Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > FILM TELEVISION AND DIGITAL MEDIA (190200) > Film and Television (190204)"

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Number of items at this level: 185.

B

Bligh, William (2009) Alternative film production. Ejournalist, 9(1), pp. 18-29.
Number of full-text downloads 278

Bruns, Axel (2009) The user-led disruption : self-(re)broadcasting at Justin.tv and elsewhere. In Geerts, David, Cesar, Pablo, & De Grooff, Dirk (Eds.) EuroITV '09 : Seventh European Interactive Television Conference, 3-5 June 2009, Leuven, Belgium.
Number of citations in Scopus 2

Burgess, Jean E. & Green, Joshua B. (2008) Agency and Controversy in the YouTube Community. In IR 9.0: Rethinking Communities, Rethinking Place - Association of Internet Researchers (AoIR) conference, 15-18 October 2008, IT University of Copenhagen, Denmark. (Unpublished)
Number of full-text downloads 4,193

C

Carter, Chris P. (2013) An Analysis of the Character Animation in Disney’s Tangled. Senses of Cinema.
Number of full-text downloads 608

Carter, Chris P. (2015) Legend of the Guardians: The Owls of Ga'Hoole. In Goldsmith, Ben, Ryan, Mark David, & Lealand, Geoff (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., Bristol, pp. 73-74.

Carter, Chris P. (2015) Mary and Max. In Goldsmith, Ben, Ryan, Mark David, & Lealand, Geoff (Eds.) Directory of World Cinema : Australia and New Zealand 2. Intellect Ltd., Bristol, pp. 75-76.

Curtin, Michael & Sanson, Kevin (2014) The Division of Labor in Television. In Alvarado, Manuel, Buonanno, Milly, Gray, Herman, & Miller, Toby (Eds.) The SAGE Handbook of Television Studies. SAGE Publications Ltd, Los Angeles, pp. 133-143.

D

Dee, Mike (1996) Sun, sea, sex, sand and conservatism in the Australian television soap opera. Young People Now, March, pp. 1-5.
Number of full-text downloads 104

Dezuanni, Michael & Goldsmith, Ben (2015) Disciplining the screen through education: The Royal Commission into the moving picture industry in Australia. Studies in Australasian Cinema, 9(3), pp. 298-311.

E

Elkington, Ruari & Maher, Sean (2015) Education paths for documentary distribution: DAF, ATOM and the study guides that bind them. Studies in Australasian Cinema, 9(1), pp. 77-88.
Number of full-text downloads 5

Ellison, Elizabeth (2011) Flagging spaces : exploring representations of ownership on the Australian beach. Ejournalist, 11(1), pp. 14-28.
Number of full-text downloads 601

Ellison, Elizabeth (2015) The Sapphires. In Goldsmith, Ben, Ryan, Mark David, & Lealand, Geoff (Eds.) Directory of World Cinema : Australia and New Zealand 2. Intellect Ltd, Bristol, pp. 91-92.

F

Flew, Terry & Harrington, Stephen (2009) Television. In Cunningham, Stuart D. & Turner, Graeme (Eds.) The Media and Communications in Australia (3rd ed.). Allen & Unwin, Sydney, pp. 155-172.

G

Goldsmith, Ben (2006) Australian International Cinema. In XIIIth Biennial Conference of the Film and History Association of Australia and New Zealand, 16-19 November 2006, Melbourne, Australia. (Unpublished)
Number of full-text downloads 46

Goldsmith, Ben (2012) Book Review: "Below the Line: Producers and Production Studies in the New Television Economy by Vicki Mayer", Duke University Press, 2012. Media International Australia Incorporating Culture and Policy, 144, pp. 179-180.
Number of full-text downloads 28

Goldsmith, Ben (2015) Is Foxtel most at risk in the new Game of Screens? The Conversation.
Number of full-text downloads 182

Goldsmith, Ben (2015) 'It's Africa. It's Arizona. It's Antarctica. It's Afghanistan. Actually, it's Alberta' : Marketing locations to film producers. In Mingant, Nolwenn, Tirtaine, Cecilia, & Augros, Joel (Eds.) Film Marketing into the 21st Century. British Film Institute, London, United Kingdom, pp. 174-184.

Goldsmith, Ben (2012) The Killing of Angel Street. Metro Magazine, 174, pp. 70-81.
Number of full-text downloads 83

Goldsmith, Ben (2015) Sport and the transformation of Australian television. Media International Australia incorporating Culture and Policy, 2015(155), pp. 70-79.

Goldsmith, Ben (2015) Telstra on the TV casting couch to trump its telco peers. The Conversation.

