Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Drama Theatre and Performance Studies (190404)"
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- Subjects classification (32824)
- Australian and New Zealand Standard Research Classification (32824)
- STUDIES IN CREATIVE ARTS AND WRITING (190000) (1649)
- PERFORMING ARTS AND CREATIVE WRITING (190400) (667)
- Drama Theatre and Performance Studies (190404) (189)
- PERFORMING ARTS AND CREATIVE WRITING (190400) (667)
- STUDIES IN CREATIVE ARTS AND WRITING (190000) (1649)
- Australian and New Zealand Standard Research Classification (32824)
Group by: Authors/Creators | Item Type
Number of items at this level: 189.
A
Ashton-Hay, Sally (2005) Drama: Engaging all Learning Styles. In 9th International INGED (Turkish English Education Association) Conference, 20 - 22 October, 2005, Economics and Technical University, Ankara Turkey.
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9,824C
Cantrell, Kate (2009) Entertaining the E Word : Barrie Kosky's On Ecstasy [A Review]. M/C Reviews.
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19Comans, Christine (2007) Small, Medium, Large: Theatre Companies and Issues of Scale - A Case Study of a Medium-Sized Company. NJ Drama Australia Journal, 31(1), pp. 69-78.
Comans, Christine A. (2006) La Boite's history as doctoral study: A research methodology story. NJ Drama Australia Journal, 30(2), pp. 73-82.
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293Comans, Christine A. (2008) La boite Theatre Company : a distinctive history. Australasian Drama Studies, 52.
1,164
1,164Comans, Christine A. (2007) The New Wave: A Brisbane Perspective La Boite Theatre Company’s Distinctive Contribution. In Enter the New Wave Symposium, 26-28 September 2007, University of Melbourne. (In Press)
415
415Comans, Christine A. (2007) Small, Medium, Large: Theatre Companies and Issues of Scale - A Case Study of a Medium-Sized Company. In Australasian Association for Theatre, Drama and Performance Studies Conference: Extreme States 2007: Issues of Scale - Political, Performative, Emotional, 3-6 July 2007, University of Melbourne. (Unpublished)
476
476Comans, Christine A. (2006) "Without La Boite, the heart sinks to one’s thongs": La Boite Theatre in the 1970s and early 1980s.
118
118Comans, Christine Anne Wilmington (2009) La Boite The Story of an Australian Theatre Company. Playlab Press, Brisbane, Australia.
Comans, Christine Anne Wilmington (2009) The new wave : a Brisbane perspective : La Boite Theatre Company's distinctive contribution. Double Dialogues, 11 Winter.
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128D
Delbridge, Matthew (2010) Devising a scenographic approach in Jonzi D's Hip Hop theatre. In London Scenography Conference : Scenography Stages the Nation, 19-22 July 2010, Regents College, London. (Unpublished)
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195Delbridge, Matthew (2009) Digital scenography for "Markus the Sadist" : UK National Tour. [Creative Work]
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31Delbridge, Matthew (2009) Directing for the 360 degree frame : developing a directorial approach to performance capture. In TaPRA 2009 Annual Conference, 7-9 September 2009, University of Plymouth. (Unpublished)
148
148Delbridge, Matthew (2009) "The Lost Lounge" - Split Britches (Lois Weaver, Peggy Shaw). [Creative Work]
102
102Delbridge, Matthew (2009) Performance space to performance place. In Queen Mary University of London Postgraduate Symposium, June 2009, London. (Unpublished)
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14Delbridge, Matthew (2011) Preparing the actor for performance capture. In Shakespeare Reverie Symposium, 6-8 October 2011, Cobb and Co Museum, Toowoomba, QLD. (Unpublished)
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6Delbridge, Matthew (2010) The absence of form. In TaPRA Dealing with Digital Symposium 2010, March 20th 2010, Bedford Square, London. (Unpublished)
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18Delbridge, Matthew (2013) The ecological approach to visual perception and the actor performance captured in the gaming landscape. Animation Practice, Process & Production, 2(1). (In Press)
8
8Delbridge, Matthew, Flaus, John, & Strangio, Lawrence (2010) Stretch : episodes of a recreation in progress. In Enter the New Wave Symposium, 26-28 September 2007, University of Melbourne, Victoria. (Unpublished)
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15Delbridge, Matthew & Tompkins, Joanne (2012) Reproduction, mediation, and experience : virtual reality, motion capture and early modern theatre. Space–Event-Agency–Experience.
