT. In INTED2013 Proceedings, IATED, Valencia, Spain. (In Press)

Collis, Christy & Bainbridge, Jason G. (2005) Introduction: Popular cultures and the law. Continuum: Journal of Media and Cultural Studies, 19(2), pp. 159-164.

314

Cunningham, Stuart D. (2010) The 3 ages of screen in modern Australia. In Meet the 21st Century Producer, Centre for Screen Business AFTRS, 16 June 2010, Sydney. (Unpublished)

Cunningham, Stuart D. (2010) Chindia : innovation in online film distribution. In Chindia ICA Pre-Conference, 22 June 2010, Singapore. (Unpublished)

Cunningham, Stuart D. (2012) Emergent innovation through the co-evolution of informal and formal media economies. Television and New Media, 13(5), pp. 415-430.

Cunningham, Stuart D. (2006) Policy. In Cunningham, Stuart D. & Turner, Graeme (Eds.) The media and communications in Australia. Allen & Unwin, Crows Nest, N.S.W., pp. 43-63.

Cunningham, Stuart D. (2013) Popular media as public 'Sphericules' for diasporic communities. In Ouellette, Laurie (Ed.) The Media Studies Reader. Routledge (Taylor & Francis Group), New York, United States of America, pp. 541-549.

Cunningham, Stuart D. & Jacka, Elizabeth (1996) Australian Television and International Mediascapes. Cambridge University Press, Melbourne, New York and London.

Cunningham, Stuart D. & Potts, Jason D. (2008) New economics for the new media. In Goggin, Gerard & Hjorth, Larissa (Eds.) Mobile Technologies : from Telecommunications to Media. Routledge (Taylor & Francis), London, pp. 131-142.

Cunningham, Stuart D. & Silver, Jon (2012) On-line film distribution : Its history and global complexion. In Iordanova, Dina & Cunningham, Stuart D. (Eds.) Digital Disruption: Cinema Moves Online. St Andrews Film Studies, University of St Andrews, Scotland, United Kingdom, pp. 33-66.

Cunningham, Stuart D. & Turner, Graeme (2010) The media in Australia today. In Cunningham, Stuart D. & Turner, Graeme (Eds.) The Media and Communications in Australia 3rd Ed. Allen and Unwin, Sydney.

D

Denaro, Chris (2012) The fishtown series. [Creative Work]

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Flew, Terry (2003) Creative industries : from the chicken cheer to the culture of services. Continuum Journal of Media and Cultural Studies, 17(1), pp. 89-94.

Flew, Terry (2004) Creativity, the 'new humanism' and cultural studies. Continuum: Journal of Media and Cultural Studies, 18(2), pp. 161-178.

Flew, Terry, Cunningham, Stuart D., Bruns, Axel, & Wilson, Jason A. (2008) Social Innovation, User-Created Content and the Future of the ABC and SBS as Public Service Media : Submission to Review of National Broadcasting (ABC and SBS), Department of Broadband, Communications and the Digital Economy. (Unpublished)

319

Foth, Marcus (2003) If you build it, they will not necessarily come: The need for online communication research into communities of place. In Communications Research Forum 2003, 1-2 October 2003, Canberra, Australia.

397

G

Garnons-Williams, Victoria (2012) One night stand : only you. [Creative Work]

Gifford, Toby M. & Brown, Andrew R. (2010) Anticipatory timing in algorithmic rhythm generation. In Opie, Timothy T. (Ed.) Proceedings of the Australasian Computer Music Conference 2010, Australasian Computer Music Association (ACMA), Australian National University, Canberra, pp. 21-28.

Giles, Melissa (2010) Diversity in action : minority group media and social change. [Creative Work]

Graham, Philip W. (2002) 14 theses on future research into the political economic impacts of new media. Fibreculture 2002, 2002, pp. 11-12.

Graham, Philip W. (2000) Hypercapitalism : a political economy of informational idealism. New Media and Society, 2(2), pp. 131-156.

106

Graham, Philip W. & Hearn, Gregory N. (2010) The digital Dark Ages : a retro-speculative history of possible futures. In Anton, Corey (Ed.) Valuation and Media Ecology : Ethics, Morals, and Laws. Hampton Press, New York, pp. 141-166.

