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Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Drama Theatre and Performance Studies (190404)"

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Number of items at this level: 206.

A

Ashton-Hay, Sally (2005) Drama: Engaging all Learning Styles. In 9th International INGED (Turkish English Education Association) Conference, 20 - 22 October, 2005, Economics and Technical University, Ankara Turkey.
Number of full-text downloads 16,171

B

Baldwin, Andrea (2010) Life Drama Papua New Guinea : contextualising practice. Applied Theatre Researcher, 11, pp. 1-13.

Baldwin, Andrea, Haseman, Brad, Linthwaite, Hayley, Awi, Jane, Hickling-Hudson, Anne R., Parker, Elizabeth A., et al. (2013) Evolution of life drama program. [Performance]

Boyle, Bridget (2013) Bits and bumps : gender, comedy and the body. Ejournalist : a refereed media journal, 13(1), pp. 85-101.

C

Comans, Christine (2007) Small, Medium, Large: Theatre Companies and Issues of Scale - A Case Study of a Medium-Sized Company. NJ Drama Australia Journal, 31(1), pp. 69-78.

Comans, Christine A. (2006) La Boite's history as doctoral study: A research methodology story. NJ Drama Australia Journal, 30(2), pp. 73-82.
Number of full-text downloads 319

Comans, Christine A. (2008) La boite Theatre Company : a distinctive history. Australasian Drama Studies, 52.
Number of full-text downloads 1,441

Comans, Christine A. (2007) Small, Medium, Large: Theatre Companies and Issues of Scale - A Case Study of a Medium-Sized Company. In Australasian Association for Theatre, Drama and Performance Studies Conference: Extreme States 2007: Issues of Scale - Political, Performative, Emotional, 3-6 July 2007, University of Melbourne. (Unpublished)
Number of full-text downloads 530

Comans, Christine A. (2007) The new wave : a Brisbane perspective La Boite Theatre Company’s distinctive contribution. In Enter the New Wave Symposium, 26-28 September 2007, University of Melbourne, Melbourne, VIC. (Unpublished)
Number of full-text downloads 466

Comans, Christine Anne Wilmington (2009) La Boite The Story of an Australian Theatre Company. Playlab Press, Brisbane, Australia.

Comans, Christine Anne Wilmington (2009) The new wave : a Brisbane perspective : La Boite Theatre Company's distinctive contribution. Double Dialogues, 11 Winter.
Number of full-text downloads 177

D

Delbridge, Matthew (2010) Devising a scenographic approach in Jonzi D's Hip Hop theatre. In London Scenography Conference : Scenography Stages the Nation, 19-22 July 2010, Regents College, London. (Unpublished)
Number of full-text downloads 442

Delbridge, Matthew (2009) Digital scenography for "Markus the Sadist" : UK National Tour. [Performance]
Number of full-text downloads 33

Delbridge, Matthew (2009) Directing for the 360 degree frame : developing a directorial approach to performance capture. In TaPRA 2009 Annual Conference, 7-9 September 2009, University of Plymouth. (Unpublished)
Number of full-text downloads 253

Delbridge, Matthew (2009) "The Lost Lounge" - Split Britches (Lois Weaver, Peggy Shaw). [Inter-arts]
Number of full-text downloads 161

Delbridge, Matthew (2008) PIPP #1 - Pedestrian Interaction Patch Project. [Inter-arts]
Number of full-text downloads 3,015

Delbridge, Matthew (2009) PIPP #2 : Pedestrian Interaction Patch Project. [Inter-arts]
Number of full-text downloads 57

Delbridge, Matthew (2009) Performance space to performance place. In Queen Mary University of London Postgraduate Symposium, June 2009, London. (Unpublished)
Number of full-text downloads 14

Delbridge, Matthew (2013) Preparing for performance capture #1. Video Journal of Performance, November.
Number of full-text downloads 13

Delbridge, Matthew (2011) Preparing the actor for performance capture. In Shakespeare Reverie Symposium, 6-8 October 2011, Cobb and Co Museum, Toowoomba, QLD. (Unpublished)
Number of full-text downloads 7

Delbridge, Matthew (2010) The absence of form. In TaPRA Dealing with Digital Symposium 2010, March 20th 2010, Bedford Square, London. (Unpublished)
Number of full-text downloads 19

