Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400)"
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- Subjects classification (32894)
- Australian and New Zealand Standard Research Classification (32894)
- STUDIES IN CREATIVE ARTS AND WRITING (190000) (1650)
- PERFORMING ARTS AND CREATIVE WRITING (190400) (667)
- Dance (190403) (50)
- PERFORMING ARTS AND CREATIVE WRITING (190400) (667)
- STUDIES IN CREATIVE ARTS AND WRITING (190000) (1650)
- Australian and New Zealand Standard Research Classification (32894)
Group by: Authors/Creators | Item Type
Number of items at this level: 142.
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Cobcroft, Rachel S., Coates, Jessica M., & Bledsoe, Elliott (Eds.) (2008) Building an Australasian Commons : Creative Commons case studies vol. 1. Queensland University of Technology, Brisbane, Queensland.
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Armstrong, Keith M. (2008) 'Grounded media' : expanding the scope of ecological art practices within new media arts culture. Media-Space Journal.
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375Armstrong, Keith M. (2005) Videos in 'Creative Queensland' presentation, World Expo, Aichi, Japan. [Creative Work]
Armstrong, Keith M., Fry, Tony, Barclay, Leah, Jeremijenko, Natalie, Muller, James, Boyle, Kirsty, et al. (2012) The Remnant Emergency Artlab. [Creative Work]
Armstrong, Keith M., O'Neill, Lisa, Sade, Gavin, & Webster, Guy (2001) Liquid gold (The new adventures of Ling Change). [Creative Work]
Armstrong, Keith M., O'Neill, Lisa, & Webster, Guy (2003) Intimate transactions (stage 1). [Creative Work]
Armstrong, Keith M., O'Neill, Lisa, & Webster, Guy (2005) Transmute Collective: Intimate transactions (stage 3). [Creative Work]
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10Armstrong, Keith M., O'Neill, Lisa, Webster, Guy, & Sade, Gavin (1999) Transit Lounge - Version 1. [Creative Work]
Armstrong, Keith M., Vincent, Charlotte, & Webster, Guy (2006) Shifting intimacies. [Creative Work]
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Baldwin, Andrea (2009) Applied theatre : performing the future. Australasian Psychiatry, 17(S1), S133-S136.
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167 2Baulch, Emma (2003) Gesturing elsewhere: the identity politics of the Balinese death/thrash metal scene. Popular Music, 22(2), 195-215 .
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7Bentley, Danielle S. (2009) Restrung New Chamber Festival : Bridging the Gap Between High Art Music and Popular Sensibilities. In Strong, Catherine (Ed.) Proceedings of the IASPM-ANZ 2008 Conference, Brisbane Queensland, December 2008, IASPM-ANZ, Queensland Conservatorium of Music, Griffith University, pp. 22-31.
145
145Bridgstock, Ruth S. (2011) Making it creatively : building sustainable careers in the arts and creative industries. Australian Career Practitioner Magazine, 22(2), pp. 11-13.
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231Bridgstock, Ruth S. (2011) Skills for creative industries graduate success. Education and Training, 53(1), pp. 9-26.
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254 5Brown, Andrew R. (2003) Australasian digital instrument building. In Australasian Computer Music Association Conference 2003: Converging Technologies., 5th - 7th July, 2003, Edith Cowan University Mount Lawley, Western Australia.
674
674Brown, Andrew R. (1994) Computing in performing arts education and practice. In Steele, James & Hedberg, John (Eds.) Selected Papers from LETA 94, AJET Publications Limited, Adelaide, pp. 24-26.
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13Brown, Andrew R. (2012) Experience design and interactive software in music education research. Visions of Research in Music Education, 20.
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107Brown, Andrew R. (1993) HyperCard test engine using Rasch Analysis. In Lo, Bruce (Ed.) Reaching out with I.T. : Proceedings of the 10th Annual Conference of the Australian Society for Computers in Learning in Tertiary Education, Australian Society for Computers in Learning in Tertiary Education, Lismore, pp. 65-71.
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21Brown, Andrew R. (2010) Visualizing digital media interactions : providing feedback on jam2jam AV performances. In Robinson, Ricky & Bodker, Mads (Eds.) OzCHI 2010 Conference Proceedings, CHISIG and ACM, Queensland University of Technology, Brisbane, Queensland, pp. 196-199.
Brown, Andrew R. & Purcell, Kevin (1987) Using computers in the music classroom. In ACC '87, Schools' Congress Proceedings, Australian Computer Society, Melbourne, pp. 15-23.
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Carey, Gemma, Draper, Paul, Lebler, Don, & McWilliam, Erica (2006) Learning and unlearning: New challenges for teaching in conservatories. Australian Journal of Music Education, pp. 25-31.
