Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Dance (190403)"

Subjects classification (33141)
- Australian and New Zealand Standard Research Classification (33141)
  - STUDIES IN CREATIVE ARTS AND WRITING (190000) (1682)
    - PERFORMING ARTS AND CREATIVE WRITING (190400) (673)
      - Dance (190403) (51)

Number of items at this level: 51.

Book

Stock, Cheryl F. (Ed.) (2008) Dance dialogues : conversations across cultures, artforms and practices. The Australian Dance Council and Queensland University of Technology, Canberra, ACT.

Stock, Cheryl F., Phillips, Maggi, & Vincs, Kim (2009) Dancing between diversity and consistency : refining assessment in postgraduate degrees in dance. West Australian Academy of the Performing Arts, Edith Cowan University, Mt Lawley, Western Australia.

248

Book Chapter

Delbridge, Matthew & Vincs, Kim (2008) The silk road project : dance and embodiment in the age of motion capture. In Barbour, John (Ed.) Sites of Activity : ACUADS Research 08-09. Australian Council of University Art and Design Schools (ACUADS), Southbank, Victoria, pp. 8-9.

Hamilton, Jillian G. (2006) A reformation of space : intimate transactions in art and distributed communication. In Hamilton, Jillian G. (Ed.) Intimate Transactions : Art, Exhibition and Interaction within Distributed Network Environments. ACID (Australasian CRC for Interaction Design), Brisbane Australia, pp. 116-129.

Moyle, Gene Moyle (2014) Ethical issues in professional practice: international perspectives - "So be sure when you step. Step with care and great tact and remember that Life's a Great Balancing Act.”: Exploring the ethical places you’ll go within sport and exercise psychology. In Tashman, Lauren S. & Cremades, Gualberto (Eds.) Becoming a Sport, Exercise, and Performance Psychology Professional: International Perspectives. Routledge/Psychology Press, USA. (In Press)

Phillips, Maggi, Stock, Cheryl F., & Vincs, Kim (2009) Dancing doctorates down-under? Defining and assessing ‘doctorateness’ when embodiment enters the thesis. In Stock, Cheryl (Ed.) Dance Dialogues: Conversations Across Cultures, Artforms and Practices. Refereed Proceedings of the World Dance Alliance Global Summit, Brisbane, Australia, 13 – 18 July 2008. Australian Dance Council—Ausdance Inc. & Queensland University of Technology, Canberra ACT.

125

Stock, Cheryl F. (2009) Beyond the intercultural to the accented body : an Australian perspective. In Butterworth, Jo & Wildschut, Liesbeth (Eds.) Contemporary Choreography : A Critical Reader. Routledge (Taylor & Francis Group), Abingdon, Oxon & New Yiork, pp. 281-298.

Stock, Cheryl F. (2005) The Cocacolonisation of difference: homogenised diversity in 21st century cultural practice. In Nor, Mohd Anis Md & Revathi, Murugappan (Eds.) Global and local dance in performance. Cultural Centre, University of Malaya and Ministry of Culture, Arts and Heritage, Malaysia, pp. 15-27.

430

Stock, Cheryl F. (2012) Different inflections. In Burridge, Stephanie & Dyson , Julie (Eds.) Shaping the Landscape : Celebrating Dance in Australia. Routledge, New Delhi, pp. 84-103.

Stock, Cheryl F. (2005) The Interval Between…The Space Between…: Concepts of Time and Space in Asian Art and Performance. In Sarkar Munsi, Urmimala (Ed.) Time and Space in Asian context: Contemporary Dance in Asia. World Dance Alliance, pp. 17-38.

752

Stock, Cheryl F. (1997) Three Views of an Intercultural Dance and Music Journey. In Batchelor, Don (Ed.) Two WayTraffic: Aspects of Australian/Asian interculturalism in theatre and dance. Centre for Innovation in the Arts, QUT, Brisbane, QLD, pp. 58-65.

519

Stock, Cheryl F. & Dyson, Julie (2006) Looking out from Down Under – Australian dance today. In Burridge, Stephanie (Ed.) Shifting sands : dance in Asia and the Pacific. Australian Dance Council, Australia, Australian Capital Territory, Braddon, pp. 15-23.