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47Delbridge, Matthew & Tompkins, Joanne (2011) Technology, memory and experience : virtual reality, motion capture and early modern theatre. In Performance Studies International (PSi) Conference 2011, 25-29 May 2011, Utrecht University, Utrecht. (Unpublished)
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13Delbridge, Matthew & Tompkins, Joanne (2010) A world elsewhere : virtual reality, motion capture and early modern theatre. In Shakespeare's Spaces, 28-29 August 2010, University of Tasmania, Hobart. (Unpublished)
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44F
Fenton, David R. (2007) Hotel Pro Forma's The Algebra of Place; destabilising the original and the copy in intermedial contemporary performance. International Journal of Performance Arts and Digital Media, 3(2), pp. 169-181.
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Gattenhof, Sandra J. (2006) Drivers of change : contemporary Australian theatre for young people. Drama Australia, 5. Drama Australia, Australia, Queensland, Brisbane.
Gattenhof, Sandra J. (2006) Working (LATT)erally: one experience of Arts Education in South Korea. NJ Drama Australia Journal, 30(1), pp. 69-78.
377
377Gattenhof, Sandra J., Last, Daniel W., & Brown, Hannah F. 2008 Brisbane Festival The Grand Inquisitor Teacher Resource Materials. (Unpublished)
314
314Gattenhof, Sandra J., Saunders, John N., & Hughes, Kelty (2008) 2008 Brisbane Festival The Three Sisters Teacher Resource Materials. (Unpublished)
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318Gattenhof, Sandra J., Short, Karlee J., & Young, Kate L. (2008) 2008 Brisbane Festival The Kingdom of Desire Teacher Resource Materials. (Unpublished)
Gattenhof, Sandra J., Winn, Kelisha E., & Tester, Nikia M. (2008) 2008 Brisbane Festival bODY_rEMIX/gOLDBERG_vARIATIONS Teacher Resource Materials. (Unpublished)
223
223Gattenhof, Sandra Jane (2012) Destination know-where : a road map of a PhD journey in theatre for young people. In Forrest, David & , (Eds.) The Doctoral Journey in Dance Education and Drama Education: Reflections on Doctoral Studies by Australian and New Zealand Art Educators. Australian Scholarly Publishing Pty Ltd., North Melbourne, Australia, pp. 95-110.
Gattenhof, Sandra Jane (2012) The Yonder project : literacy and social competency development in primary school students through co-creation of live performance. NJ - Journal of Drama Australia, 36, pp. 50-61.
H
Hadley, Bree (2010) (Dia)logics of difference : disability, performance & spectatorship. In Performance Studies international (PSi) Conference 2010, June 2010, Toronto, Canada. (Unpublished)
Hadley, Bree (2010) Hoodie-wearing Hamlet mixes horror with humour in a play for our times [REVIEW]. Hoodie-wearing Hamlet mixes horror with humour in a play for our times [REVIEW], Feb(12).
Hadley, Bree (2010) Independent Brisbane: Four Plays [BOOK REVIEW]. Australasian Drama Studies, 56, pp. 242-244.
Hadley, Bree (2010) Paving for diverse pathways : using industry-linked learning to support Performing Arts students in their transition to protean careers. In Paving for diverse pathways, Canberra, Australia.
Hadley, Bree (2006) Review : Peta Tait, Circus Bodies : cultural identity in aerial performance. Australasian Drama Studies, 48, pp. 252-255.