Comans, Christine (2007) Small, Medium, Large: Theatre Companies and Issues of Scale - A Case Study of a Medium-Sized Company. NJ Drama Australia Journal, 31(1), pp. 69-78.
Comans, Christine A. (2006) La Boite's history as doctoral study: A research methodology story. NJ Drama Australia Journal, 30(2), pp. 73-82.
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293Comans, Christine A. (2007) Small, Medium, Large: Theatre Companies and Issues of Scale - A Case Study of a Medium-Sized Company. In Australasian Association for Theatre, Drama and Performance Studies Conference: Extreme States 2007: Issues of Scale - Political, Performative, Emotional, 3-6 July 2007, University of Melbourne. (Unpublished)
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Delbridge, Matthew & Tompkins, Joanne (2010) A world elsewhere : virtual reality, motion capture and early modern theatre. In Shakespeare's Spaces, 28-29 August 2010, University of Tasmania, Hobart. (Unpublished)
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44Ducher, Gaele, Kukuljan, Sonja, Hill, B., Garnham, Andrew, Nowson, Caryl, Kimlin, Michael, et al. (2011) Vitamin D status and musculoskeletal health in adolescent male ballet dancers: A pilot study. Journal of Dance Medicine and Science, 15(3), pp. 99-107.
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Finn, Angela L. (2008) Fashion design research : research methodologies for emerging researchers [Abstract]. In Alpha Alpha Alpha November Zulu : Annual Conference of Art Association of Australia and New Zealand, 4th - 6th November, 2008, Gallery of Modern Art, Brisbane, Qld.
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Gattenhof, Sandra J. (2006) Working (LATT)erally: one experience of Arts Education in South Korea. NJ Drama Australia Journal, 30(1), pp. 69-78.
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377Gattenhof, Sandra J. (2008) YAQ: Twenty years of supporting Queensland's young people and their creative practice. YAQ Papers - 10th Anniversary Edition, pp. 11-13.
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183Gattenhof, Sandra Jane (2009) Drama, the arts and the Australian National Curriculum. NJ Drama Australia Journal, 33(1), pp. 83-94.
Gattenhof, Sandra Jane (2008) In the mouth of the imagination : positioning children as co-researchers and co-artists to create a professional children’s theatre production. In gener8 - Drama Australia National Conference, 9-11 May 2008, Adelaide.
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214Gattenhof, Sandra Jane (2012) Looking Yonder : Longitudinal Research and Evaluation of the Yonder Participative Arts-based Learning Model Report 2010-2012. Queensland University of Technology, Brisbane , QLD.
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46Gattenhof, Sandra Jane (2011) More than just audiences. In Herd, Nick (Ed.) Engaging Young Audiences Research Colloquium, 17 November 2011, Sydney, Australia. (Unpublished)
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111Gattenhof, Sandra Jane (2008) Theatrical risking : performance innovation in Australian theatre for young people. In International Theatre for Young Audiences Research Network, Friday 9 May 2008, Adelaide.
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342Gattenhof, Sandra Jane (2011) The art of careful listening : children as co-artists in the making of live performance. In Adams, Christine (Ed.) Spaces of Performance Drama Australia National Conference, 31 March to 2 April 2011, State Theatre Centre of Western Australia, Perth, WA.
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72Gattenhof, Sandra Jane, Boyd, Amanda, & Franklin, Jill (2009) L'Oratorio d'Aurélia: 2009 Brisbane Festival teacher resource.
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160Gattenhof, Sandra Jane, Brown, Brent, & Hewitt, Rebecca (2009) The trial of the Catonville Nine : 2009 Brisbane Festival teacher resource.
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272Gattenhof, Sandra Jane, Ennis, Amara, & Klaricich, Jenna (2009) Miracle in Brisbane : 2009 Brisbane Festival teacher resource.
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631Gattenhof, Sandra Jane, Hollins, Katie, & Shenfield, Robyn (2009) Moon water : 2009 Brisbane Festival teacher resource.
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218Gattenhof, Sandra Jane & Radvan, Mark (2009) In the mouth of the imagination : positioning children as co-researchers and co-artists to create a professional children's theatre production. Research in Drama Education, 14(2), pp. 211-224.
Gattenhof, Sandra Jane & Vogelpoel, Nicholas (2013) Arts-health intersections : a model of practice for consistency in the arts-health sector. Journal of Applied Arts and Health, 3(3), pp. 259-274.