Goldsmith, Ben (2015) Thriller. In Goldsmith, Ben, Ryan, Mark David, & Lealand, Geoff (Eds.) Directory of World Cinema : Australia and New Zealand 2. Intellect Ltd., Bristol, pp. 173-177.
Number of full-text downloads 108

Goldsmith, Ben (2015) What do Netflix, Stan and Presto mean for Australian TV? The Conversation.
Number of full-text downloads 298

Goldsmith, Ben (2011) The right thing. Inside Story, August(11).
Number of full-text downloads 21

Goldsmith, Ben & O'Regan, Tom (2013) Beyond the modular film school : Australian film and television schools and their digital transitions. In Hjort, Mette (Ed.) The Education of the Filmmaker in Europe, Australia and Asia. Palgrave Macmillan, New York, pp. 149-170.

Goldsmith, Ben & O'Regan, Tom (2003) Cinema Cities, Media Cities: The Contemporary International Studio Complex. Australian Film Commission, Sydney.
Number of full-text downloads 210

Goldsmith, Ben, Ward, Susan, & O'Regan, Tom (2014) Dino De Laurentiis and Australia: Creating a film industry on the Gold Coast. Studies in Australasian Cinema, 8(1), pp. 70-75.
Number of full-text downloads 34

Goldsmith, Ben (2014) Australia’s film industry owes a debt to Gough Whitlam. The Conversation.
Number of full-text downloads 39

H

Hadley, Bree J. (2012) Self-making as public spectacle : bodies, bodily training and reality TV. Scope : An Online Journal of Film Studies, 24.
Number of full-text downloads 330

Harrington, Stephen (2007) How does ‘Newstainment’ actually work? : ethnographic research methods and contemporary popular news. In International Communication Association (Creating Communication : Content, Control, and Critique), 24-28 May 2007, San Francisco, CA.
Number of full-text downloads 422

Harrington, Stephen (2014) Television. In Cunningham, Stuart D. & Turnbull, Sue (Eds.) The Media and Communications in Australia [4th ed.]. Allen & Unwin, Sydney, Australia, pp. 173-191.

Harrington, Stephen (2014) Tweeting about the telly : live TV, audiences, and social media. In Weller, Katrin, Bruns, Axel, Burgess, Jean, Mahrt, Merja, & Puschmann, Cornelius (Eds.) Twitter and Society. Peter Lang, New York, pp. 237-247.

Hart, Phoebe (2015) All of Us. [Film/Video]

Hart, Phoebe (2008) Downunder grads. [Film/Video]
Number of full-text downloads 196

Hart, Phoebe (2008) (Im)moral bodies : intersex and auto/biographical documentary. In Rosemary, Hawker & Woodrow, Ross (Eds.) AAANZ: Alpha Alpha Alpha November Zulu, 4-6 December 2008, Brisbane, Australia. (Unpublished)

Hart, Phoebe (2015) Intersex and disclosure: Into the light. Archer Magazine, Jun-Oct(4), pp. 38-41.

Hart, Phoebe (2015) Intersex onscreen: An overview of recent fictional characters with intersex variations on television. In Mountforte, Paul (Ed.) Peer Reviewed Proceedings of the 6th Annual Conference Popular Culture Association of Australia and New Zealand (PopCAANZ), Popular Culture Association of Australia and New Zealand (PopCAANZ), Wellington, New Zealand, pp. 143-155.
Number of full-text downloads 18

Hart, Phoebe (2013) Making orchids – Gardening an intersex experience on videotape [In German - Orchideen Züchten. Eine inter Erfahrung auf Film]. In Barth, Elisa, Böttger, Ben, Ghattas, Dan Christian, & Schneider, Ina (Eds.) Inter : Erfahrungen intergeschlechtlicher Menschen in der Welt der zwei Geschlechter. NoNo Verlag, Berlin, Germany, pp. 79-85.

Hart, Phoebe (2010) Orchids : My Intersex Adventure. [Film/Video]
Number of full-text downloads 2,289

Hart, Phoebe (2013) Orchids, intersex and the auto/biographical project. Studies in Documentary Film, 7(1), pp. 79-91.
Number of full-text downloads 132
Number of citations in Scopus 1

Hart, Phoebe (2015) Orchids: Gardening creative practice on screen. In DDCA Symposium The Outstanding Field - Artistic Research Emerging from The Academy, 19-21 March 2015, Melbourne, Vic. (Unpublished)

Hart, Phoebe (2016) Ordinary pain. [Film/Video]
Number of full-text downloads 20

Hart, Phoebe (2008) Roller Derby Dolls. [Film/Video]
Number of full-text downloads 121

Hart, Phoebe (2014) Save Your Life Tonight : Heads Up. [Film/Video]

Hart, Phoebe (2016) Writing characters with intersex variations for television. Journal of Screenwriting, 7(2), pp. 207-223.
Number of citations in Web of Science® 1

Hart, Phoebe (2012) The examined life. Living Ethics : Newsletter of the St. James Ethics Centre, 87(Autumn), p. 5.