Graham, Philip W. & Hearn, Gregory N. (2000) The digital Dark Ages : a retro-speculative history of possible futures. In First Conference of the Association of Internet Researchers, University of Kansas, Lawrence, Kan.

H

Hamilton, Jillian G. (2006) A reformation of space : intimate transactions in art and distributed communication. In Hamilton, Jillian G. (Ed.) Intimate Transactions : Art, Exhibition and Interaction within Distributed Network Environments. ACID (Australasian CRC for Interaction Design), Brisbane Australia, pp. 116-129.

Hamilton, Jillian G., Yuille, Jeremy, & Adair Jones, Jacquline (2006) An interview with sound artist Guy Webster by Jillian Hamilton and Jeremy Yuille. In Hamilton, Jillian G. (Ed.) Intimate Transactions : Art, Exhibition and Interaction within Distributed Network Environments. ACID (Australasian CRC for Interaction Design), Brisbane, QLD, pp. 60-72.

Hartley, John (2009) Chi viaggia ha delle storie da raccontare : those who travel have stories to tell. International Journal of Communication, 3, pp. 187-191.

Hartley, John (2012) Digital futures for cultural and media studies. Wiley-Blackwell, London, United Kngdom.

Hartley, John (2009) Lament for a lost running order? obsolescence and academic journals. M/C Journal [on line], 12(3 Obsolete).

Hartley, John (2009) My media studies : the history and future of ideas. Television and New Media, 10(1), pp. 69-71.

Hartley, John (2008) Problems of expertise and scalability in self-made media. In Lundby, Knut (Ed.) Digital storytelling, mediatized stories : self-representations in new media. Peter Lang Publishing, New York, pp. 197-211.

Hartley, John (2009) TV stories : from representation to productivity. In Hartley, John & McWilliam, Kelly (Eds.) Story circle : digital storytelling around the world. Wiley-Blackwell, Malden, MA, pp. 16-36.

Hartley, John (2011) The probability archive : essence, uncertainty, and the ‘Olduvai imperative.’. In International Communication Association's 61st Annual Conference, May 26-30, 2011, Westin Waterfront Hotel, Boston, Massachusetts. (Unpublished)

Hartley, John & McWilliam, Kelly (2009) Computational power meets human contact. In Hartley, John & McWilliam, Kelly (Eds.) Story Circle : Digital Storytelling Around The World. Wiley-Blackwell, Malden, MA, pp. 3-15.

Haseman, Bradley C. (2005) Creative practices. In Hartley, John (Ed.) Creative industries. Blackwell Publishing, United States of America, Massachusetts, Malden, pp. 158-176.

Hearn, Gregory N. & Pace, Cassandra A. (2006) Value creating ecologies : understanding next generation business systems. Foresight, 8(1), pp. 55-65.

Higgs, Peter L. & Kennedy, Thomas (2004) From Cottages to Corporations : Access to Overseas Markets for Australia's Creative Digital Industry. In Creative Industries Cluster Study Volume 3. Australian Government Department of Communications, Information Technology and the Arts, Canberra, ACT, pp. 127-304.

Humphreys, Sal (2007) You're in our world now: ownership and access in the proprietary community of an MMOG. In Sugumaran, Vijayan (Ed.) Intelligent information technologies: concepts, methodologies, tools, and applications. Information Science Reference (IGI Global), Hersey, PA, pp. 2058-2072.

320

J

Jetnikoff, Anita (2008) Making a micro documentary on a shoestring budget: Production and post-production. Screen Education, 52, pp. 62-71. (In Press)

219

K

Keane, Michael A. (2003) Creativity and complexity in post-WTO China. Continuum: Journal of Media and Cultural Studies, 17(3), pp. 291-301.

650

Keane, Michael A. (2010) Reclaiming China's former soft power. Journal of the Oriental Society of Australia, 42, pp. 50-65.

King, Andrew S. (2010) 'Black is beautiful', and Indigenous : Aboriginal authorship in Australian popular music. Continuum : Journal of Media and Cultural Studies, 24(4), pp. 533-542.

