Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Drama Theatre and Performance Studies (190404)"
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- Subjects classification (33141)
- Australian and New Zealand Standard Research Classification (33141)
- STUDIES IN CREATIVE ARTS AND WRITING (190000) (1682)
- PERFORMING ARTS AND CREATIVE WRITING (190400) (673)
- Drama Theatre and Performance Studies (190404) (190)
- PERFORMING ARTS AND CREATIVE WRITING (190400) (673)
- STUDIES IN CREATIVE ARTS AND WRITING (190000) (1682)
- Australian and New Zealand Standard Research Classification (33141)
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Number of items at this level: 190.
Book
Comans, Christine Anne Wilmington (2009) La Boite The Story of an Australian Theatre Company. Playlab Press, Brisbane, Australia.
Gattenhof, Sandra J. (2006) Drivers of change : contemporary Australian theatre for young people. Drama Australia, 5. Drama Australia, Australia, Queensland, Brisbane.
Hadley, Bree J. & Heim, Caroline L. (2012) Compass points : the locations, landscapes and coordinates of identities in contemporary performance making : proceedings of the Australasian Association for Theatre, Drama & Performance Studies (ADSA) Conference 2012. Queensland University of Technology, Brisbane, Qld.
Book Chapter
Gattenhof, Sandra Jane (2012) Destination know-where : a road map of a PhD journey in theatre for young people. In Forrest, David & , (Eds.) The Doctoral Journey in Dance Education and Drama Education: Reflections on Doctoral Studies by Australian and New Zealand Art Educators. Australian Scholarly Publishing Pty Ltd., North Melbourne, Australia, pp. 95-110.
Hadley, Bree J. (2008) Reality just arrived - Mark Ravenhill's 'Faust is Dead'. In Fitzsimmons, Lorna (Ed.) International Faust Studies: Adaptation, Reception, Translation. Continuum, London, pp. 258-275.
Hadley, Bree J. & Heim, Caroline L. (2012) Navigating the field of contemporary performance. In Compass Points : The Locations, Landscapes and Coordinates of Identities in Contemporary Performance Making. Queensland University of Technology, Brisbane, Qld.
Haseman, Bradley C. (2009) Performance as research in Australia : legitimating epistemologies. In Riley, Shannon Rose & Hunter, Lynette (Eds.) Mapping Landscapes for Performance as Research : Scholarly Acts and Creative Cartographies. Palgrave Macmillan, United Kingdom, Hampshire, Basingstoke, pp. 51-61.
Makeham, Paul B. (1999) BOVELL, Andrew John. In Contemporary Dramatists, 6th edn. St. James Press, Detroit, pp. 70-71.
Makeham, Paul B. (1998) Community stories : aftershocks and verbatim theatre. In Kelly, Veronica (Ed.) Our Australian theatre in the 1990s. Rodopi, Amsterdam, pp. 168-181.
789
789Makeham, Paul B. (2001) Fear and Desire 'Under The Big Sky': Brink Visual Theatre and the Post-Colonial Australian Landscape. In Maufort, Marc & Bellarsi, Franca (Eds.) Siting the Other: Re-visions of Marginality in Australian and English-Canadian Drama. P.I.E.-Peter Lang, New York, pp. 141-154.
Makeham, Paul B. (1999) Hysterical Landscape: Louis Nowra's 'Inside the Island'. In Gilbert, Helen (Ed.) (Post)Colonial Stages: Critical & Creative Views on Drama, Theatre & Performance. Dangaroo Press, Hebden Bridge, pp. 201-211.
215
215Makeham, Paul B. (2005) Interview with Paul Makeham, original "Aftershocks" cast member. In Stinson, Madonna & Wall, Debbie (Eds.) Dramactive (Book 2). McGraw-Hill, North Ryde, NSW, pp. 73-76.
1,040
1,040Makeham, Paul B. (1999) Narrative Structure and the BLURRED Landscape. In McLean, Judith M. & Gough, Louise (Eds.) Blurred: Creating Performance for Young People. Playlab Press, Brisbane, Qld, pp. 19-22.
809
809Martin, Jacqueline E. & Sauter, Willmar (2007) Playing politics at the Adelaide Festival. In Hauptfleisch, Temple, Lev-Aladgem, Shulamith, Martin, Jacqueline, Sauter, Willmar, & Schoenmakers, Henri (Eds.) Festivalising! : theatrical events, politics and culture. Rodopi, Amsterdam ; New York, pp. 97-118.
Martin, Jacqueline E., Seffrin, Georgia K., & Wissler, Rodney C. (2004) The festival is a theatrical event. In Cremona, Vicky, Eversmann, Peter, van Maanen, Hans, Sauter, Willmar, & Tulloch, John (Eds.) Theatrical Events : Borders, Dynamics, Frames. Rodopi, The Netherlands, Amsterdam, pp. 91-110.
553
553Journal Article
Comans, Christine (2007) Small, Medium, Large: Theatre Companies and Issues of Scale - A Case Study of a Medium-Sized Company. NJ Drama Australia Journal, 31(1), pp. 69-78.