Hart, Phoebe, Butler, Lynn, Dillon, Michael, & Dwyer, Brett (2016) Toy Workshop. In Arthur, Britt (Ed.) Australian International Documentary Conference, 28 February - 2 March 2016, Australian Centre for the Moving Image, Melbourne Australia. (Unpublished)
Number of full-text downloads 1

Hart, Phoebe & Carter, Joe (2016) Mudskipping. [Film/Video]
Number of full-text downloads 14

Hart, Phoebe & Liu, Chengsuo (2016) The blanket makers of Kelvin Grove. [Film/Video]
Number of full-text downloads 5

Hart, Phoebe, Morris, Shellie, Hetherton, Madeleine, Dorziac, Theo, Holden, Karina, & Cross, Mark (2016) Breaking into the establishment. In Arthur, Britt (Ed.) Australian International Documentary Conference, 28 February - 2 March 2016, Australian Centre for the Moving Image (ACMI), Melbourne.
Number of full-text downloads 1

Hart, Phoebe & Newsome, Christine (2016) Goroka Taim. [Film/Video]
Number of full-text downloads 3

Hartley, John (2010) Journalism, History and the Politics of Popular Culture. In Allan, Stuart (Ed.) The Routledge Companion to News and Journalism Studies. Routledge, London, pp. 13-24.

Hateley, Erica (2009) 'Everything's turning to white': Palimpsestuous revelations made in the journey from Jindabyne to Jindabyne. Antipodes: A North American Journal of Australian Literature, 23(2), pp. 141-146.

Hateley, Erica (2007) From Jindabyne to 'Jindabyne' : immigrant and indigenous specters. In 2007 Annual Modern Language Association Convention (MLA2007), 27-30 December 2007, Hyatt Regency, Chicago. (Unpublished)

Hateley, Erica (2011) Gender, sexuality and the challenge of seeing in Orlando. Screen Education, pp. 105-110.

Hateley, Erica (2012) Hamlet through the looking glass : Rosencrantz and Guildenstern are dead. Screen Education, 67, pp. 115-120.

Hateley, Erica (2011) Hedging its bets : Ever After. Screen Education.

Hateley, Erica (2011) Michael Winterbottom. Metro Magazine, pp. 122-123.

Hateley, Erica (2006) Of tails and Tempests : Feminine sexuality and Shakespearean children's texts. Borrowers and Lenders : The Journal of Shakespeare and Appropriation, 2(1).
Number of full-text downloads 616

Hateley, Erica (2013) The art of interpretation: Tracing logics of evaluation in Shaun Tan’s The Lost Thing (2000) and Andrew Ruhemann and Shaun Tan’s The Lost Thing (2010). In International Research Society for Children's Literature Congress 2013, 10-14 August 2013, Maastricht, the Netherlands. (Unpublished)
Number of full-text downloads 520

Hateley, Erica (2007) The play's the thing? : Hamlet, Slings & Arrows, and the authority of theatrical consumption. In Adaptation, from Stage and Page to Screen. Literature/Film Association., 11-14 Oct 2007, Lawrence KS, United States. (Unpublished)

Henkel, Cathy J., Hearman, Richard, White, Mark, Walton, Scott, Lalor, Jenny, Overett, Cathy, et al. (2013) Rise of the eco warriors. [Film/Video]

Higgs, Peter L. (2005) The Future of Documentary Production In Australia: Coming Ready or Not! Content Strategies Pty Limited.

Holt, Jennifer, Vanderhoef, John, Sanson, Kevin, & Allen, Rachel (2012) TV Carriage Fee Disputes Hurt Consumers the Most. Carsey-Wolf Center.

J

Jetnikoff, Anita (2003) Expanding our literacy repertoires: Using Film in Senior English Classrooms in Queensland. Australian Screen Education, pp. 78-82.
Number of full-text downloads 3,875

Jetnikoff, Anita (2008) Making a micro documentary on a shoestring budget: Production and post-production. Screen Education, 52, pp. 62-71.
Number of full-text downloads 452

K

Keane, Michael A. (2015) The Chinese Television Industry. International Screen Industries. British Film Institute/Palgrave Macmillan, London.