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8Gifford, Toby M. & Brown, Andrew R. (2010) Anticipatory timing in algorithmic rhythm generation. In Opie, Timothy T. (Ed.) Proceedings of the Australasian Computer Music Conference 2010, Australasian Computer Music Association (ACMA), Australian National University, Canberra, pp. 21-28.
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55Graham, Lesley E. (2005) The Risks We Take : Investigating a model for risk stratification and recognition of competency in dance teaching. In Dance Rebooted: Initializing the Grid, July 1-4, 2005, Deakin University, Melbourne Australia.
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Hadley, Bree (2007) Review : Anne Bogart, 'And then, you act : making art in an unpredictable world'. Australasian Drama Studies, 51, pp. 151-153.
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122Hadley, Bree J. (2007) Dis/identification in contemporary physical performance: NYID's scene of the beginning from the end. Australasian Drama Studies, 50, pp. 111-122.
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282Hadley, Bree J. (2008) Mobilising the monster: modern disabled performers' manipulation of the freakshow. M/C Journal, 11(3).
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145Hadley, Bree J. (2007) Partnerships, social capital and the successful management of small scale cultural festivals: A case study of Hobart’s Antarctic Midwinter Festival. In Re-eventing the city/town: Events as catalysts for social change, Fourth International Event Research Conference, 10th-12th July 2007, University of Technology Sydney and Victoria University, Melbourne, 10th-12th July 2007.
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465Hadley, Bree J. (2005) Yumi Umiumare – Choreographic challenges to (mis)conceptions of Asianness in Australia. In Journeys to the Interior: Australasian Association for Drama, Theatre and Performance Studies (ADSA) Annual Conference 2005, 4th-7th July 2005, Charles Sturt University, Wagga Wagga, 4th-7th July 2005. (Unpublished)
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202Hancox, Donna & Muller, Vivienne (2011) Excursions into new territory: Fictocriticism and undergraduate writing. New Writing: The International Journal for the Practice and Theory of Creative Writing, 8(2), pp. 147-158.
Haseman, Bradley C. (2005) Creative practices. In Hartley, John (Ed.) Creative industries. Blackwell Publishing, United States of America, Massachusetts, Malden, pp. 158-176.
Haseman, Bradley C. (2007) Tightrope writing : creative writing programs in the RQF environment. TEXT: journal of writing and writing courses, 11(1), pp. 1-15.
Heim, Caroline L. (2005) Negotiating meanings : audience reception to a contemporary staging of Maxwell Anderson’s Mary of Scotland. In Work in Progress Conference, 30 September - 1 October 2005, University of Queensland. (Unpublished)
Heim, Caroline L. (2010) Theatre audience contribution : facilitating a new text through the post-performance discussion. Lambert Academic Publishing, Saarbrucken, Germany.
Heim, Caroline L. (2010) Undressing the actor : the erotic relationship with the audience. In Australasian Association for Drama, Theatre and Performance Studies Conference 2010, 29 June - 2 July 2010, Australian National University. (Unpublished)
Heim, Caroline L. (2008) The theatre programme : a public discourse at a staging of Maxwell Anderson's "Anne of the Thousand Days". In Maxwell, Ian (Ed.) Being There: After, Proceedings of the 2006 Annual Conference of the Australasian Drama, Theatre, and Performance Studies. The University of Sydney.
Heim, Dr Caroline Louise (2006) Negotiating meanings: audience reception to a contemporary staging of Maxwell Anderson’s Mary of Scotland”. Crossings, 11(1).
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69Hewitt, Donna G. (2011) Choreographic approaches to music composition for a new musical interface : the eMic. In Williamon, Aaron, Edwards, Darryl, & Bartel, Lee (Eds.) Proceedings of the International Symposium on Performance Science 2011, European Association of Conservatoires (AEC), University of Toronto, Toronto, pp. 169-174.
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43Hong, Christina, Essig, Linda, & Bridgstock, Ruth S. (2012) The enterprising artist and the arts entrepreneur : Emergent pedagogies for new disciplinary habits of mind. In Chick, Nancy, Haynie, Aeron, & Gurung, Regan A.R. (Eds.) Exploring More Signature Pedagogies: Approaches to Teaching Disciplinary Habits of Mind. Stylus Publishing, LLC., Sterling, United States of America, pp. 68-81.
Huddy, Avril & Stevens, Kym (2011) The teaching artist: A model for university dance teacher training. Research in Dance Education: Innovations in Arts Practice, 12(2), pp. 157-171.
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Jenkins, Greg, Barrett, Lloyd, & Brown, Andrew R. (2012) Sound media musicianship. In Brown, Andrew R. (Ed.) Sound Musicianship : Understanding the Crafts of Music. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 335-345.