Delbridge, Matthew (2012) The ecological approach to visual perception and the actor performance captured in the gaming landscape. Animation Practice, Process & Production, 2(1-2), pp. 137-149.
Number of full-text downloads 46

Delbridge, Matthew (2007) ?ot I (What I?) - Re_Designing Beckett. [Inter-arts]
Number of full-text downloads 122

Delbridge, Matthew, Flaus, John, & Strangio, Lawrence (2010) Stretch : episodes of a recreation in progress. In Enter the New Wave Symposium, 26-28 September 2007, University of Melbourne, Victoria. (Unpublished)
Number of full-text downloads 15

Delbridge, Matthew & Tompkins, Joanne (2012) Reproduction, mediation, and experience : virtual reality, motion capture and early modern theatre. Space–Event-Agency–Experience.
Number of full-text downloads 89

Delbridge, Matthew & Tompkins, Joanne (2011) Technology, memory and experience : virtual reality, motion capture and early modern theatre. In Performance Studies International (PSi) Conference 2011, 25-29 May 2011, Utrecht University, Utrecht. (Unpublished)
Number of full-text downloads 15

Delbridge, Matthew & Tompkins, Joanne (2010) A world elsewhere : virtual reality, motion capture and early modern theatre. In Shakespeare's Spaces, 28-29 August 2010, University of Tasmania, Hobart. (Unpublished)
Number of full-text downloads 47

F

Fenton, David R. (2007) Hotel Pro Forma's The Algebra of Place; destabilising the original and the copy in intermedial contemporary performance. International Journal of Performance Arts and Digital Media, 3(2), pp. 169-181.

Fenton, David Raymond The Empty City - Creative Development One. (Unpublished)
Number of full-text downloads 211

G

Gattenhof, Sandra J. (2006) Drivers of change : contemporary Australian theatre for young people. Drama Australia, 5. Drama Australia, Australia, Queensland, Brisbane.

Gattenhof, Sandra J. (2010) Review of Engine. Lowdown.

Gattenhof, Sandra J. (2006) Working (LATT)erally: one experience of Arts Education in South Korea. NJ Drama Australia Journal, 30(1), pp. 69-78.
Number of full-text downloads 411

Gattenhof, Sandra J., Last, Daniel W., & Brown, Hannah F. 2008 Brisbane Festival The Grand Inquisitor Teacher Resource Materials. (Unpublished)
Number of full-text downloads 412

Gattenhof, Sandra J., Saunders, John N., & Hughes, Kelty (2008) 2008 Brisbane Festival The Three Sisters Teacher Resource Materials. (Unpublished)
Number of full-text downloads 377

Gattenhof, Sandra J., Short, Karlee J., & Young, Kate L. (2008) 2008 Brisbane Festival The Kingdom of Desire Teacher Resource Materials. (Unpublished)

Gattenhof, Sandra J., Winn, Kelisha E., & Tester, Nikia M. (2008) 2008 Brisbane Festival bODY_rEMIX/gOLDBERG_vARIATIONS Teacher Resource Materials. (Unpublished)
Number of full-text downloads 293

Gattenhof, Sandra Jane (2012) Destination know-where : a road map of a PhD journey in theatre for young people. In Forrest, David & , (Eds.) The Doctoral Journey in Dance Education and Drama Education: Reflections on Doctoral Studies by Australian and New Zealand Art Educators. Australian Scholarly Publishing Pty Ltd., North Melbourne, Australia, pp. 95-110.

Gattenhof, Sandra Jane (2013) Looking yonder : a model of arts engagement with teacher artists and professional artists in Queensland Schools. The Journal of Drama and Theatre Education in Asia (DaTEAsia), 4(1), pp. 83-106.
Number of full-text downloads 30

H

Hadley, Bree (2010) Comedy hints at the tragedy beneath [REVIEW]. The Australian, Feb(15).

Hadley, Bree (2010) (Dia)logics of difference : disability, performance & spectatorship. In Performance Studies international (PSi) Conference 2010, June 2010, Toronto, Canada. (Unpublished)

Hadley, Bree (2010) Hoodie-wearing Hamlet mixes horror with humour in a play for our times [REVIEW]. Hoodie-wearing Hamlet mixes horror with humour in a play for our times [REVIEW], Feb(12).

Hadley, Bree (2010) Independent Brisbane: Four Plays [BOOK REVIEW]. Australasian Drama Studies, 56, pp. 242-244.