944

Stock, Cheryl F. & Page , Stephen (2012) Awakening the spirit : telling the stories. In Burridge, Stephanie & Dyson, Julie (Eds.) Shaping the Landscape : Celebrating Dance in Australia. Routledge (Taylor & Francis), New Delhi, pp. 52-68.

Journal Article

Moyle, Gene Margaret (2013) Five minute call : preparing your brain before the curtain goes up. Dance Australia, 174(June). (In Press)

Moyle, Gene Margaret (2012) Performance in the spotlight : exploring psychology in the performing arts. InPsych, 34(6 ), pp. 11-13.

Roche, Jennifer (2011) Embodying multiplicity : the independent dancer's moving identity. Research in Dance Education, 12(2), pp. 105-118.

Stock, Cheryl F. (2012) Adaptation and empathy : intercultural communication in a choreographic project. Journal of Intercultural Studies, 33(4), pp. 445-462.

Stock, Cheryl F. (1998) Dancing the dual phoenix - Collaborating across cultures: A choreographer’s view of a Vietnamese – Australian collaboration. Korean Journal of Dance Studies, 2(Fall), pp. 109-127.

460

Stock, Cheryl F. (1998) Questions of gender and power in professional dance in Vietnam: A Western choreographer’s perspective. Brolga, pp. 7-21.

974

Stock, Cheryl F. (1996) Robert Helpmann - Master Showman. Brolga, 5, pp. 35-45.

599

Street, Susan (2009) Reframing arguments about the value of contemporary dance : putting creativity at the centre of dance practice, policy and education. Brolga : an Australian journal about dance.

420

Conference Paper

Boughen, Shaaron & Huddy, Avril (2009) Creating and sustaining a basis for life-long learning in tertiary dancer training. In Stock, Cheryl (Ed.) Dance Dialogues : Conversations Across Cultures, Artforms and Practices. Refereed Proceedings of the World Dance Alliance Global Summit, Brisbane, Australia, 13-18 July 2008, Australian Dance Council – Ausdance Inc and Queensland University of Technology, Queensland University of Technology, Brisbane.

108

Dyson, Clare (2009) The 'authentic dancer' as a tool for audience engagement. In Stock, Cheryl (Ed.) Dance Dialogues : Conversations Across Culture, Artforms and Practices : Refereed Proceedings of the World Dance Alliance Global Summit 2008, Australian Dance Council Inc., Queensland University of Technology, Brisbane, Queensland, pp. 1-12.

101

Graham, Lesley E. (2005) The Risks We Take : Investigating a model for risk stratification and recognition of competency in dance teaching. In Dance Rebooted: Initializing the Grid, July 1-4, 2005, Deakin University, Melbourne Australia.

455

Haag, John Christopher (2009) Inertial motion capture and live performance (with a focus on dance). In Stock, Cheryl (Ed.) Dance Dialogues : Conversations Across Cultures, Artforms and Practices: Refereed Proceedings of the World Dance Alliance Global Summit 2008, Australian Dance Council (Ausdance Inc.), Queensland University of Technology, Brisbane, Queensland, pp. 1-12.

Hadley, Bree J. (2005) Yumi Umiumare – Choreographic challenges to (mis)conceptions of Asianness in Australia. In Journeys to the Interior: Australasian Association for Drama, Theatre and Performance Studies (ADSA) Annual Conference 2005, 4th-7th July 2005, Charles Sturt University, Wagga Wagga, 4th-7th July 2005. (Unpublished)

203

Hong, Christina, Caldwell, Linda, Ashley, Tamara, & Alpert, Valerie (2008) Transcultural perspective on digital practices and the arts in higher education. In Dance Dialogues: Conversations Across Cultures, Artforms and Practices: World Dance Alliance Global Summit, 13 - 18 July 2008, Brisbane.

180

Jones, Evan L. (2009) Enhancing learning in dance technique through on-line-mediated reflective practice. In Stock, C. (Ed.) Proceedings of the 2008 World Dance Alliance Global Summit, QUT Creative Industries and Ausdance, Queensland University of Technology, Brisbane, Queensland.