591

King, Andrew S. (2009) Just Relations : Indigenous families in Australian lifestyle media. Australian Journal of Communication, 36(2), pp. 17-33.

823

King, Andrew S. (2010) The politics of 'dirt' in "Dirty Jobs". Flow, 13(1).

Klaebe, Helen G. & Burgess, Jean E. (2007) Journey of Understanding: Refugee Stories. [Creative Work]

Klaebe, Helen G. & Burgess, Jean E. (2007) Wild Backyards. [Creative Work]

L

La Rosa, Marcello, ter Hofstede, Arthur H.M., Rosemann, Michael, & Shortland, Katherine (2008) Bringing Process to Post Production. In International Conference "Creating Value: Between Commerce and Commons", 25-27 June 2008, Brisbane, Australia.

307

Livingstone, Steven R., Muhlberger, Ralf, Brown, Andrew R., & Loch, Andrew (2007) Controlling musical emotionality: an affective computational architecture for influencing musical emotions. Digital Creativity, 18(1), pp. 43-53.

M

Maher, Sean, Brambini, Annalisa, & Vang, Jan (2013) Policy measures for creating an integrated and brand-focused innovation system for film industries in shadow nations : an application to Australia's national film industry. International Journal of Business and Globalisation, 10(2), pp. 137-156.

Maher, Sean W. (2012) The People's House : Queensland Parliament House. [Creative Work]

Makeham, Paul B., Portmann, Geoffrey T., Taylor, Wayne T., Nolan, Ellissa, & Murray, Clare (2009) CARRS-Q screen profiles. [Creative Work]

1,753

Mallan, Kerry M. (2000) Witches, bitches and femmes fatales: viewing the female grotesque in children’s film. Papers: explorations into children's literature, 10(1), pp. 26-35.

2,321

McDonnell, John J. & Silver, Jon (2009) Hollywood dominance : will it continue? In What is film? Change and Continuity in the 21st Century, 6-7 November 2009, Turnbull Center, Portland, Oregon. (Unpublished)

680

McKee, Alan (2011) Alternative primary sources for studying Australian television history : an annotated list of online private collections. Screening the Past.

McKee, Alan (1999) (Anti)Queer : introduction. Social Semiotics, 9(2), pp. 165-170.

McKee, Alan (2012) Australian television, popular memory and suburbia. International Journal of Cultural Studies, 15(3), pp. 303-314.

McKee, Alan (2002) Fandom. In Miller, Toby (Ed.) Television Studies. BFI Publishing, London, pp. 66-69.

McKee, Alan (1997) Marking the liminal for true blue Aussies : the generic placement of Aboriginality in Australian soap operas. Australian Journal of Communication, 24(1), pp. 42-57.

132

McKee, Alan (2000) Must see TV : mapping an Australian mediasphere. Metro Magazine, 121-22, pp. 55-59.

McKee, Alan (1997) Penetration and power. Media International Australia, 84, pp. 7-18.

McKee, Alan (2003) Postscript. Continuum: Journal of Media and Cultural Studies, 17(1), pp. 110-112.

McKee, Alan (2000) Prime time drama : 77 Sunset Strip to Seachange. In Turner , Graeme & Cunningham, Stuart (Eds.) The Australian TV Book. Allen & Unwin, Sydney.

McKee, Alan (2002) Public intellectuals: an introduction to Continuum 's new series of interviews. Continuum: Journal of Media and Cultural Studies, 16(2), pp. 221-223.

McKee, Alan (1999) Researching the 'reception' of indigenous affairs in Australia. Screen, 40(4), pp. 451-454.

117

McKee, Alan (1999) Resistance is hopeless : assimilating queer theory. Social Semiotics, 9(2), pp. 235-249.

284

McKee, Alan (1999) Suck on that mate : Australian Gay Porn videos. In Verhoeven, Deb (Ed.) Twin Peeks : Australian and New Zealand Feature Films. Damned Publishing, Melbourne, pp. 119-128.