Hadley, Bree (2009) Middle-class histrionics. The Australian.

Hadley, Bree (2010) Nothing if not a performance of substance [REVIEW]. The Australian, March(22).

Hadley, Bree (2009) Reality bites the twentysomethings. The Australian.

Hadley, Bree (2006) Review : Peta Tait, Circus Bodies : cultural identity in aerial performance. Australasian Drama Studies, 48, pp. 252-255.
Number of full-text downloads 182

Hadley, Bree (2009) Self-advancement blinds the greedy. The Australian.

Hadley, Bree (2009) ‘Speed blurs emotional effect’. The Australian.

Hadley, Bree (2010) Stripping Sight Bare : Alison Jones’ ‘Portraits by Proxy’. In Australasian Association for Drama Theatre and Performance Studies (ADSA) Conference 2010, July 2010, Canberra, Australia. (Unpublished)

Hadley, Bree (2009) Unsettling portrait of family strife. The Australian.

Hadley, Bree (2009) Uptight citizens in the grip of an evil spell. The Australian.

Hadley, Bree (2009) Word-perfect Gatsby overcomes its flaws. The Australian.

Hadley, Bree, Rajak, Jelena, Filmer, Andrew, Caines, Rebecca, & Read, Alan (2010) The 'Dirty Work' of the Lie. The 'Dirty Work' of the Lie, 15(2), pp. 123-129.
Number of full-text downloads 64
Number of citations in Scopus 1
Number of citations in Web of Science® 1

Hadley, Bree J. (2008) 080808 UpStage Festival. Australian Stage Online.

Hadley, Bree J. (2013) ADSA Performance as Research Guidelines. Australasian Association for Drama, Theatre & Performance Studies (ADSA).

Hadley, Bree J. (2008) Bard to the bone. The Australian.

Hadley, Bree J. (2010) Blackbird : a short review. The Australian.

Hadley, Bree J. (2008) Body, space, self : locating and dis-locating subjectivities in contemporary performance. In Turangawaewae/A sense of place : Australasian Drama Studies Conference, 30 June – 3 July 2008, University of Otago, Dunedin, New Zealand. (Unpublished)

Hadley, Bree J. (2011) Boy girl wall [Short Review]. The Australian, September(16).

Hadley, Bree J. (2007) But they can't just be handing out flyers : real-life learning on the Brisbane festivals scene. In ATN Evaluation & Assessment Conference, 28-29 November 2007, Queensland University of Technology, Brisbane, Australia. (Unpublished)

Hadley, Bree J. (2009) The Carnival’s edge [LISTING]. The Australian.

Hadley, Bree J. (2009) Celebrating difference/censoring difference? : Marie Chouinard’s bODY rEMIX. In Silent Voices, Hidden Lives: Performance and Censorship, International Federation of Theatre Research / Federation International de la Recherche Theatrale Conference 2009, 14-18 July 2009, University of Lisbon, Lisbon. (Unpublished)

Hadley, Bree J. (2012) Colour and Camp Bring Shakespeare’s As You Like It to Life. The Australian, 27(Feb).

Hadley, Bree J. (2011) Contemporary take on Caesar a triumph of style over substance [Review]. The Australian, Feb(21).

Hadley, Bree J. (2010) Contemporary take on deconstructed Medea : a review. The Australian, 23(Nov).

Hadley, Bree J. (2011) Cracks in the family hothouse [Review]. The Australian, August(22).

Hadley, Bree J. (2011) Creating successful cultural Brokers : the pros and cons of a community of practice approach in arts management education. Asia Pacific Journal of Arts and Cultural Managemen, 8(1), pp. 645-659.

Hadley, Bree J. (2009) Crowning glory at harvest time. The Australian.

Hadley, Bree J. (2010) Dark humour invigorates familiar fables ; a review. The Australian, 18(Nov).

Hadley, Bree J. (2008) Desires and despair given voice in Russian. Desires and despair given voice in Russian.

Hadley, Bree J. (2014) Disability, public space performance & spectatorship : Unconscious performers. Palgrave Macmillan, Houndsmouth, United Kingdom.

Hadley, Bree J. (2009) Dissenters in dock at injustice of war. The Australian.