Keane, Michael A. (2012) Going out and the search for originality in China. In Ye, Lang & Xiang, Yong (Eds.) The Annual Report on International Cultural Trade of China. Peking University Press, Beijing, pp. 372-378.

Keane, Michael A. & Liu, Bonnie Rui (2009) Independent television production, TV formats and media diversity in China. In Moran, Albert (Ed.) TV Formats Worldwide : Localising Global Programs. Chicago University Press, USA.
Number of full-text downloads 102
Number of citations in Scopus 1
Number of citations in Web of Science® 1

Keane, Michael A., Moran, Albert, & Ryan, Mark David (2003) Audiovisual works, TV formats and multiple markets.
Number of full-text downloads 1,288

King, Andrew S. (2005) Reconciling Nicci Lane : the 'unspeakable' significance of Australia's first indigenous porn star. Continuum : Journal of Media and Cultural Studies, 19(4), pp. 523-543.
Number of full-text downloads 1,888

King, Andrew S. (2009) Romance and Reconciliation : The secret life of indigenous sexuality on Australian television drama. Journal of Australian Studies, 33(1), pp. 37-50.
Number of full-text downloads 1,155
Number of citations in Scopus 3
Number of citations in Web of Science® 2

Klaebe, Helen G. & Burgess, Jean E. (2007) Journey of Understanding: Refugee Stories. [Digital/Creative Work]

Klaebe, Helen G. & Burgess, Jean E. (2007) Wild Backyards. [Digital/Creative Work]

L

Liddell, Jon & Hamilton, Jillian G. (2011) Documentary as history, memory, dream and film. In Peters, Geraldine (Ed.) 2011 Expanding Documentary Conference Proceedings, Auckland University of Technlogy, Auckland University of Technology, Auckland.
Number of full-text downloads 156

Liu, Bonnie Rui (2010) Chinese TV changes face : the role of independents. Westminster Papers in Communication and Culture, 7(1), pp. 73-90.

Lobato, Ramon & Ryan, Mark David (2011) Rethinking genre studies through distribution analysis : issues in international horror movie circuits. New Review of Film and Television Studies, 9(2), pp. 188-203.
Number of full-text downloads 600
Number of citations in Scopus 8

Lui, Bonnie Rui (2010) New strength of competition and innovation : China’s independent television production. In 2010 Conference of the International Communication Association : Matters of Communication, 22-26 June, 2010, Singapore.
Number of full-text downloads 1,147

M

Maher, Sean, Silver, Jon, & Kerrigan, Susan (2016) Australian feature films and distribution: Industry or cottage industry? Studies in Australasian Cinema, 10(1).

Maher, Sean W. (2008) Triple Helix: Film Noir, Neo Noir and Los Angeles – imagining history and remembering the future in the most contemporary city. In FHAANZ: Remapping Cinema, Remaking History, 27-30 November, 2008, University of Otago, Dunedin New Zealand. (Unpublished)
Number of full-text downloads 314

Maher, Sean William (2010) Brisbane : creative city, cinema city? In Creativity from a Global Perspective, 18-20 October, 2010, Shanghai, China. (Unpublished)
Number of full-text downloads 82

Maher, Sean William (2011) The Brisbane Line. [Film/Video]
Number of full-text downloads 28

Makeham, Paul B., Portmann, Geoffrey T., Comans, Christine A., & Gattenhof, Sandra J. (2008) Queensland Health Prophetical: Energising Through Conflict. [Film/Video]

Mayfield, Nathan & Robertson, Tracey (2014) Secrets and lies. [Film/Video]
Number of full-text downloads 116

McKee, Alan (2004) How to tell the difference between production and consumption : a case study in Doctor Who fandom. In Gwenllian-Jones, S & Pearson, Richard M. (Eds.) Cult Television. University of Minnesota Press, Minneapolis.

McKee, Alan (2009) Is Doctor Who Australian? Media International Australia incorporating Culture and Policy, pp. 54-66.
Number of full-text downloads 914
Number of citations in Scopus 4
Number of citations in Web of Science® 4

McKee, Alan (2009) Television’s greatest hits : compiling a television studies canon. Screen Education, pp. 90-104.