Smith, Judith, Dillon, Steven, Nalder, Glenda, & Brown, Andrew (2005) Digital multimedia portfolios supporting authentic learning in the arts. In ePortfolio Conference 2004, 28-9 October 2004, France, La Rochelle.

Starrs, D. Bruno (2009) "Dance me to my song" (Rolf de Heer 1997): The story of a disabled dancer. In Harvey, Mark (Ed.) The Scopic Bodies Dance Studies Research Seminar Series, Faculty of Arts: University of Auckland, University of Auckland, New Zealand, pp. 62-71.

678

Stock, Cheryl F. (2007) Accented Body and Beyond: a Model for Practice-Led Research with Multiple Theory/Practice Outcomes. In Re-thinking Theory and Practice/Repenser pratique et théorie, 21-24 June, 2007, Le Centre National de la Danse, Paris, France.

322

Stock, Cheryl F. (2011) Creating new narratives through shared time and space : the performer/audience connection in multi-site dance events. In Caldwell, Linda (Ed.) In Time Together : Viewing and Reviewing Contemporary Dance Practice : Refereed Proceedings of the World Dance Alliance Global Summit 2010, World Dance Alliance-Americas under the auspices of the Texas Woman’s University Website, New York University, New York.

335

Stock, Cheryl F. (1999) Moving Bodies Across Cultures: an analysis of a Vietnamese/Australian dance and theatre project. In Australasian Drama Studies, Hamilton, New Zealand.

1,033

Stock, Cheryl F. (2001) The Myth of an International Dance Language: Tensions between Internationalisation and Cultural Difference. In Burridge, Stephanie (Ed.) Asia Pacific Dance Bridge: Academic Conference, 2001, Singapore.

605

Stock, Cheryl F. (2000) Reflective Practitioner: choreography as research in an intercultural context. In Onuki, Hideaki (Ed.) World Dance 2000 - A Celebration of the Millennium: Choreography Today, Tokyo, Japan.

1,165

Stock, Cheryl F., Phillips, Maggi, & Vincs, Kim (2009) Dancing the Thesis : Potentials and Pitfalls in Practice-led Research. In Re-searching Dance: International Conference on Dance Research, Jawaharalal Nehru University, Dance Alliance-India, India International Centre, New Delhi, pp. 53-59.

157

Creative Work

Armstrong, Keith M. (2006) Lie of the Land. [Creative Work]

110

Armstrong, Keith M. (2001) Presentation of Major Works of the Transmute collective. [Creative Work]

Armstrong, Keith M., DeQuincey, Tess, & Manner, Richard (2001) Golden circle. [Creative Work]

Armstrong, Keith M., Fry, Tony, Grant, Jason, & Gall, Jim (2007) Fundamental sounds. [Creative Work]

Armstrong, Keith M., Fuks, Suzon, & Cunningham, James (2002) Access all. [Creative Work]

Armstrong, Keith M., O'Neill, Lisa, Webster, Guy, & Sade, Gavin J. (2000) transit_lounge 2 (The further adventures of Ling Change). [Creative Work]

Delbridge, Matthew (2009) PIPP #2 : Pedestrian Interaction Patch Project. [Creative Work]

Dyson, Clare (2006) Medeleven. [Creative Work]

1,330

Stock, Cheryl F. (2006) Accented Body : the body as site and in site. [Creative Work]

560

Stock, Cheryl F. (2002) here/there/then/now. [Creative Work]

275

Van Opdenbosch, Paul (2012) Re-targeting choreographic enquiry through motion capture. [Creative Work]

Vincs, Kim & Delbridge, Matthew (2007) The Silk Road project. [Creative Work]

Review

Hadley, Bree J. (2010) Dumped : a short review. The Australian.

Thesis

Armstrong, Keith M. (2003) Towards an Ecosophical Praxis of New Media Space design. QUT.

162

McCombe, Christine (1994) Slave to the Dance? The role and function of music in the work of four contemporary Australian choreographers. Victorian College of the Arts, University of Melbourne.

680

This list was generated on Sat Jun 15 09:28:42 2013 EST.

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