Jennings, Matthew & Baldwin, Andrea (2010) “Filling out the forms was a nightmare” : project evaluation and the reflective practitioner in community theatre in contemporary Northern Ireland. Music and Arts in Action, 2(2), pp. 72-89.
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Livingstone, Steven R., Muhlberger, Ralf, Brown, Andrew R., & Thompson, William F. (2010) Changing musical emotion : a computational rule system for modifying score and performance. Computer Music Journal, 34(1), pp. 41-64.
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Makeham, Paul B. (2009) Applied theatre and organisational transformation. In 4th Asia Pacific Symposium on Emotions and Worklife, 27th November 2009, Griffith University, Southbank, Brisbane, Australia. (Unpublished)
Makeham, Paul B. (1999) Industrial Relations: Proceedings from the 1999 Australasian Drama Studies Association Conference. QUT, Brisbane, Australia.
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607Makeham, Paul B. (1994) Louis Nowra, 'Radiance' (Sydney: Currency Press, 1993). Australasian Drama Studies, 25, pp. 189-193.
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174Makeham, Paul B. (2008) Regional performance : mapping "The North". In AusStage Symposium : Transforming Research into Live Performance, 25 September 2008, School of Humanities, Flinders University, Adelaide. (Unpublished)
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99Makeham, Paul B. (2006) Revisiting Industrial Relations. In Being There : before, During and After : The 2006 Conference of the Australasian Association of Theatre, Drama and Performance Studies, July 4-7, 2006, University of Sydney, Australia. (Unpublished)
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43Makeham, Paul B. (1993) 'The black hole of our history' : a conversation with Louis Nowra. Canadian Theatre Review, 74(Spring), pp. 27-31.
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85Makeham, Paul B., Ashkanasy, Neal, Lawrence, Sandra, Brown, James, & Portmann, Geoffrey T. (2010) Workplace Emotion: Fear and Anger. [Creative Work]
Makeham, Paul B., Casey, Maryrose, Kehoul, Gillian, & Ryan, Delyse (2005) Dramatic teaching : focussing on drama, theatre, and performance in higher education. In Journeys to the Interior : 2005 Conference of the Australasian Association for Theatre, Drama and performance Studies (ADSA), 4-7 July 2005, Charles Sturt University, Wagga Wagga, Australia. (Unpublished)
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95Makeham, Paul B. & Dunstone, Bill (2004) Performance Research in Rangeland Communities. In Listening to the Image : 2004 Conference of the Australasian Association for Theatre, Drama and Performance Studies, 30 June - 3 July 2004, Victoria University of Wellington, Wellington New Zealand. (Unpublished)
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8Makeham, Paul B., Gattenhof, Sandra J., & Haseman, Bradley C. (2008) TAFE Governance Transitions Prophetical. [Creative Work]
McCombe, Christine (2001) Imagining space through sound. In UK and Ireland Soundscape Community Conference: Sound Practice, 16-20 Feb, Dartington, Devon, UK.
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1,189McElwain, Sean & Lavender, Nigel (2011) Large-scale community projects in regional Queensland : unlocking creative potential and community identity : Artspoken Queensland Regional Arts and Culture Conference 2011. In Artspoken Queensland Regional Arts and Culture Conference 2011, 13th - 14th October 2011, Bundaberg, Qld. (Unpublished)
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2McGowan, Lee (2010) Marking out the pitch : Defining the soccer fiction genre. In D'Arcy, Julian Meldon & Noe, Mark (Eds.) 2010 SLA : Sports Literature Association Conference 2010, 22-26 June 2010, Pennsylvania College of Technology, Williamsport, Pennsylvania. (Unpublished)
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4McGowan, Lee (2011) Not just another ball game : young adult and adult football fictions are different. In International Research Society for Children's Literature Conference 2011, 4-8 July 2011, Queensland University of Technology, Brisbane. (Unpublished)
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5Megarrity, David (2004) Creating theatre for young audiences : UKULELE MEKULELE and SHOW. In Creating Theatre for Young People, June 16, 2004, Sydney Opera House, Sydney. (Unpublished)
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26Megarrity, David & McGough, Roger (2006) Unlucky for Some : 13 poems by Roger McGough. [Creative Work]
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133Megarrity, David & de Saint Exupery, Antoine (2002) The Little Prince (studio adaptation). [Creative Work]
265
265Moyle, Gene Margaret (2013) Five minute call : preparing your brain before the curtain goes up. Dance Australia, 174(June). (In Press)
Moyle, Gene Margaret (2012) Performance in the spotlight : exploring psychology in the performing arts. InPsych, 34(6 ), pp. 11-13.