McKee, Alan & Dore, Johanna (2014) Pro-Am curators of Australian television history : how is their practice different from that of professional television historians? Australasian Journal of Popular Culture, 3(2), pp. 159-171.
Number of full-text downloads 145

McKee, Alan & Silver, Jon (2012) The relationship between entertainment producers and higher education providers. Media International Australia incorporating Culture and Policy, pp. 18-28.
Number of full-text downloads 181

Miller, Faye & Stevens, Claire (2016) Imaginative storytelling experiences. [Film/Video]

Mills, Kathy A. (2008) Multiliteracies and a Metalanguage for the Moving Image: Multimodal Analysis of a Claymation Movie. In AARE 2008 International Educational Research Conference Website, Australian Association for Research in Education (AARE), Queensland University of Technology, Brisbane.
Number of full-text downloads 721

Mills, Kathy A. (2008) Transformed practice in a pedagogy of multiliteracies. Pedagogies : An International Journal, 3(2), pp. 109-128.
Number of full-text downloads 78

Montgomery, Lucy (2007) China's Film and Music Industries: Copyright, Business Models and Lessons for Developed Markets? In Defining the Field: Themes in Contemporary China Studies, 12-15 April 2007, Cambridge University, United Kingdom. (Unpublished)

Murphy, Kayleigh (2015) Sake, sex and gore: The Japanese zombie film and cult cinema. Asian Cinema, 26(2), pp. 193-203.
Number of full-text downloads 4

Murphy, Kayleigh F. & Ryan, Mark David (2016) Undead yakuza: The Japanese zombie movie, cultural resonance and generic conventions. In Brodman, Barbara & Doan, James (Eds.) The Supernatural Revamped: From Timeworn Legends to 21st Century Chic. Fairleigh Dickinson University Press (in association with Rowman and Littlefield Press)., Madison, Teaneck, pp. 191-206.

O

Oancea, Sorin (2014) Polly Pocket. [Film/Video]

P

Pennings, Mark W. (2005) The Kingpins. un Magazine, pp. 50-51.
Number of full-text downloads 393

Pennings, Mark W. (2007) Zidane, A 21st century portrait. The Australian and New Zealand Journal of Art, 8(1), pp. 145-147.
Number of full-text downloads 229

R

Rimmer, Matthew (2017) The dancing baby: Copyright law, YouTube, and music videos. In Richardson, Megan & Ricketson, Sam (Eds.) Research Handbook on Intellectual Property in Media and Entertainment. Edward Elgar, Cheltenham (UK), Northampton (Mass.), pp. 150-194. (In Press)

Ryan, Mark (2008) Gone Fishing. [Film/Video]

Ryan, Mark David (2010) Australasian horror. Studies in Australasian Cinema, 4(1).

Ryan, Mark David (2017) Australian cinema studies: How the subject is taught in Australian universities. Journal of Australian Studies. (In Press)

Ryan, Mark David (2010) Australian cinema’s dark sun : the boom in Australian horror film production. Studies in Australasian Cinema, 4(1), pp. 23-41.
Number of full-text downloads 754
Number of citations in Scopus 1

Ryan, Mark David (2016) Australian horror movies and the American market. In Kunze, Peter & Gaunson, Steve (Eds.) Australian and American Cinemas: Transnational Perspectives. Palgrave Macmillan, Houndmills, Basingstoke, Hampshire. (In Press)

Ryan, Mark David (2015) Bait. Directory of World Cinema: Australia and New Zealand 2.

Ryan, Mark David (2014) “Creep-out” versus “gross-out” : horror movies at the Australian Box Office. Metro Magazine, Autumn(180), pp. 30-33.
Number of full-text downloads 147

Ryan, Mark David (2015) From Aussiewood Movies to Guerrilla Filmmaking: Independent Filmmaking and Contemporary Australian Cinema. In Baltruschat, Doris & Erickson, Mary P. (Eds.) Independent Filmmaking Around the Globe. University of Toronto Press, Toronto, Canada, pp. 71-89.

Ryan, Mark David (2015) Horror. In Goldsmith, Ben, Ryan, Mark David, & Lealand, Geoff (Eds.) Directory of World Cinema: Australian and New Zealand 2. Intellect Ltd, Bristol, pp. 127-129.

Ryan, Mark David (2009) Making Money from Monsters. Writing Queensland Magazine, 184, pp. 6-7.
Number of full-text downloads 328

Ryan, Mark David (2014) Monster factory : International dynamics of the Australian horror movie industry. In Nowell, Richard (Ed.) Merchants of menace: The business of horror cinema. Bloomsbury Academic, London and New York, pp. 75-90.

Ryan, Mark David (2015) Razorback. Directory of World Cinema : Australia and New Zealand 2.

Ryan, Mark David (2012) Tips for generating a media release and media coverage : how the media ate up my research on Aussie horror movies. In Vannini , Phillip (Ed.) Popularizing Research. Peter Lang, New York, pp. 199-204.