136
136Hadley, Bree (2010) Stripping Sight Bare : Alison Jones’ ‘Portraits by Proxy’. In Australasian Association for Drama Theatre and Performance Studies (ADSA) Conference 2010, July 2010, Canberra, Australia. (Unpublished)
Hadley, Bree (2012) Using information communication technologies to develop dynamic curriculum frameworks for diverse cohorts: a case study from event management. Journal of Further & Higher Education, 36(2), pp. 263-290.
Hadley, Bree, Rajak, Jelena, Filmer, Andrew, Caines, Rebecca, & Read, Alan (2010) The 'Dirty Work' of the Lie. The 'Dirty Work' of the Lie, 15(2), pp. 123-129.
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1
39 1Hadley, Bree J. (2008) Body, space, self : locating and dis-locating subjectivities in contemporary performance. In Turangawaewae/A sense of place : Australasian Drama Studies Conference, 30 June – 3 July 2008, University of Otago, Dunedin, New Zealand. (Unpublished)
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39Hadley, Bree J. (2007) But they can't just be handing out flyers : real-life learning on the Brisbane festivals scene. In ATN Evaluation & Assessment Conference, 28-29 November 2007, Queensland University of Technology, Brisbane, Australia. (Unpublished)
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35Hadley, Bree J. (2009) Celebrating difference/censoring difference? : Marie Chouinard’s bODY rEMIX. In Silent Voices, Hidden Lives: Performance and Censorship, International Federation of Theatre Research / Federation International de la Recherche Theatrale Conference 2009, 14-18 July 2009, University of Lisbon, Lisbon. (Unpublished)
Hadley, Bree J. (2012) Colour and Camp Bring Shakespeare’s As You Like It to Life. The Australian, 27(Feb).
Hadley, Bree J. (2011) Contemporary take on Caesar a triumph of style over substance [Review]. The Australian, Feb(21).
Hadley, Bree J. (2010) Contemporary take on deconstructed Medea : a review. The Australian, 23(Nov).
Hadley, Bree J. (2011) Creating successful cultural Brokers : the pros and cons of a community of practice approach in arts management education. Asia Pacific Journal of Arts and Cultural Managemen, 8(1), pp. 645-659.
Hadley, Bree J. (2008) Desires and despair given voice in Russian. Desires and despair given voice in Russian.
Hadley, Bree J. (2011) (Dia)logics of difference disability, performance and spectatorship in Liz Crow's Resistance on the Plinth. Performance Research, 16(2), pp. 124-131.
Hadley, Bree J. (2011) Do you see what I mean? charting changing representations and receptions of the disabled body in contemporary and pop cultural performance. In Hadley, Bree J. (Ed.) Australasian Association for Theatre Drama & Performance Studies Conference 2011, 28 June - 1 July 2011, Monash University, Melbourne, Vic. (Unpublished)
Hadley, Bree J. (2009) Duplicity/complicity : misperforming the social drama of disability. In PSI 15 : Misperformance : Misfitting, Misfiring, Misreading, Performance Studies international Conference #15, June 24-28, 2009, University of Zagreb, Zagreb, Croatia. (Unpublished)
Hadley, Bree J. (2006) During and enduring : forced entertainment's bloody mess and the phenomenon of time in performance. In Maxwell, Ian (Ed.) The Australasian Association for Theatre Drama and Performance Studies Conference, 4-7 July 2006, University of Sydney.
Hadley, Bree J. (2008) Encountering in between bodies : complicity, proximity and the crisis of meaning. In Interregnum : in between states : the 14th performance studies international conference, August 20-24 2008, University of Copenhagen, Copenhagen, Denmark. (Unpublished)
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40Hadley, Bree J. (2012) Engaging Noemi Lakmeier's living installations : the ethics of embarrassment. In Australasian Association for Theatre, Drama and Performance Studies 2012 : Compass Points - The Locations, Landscapes and Coordinates of Identities, 3-6 July 2012, Queensland University of Technology, Brisbane, QLD. (Unpublished)
Hadley, Bree J. (2010) Eschewing the fat: strong production but Neil LaBute below his best : a review. The Australian, 7(Jun).
