Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Dance (190403)"
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Number of items at this level: 78.
Stock, Cheryl F. (Ed.) (2008) Dance dialogues : conversations across cultures, artforms and practices. The Australian Dance Council and Queensland University of Technology, Canberra, ACT.
Armstrong, Keith M. (2006) Lie of the Land. [Film/Video]
Armstrong, Keith M. (2001) Presentation of Major Works of the Transmute collective. [Film/Video]
Armstrong, Keith M. (2003) Towards an Ecosophical Praxis of New Media Space design. QUT.
Armstrong, Keith M., DeQuincey, Tess, & Manner, Richard (2001) Golden circle. [Inter-arts]
Armstrong, Keith M., Fry, Tony, Grant, Jason, & Gall, Jim (2007) Fundamental sounds. [Performance]
Armstrong, Keith M., Fuks, Suzon, & Cunningham, James (2002) Access all. [Inter-arts]
Armstrong, Keith M., O'Neill, Lisa, Webster, Guy, & Sade, Gavin J. (2000) transit_lounge 2 (The further adventures of Ling Change). [Digital/Creative Work]
Barrell, G.M. & Terry, P.C. (2002) Coping strategies used by ballet dancers: effects of individual differences in competitive trait anxiety. In Katsikitis, Mary (Ed.) 37th Annual Conference of the Australian Psychological Society, 27 September - 12 October 2002, Gold Coast, QLD Australia.
Boughen, Shaaron & Huddy, Avril (2009) Creating and sustaining a basis for life-long learning in tertiary dancer training. In Stock, Cheryl (Ed.) Dance Dialogues : Conversations Across Cultures, Artforms and Practices. Refereed Proceedings of the World Dance Alliance Global Summit, Brisbane, Australia, 13-18 July 2008, Australian Dance Council – Ausdance Inc and Queensland University of Technology, Queensland University of Technology, Brisbane.
Delbridge, Matthew (2009) PIPP #2 : Pedestrian Interaction Patch Project. [Inter-arts]
Delbridge, Matthew & Vincs, Kim (2008) The silk road project : dance and embodiment in the age of motion capture. In Barbour, John (Ed.) Sites of Activity : ACUADS Research 08-09. Australian Council of University Art and Design Schools (ACUADS), Southbank, Victoria, pp. 8-9.
Dyson, Clare (2006) Medeleven. [Live Performance (Dance)]
Dyson, Clare (2009) The 'authentic dancer' as a tool for audience engagement. In Stock, Cheryl (Ed.) Dance Dialogues : Conversations Across Culture, Artforms and Practices : Refereed Proceedings of the World Dance Alliance Global Summit 2008, Australian Dance Council Inc., Queensland University of Technology, Brisbane, Queensland, pp. 1-12.
de Prazer, Vicki, Moyle, Gene Margaret, Lloyd, Michael, & Jauncey, Phil (2012) The contribution of sport and performance psychology to coaching. In 2012 International Congress on Coaching Psychology - The Contribution of Psychology to Coaching, 11 - 12 May 2012, Sydney NSW. (Unpublished)
Graham, Lesley E. (2005) The Risks We Take : Investigating a model for risk stratification and recognition of competency in dance teaching. In Dance Rebooted: Initializing the Grid, July 1-4, 2005, Deakin University, Melbourne Australia.
Haag, John Christopher (2009) Inertial motion capture and live performance (with a focus on dance). In Stock, Cheryl (Ed.) Dance Dialogues : Conversations Across Cultures, Artforms and Practices: Refereed Proceedings of the World Dance Alliance Global Summit 2008, Australian Dance Council (Ausdance Inc.), Queensland University of Technology, Brisbane, Queensland, pp. 1-12.
Hadley, Bree J. (2010) Dumped : a short review. The Australian.