Moyle, Gene Moyle (2014) Ethical issues in professional practice: international perspectives - "So be sure when you step. Step with care and great tact and remember that Life's a Great Balancing Act.”: Exploring the ethical places you’ll go within sport and exercise psychology. In Tashman, Lauren S. & Cremades, Gualberto (Eds.) Becoming a Sport, Exercise, and Performance Psychology Professional: International Perspectives. Routledge/Psychology Press, USA. (In Press)
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Neilsen, Philip M. & Murphy, Ffion (2008) Recuperating writers - and writing : the potential of writing therapy. TEXT : Journal of Writing & Writing Courses, 12(1).
Neilsen, Philip M. & Murphy, Ffion (2008) The potential role of life-writing therapy in facilitating ‘Recovery’ for those with mental illness. M/C Journal : A Journal of Media and Culture, 11(6).
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Olivieri, Cristiane, Natale, Edson, & Makeham, Paul B. (2010) A primeira universidade de economia criativa do mundo: Entrevista com Paul Makeham. In Olivieri, Cristiane & Natale, Edson (Eds.) Guia Brasileiro de Producao Cultural 2010-2011. Edicoes SESC SP, Sao Paulo, pp. 57-60.
Opie, Timothy T. & Brown, Andrew R. (2010) Aesthetic implications of the eco-structuralist process. In Opie, Timothy T. (Ed.) Proceedings of the Australasian Computer Music Conference 2010, Australasian Computer Music Association (ACMA), Australian National University, Canberra, pp. 43-50.
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Rothwell, Julia (2011) Bodies and language: process drama and intercultural language learning in a beginner language classroom. Research in Drama Education: the journal of applied theatre and performance, 16(4), pp. 575-594.
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Seffrin, Georgia K. (2007) The out-of-the-box festival of early childhood : fashioning the boutique festival for children. In Hauptfleisch, Temple, Lev-Aladgem, Shulamith, Martin, Jacqueline, Sauter, Willmar, & Schoenmakers, Henri (Eds.) Festivalising! : theatrical events, politics and culture. Rodopi, Amsterdam ; New York, pp. 67-78.
Starrs, D. Bruno (2007) Needles and Opium. In Cody, Gabrielle H. & Sprinchorn, Evert (Eds.) The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, pp. 952-953.
Starrs, D. Bruno (2007) The Seven Streams of the River Ota. In Cody, Gabrielle H. & Sprinchorn, Evert (Eds.) The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, pp. 1214-1215.
Starrs, D. Bruno (2004) The sorrows and sufferings of young Werther; a Stageplay. [Creative Work]
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327Stock, Cheryl F. (2012) Adaptation and empathy : intercultural communication in a choreographic project. Journal of Intercultural Studies, 33(4), pp. 445-462.
Stock, Cheryl F. (2010) Adapting, renewing, subverting : what place the performing arts in the creative industries? Tirai Panggung : Performing Arts Journal, 10, pp. 20-45.
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92Stock, Cheryl F. (2009) Choreographing research : supervising the dancing thesis. TEXT Special Issue Website Series No. 6 Supervising the Creative Arts Research Higher Degree: Towards Best Practice, 13(Special Issue Number 6), pp. 1-15.
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74Stock, Cheryl F. & Dyson, Julie (2006) Looking out from Down Under – Australian dance today. In Burridge, Stephanie (Ed.) Shifting sands : dance in Asia and the Pacific. Australian Dance Council, Australia, Australian Capital Territory, Braddon, pp. 15-23.
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Thomas, Adrian (2003) From little acorns: the first Queensland State Quartet, 1944-1948. Australasian Music Research, 8, pp. 59-72.
Thomas, Adrian (2002) Linda Phillips : composer, performer, critic and adjudicator - A centenary retrospective. Australasian Music Research, 6, pp. 49-64.
Thomas, Adrian (2003) The climate of change: the ABC as patron of Australian music during the Hopkins era. Australasian Music Research, 2002(7), pp. 47-54.
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Volz, Kirsty (2010) Domestic ecologies : gender and domesticity in Harold Pinter's Rooms. IDEA Journal, 2010, pp. 54-62.
Volz, Kirsty (2012) Don's Party and the AV Jennings type 15 home. In Hadley, Bree J. & Heim, Caroline L. (Eds.) Compass Points : the Locations, Landscapes and Coordinates of Identities, 3-6 July 2012, Queensland University of Technology, Brisbane, QLD.
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Yeates, Helen L. & Carson, Susan J. (2009) Bend and stretch : pedagogical callisthenics in creative practice honours. Text : Journal of Writing and Writing Courses, 6(October Special Issue Number 6), pp. 1-13.
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