Hadley, Bree J. (2011) Do you see what I mean? charting changing representations and receptions of the disabled body in contemporary and pop cultural performance. In Hadley, Bree J. (Ed.) Australasian Association for Theatre Drama & Performance Studies Conference 2011, 28 June - 1 July 2011, Monash University, Melbourne, Vic. (Unpublished)

Hadley, Bree J. (2009) Duplicity/complicity : misperforming the social drama of disability. In PSI 15 : Misperformance : Misfitting, Misfiring, Misreading, Performance Studies international Conference #15, June 24-28, 2009, University of Zagreb, Zagreb, Croatia. (Unpublished)

Hadley, Bree J. (2006) During and enduring : forced entertainment's bloody mess and the phenomenon of time in performance. In Maxwell, Ian (Ed.) The Australasian Association for Theatre Drama and Performance Studies Conference, 4-7 July 2006, University of Sydney.

Hadley, Bree J. (2008) Encountering in between bodies : complicity, proximity and the crisis of meaning. In Interregnum : in between states : the 14th performance studies international conference, August 20-24 2008, University of Copenhagen, Copenhagen, Denmark. (Unpublished)

Hadley, Bree J. (2012) Engaging Noemi Lakmeier's living installations : the ethics of embarrassment. In Australasian Association for Theatre, Drama and Performance Studies 2012 : Compass Points - The Locations, Landscapes and Coordinates of Identities, 3-6 July 2012, Queensland University of Technology, Brisbane, QLD. (Unpublished)

Hadley, Bree J. (2009) Epic too large for the stage [REVIEW]. The Australian.

Hadley, Bree J. (2010) Fleshed out comic yarn : a review. The Australian, 12(Apr).

Hadley, Bree J. (2011) Four characters stuck inside a mystery [Review]. The Australian, September(26).

Hadley, Bree J. (2011) Hamlet apocalypse [Short Review]. The Australian, August(30).

Hadley, Bree J. (2011) “I Just Didn’t Think” – Orientation Drama. [Performance]

Hadley, Bree J. (2012) Improvising a future in the performing arts : a new strategy to help performance studies students successfully shift between academic culture, professional culture, industry and career? In Performance - Culture - Industry, Performance Studies internaitonal (PSi) Conference 2012, 27 June - 1 July 2012, University of Leeds, England. (Unpublished)

Hadley, Bree J. (2008) Influences, institutions and outcomes : a survey of masters and doctoral theses on actor training in Australia, 1979-2004. Australasian Drama Studies, 53(October 2008), pp. 8-16.
Number of full-text downloads 374

Hadley, Bree J. (2008) Just Wilde about the lush style. The Australian.

Hadley, Bree J. (2008) Lawlor's watershed lives on. The Australian.

Hadley, Bree J. (2010) Left vs right in black and white : a review. The Australian, 19(Apr).

Hadley, Bree J. (2011) Loss and grief at the heart of text messages [REVIEW]. The AUstralian, June(30).

Hadley, Bree J. (2009) Lost talent collects around memories [REVIEW]. The Australian, p. 15.

Hadley, Bree J. (2011) Old archetype rides into Bell's hell [Review]. The Australian, June(6).

Hadley, Bree J. (2009) Practice as method : the ex/centric fixations project. In Material Interventions : Applying Creative Research, 30 November - 1 December 2009, Deakin University, Melbourne. (Unpublished)

Hadley, Bree J. (2011) Re-constructing Asianness in Australia : Yumi Umiumare, Owen Leong, and the remobilisation of monstrosity. Liminalities: A Journal of Performance Studies, 7(3), pp. 1-13.

Hadley, Bree J. (2008) Reality just arrived - Mark Ravenhill's 'Faust is Dead'. In Fitzsimmons, Lorna (Ed.) International Faust Studies: Adaptation, Reception, Translation. Continuum, London, pp. 258-275.

Hadley, Bree J. (2008) Recognition, misrecognition and the crisis of meaning : the risky mechanics of staging the 'monstrous'. In Re-constructing Asian-ness(es) in the global age : International Federation of Theatre Research/Federation International de la Recherche Theatrale Conference, July 14-19 2008, Chung-Ang University, Seoul, Korea. (Unpublished)

Hadley, Bree J. (2011) Reuben Guthrie [Short Review]. The Australian.

Hadley, Bree J. (2012) Review: "Transfigured Stages : Major Practitioners and Theatre Aesthetics in Australia" by Margaret Hamilton. Theatre Research International, 37(2), pp. 198-199.