Ryan, Mark David (2010) Towards an understanding of Australian genre cinema and entertainment : beyond the limitations of ‘Ozploitation’ discourse. Continuum : Journal of Media & Cultural Studies, 24(6), pp. 843-854.
Number of full-text downloads 940
Number of citations in Scopus 1
Number of citations in Web of Science® 1

Ryan, Mark David (2007) "The horror film: an introduction" a review. M/C Reviews, May.

Ryan, Mark David, Cunningham, Stuart D., & Verhoeven, Deb (2012) 2nd Australian producer survey 2012 : understanding Australian screen content producers : wave 2. ARC Centre of Excellence for Creative Industries and Innovation, Brisbane, QLD.
Number of full-text downloads 297

Ryan, Mark David, Goldsmith, Ben, Cunningham, Stuart D., & Verhoeven, Deb (2014) The Australian screen producer in transition. In Spicer, Andrew, McKenna, Anthony, & Meir, Christopher (Eds.) Beyond the Bottom-Line : the Producer in Film and Television Studies. Bloomsbury, London & New York, pp. 125-142.

Ryan, Mark David & Hearn, Greg (2010) Next Generation ‘Filmmaking’: New Markets, New Methods and New Business Models. Media International Australia: Incorporating Culture and Policy, 136, pp. 133-145.
Number of full-text downloads 3,417
Number of citations in Scopus 2

Ryan, Mark David & Hearn, Gregory N. (2010) Generation next : post-cinema Australian moviemaking, innovation and implications for cultural policy. In Proceedings of Australian and New Zealand Communication Association Conference 2010, Australian and New Zealand Communication Association, Old Parliament House, Canberra.

Ryan , Mark David (2009) Art the big winner at the Oscars. ABC News: Opinion and Analysis.

Ryan , Mark David (2009) At breaking point? Challenges for Australian film policy through the lens of genre (horror) films. In Australian and New Zealand Communication Association Conference, 8-10 July 2009, Queensland University of Technology, Brisbane, Queensland.
Number of full-text downloads 813

Ryan , Mark David (2010) Australian horror movies. In Goldsmith , Ben & Lealand, Geoff (Eds.) Intellect Directory of Australian and New Zealand Cinema. Intellect Ltd., Bristol, pp. 188-207.

Ryan , Mark David (2010) Film, cinema, screen. Media International Australia: Incorporating Culture and Policy, 136, pp. 85-89.
Number of full-text downloads 1,119
Number of citations in Scopus 1

Ryan , Mark David (2009) Whither culture? Australian horror films and the limitations of cultural policy. Media International Australia incorporating Culture and Policy, 133, pp. 43-55.
Number of full-text downloads 4,499
Number of citations in Scopus 6

Ryan , Mark David (2011) Wolf Creek by Sonya Hartnett. Senses of Cinema : an online journal devoted to the serious and eclectic discussion of cinema.
Number of full-text downloads 163

Ryan , Mark David (2010) A new day breaks for the Aussie film industry. Courier Mail.

Ryan , Mark David (2012) A silver bullet for Australian cinema? Genre movies and the audience debate. Studies in Australasian Cinema, 6(2), pp. 141-157.
Number of full-text downloads 1,322
Number of citations in Scopus 1

S

Sanson, Kevin (2013) David F. Prindle’s The Politics of Glamour. Media Industries Project, Resources: The Bookshelf.

Sanson, Kevin (2012) Network Nations by Michele Hilmes. Media Industries Project, Resources: The Bookshelf.

Sanson, Kevin (2016) Workers are doing it for themselves? Local labor solidarity in precarious times. In Annual Conference of the Society for Cinema and Media Studies (2016 SCMA), 30 Marh -3 April 2016, Atlanta, GA. (Unpublished)
Number of full-text downloads 2

Schembri, Peter & Ryan, Mark David (2015) Science fiction. In Goldsmith, Ben, Ryan, Mark David, & Lealand, Geoff (Eds.) Directory of World Cinema : Australia and New Zealand. Intellect Ltd, Bristol, pp. 159-163.

Schembri, Peter Mark (2015) Dark city. In Goldsmith, Ben, Ryan, Mark David, & Lealand, Geoff (Eds.) Directory of World Cinema : Australia and New Zealand 2. Intellect Ltd., Bristol, pp. 164-165.

Schembri, Peter Mark (2015) Daybreakers. In Goldsmith, Ben, Ryan, Mark David, & Lealand, Geoff (Eds.) Directory of World Cinema : Australia and New Zealand 2. Intellect Ltd., Bristol, pp. 165-167.

Silver, Jon (2013) Netflix : a house of cards or the new HBO? The Conversation.com.au.