383

McKee, Alan (2001) Textual Analysis. In Turner, Graeme & Cunningham, Stuart (Eds.) Media and Communications in Australia. Allen & Unwin, St Leonards, N.S.W, pp. 62-71.

McKee, Alan (2002) What cultural studies needs is more theory. Continuum: Journal of Media and Cultural Studies, 16(3), pp. 311-316.

102

McKee, Alan (2003) What is television for? In Jancovich, Mark & Lyons, James (Eds.) Popular Quality Television : Cult TV, the Industry and Fans. BFI Publishing, London, pp. 62-71.

McKee, Alan (2001) 'Which is the best Doctor Who story?' : a case study in value judgements outside the academy'. Intensities : The Journal of Cult Media.

227

McKee, Alan (2011) YouTube versus the national film and sound archive: Which is the more useful resource for historians of Australian television? Television and New Media, 12(2), pp. 154-173.

McKee, Alan (2011) The aesthetic system of entertainment. In McKee, Alan, Collis, Christy, & Hamley, Ben (Eds.) Entertainment Industries: Entertainment as a Cultural System. Routledge (Taylor & Francis Group), Abingdon, Oxon, pp. 9-19.

McKee, Alan (2001) A policy argument for Federal Government subsidies for the production of Australian gay pornographic videos. In Atkinson, Keith & Richards, Justine (Eds.) Queer in the 21st century : The Body, Queer and Politic. Gay and Lesbian Welfare Association, Fortitude Valley, Qld., pp. 119-138.

McNair, Brian (2011) An Introduction to Political Communication, 5th Edition. Communication and Society. Routledge.

McNair, Brian (2010) Journalists in film : heroes & villains. Edinburgh University Press, Edinburgh, Scotland.

McNair, Brian (2008) Vote! M/C Journal, 11(1), pp. 1-2.

McWilliam, Erica L. & Hatcher, Caroline A. (2004) Emotional Literacy as a Pedagogical Product. Continuum: Journal of Media and Cultural Studies, 18(2), pp. 179-189.

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Mcveigh, Kathryn (2011) Making the connection: Lev Manovich's Texas and the challenges of interactive new media narrative. Digital Creativity, 22(2), pp. 78-90.

Megarrity, David & Monsour, Luke (2005) The Figures. [Creative Work]

Mills, Kathy A. (2007) Access to multiliteracies: A critical ethnography. Ethnography and Education, 2(3), pp. 305-325.

293

Mills, Kathy A. (2009) Multiliteracies : interrogating competing discourses. Language and Education: An International Journal, 23(2), pp. 103-116.

1,274

Mills, Kathy A. (2008) Multiliteracies and a Metalanguage for the Moving Image: Multimodal Analysis of a Claymation Movie. In AARE 2008 International Educational Research Conference Website, Australian Association for Research in Education (AARE), Queensland University of Technology, Brisbane.

367

Mills, Michael Kenneth & Silver, Jon (2004) Analysing the effect of digital technology on channel strategy, power and disintermediation in the home video market : the demise of the video store? In Wiley, J. & Thirkell, P. (Eds.) Marketing Accountabilities and Responsibilities : Proceedings of Australian & New Zealand Marketing Academy 2004, Australian & New Zealand Marketing Academy (ANZMAC), Victoria University of Wellington.

Montgomery, Lucy (2010) China's Creative Industries : Copyright, Social Network Markets and the Business of Culture in a Digital Age. Edward Elgar, Cheltenham, U.K..

103

Montgomery, Lucy (2010) Copyright and creative innovation in China : an evolutionary approach? In International Communication Association Annual Conference, 22-26 June 2010, Singapore. (Unpublished)

Montgomery, Lucy & Potts, Jason D. (2009) Does weaker copyright mean stronger creative industries? Some lessons from China. Creative Industries Journal, 1(3).

Moran, Albert & Keane, Michael A. (2006) Cultural power in international TV format markets. Continuum: Journal of Media and Cultural Studies, 20(1), pp. 71-86.