Hadley, Bree J. (2008) Exist documentation: description of creative works in the International Live Art Event "exist in 08". [Creative Work]
37
37Hadley, Bree J. (2011) Four characters stuck inside a mystery [Review]. The Australian, September(26).
Hadley, Bree J. (2012) Improvising a future in the performing arts : a new strategy to help performance studies students successfully shift between academic culture, professional culture, industry and career? In Performance - Culture - Industry, Performance Studies internaitonal (PSi) Conference 2012, 27 June - 1 July 2012, University of Leeds, England. (Unpublished)
Hadley, Bree J. (2008) Influences, institutions and outcomes : a survey of masters and doctoral theses on actor training in Australia, 1979-2004. Australasian Drama Studies, 53(October 2008), pp. 8-16.
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301Hadley, Bree J. (2011) Loss and grief at the heart of text messages [REVIEW]. The AUstralian, June(30).
Hadley, Bree J. (2009) Practice as method : the ex/centric fixations project. In Material Interventions : Applying Creative Research, 30 November - 1 December 2009, Deakin University, Melbourne. (Unpublished)
Hadley, Bree J. (2011) Re-constructing Asianness in Australia : Yumi Umiumare, Owen Leong, and the remobilisation of monstrosity. Liminalities: A Journal of Performance Studies, 7(3), pp. 1-13.
Hadley, Bree J. (2008) Reality just arrived - Mark Ravenhill's 'Faust is Dead'. In Fitzsimmons, Lorna (Ed.) International Faust Studies: Adaptation, Reception, Translation. Continuum, London, pp. 258-275.
Hadley, Bree J. (2008) Recognition, misrecognition and the crisis of meaning : the risky mechanics of staging the 'monstrous'. In Re-constructing Asian-ness(es) in the global age : International Federation of Theatre Research/Federation International de la Recherche Theatrale Conference, July 14-19 2008, Chung-Ang University, Seoul, Korea. (Unpublished)
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27Hadley, Bree J. (2011) Review of "Christoph Schlingensief : art without borders" edited by Tara Forrest and Anna Teresa Scheer. Performance Paradigm, 7, pp. 1-5.
Hadley, Bree J. (2012) Review: "Transfigured Stages : Major Practitioners and Theatre Aesthetics in Australia" by Margaret Hamilton. Theatre Research International, 37(2), pp. 198-199.
Hadley, Bree J. (2012) Self-making as public spectacle : bodies, bodily training and reality TV. Scope : An Online Journal of Film Studies, 24.
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51Hadley, Bree J. (2007) Staging Asian-Australian identities. In The 2nd Asian-Australian Identities : Asian-Australian Studies Research Network Conference, June 27-30 2007, University of Melbourne, Melbourne, Australia. (Unpublished)
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87Hadley, Bree J. (2010) Teenager loner in a chat room tangled up in guile and guilability : a review. The Australian, 26(Jul).
Hadley, Bree J. (2010) Textbook portrayal of grieving stereotypes fails to cohere : a review. The Australian, 30(Aug).
Hadley, Bree J. (2011) “That you would post such a thing implies that you are a despicable human being”: spectatorship, social media, & the struggle for meaning in disability performance. In Performance Studies International (PSi) Conference 2011, 25-29 May 2011, Utrecht University, Utrecht. (Unpublished)
Hadley, Bree J. (2007) Unthinkable complexity : dance, datascapes and the desire to connect in Lucy Guerin's Aether. Brolga, 27, pp. 17-25.
Hadley, Bree J. (2007) Virtuosity/discipline/docility. In Somatechnics Conference 2007, April 19-21, 2007, Macquarie University, Sydney, Australia. (Unpublished)
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45Hadley, Bree J. (2007) With a vengeance : staging identity in contemporary performance. In Extreme states : issues of scale : political, performative, emotional : Australasian Association for Drama, Theatre and Performance Studies Conference, 3-6 July 2007, University of Melbourne/LaTrobe University, Melbourne, Australia. (Unpublished)
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33Hadley, Bree J. (2005) Yumi Umiumare – Choreographic challenges to (mis)conceptions of Asianness in Australia. In Journeys to the Interior: Australasian Association for Drama, Theatre and Performance Studies (ADSA) Annual Conference 2005, 4th-7th July 2005, Charles Sturt University, Wagga Wagga, 4th-7th July 2005. (Unpublished)
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202Hadley, Bree J. (2011) An emotional father and son reunion that sometimes is at a loss for words [Review]. The Australian, April(11).