Hadley, Bree J. (2005) Yumi Umiumare – Choreographic challenges to (mis)conceptions of Asianness in Australia. In Journeys to the Interior: Australasian Association for Drama, Theatre and Performance Studies (ADSA) Annual Conference 2005, 4th-7th July 2005, Charles Sturt University, Wagga Wagga, 4th-7th July 2005. (Unpublished)
Hamilton, Jillian G. (2006) A reformation of space : intimate transactions in art and distributed communication. In Hamilton, Jillian G. (Ed.) Intimate Transactions : Art, Exhibition and Interaction within Distributed Network Environments. ACID (Australasian CRC for Interaction Design), Brisbane Australia, pp. 116-129.
Hong, Christina, Caldwell, Linda, Ashley, Tamara, & Alpert, Valerie (2008) Transcultural perspective on digital practices and the arts in higher education. In Dance Dialogues: Conversations Across Cultures, Artforms and Practices: World Dance Alliance Global Summit, 13 - 18 July 2008, Brisbane.
Huddy, Avril (2010) Boundary swaying. [Live Performance (Dance)]
Huddy, Avril (2010) Experience has no shadow. [Live Performance (Dance)]
Huddy, Avril (2006) Separating shadows. [Live Performance (Dance)]
Jones, Evan L. (2009) Enhancing learning in dance technique through on-line-mediated reflective practice. In Stock, C. (Ed.) Proceedings of the 2008 World Dance Alliance Global Summit, QUT Creative Industries and Ausdance, Queensland University of Technology, Brisbane, Queensland.
Mathews, Rachel Ann (1992) Postmodern Theory and the Choreography of Michael Clark. Masters by Research thesis, University of Surrey.
McCombe, Christine (1994) Slave to the Dance? The role and function of music in the work of four contemporary Australian choreographers. Victorian College of the Arts, University of Melbourne.
Moyle, Gene (2008) Performance psychology applied to dance. In Summers, Jeffrey (Ed.) 43rd Annual Conference of the Australian Psychological Society, 23 - 26 September 2008, Hobart, Tasmania, Australia.
Moyle, Gene M. (2014) Dr. Seuss and the "Great Balancing Act" : Exploring the Ethical Places You’ll Go Within Australian Sport, Exercise, and Performance Psychology. In Tashman, Lauren S. & Cremades, J. Gualberto (Eds.) Becoming a Sport, Exercise, and Performance Psychology Professional : A Global Perspective. Psychology Press, New York, pp. 45-52.
Moyle, Gene M. (2014) Skating on Olympic ice : working with Winter Olympians. International Journal of Sport and Exercise Psychology. (In Press)
Moyle, Gene Margaret (2009) Beating homesickness. Dance Australia.
Moyle, Gene Margaret (2013) Bouncing back : developing resilience. Dance Australia, 179, p. 40.
Moyle, Gene Margaret (2013) Five minute call : where are you just before the curtain goes up. Dance Australia, 174(June).
Moyle, Gene Margaret (2007) Learnings from the implementation of performance psychology as a subject within a university dance program. In 17th Annual Meeting of the International Association of Dance Medicine & Science (IADMS), 25 - 28 October 2007, Canberra, ACT.
Moyle, Gene Margaret (2007) Managing your self-esteem. Dance Australia.
Moyle, Gene Margaret (2008) Mastering your destiny. Dance Australia.
Moyle, Gene Margaret (2014) Mindfulness and dancers. In Baltzell, Amy (Ed.) The Cambridge Companion to Mindfulness and Performance. Cambridge University Press. (In Press)
Moyle, Gene Margaret (2013) Performance enhancement the healthy way : the benefits of a health and wellness routine. In 2013 CPA Global Congress, 8 - 11 & 20 - 21 October 2013, Sydney, NSW & Brisbane, QLD. (Unpublished)
Moyle, Gene Margaret (2012) Performance in the spotlight : exploring psychology in the performing arts. InPsych, 34(6 ), pp. 11-13.
Moyle, Gene Margaret (2009) Preparing for success in the new year. Dance Australia.
Moyle, Gene Margaret (2010) Preventing eating disorders. Dance Australia.
Moyle, Gene Margaret (2010) The art of the positive pas de deux : putting positive psychology into dance! In Mrowinksi, Vicky, Kyrios, Michael, & Voudouris, Nicholas (Eds.) 27th International Congress of Applied Psychology, 11-16 July 2010, Melbourne Convention and Exhibition Centre, Melbourne, Victoria.