Hadley, Bree J. (2013) Ruptured relations : guerrilla theatre, time & Pranksterish disability performance practice. In Now Then : Performance & Temporality, Performance Studies international (PSi) Conference 2013, 25-29 June 2013, Stanford University, CA. (Unpublished)

Hadley, Bree J. (2011) Sacre Bleu [Short review]. The Australian, Feb(14).

Hadley, Bree J. (2012) Self-making as public spectacle : bodies, bodily training and reality TV. Scope : An Online Journal of Film Studies, 24.
Number of full-text downloads 163

Hadley, Bree J. (2009) Slice of Brisbane in family shadows. The Australian.

Hadley, Bree J. (2008) Sparest treatment the best. The Australian.

Hadley, Bree J. (2007) Staging Asian-Australian identities. In The 2nd Asian-Australian Identities : Asian-Australian Studies Research Network Conference, June 27-30 2007, University of Melbourne, Melbourne, Australia. (Unpublished)

Hadley, Bree J. (2010) Textbook portrayal of grieving stereotypes fails to cohere : a review. The Australian, 30(Aug).

Hadley, Bree J. (2011) “That you would post such a thing implies that you are a despicable human being”: spectatorship, social media, & the struggle for meaning in disability performance. In Performance Studies International (PSi) Conference 2011, 25-29 May 2011, Utrecht University, Utrecht. (Unpublished)

Hadley, Bree J. (2009) Theater 38.3 : Censorship and Performance. M/C Reviews.

Hadley, Bree J. (2008) Touched by the hand of Hollywood. The Australian.

Hadley, Bree J. (2007) Virtuosity/discipline/docility. In Somatechnics Conference 2007, April 19-21, 2007, Macquarie University, Sydney, Australia. (Unpublished)

Hadley, Bree J. (2011) Water wars [Short Review]. The Australian.

Hadley, Bree J. (2008) Well-crafted insights engage. The Australian.

Hadley, Bree J. (2008) When grief puts a gulf between two parents. The Australian.

Hadley, Bree J. (2007) With a vengeance : staging identity in contemporary performance. In Extreme states : issues of scale : political, performative, emotional : Australasian Association for Drama, Theatre and Performance Studies Conference, 3-6 July 2007, University of Melbourne/LaTrobe University, Melbourne, Australia. (Unpublished)

Hadley, Bree J. (2010) Wrapped in the legacy of the past : a review. The Australian, 14(May).

Hadley, Bree J. (2005) Yumi Umiumare – Choreographic challenges to (mis)conceptions of Asianness in Australia. In Journeys to the Interior: Australasian Association for Drama, Theatre and Performance Studies (ADSA) Annual Conference 2005, 4th-7th July 2005, Charles Sturt University, Wagga Wagga, 4th-7th July 2005. (Unpublished)

Hadley, Bree J. (2008) The female of the species by Joanna Murray-Smith [REVIEW]. Australian Stage Online.

Hadley, Bree J. (2010) A lesson in tension yet to be taut : a review. The Australian, 16(Sep).

Hadley, Bree J. (2008) The mire of mother and son. The Australian.

Hadley, Bree J. (2011) An oak tree [Short Review]. The Australian.

Hadley, Bree J. (2010) The secret love life of Ophelia : a short review. The Australian.

Hadley, Bree J. (2010) The story of the miracles at cookie’s table : a review. The Australian.

Hadley, Bree J. & Caines, Rebecca (2009) Negotiating selves: exploring cultures of disclosure. MC Journal, 12(5).

Hadley, Bree J. & Fuks, Suzon (2008) Documenting [MAP]. (Unpublished)
Number of full-text downloads 14

Hadley, Bree J. & Heim, Caroline L. (2012) Navigating the field of contemporary performance. In Compass Points : The Locations, Landscapes and Coordinates of Identities in Contemporary Performance Making. Queensland University of Technology, Brisbane, Qld.

Hadley, Bree J., Richards, Allison, & Guthrie, Adrian (2008) Ma-cinations : finding a place for collaborative practice. In Turangawaewae/A sense of place : Australasian Association for Drama, Theatre and Performance Studies Conference, June 30-July 3 2008, University of Otago, Dunedin, New Zealand. (Unpublished)

Hadley, Bree J., Trace, Genevieve, & Winter, Sarah (2010) Uncertainties that matter: risk, response-ability, ethics and the moment of exchange in Live Art. About Performance, 10, pp. 137-151.