Morgan, Colleen & Polson, Debra (2009) The Figmentum Project: appropriating information and communication technologies to animate our urban fabric. In Foth, Marcus (Ed.) The Handbook of Research on Urban Informatics : The Practice and Promise of the Real-Time City. IGI Global.

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Opie, Timothy T. & Brown, Andrew R. (2010) Aesthetic implications of the eco-structuralist process. In Opie, Timothy T. (Ed.) Proceedings of the Australasian Computer Music Conference 2010, Australasian Computer Music Association (ACMA), Australian National University, Canberra, pp. 43-50.

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Polson, Debra (2006) SCOOT CBN. [Creative Work]

Polson, Debra & Caceres, Marcos (2007) Lesser-known worlds : bridging the telematic flows with located human experience through game design. In de Castell, Suzanne & Jenson, Jennifer (Eds.) Worlds in Play. International Perspectives on Digital Games Research. Peter Lang Publishing Group, New York.

Polson, Debra, Huang, Sherwin, & Morgan, Colleen (2007) Cipher cities : effective user interface design for building a digital social network around location-based gaming. In Mobility conference 2007 : the 4th International Conference on Mobile Technology, Applications, and Systems, Mobility 2007, September 10-12, 2007, Singapore Polytechnic, Singapore.

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Polson, Debra & Morgan, Colleen (2007) MILK : the Mobile Informal Learning Kit. Collaborating to design successful mobile learning applications. In IADIS Mobile Learning 2007 International Conference, July 5-7, 2007, Lisbon, Portugal.

177

Polson, Debra & Morgan, Colleen (2007) Now everything looks like a game : Mobile phones and location-based games. In Mobility conference 2007 : the 4th International Conference on Mobile Technology, Applications, and Systems, Mobility 2007, September 10-12, 2007, Singapore.

146

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Rossall, Paul (2011) News media representations of homelessness : do economic news production pressures prevent journalists from adequately reporting complex social issues. Ejournalist, 11(2), pp. 96-124.

Rugimbana, Robert & Silver, Jon (2006) The Blair Witch Project : Forming strong attitudes, beliefs and consumer intentions from a myth. Consumer Behaviour: An Asia-Pacific Approach.

215

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Satchell, Christine (2009) From Social Butterfly to Urban Citizen: The Evolution of Mobile Phone Practice. In Foth, Marcus (Ed.) Handbook of research on urban informatics: the practice and promise of the real-time city. Information Science Reference, IGI Global, Hershey, PA, pp. 353-365.

Schwartz, Barry, The Arterial Group,, & Armstrong, Keith M. (2001) Elektrosonic Interference:The Arterial Group and Barry Schwartz. [Creative Work]

Seevinck, Jennifer (2010) Tracing moments. Leonardo & Leonardo Music Journal, 43(3), pp. 312-313.

Silver, Jon (1999) The Blair Witch Project : a marketing case study. (Unpublished)

923

Silver, Jon (2013) Netflix : a house of cards or the new HBO? The Conversation.com.au.

Silver, Jon & Alpert, Frank (2003) Digital dawn : a revolution in movie distribution? Business Horizons, 46(5), pp. 57-66.

358

Silver, Jon, Cunningham, Stuart D., & Ryan , Mark David (2012) Mission unreachable : how Jaman is shaping the future of on-line distribution. In Iordanova , Dina & Cunningham, Stuart D. (Eds.) Digital Disruption : Cinema Moves Online. St Andrews Film Studies, University of St Andrews, St Andrews, Scotland, pp. 133-141.

Spurgeon, Christina L. (2004) Advertising cultures and industries. Continuum: Journal of Media and Cultural Studies, 18(2), pp. 303-309.

Spurgeon, Christina L., Burgess, Jean E., Klaebe, Helen G., Tacchi, Jo A., McWilliam, Kelly, & Tsai, Mimi (2009) Co-creative media : theorising digital storytelling as a platform for researching and developing participatory culture. In Australian and New Zealand Communication Association Conference, 8-10 July 2009, Queensland University of Technology, Brisbane, Queensland.

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Spurgeon, Christina L. & Goggin, Gerard (2007) Mobiles into media: Premium rate SMS and the adaptation of television to interactive communication cultures. Continuum: Journal of Media and Cultural Studies, 21(2), pp. 317-329.