Hadley, Bree J. (2008) The female of the species by Joanna Murray-Smith [REVIEW]. Australian Stage Online.
Hadley, Bree J. & Caines, Rebecca (2009) Negotiating selves : exploring cultures of disclosure. MC Journal, 12(5).
Hadley, Bree J. & Heim, Caroline L. (2012) Compass points : the locations, landscapes and coordinates of identities in contemporary performance making : proceedings of the Australasian Association for Theatre, Drama & Performance Studies (ADSA) Conference 2012. Queensland University of Technology, Brisbane, Qld.
Hadley, Bree J. & Heim, Caroline L. (2012) Navigating the field of contemporary performance. In Compass Points : The Locations, Landscapes and Coordinates of Identities in Contemporary Performance Making. Queensland University of Technology, Brisbane, Qld.
Hadley, Bree J., Richards, Allison, & Guthrie, Adrian (2008) Ma-cinations : finding a place for collaborative practice. In Turangawaewae/A sense of place : Australasian Association for Drama, Theatre and Performance Studies Conference, June 30-July 3 2008, University of Otago, Dunedin, New Zealand. (Unpublished)
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17Hadley, Bree J., Trace, Genevieve, & Winter, Sarah (2010) Uncertainties that matter: risk, response-ability, ethics and the moment of exchange in Live Art. About Performance, 10, pp. 137-151.
Hadley, Bree J., Trace, Genevieve, & Winter, Sarah (2009) The moment of exchange : risk, vulnerability, responsibility. In Australasian Association for Drama, Theatre and Performance Studies Conference 2009 : Boom or Bust, 30 June - 3 July 2009, Edith Cowan University, Perth, Western Australia. (Unpublished)
Haseman, Brad & Winston, Joe (2010) 'Why be interested?' Aesthetics, applied theatre and drama education. Research in Drama Education: The Journal of Applied Theatre and Performance, 15(4), pp. 465-475.
Haseman, Bradley C. (2009) Performance as research in Australia : legitimating epistemologies. In Riley, Shannon Rose & Hunter, Lynette (Eds.) Mapping Landscapes for Performance as Research : Scholarly Acts and Creative Cartographies. Palgrave Macmillan, United Kingdom, Hampshire, Basingstoke, pp. 51-61.
Haseman, Bradley C. (2006) A manifesto for performative research. Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources, pp. 98-106.
4,778
4,778Haseman, Bradley C., Crethar, Meagan P., Phillips, Jan N., & Stafford, Paul J. (2009) Practising inspired leadership : the use of applied theatre 'prophetical' in the Executive Leadership Development Program for Queensland Health. Australian Health Review, 33(3), pp. 377-381.
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1Haseman, Bradley C. & Rasmussen, Bjorn (2009) Researching the possibilities for knowing in process drama. In Shu, Jack, Chan, Phoebe, McCammon, Laura, Owens, Allan, & Greenwood, Janinka (Eds.) Planting Trees of Drama with Global Vision in Local Knowledge: IDEA 2007 Dialogues, IDEA Publications, Hong Kong Drama/Theatre and Education Forum, Hong Kong, pp. 478-489.
Heim, Caroline L. (2011) ‘Wide Atlantic Ocean’ : acting methods and cultural translation in mainstream theatre. In Transcultural. Transnational. Transformation.Australasian Association for Theatre, Drama and Performance Studies Conference, 28 June – 1 July 2011, Monash University. (Unpublished)
Heim, Caroline L. (2010) The naked audience : audience performance at a recent staging of Gibson’s "the Miracle Worker". In Australasian Association for Drama, Theatre and Performance Studies Conference 2010, 29 June - 2 July 2010, Australian National University. (Unpublished)
Heim, Caroline L. & Heim, Christian (2010) Shadowlands (Directed by Caroline Heim). [Creative Work]
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13Heim, Caroline Louise (2012) ‘Argue with us!’: audience co-creation through post-performance discussions. New Theatre Quarterly, 28(May), pp. 189-197.