Hadley, Bree J., Trace, Genevieve, & Winter, Sarah (2009) The moment of exchange : risk, vulnerability, responsibility. In Australasian Association for Drama, Theatre and Performance Studies Conference 2009 : Boom or Bust, 30 June - 3 July 2009, Edith Cowan University, Perth, Western Australia. (Unpublished)

Haseman, Brad & Winston, Joe (2010) 'Why be interested?' Aesthetics, applied theatre and drama education. Research in Drama Education: The Journal of Applied Theatre and Performance, 15(4), pp. 465-475.

Haseman, Bradley, Baldwin, Andrea, & Linthwaite, Hayley (2012) Folk opera : stories crossing borders in Papua New Guinea. In Finneran, Michael (Ed.) International Drama in Education Research Institute, 10-15 July 2012, Limerick, Ireland. (Unpublished)
Number of full-text downloads 89

Haseman, Bradley, Baldwin, Andrea, & Linthwaite, Hayley (2014) Folk opera : stories crossing borders in Papua New Guinea. Research in Drama Education : the journal of applied theatre and performance, 19(1), pp. 98-109.

Haseman, Bradley C. (2009) Performance as research in Australia : legitimating epistemologies. In Riley, Shannon Rose & Hunter, Lynette (Eds.) Mapping Landscapes for Performance as Research : Scholarly Acts and Creative Cartographies. Palgrave Macmillan, United Kingdom, Hampshire, Basingstoke, pp. 51-61.

Haseman, Bradley C. (2006) A manifesto for performative research. Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources, pp. 98-106.
Number of full-text downloads 7,798

Haseman, Bradley C., Crethar, Meagan P., Phillips, Jan N., & Stafford, Paul J. (2009) Practising inspired leadership : the use of applied theatre 'prophetical' in the Executive Leadership Development Program for Queensland Health. Australian Health Review, 33(3), pp. 377-381.
Number of citations in Scopus 1

Haseman, Bradley C. & Rasmussen, Bjorn (2009) Researching the possibilities for knowing in process drama. In Shu, Jack, Chan, Phoebe, McCammon, Laura, Owens, Allan, & Greenwood, Janinka (Eds.) Planting Trees of Drama with Global Vision in Local Knowledge: IDEA 2007 Dialogues, IDEA Publications, Hong Kong Drama/Theatre and Education Forum, Hong Kong, pp. 478-489.

Heim, Caroline (2013) Found in translation : debating the abstract elements of cultures through actor training styles. Theatre, Dance and Performance Training, 4(3), pp. 353-367.

Heim, Caroline L. (2011) ‘Wide Atlantic Ocean’ : acting methods and cultural translation in mainstream theatre. In Transcultural. Transnational. Transformation.Australasian Association for Theatre, Drama and Performance Studies Conference, 28 June – 1 July 2011, Monash University. (Unpublished)

Heim, Caroline L. (2010) The naked audience : audience performance at a recent staging of Gibson’s "the Miracle Worker". In Australasian Association for Drama, Theatre and Performance Studies Conference 2010, 29 June - 2 July 2010, Australian National University. (Unpublished)

Heim, Caroline L. & Heim, Christian (2011) No Exit. [Live Performance (Play)]

Heim, Caroline L. & Heim, Christian (2010) Shadowlands (Directed by Caroline Heim). [Live Performance (Play)]
Number of full-text downloads 31

Heim, Caroline L. & Heim, Christian (2013) An afternoon with Chopin and George Sand. [Live Performance (Play)]

Heim, Caroline Louise (2012) ‘Argue with us!’: audience co-creation through post-performance discussions. New Theatre Quarterly, 28(May), pp. 189-197.
Number of full-text downloads 236
Number of citations in Scopus 1

Heim, Caroline Louise & Heim, Christian (2010) Marginalising the mainstream : a signed performance of The Miracle Worker places deaf issues centre-stage. M/C Journal, 13(3), pp. 1-2.
Number of full-text downloads 205

L

Loth, Jo (2009) Singing the blues : developing a cabaret performance on depression. Ejournalist, 9(1), pp. 45-57.
Number of full-text downloads 115

M

Makeham, Paul B. (1996) "Across the long, dry stage": Discourses of Landscape in Australian Drama. University of Newcastle, NSW, Australia.
Number of full-text downloads 84

Makeham, Paul B. (1999) BOVELL, Andrew John. In Contemporary Dramatists, 6th edn. St. James Press, Detroit, pp. 70-71.