Moyle, Gene Margaret (2010) The influence of teachers’ expectations. Dance Australia.
Moyle, Gene Margaret & Jackson, Sue (2013) Mindfulness-meditation on the move : implementation of an ACT-based mindfulness practice intervention and training within a University Dance program. In Australian Society for Performing Arts Healthcare Conference, 22 - 24 November 2013, QLD Conservatorium, Brisbane, QLD Australia. (Unpublished)
Moyle, Gene Margaret & Terry, Peter C. (2002) Coping strategies used by ballet dancers : effects of individual differences in competitive trait anxiety. In Wilmerding, Mary V. (Ed.) 20th Annual Performing Arts Medicine Association Symposium, 20 - 23 June 2002, Aspen, Colorado.
Phillips, Maggi, Stock, Cheryl F., & Vincs, Kim (2009) Dancing doctorates down-under? Defining and assessing ‘doctorateness’ when embodiment enters the thesis. In Stock, Cheryl (Ed.) Dance Dialogues: Conversations Across Cultures, Artforms and Practices. Refereed Proceedings of the World Dance Alliance Global Summit, Brisbane, Australia, 13 – 18 July 2008. Australian Dance Council—Ausdance Inc. & Queensland University of Technology, Canberra ACT.
Roche, Jennifer (2013) Artists in conversation, Jenny Roche (IRL) and Vicky Schick (USA). Dance Notes, 2013(4), pp. 14-16.
Roche, Jennifer (2011) Embodying multiplicity : the independent dancer's moving identity. Research in Dance Education, 12(2), pp. 105-118.
Roche, Jennifer (2013) Review: "Body and Performance" edited by: Sandra Reeve, Triarchy Press (2013). Journal of Dance and Somatic Practices, 5(2), pp. 197-198. (In Press)
Smith, Judith, Dillon, Steven, Nalder, Glenda, & Brown, Andrew (2005) Digital multimedia portfolios supporting authentic learning in the arts. In ePortfolio Conference 2004, 28-9 October 2004, France, La Rochelle.
Starrs, D. Bruno (2009) "Dance me to my song" (Rolf de Heer 1997): The story of a disabled dancer. In Harvey, Mark (Ed.) The Scopic Bodies Dance Studies Research Seminar Series, Faculty of Arts: University of Auckland, University of Auckland, New Zealand, pp. 62-71.
Stock, Cheryl F. (2006) Accented Body : the body as site and in site. [Live Performance (Dance)]
Stock, Cheryl F. (2007) Accented Body and Beyond: a Model for Practice-Led Research with Multiple Theory/Practice Outcomes. In Re-thinking Theory and Practice/Repenser pratique et théorie, 21-24 June, 2007, Le Centre National de la Danse, Paris, France.
Stock, Cheryl F. (2012) Adaptation and empathy : intercultural communication in a choreographic project. Journal of Intercultural Studies, 33(4), pp. 445-462.
Stock, Cheryl F. (2009) Beyond the intercultural to the accented body : an Australian perspective. In Butterworth, Jo & Wildschut, Liesbeth (Eds.) Contemporary Choreography : A Critical Reader. Routledge (Taylor & Francis Group), Abingdon, Oxon & New Yiork, pp. 281-298.
Stock, Cheryl F. (2005) The Cocacolonisation of difference: homogenised diversity in 21st century cultural practice. In Nor, Mohd Anis Md & Revathi, Murugappan (Eds.) Global and local dance in performance. Cultural Centre, University of Malaya and Ministry of Culture, Arts and Heritage, Malaysia, pp. 15-27.
Stock, Cheryl F. (2011) Creating new narratives through shared time and space : the performer/audience connection in multi-site dance events. In Caldwell, Linda (Ed.) In Time Together : Viewing and Reviewing Contemporary Dance Practice : Refereed Proceedings of the World Dance Alliance Global Summit 2010, World Dance Alliance-Americas under the auspices of the Texas Woman’s University Website, New York University, New York.
Stock, Cheryl F. (1998) Dancing the dual phoenix - Collaborating across cultures: A choreographer’s view of a Vietnamese – Australian collaboration. Korean Journal of Dance Studies, 2(Fall), pp. 109-127.