Silver, Jon (2011) The first global entertainment company : explaining Pathe's global dominance in the pre-Hollywood film industry. In McKee, Alan, Collis, Christy, & Hamley, Benjamin (Eds.) Entertainment Industries : Entertainment as a Cultural System. Routledge (Taylor & Francis Group), London and New York, pp. 79-97.

Somogyi, Emma & Ryan, Mark David (2014) Mainstream monsters : the otherness of humans in Twilight, the Vampire Diaries and True Blood. In Bucciferro, Claudia (Ed.) The Twilight Saga : Exploring the Global Phenomenon. Scarecrow Press, New York, pp. 197-211.

Song, Tingting (2009) A new definition for today’s Chinese independent cinema. Ejournalist, 9(1), pp. 157-170.
Number of full-text downloads 388

Spurgeon, Christina, Woodrow, Nina, Burgess, Jean, Edmond, Maura, Hartley, John, Haseman, Bradley C., et al. (2015) Community uses of co-creative media. Digital storytelling and Co-creative Media : The role of community arts and media in propagating and coordinating population-wide creative practice. Queensland University of Technology (QUT), Brisbane, Australia.
Number of full-text downloads 165

Starrs, D. Bruno (2009) "Dance me to my song" (Rolf de Heer 1997): The story of a disabled dancer. In Harvey, Mark (Ed.) The Scopic Bodies Dance Studies Research Seminar Series, Faculty of Arts: University of Auckland, University of Auckland, New Zealand, pp. 62-71.
Number of full-text downloads 1,204

Starrs, D. Bruno (2009) De Heer de sound: Jim Currie on designing sound for Rolf de Heer. Metro Magazine, pp. 144-149.
Number of full-text downloads 256

Starrs, D. Bruno (2008) Enabling the Auteurial Voice in "Dance Me to My Song". M/C: A Journal of Media and Culture, 11(3).
Number of full-text downloads 276

Starrs, D. Bruno (2008) The Evolving Human and Dream-like, Screen-based Media. artciencia.com, IV(9).
Number of full-text downloads 310

Starrs, D. Bruno (2007) Filmic eco-warnings and television: Rolf de Heer's "Epsilon" (1995) and "Dr. Plonk" (2007). Forum: The University of Edinburgh Postgraduate Journal of Culture and the Arts, Autumn(5).
Number of full-text downloads 667

Starrs, D. Bruno (2007) From one photo to "Ten Canoes" (Rolf de Heer 2006) to many canoes. Artciencia.com: Revista de arte, ciencia e communicacao, III(7).

Starrs, D. Bruno (2008) Graham Tardif and the aural auteur. RealTime: +onscreen, p. 27.
Number of full-text downloads 115

Starrs, D. Bruno (2007) An Interview with Faramarz K-Rahber. 2007 Brisbane International Film Festival newsletter, 2007(August).
Number of full-text downloads 359

Starrs, D. Bruno (2007) An Interview with Michael Noonan. 2007 Brisbane International Film Festival newsletter, 2007(August).
Number of full-text downloads 144

Starrs, D. Bruno (2004) Keeping the faith: Catholicism in "Dracula" and its adaptations. Journal of Dracula Studies, -(6).
Number of full-text downloads 8,951

Starrs, D. Bruno (2008) "Picnic at Hanging Rock" and the puzzle of the art film. Screen Education, 48, pp. 139-144.
Number of full-text downloads 1,892

Starrs, D. Bruno (2008) Publish and graduate?: Earning a PhD by Published Papers in Australia. M/C: A Journal of Media and Culture, 11(4).
Number of full-text downloads 562

Starrs, D. Bruno (2010) Reverbing : The "Red vs. Blue" machinima as anti-war film. Continuum : Journal of Media & Cultural Studies, 24(2), pp. 267-279.
Number of full-text downloads 543

Starrs, D. Bruno (2009) Revising the metaphor: the need for Aural Auteur analysis and the Australian Auteur film-maker, Rolf de Heer. In Culture and Identity: Re-Imagining Australia and India : IV International Conference of the Indian Association for the Study of Australia (IASA), 22-24 January 2008, Kolkata, India.

Starrs, D. Bruno (2004) Sara-Marie as feminist fairytale: from "Big Brother" to ‘Big Sister’. Feminist Media Studies, 4(3), pp. 359-361.
Number of full-text downloads 2,736
Number of citations in Scopus 8

Starrs, D. Bruno (2007) Some takes on the meaning of "Noise" (Matt Saville 2007). Metro Magazine, pp. 42-46.
Number of full-text downloads 815

Starrs, D. Bruno (2011) Sound in the Aboriginal Australian Films of Rolf de Heer. In Devy, G. N., Davis, G. V., & Chakravarty, K. K. (Eds.) Voice and Memory : Indigenous Imagination and Expression. Orient Blackswan, Hyderabad, India, pp. 310-318.