Makeham, Paul B. (1998) Community stories : aftershocks and verbatim theatre. In Kelly, Veronica (Ed.) Our Australian theatre in the 1990s. Rodopi, Amsterdam, pp. 168-181.
Number of full-text downloads 1,412

Makeham, Paul B. (2001) Fear and Desire 'Under The Big Sky': Brink Visual Theatre and the Post-Colonial Australian Landscape. In Maufort, Marc & Bellarsi, Franca (Eds.) Siting the Other: Re-visions of Marginality in Australian and English-Canadian Drama. P.I.E.-Peter Lang, New York, pp. 141-154.

Makeham, Paul B. (1993) 'Framing the landscape: Prichard's "Pioneers" and Esson's "The Drovers"'. Australasian Drama Studies, 23, pp. 121-134.
Number of full-text downloads 45

Makeham, Paul B. (1999) Hysterical Landscape: Louis Nowra's 'Inside the Island'. In Gilbert, Helen (Ed.) (Post)Colonial Stages: Critical & Creative Views on Drama, Theatre & Performance. Dangaroo Press, Hebden Bridge, pp. 201-211.
Number of full-text downloads 359

Makeham, Paul B. (2005) Interview with Paul Makeham, original "Aftershocks" cast member. In Stinson, Madonna & Wall, Debbie (Eds.) Dramactive (Book 2). McGraw-Hill, North Ryde, NSW, pp. 73-76.
Number of full-text downloads 1,089

Makeham, Paul B. (1999) Narrative Structure and the BLURRED Landscape. In McLean, Judith M. & Gough, Louise (Eds.) Blurred: Creating Performance for Young People. Playlab Press, Brisbane, Qld, pp. 19-22.
Number of full-text downloads 904

Makeham, Paul B. (2005) Performing the city. Theatre Research International, 30(2), pp. 150-160.
Number of full-text downloads 2,360
Number of citations in Scopus 6
Number of citations in Web of Science® 5

Makeham, Paul B. (1997) [Review of] Capelin, S. (ed). Challenging the Centre: Two Decades of Political Theatre. Theatre Research International, 22(3), pp. 272-273.
Number of full-text downloads 147

Makeham, Paul B. (1996) [Review of] Dennis Carroll, "Australian Contemporary Drama" (rev. ed) Sydney: Currency Press, 1996. Australasian Drama Studies, 29, pp. 240-243.
Number of full-text downloads 664

Makeham, Paul B. (1996) Singing the landscape: "Bran Nue Dae". Australasian Drama Studies, pp. 117-132.
Number of full-text downloads 5,156

Makeham, Paul B. (2000) 'The city's surrounded by fire': Michael Gow's "The Kid". Australasian Drama Studies, pp. 73-87.
Number of full-text downloads 1,411

Makeham, Paul B., Gattenhof, Sandra J., & Haseman, Bradley C. (2008) TAFE Governance Transitions Prophetical. [Live Performance (Play)]

Makeham, Paul B., Hadley, Bree J., & Kwok, Joon-Yee (2012) A ‘Value Ecology’ approach to the performing arts. M/C Journal, 15(3).
Number of full-text downloads 79

Makeham, Paul B. & Nichols, Mina (2001) Digging in the Backyard: "Mirthless" at the Powerhouse. ignite, pp. 56-58.
Number of full-text downloads 397

Martin, Jacqueline E. & Sauter, Willmar (2007) Playing politics at the Adelaide Festival. In Hauptfleisch, Temple, Lev-Aladgem, Shulamith, Martin, Jacqueline, Sauter, Willmar, & Schoenmakers, Henri (Eds.) Festivalising! : theatrical events, politics and culture. Rodopi, Amsterdam ; New York, pp. 97-118.