Stadler, Jane & McWilliam, Kelly (2008) Screen Media: Analysing Film and Television. Allen and Unwin, Crow's Nest, NSW.

Starrs, D. Bruno (2012) The Aboriginal voice and the left-leaning 'Australia' (Baz Luhrmann, 2008). Continuum : Journal of Media & Cultural Studies, 26(4), pp. 625-636.

Starrs, D. Bruno (2009) "Dance me to my song" (Rolf de Heer 1997): The story of a disabled dancer. In Harvey, Mark (Ed.) The Scopic Bodies Dance Studies Research Seminar Series, Faculty of Arts: University of Auckland, University of Auckland, New Zealand, pp. 62-71.

666

Starrs, D. Bruno (2009) De Heer de sound: Jim Currie on designing sound for Rolf de Heer. Metro Magazine, pp. 144-149.

117

Starrs, D. Bruno (2013) Dutch tilt, Aussie auteur : the films of Rolf de Heer. 2nd ed. Starrs via smashwords.com.

Starrs, D. Bruno (2008) Enabling the Auteurial Voice in "Dance Me to My Song". M/C: A Journal of Media and Culture, 11(3).

146

Starrs, D. Bruno (2004) Envisioning an indulgence: "Dracula" (1897) and "Van Helsing" (2004). Traffic, pp. 67-77.

Starrs, D. Bruno (2008) The Evolving Human and Dream-like, Screen-based Media. artciencia.com, IV(9).

228

Starrs, D. Bruno (2007) From one photo to "Ten Canoes" (Rolf de Heer 2006) to many canoes. Artciencia.com: Revista de arte, ciencia e communicacao, III(7).

Starrs, D. Bruno (2008) Graham Tardif and the aural auteur. RealTime: +onscreen, p. 27.

Starrs, D. Bruno (2008) 'If we stretch our imaginations'; the monstrous-feminine mother in Rolf de Heer's "Bad Boy Bubby" (1993) and "Alexandra's Project" (2003). Scope: An Online Journal of Film Studies.

985

Starrs, D. Bruno (2007) An Interview with Faramarz K-Rahber. 2007 Brisbane International Film Festival newsletter, 2007(August).

311

Starrs, D. Bruno (2007) An Interview with Michael Noonan. 2007 Brisbane International Film Festival newsletter, 2007(August).

114

Starrs, D. Bruno (2006) John Schlesinger. In Aitken, Ian (Ed.) Encyclopedia of the documentary film (V.3). Routledge, New York, pp. 1187-1188.

Starrs, D. Bruno (2004) Keeping the faith: Catholicism in "Dracula" and its adaptations. Journal of Dracula Studies, -(6).

2,951

Starrs, D. Bruno (2008) "Picnic at Hanging Rock" and the puzzle of the art film. Screen Education, 48, pp. 139-144.

1,236

Starrs, D. Bruno (2008) Publish and graduate?: Earning a PhD by Published Papers in Australia. M/C: A Journal of Media and Culture, 11(4).

231

Starrs, D. Bruno (2007) Quidditch: J.K. Rowling's Leveler. In Mead, David & Frelik, Pawel (Eds.) Playing the Universe: Games and Gaming in Science Fiction. Maria Curie-Sklodowska University, Lublin, Poland, pp. 77-85.

Starrs, D. Bruno (2009) Revising the Metaphor: the Need for Aural Auteur Analysis and the Australian Auteur Film-maker, Rolf de Heer. In Devy, Ganesh (Ed.) Australian Studies, Orient Black Swan, Delhi, Kolkata. (In Press)

Starrs, D. Bruno (2004) Sara-Marie as feminist fairytale: from "Big Brother" to ‘Big Sister’. Feminist Media Studies, 4(3), pp. 359-361.

2,251

Starrs, D. Bruno (2007) Some takes on the meaning of "Noise" (Matt Saville 2007). Metro Magazine, pp. 42-46.

518

Starrs, D. Bruno (2007) Sounds of silence: an interview with Rolf de Heer. Metro Magazine, pp. 18-21.