Starrs, D. Bruno (2007) Sounds of silence: an interview with Rolf de Heer. Metro Magazine, pp. 18-21.
Number of full-text downloads 392

Starrs, D. Bruno (2009) Unlike mainstream: Towards a definition of the Australian art film. In Amit, Sarwal & Sarwal, Reema (Eds.) Creative Nation: An Australian Cinema and Cultural Studies Reader. SSS Publications, Delhi, India, pp. 54-72.

Starrs, D. Bruno (2011) The aural point of view in the early films of Rolf de Heer. Quarterly Review of Film and Video, 28(1), pp. 28-40.
Number of full-text downloads 460

Starrs, D. Bruno (2007) The authentic Aboriginal voice in Rolf de Heer's "Ten Canoes". Reconstruction: Studies in contemporary culture, 7(3).
Number of full-text downloads 1,207

Starrs, D. Bruno (2008) An avowal of male lack: Sound in Rolf de Heer's "The Old Man Who Read Love Stories" (2003). Metro Magazine, 156, pp. 148-153.
Number of full-text downloads 1,846

Starrs, D. Bruno (2007) The film-maker underdog and the Australian way. RealTime: +onscreen, 77, p. 24.
Number of full-text downloads 469

Starrs, D. Bruno (2007) An interview with Ben Hackworth. 2007 Brisbane International Film Festival newsletter, 2007(August).
Number of full-text downloads 119

Starrs, D. Bruno (2007) An interview with Kriv Stenders. 2007 Brisbane International Film Festival newsletter, 2007(August).
Number of full-text downloads 138

Starrs, D. Bruno (2007) A journey through time: An interview with Rolf de Heer. 2007 Brisbane International Film Festival Newsletter.
Number of full-text downloads 72

Starrs, D. Bruno (2006) The maternal monster in 'Suburban Mayhem'. Metro Magazine, pp. 22-24.
Number of full-text downloads 999

T

Thomas, Verena (2013) Indigenising research through a/r/tography: A case study of a collaborative filmmaking project in Papua New Guinea. UNESCO Observatory E-Journal Multi-Disciplinary Research in the Arts, 3(1), pp. 1-14.

Thomas, Verena (2011) Yumi Piksa – Developing a community-responsive way of filmmaking in Melanesia. Pacific Journalism Review, 17(2), pp. 27-49.

Thomas, Verena & Eby, Mark (2016) Media and public health communication at the grassroots: Village cinemas and HIV education in Papua New Guinea. In Vemula, Ravindra Kumar & Gavaravarapu, SubbaRao M. (Eds.) Health Communication in the Changing Media Landscape : Perspectives from Developing Countries. Palgrave Macmillan. (In Press)

Thomas, Verena, Eggins, Joys, & Papoutsaki, Evangelia (2013) Komuniti Tok Piksa: Communities making films for HIV awareness in PNG. Contemporary PNG Studies: DWU Research Journal, 19, pp. 124-134.

V

Vaughan, Suzi (2003) Echo. [Exhibition/Event]

Verhoeven, Deb, de Costa, Viveka, Martinez, Alfonso, Ryan, Mark David, & Cunningham, Stuart D. (2014) Australian Screen Producers Survey : online interactive. Deakin University.
Number of full-text downloads 37

W

Willems, Christiaan (2001) Multicam-course : terrifying but fun. Encore Magazine, 19(9).

Willsteed, John (2015) Stranded. [Film/Video]
Number of full-text downloads 28

Woodrow, Nina, Spurgeon, Christina, Rennie, Ellie, Klaebe, Helen, Heck, Elizabeth, Haseman, Brad, et al. (2015) Community uses of co-creative media digital storytelling and co-creative Media: The role of community arts and media in propagating and coordinating population-wide creative practice. Cultural Science, 8(2), pp. 150-243.

Y

Yeates, Helen L. (2010) Shattered dreams : a community project. [Film/Video]
Number of full-text downloads 93

Z

Zhu, Ying, Keane, Michael, & Bai, Ruoyun (2008) Introduction. In Zhu, Ying, Keane, Michael, & Bai, Ruoyun (Eds.) TV dama in China. Hong Kong University Press, Hong Kong, China, pp. 1-17.
Number of citations in Scopus 9

This list was generated on Sat Dec 3 21:58:58 2016 AEST.