Martin, Jacqueline E., Seffrin, Georgia K., & Wissler, Rodney C. (2004) The festival is a theatrical event. In Cremona, Vicky, Eversmann, Peter, van Maanen, Hans, Sauter, Willmar, & Tulloch, John (Eds.) Theatrical Events : Borders, Dynamics, Frames. Rodopi, The Netherlands, Amsterdam, pp. 91-110.
Number of full-text downloads 685

Mee, Sean & Lavender, Nigel (2011) Large-scale community projects in regional Queensland : unlocking creative potential and community identity : Artspoken Queensland Regional Arts and Culture Conference 2011. In Artspoken Queensland Regional Arts and Culture Conference 2011, 13 - 14 October 2011, Bundaberg, Qld.
Number of full-text downloads 18

Mee, Sean & Watson, Sam (2009) Oodgeroo : Bloodline to Country. [Live Performance (Play)]

Megarrity, David (2010) Boxing Ears: Performance and Out of the Box 2010. Lowdown Magazine.
Number of full-text downloads 58

Megarrity, David (2007) COLLABORATORY : characteristics of collaborative creativity. In Effective Teaching and Learning Conference : Preparing Students for Work in the Real World, 1-2 November 2007, Queensland University of Technology, Brisbane, Queensland. (Unpublished)
Number of full-text downloads 207

Megarrity, David (2004) Creating theatre for young audiences : UKULELE MEKULELE and SHOW. In Creating Theatre for Young People, June 16, 2004, Sydney Opera House, Sydney. (Unpublished)
Number of full-text downloads 44

Megarrity, David (2006) Darkening the lines. Lowdown Magazine, 28, pp. 14-15.
Number of full-text downloads 28

Megarrity, David (2011) Development sites in the empty city : from picture book to performance. In 20th Biennial Congress of the International Research Society for Children’s Literature: Fear and Safety in Children’s Literature, 4-8 July 2011, Queensland University of Technology, Brisbane, Qld. (Unpublished)
Number of full-text downloads 44

Megarrity, David (2010) Duty Free. [Live Performance (Play)]
Number of full-text downloads 402

Megarrity, David (2010) Gate 38. [Textual Work]
Number of full-text downloads 37

Megarrity, David (2004) Immersed. Lowdown Magazine, 26, pp. 8-9.
Number of full-text downloads 45

Megarrity, David (2008) Lines Down. [Textual Work]

Megarrity, David (2003) Show. [Live Performance (Play)]
Number of full-text downloads 849

Megarrity, David (2007) Sonic loom : beginnings. Drama Queensland Says, 30(1), pp. 10-15.
Number of full-text downloads 90

Megarrity, David, Fenton, David, & Oxlade, Jonathon (2010) The empty city (Stage adaptation). [Textual Work]
Number of full-text downloads 1,215

Megarrity, David & McGough, Roger (2006) Unlucky for Some : 13 poems by Roger McGough. [Performance]
Number of full-text downloads 253

Megarrity, David & Monsour, Luke (2007) Fallen Awake. [Performance]

Megarrity, David Robert (2014) Sounds From The Empty City (soundtrack). [Inter-arts]
Number of full-text downloads 7

Megarrity, David Robert, Fenton, David R., Monsour, Luke, Oxlade, Jonathon, & Stibbard, Lucas (2013) The Empty City (production). [Performance]
Number of full-text downloads 13

S

Smallhorn, Tessa M. (2013) The influence of digital technology on the performance space. Studio Research, 2013(1), pp. 60-77.

Stadler, Jane, Mitchell, Peta, & Carleton, Stephen (2013) The Cultural Atlas of Australia. [Website]
Number of full-text downloads 6

Starrs, D. Bruno (2003) Games for married couples. [Textual Work]
Number of full-text downloads 646

Starrs, D. Bruno (2002) Hamlet + Ophelia = ? [Textual Work]
Number of full-text downloads 333

Starrs, D. Bruno (2004) His ... or her ... suicide. [Textual Work]
Number of full-text downloads 189

Starrs, D. Bruno (2007) Needles and Opium. In Cody, Gabrielle H. & Sprinchorn, Evert (Eds.) The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, pp. 952-953.

Starrs, D. Bruno (2007) The Seven Streams of the River Ota. In Cody, Gabrielle H. & Sprinchorn, Evert (Eds.) The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, pp. 1214-1215.

Starrs, D. Bruno (2009) Suicide plays. [Textual Work]
Number of full-text downloads 13

Starrs, D. Bruno (2003) Yours faithfully: "Die Leiden des jungen Werthers" for the English-language stage. Revue de Recherche Interdisciplinaire en Textes et Medias.

This list was generated on Sat Aug 16 09:12:53 2014 EST.