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77Heim, Caroline Louise & Heim, Christian (2010) Marginalising the mainstream : a signed performance of The Miracle Worker places deaf issues centre-stage. M/C Journal, 13(3), pp. 1-2.
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119L
Loth, Jo (2009) Singing the blues : developing a cabaret performance on depression. Ejournalist, 9(1), pp. 45-57.
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60M
Makeham, Paul B. (1996) "Across the long, dry stage": Discourses of Landscape in Australian Drama. University of Newcastle, NSW, Australia.
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57Makeham, Paul B. (1999) BOVELL, Andrew John. In Contemporary Dramatists, 6th edn. St. James Press, Detroit, pp. 70-71.
Makeham, Paul B. (1998) Community stories : aftershocks and verbatim theatre. In Kelly, Veronica (Ed.) Our Australian theatre in the 1990s. Rodopi, Amsterdam, pp. 168-181.
768
768Makeham, Paul B. (2001) Fear and Desire 'Under The Big Sky': Brink Visual Theatre and the Post-Colonial Australian Landscape. In Maufort, Marc & Bellarsi, Franca (Eds.) Siting the Other: Re-visions of Marginality in Australian and English-Canadian Drama. P.I.E.-Peter Lang, New York, pp. 141-154.
Makeham, Paul B. (1993) 'Framing the landscape: Prichard's "Pioneers" and Esson's "The Drovers"'. Australasian Drama Studies, pp. 121-134.
Makeham, Paul B. (1999) Hysterical Landscape: Louis Nowra's 'Inside the Island'. In Gilbert, Helen (Ed.) (Post)Colonial Stages: Critical & Creative Views on Drama, Theatre & Performance. Dangaroo Press, Hebden Bridge, pp. 201-211.
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195Makeham, Paul B. (2005) Interview with Paul Makeham, original "Aftershocks" cast member. In Stinson, Madonna & Wall, Debbie (Eds.) Dramactive (Book 2). McGraw-Hill, North Ryde, NSW, pp. 73-76.
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1,035Makeham, Paul B. (2009) "Men at play : masculinities in Australian theater since the 1950s" -- By Jonathan Bollen, Adrian Kiernander and Bruce Parr. Theatre Research International, 35(2), pp. 215-216.
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208Makeham, Paul B. (1999) Narrative Structure and the BLURRED Landscape. In McLean, Judith M. & Gough, Louise (Eds.) Blurred: Creating Performance for Young People. Playlab Press, Brisbane, Qld, pp. 19-22.
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803Makeham, Paul B. (2005) Performing the city. Theatre Research International, 30(2), pp. 150-160.
1,670 2 2
1,670 2 2Makeham, Paul B. (1997) [Review of] Capelin, S. (ed). Challenging the Centre: Two Decades of Political Theatre. Theatre Research International, 22(3), pp. 272-273.
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131Makeham, Paul B. (1996) [Review of] Dennis Carroll, "Australian Contemporary Drama" (rev. ed) Sydney: Currency Press, 1996. Australasian Drama Studies, 29, pp. 240-243.
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521Makeham, Paul B. (1998) [Review of] Janis Balodis, "The Ghosts Trilogy" (Too Young For Ghosts; No Going Back; My Father's Father) Sydney: Currency Press, 1997. Australasian Drama Studies, 32, pp. 159-162.
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301Makeham, Paul B. (2004) [Review of] Michael Huxley and Noel Witts, ed., "The Twentieth-Century Performance Reader", 2nd ed (London: Routledge, 2002). Australasian Drama Studies, pp. 189-192.