Stock, Cheryl F. (2012) Different inflections. In Burridge, Stephanie & Dyson , Julie (Eds.) Shaping the Landscape : Celebrating Dance in Australia. Routledge, New Delhi, pp. 84-103.
Stock, Cheryl F. (2005) The Interval Between…The Space Between…: Concepts of Time and Space in Asian Art and Performance. In Sarkar Munsi, Urmimala (Ed.) Time and Space in Asian context: Contemporary Dance in Asia. World Dance Alliance, pp. 17-38.
Stock, Cheryl F. (1999) Moving Bodies Across Cultures: an analysis of a Vietnamese/Australian dance and theatre project. In Australasian Drama Studies, Hamilton, New Zealand.
Stock, Cheryl F. (2001) The Myth of an International Dance Language: Tensions between Internationalisation and Cultural Difference. In Burridge, Stephanie (Ed.) Asia Pacific Dance Bridge: Academic Conference, 2001, Singapore.
Stock, Cheryl F. (1998) Questions of gender and power in professional dance in Vietnam: A Western choreographer’s perspective. Brolga, pp. 7-21.
Stock, Cheryl F. (2000) Reflective Practitioner: choreography as research in an intercultural context. In Onuki, Hideaki (Ed.) World Dance 2000 - A Celebration of the Millennium: Choreography Today, Tokyo, Japan.
Stock, Cheryl F. (1996) Robert Helpmann - Master Showman. Brolga, 5, pp. 35-45.
Stock, Cheryl F. (1997) Three Views of an Intercultural Dance and Music Journey. In Batchelor, Don (Ed.) Two WayTraffic: Aspects of Australian/Asian interculturalism in theatre and dance. Centre for Innovation in the Arts, QUT, Brisbane, QLD, pp. 58-65.
Stock, Cheryl F. (2002) here/there/then/now. [Live Performance (Dance)]
Stock, Cheryl F. & Dyson, Julie (2006) Looking out from Down Under – Australian dance today. In Burridge, Stephanie (Ed.) Shifting sands : dance in Asia and the Pacific. Australian Dance Council, Australia, Australian Capital Territory, Braddon, pp. 15-23.
Stock, Cheryl F. & Page , Stephen (2012) Awakening the spirit : telling the stories. In Burridge, Stephanie & Dyson, Julie (Eds.) Shaping the Landscape : Celebrating Dance in Australia. Routledge (Taylor & Francis), New Delhi, pp. 52-68.
Stock, Cheryl F., Phillips, Maggi, & Vincs, Kim (2009) Dancing between diversity and consistency : refining assessment in postgraduate degrees in dance. West Australian Academy of the Performing Arts, Edith Cowan University, Mt Lawley, Western Australia.
Stock, Cheryl F., Phillips, Maggi, & Vincs, Kim (2009) Dancing the Thesis : Potentials and Pitfalls in Practice-led Research. In Re-searching Dance: International Conference on Dance Research, Jawaharalal Nehru University, Dance Alliance-India, India International Centre, New Delhi, pp. 53-59.
Street, Susan (2009) Reframing arguments about the value of contemporary dance : putting creativity at the centre of dance practice, policy and education. Brolga : an Australian journal about dance.
Thiel, David V., Quandt, Julian, Carter, Sarah J.L., & Moyle, Gene Margaret (2014) Accelerometer based performance assessment of basic routines in classical ballet. In James, David & Choppin, Simon (Eds.) Procedia Engineering, Elsevier, Sheffield Hallam University, Sheffield, UK, pp. 14-19.
Van Opdenbosch, Paul (2013) Animated Kolam Patterns. [Film/Video]
Van Opdenbosch, Paul (2013) Contours in Motion. [Film/Video]
Van Opdenbosch, Paul (2013) Made by motion, Series one. [Film/Video]
Van Opdenbosch, Paul (2012) Re-targeting choreographic enquiry through motion capture. [Film/Video]
Vincs, Kim & Delbridge, Matthew (2007) The Silk Road project. [Performance]