316

Starrs, D. Bruno (2007) "The Tracker" (Rolf de Heer 2002) and "The Proposition" (John Hillcoat 2005): two westerns that weren't? Metro Magazine, pp. 166-172.

984

Starrs, D. Bruno (2009) Unlike mainstream: Towards a definition of the Australian art film. In Amit, Sarwal & Sarwal, Reema (Eds.) Creative Nation: An Australian Cinema and Cultural Studies Reader. SSS Publications, Delhi, India, pp. 54-72.

Starrs, D. Bruno (2003) Yours faithfully: "Die Leiden des jungen Werthers" for the English-language stage. Revue de Recherche Interdisciplinaire en Textes et Medias.

Starrs, D. Bruno (2011) The aural point of view in the early films of Rolf de Heer. Quarterly Review of Film and Video, 28(1), pp. 28-40.

129

Starrs, D. Bruno (2007) The authentic Aboriginal voice in Rolf de Heer's "Ten Canoes". Reconstruction: Studies in contemporary culture, 7(3).

646

Starrs, D. Bruno (2008) An avowal of male lack: Sound in Rolf de Heer's "The Old Man Who Read Love Stories" (2003). Metro Magazine, 156, pp. 148-153.

1,049

Starrs, D. Bruno (2007) An interview with Ben Hackworth. 2007 Brisbane International Film Festival newsletter, 2007(August).

Starrs, D. Bruno (2007) An interview with Kriv Stenders. 2007 Brisbane International Film Festival newsletter, 2007(August).

Starrs, D. Bruno (2007) A journey through time: An interview with Rolf de Heer. 2007 Brisbane International Film Festival Newsletter.

Starrs, D. Bruno (2006) A queer new world: adaptation theory and the zeugma of fidelity in Derek Jarman’s "The Tempest" (1979). American@, 4(1), pp. 71-91.

578

Sternberg, Jason S. (2004) Fermented, fragmented and fundamental: Research methods in media and cultural studies. Continuum: Journal of Media and Cultural Studies, 18(2), pp. 295-301.

T

Thomas, Lubi & Danzig, Stephen (2006) 2006 International Digital Art Awards : Beijing Film Academy Galleries, China. [Creative Work]

Thomas, Lubi & Danzig, Stephen (2007) In Interaction. [Creative Work]

Thomas, Lubi, Danzig, Stephen, Milton Hampe, Benjamin, & Li , Xian Ting (2010) The vernacular terrain : Songzhang Art Museum, Beijing, China. [Creative Work]

V

Van Opdenbosch, Paul (2012) Re-targeting choreographic enquiry through motion capture. [Creative Work]

W

Watson, Amanda H. A. (2010) Mobile phones in PNG villages : an island village experience. In Ignite10! Looking for Trouble? Creative Industries Postgraduate Student Conference, 27-29 October 2010, Queensland University of Technology, Brisbane, QLD. (Unpublished)

189

Watson, Amanda H. A. (2010) Tsunami alert : the difference a phone makes. In Journalism Education Association Annual Conference (JEAA 2010 ), 24 - 26 November, 2010, University of Technology Sydney, Sydney, NSW. (Unpublished)

Watson, Amanda H. A. (2010) ‘We would have saved her life’ : mobile telephony in an island village in Papua New Guinea. eJournalist, 10(2), pp. 106-127.

Wilson, Chris K., Hutchinson, Jonathon, & Shea, Pip (2010) Public service broadcasting, creative industries and innovation infrastructure : the case of ABC's Pool. Australian Journal of Communication, 37(3), pp. 15-32.

148

Wooller, Rene & Brown, Andrew R. (2011) Note sequence morphing algorithms for performance of electronic dance music. Digital Creativity, 22(1), pp. 13-25.

Z

Zheng, Chenlin (Andy), Carter, Chris P., & Oloyede, Adekunle (2013) Using 3D visualisation to understand human articular cartilage deterioration. In INTED2013 Proceedings, IATED, Valencia, Spain. (In Press)

This list was generated on Sat May 18 09:20:02 2013 EST.

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