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224Makeham, Paul B. (1996) Singing the landscape: "Bran Nue Dae". Australasian Drama Studies, pp. 117-132.
3,234
3,234Makeham, Paul B. (2003) Workers' Playtime: Theatre and the Labour Movement since 1970. By Alan Filewod and David Watt. Sydney: Currency Press, 2001. Theatre Research International, 28(1), pp. 112-113.
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134Makeham, Paul B. (2000) 'The city's surrounded by fire': Michael Gow's "The Kid". Australasian Drama Studies, pp. 73-87.
1,145
1,145Makeham, Paul B., Gattenhof, Sandra J., & Haseman, Bradley C. (2008) TAFE Governance Transitions Prophetical. [Creative Work]
Makeham, Paul B., Hadley, Bree J., & Kwok, Joon-Yee (2012) A ‘Value Ecology’ approach to the performing arts. M/C Journal, 15(3).
34
34Makeham, Paul B. & Nichols, Mina (2001) Digging in the Backyard: "Mirthless" at the Powerhouse. ignite, pp. 56-58.
343
343Martin, Jacqueline E. & Sauter, Willmar (2007) Playing politics at the Adelaide Festival. In Hauptfleisch, Temple, Lev-Aladgem, Shulamith, Martin, Jacqueline, Sauter, Willmar, & Schoenmakers, Henri (Eds.) Festivalising! : theatrical events, politics and culture. Rodopi, Amsterdam ; New York, pp. 97-118.
Martin, Jacqueline E., Seffrin, Georgia K., & Wissler, Rodney C. (2004) The festival is a theatrical event. In Cremona, Vicky, Eversmann, Peter, van Maanen, Hans, Sauter, Willmar, & Tulloch, John (Eds.) Theatrical Events : Borders, Dynamics, Frames. Rodopi, The Netherlands, Amsterdam, pp. 91-110.
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541McElwain, Sean & Lavender, Nigel (2011) Large-scale community projects in regional Queensland : unlocking creative potential and community identity : Artspoken Queensland Regional Arts and Culture Conference 2011. In Artspoken Queensland Regional Arts and Culture Conference 2011, 13th - 14th October 2011, Bundaberg, Qld. (Unpublished)
2
2Megarrity, David (2007) COLLABORATORY : characteristics of collaborative creativity. In Effective Teaching and Learning Conference : Preparing Students for Work in the Real World, 1-2 November 2007, Queensland University of Technology, Brisbane, Queensland. (Unpublished)
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133Megarrity, David (2004) Creating theatre for young audiences : UKULELE MEKULELE and SHOW. In Creating Theatre for Young People, June 16, 2004, Sydney Opera House, Sydney. (Unpublished)
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25Megarrity, David (2011) Development sites in the empty city : from picture book to performance. In 20th Biennial Congress of the International Research Society for Children’s Literature: Fear and Safety in Children’s Literature, 4-8 July 2011, Queensland University of Technology, Brisbane, Qld. (Unpublished)
27
27Megarrity, David, Fenton, David, & Oxlade, Jonathon (2010) The empty city (Stage adaptation). [Creative Work]
407
407Megarrity, David & McGough, Roger (2006) Unlucky for Some : 13 poems by Roger McGough. [Creative Work]
132
132Megarrity, David & de Saint Exupery, Antoine (2002) The Little Prince (studio adaptation). [Creative Work]
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256S
Starrs, D. Bruno (2007) Needles and Opium. In Cody, Gabrielle H. & Sprinchorn, Evert (Eds.) The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, pp. 952-953.
Starrs, D. Bruno (2007) The Seven Streams of the River Ota. In Cody, Gabrielle H. & Sprinchorn, Evert (Eds.) The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, pp. 1214-1215.
Starrs, D. Bruno (2003) Yours faithfully: "Die Leiden des jungen Werthers" for the English-language stage. Revue de Recherche Interdisciplinaire en Textes et Medias.
Street, Susan (2009) Reframing arguments about the value of contemporary dance : putting creativity at the centre of dance practice, policy and education. Brolga : an Australian journal about dance.
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