Comans, Christine A. (2006) La Boite's history as doctoral study: A research methodology story. NJ Drama Australia Journal, 30(2), pp. 73-82.
295
295Comans, Christine A. (2008) La boite Theatre Company : a distinctive history. Australasian Drama Studies, 52.
1,179
1,179Comans, Christine Anne Wilmington (2009) The new wave : a Brisbane perspective : La Boite Theatre Company's distinctive contribution. Double Dialogues, 11 Winter.
129
129Delbridge, Matthew (2013) The ecological approach to visual perception and the actor performance captured in the gaming landscape. Animation Practice, Process & Production, 2(1). (In Press)
8
8Delbridge, Matthew & Tompkins, Joanne (2012) Reproduction, mediation, and experience : virtual reality, motion capture and early modern theatre. Space–Event-Agency–Experience.
50
50Fenton, David R. (2007) Hotel Pro Forma's The Algebra of Place; destabilising the original and the copy in intermedial contemporary performance. International Journal of Performance Arts and Digital Media, 3(2), pp. 169-181.
Gattenhof, Sandra J. (2006) Working (LATT)erally: one experience of Arts Education in South Korea. NJ Drama Australia Journal, 30(1), pp. 69-78.
377
377Gattenhof, Sandra Jane (2012) The Yonder project : literacy and social competency development in primary school students through co-creation of live performance. NJ - Journal of Drama Australia, 36, pp. 50-61.
Hadley, Bree (2012) Using information communication technologies to develop dynamic curriculum frameworks for diverse cohorts: a case study from event management. Journal of Further & Higher Education, 36(2), pp. 263-290.
Hadley, Bree, Rajak, Jelena, Filmer, Andrew, Caines, Rebecca, & Read, Alan (2010) The 'Dirty Work' of the Lie. The 'Dirty Work' of the Lie, 15(2), pp. 123-129.
39 
1
39 1Hadley, Bree J. (2011) Creating successful cultural Brokers : the pros and cons of a community of practice approach in arts management education. Asia Pacific Journal of Arts and Cultural Managemen, 8(1), pp. 645-659.
Hadley, Bree J. (2011) (Dia)logics of difference disability, performance and spectatorship in Liz Crow's Resistance on the Plinth. Performance Research, 16(2), pp. 124-131.
Hadley, Bree J. (2008) Influences, institutions and outcomes : a survey of masters and doctoral theses on actor training in Australia, 1979-2004. Australasian Drama Studies, 53(October 2008), pp. 8-16.
304
304Hadley, Bree J. (2011) Re-constructing Asianness in Australia : Yumi Umiumare, Owen Leong, and the remobilisation of monstrosity. Liminalities: A Journal of Performance Studies, 7(3), pp. 1-13.
Hadley, Bree J. (2012) Self-making as public spectacle : bodies, bodily training and reality TV. Scope : An Online Journal of Film Studies, 24.
64
64Hadley, Bree J. (2007) Unthinkable complexity : dance, datascapes and the desire to connect in Lucy Guerin's Aether. Brolga, 27, pp. 17-25.
Hadley, Bree J. & Caines, Rebecca (2009) Negotiating selves : exploring cultures of disclosure. MC Journal, 12(5).
Hadley, Bree J., Trace, Genevieve, & Winter, Sarah (2010) Uncertainties that matter: risk, response-ability, ethics and the moment of exchange in Live Art. About Performance, 10, pp. 137-151.
Haseman, Brad & Winston, Joe (2010) 'Why be interested?' Aesthetics, applied theatre and drama education. Research in Drama Education: The Journal of Applied Theatre and Performance, 15(4), pp. 465-475.
Haseman, Bradley C. (2006) A manifesto for performative research. Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources, pp. 98-106.
4,942
4,942Haseman, Bradley C., Crethar, Meagan P., Phillips, Jan N., & Stafford, Paul J. (2009) Practising inspired leadership : the use of applied theatre 'prophetical' in the Executive Leadership Development Program for Queensland Health. Australian Health Review, 33(3), pp. 377-381.
1
1Heim, Caroline Louise (2012) ‘Argue with us!’: audience co-creation through post-performance discussions. New Theatre Quarterly, 28(May), pp. 189-197.
86
86Heim, Caroline Louise & Heim, Christian (2010) Marginalising the mainstream : a signed performance of The Miracle Worker places deaf issues centre-stage. M/C Journal, 13(3), pp. 1-2.
123
123Loth, Jo (2009) Singing the blues : developing a cabaret performance on depression. Ejournalist, 9(1), pp. 45-57.
65
65Makeham, Paul B. (1993) 'Framing the landscape: Prichard's "Pioneers" and Esson's "The Drovers"'. Australasian Drama Studies, pp. 121-134.
Makeham, Paul B. (2005) Performing the city. Theatre Research International, 30(2), pp. 150-160.
1,689 2 2
1,689 2 2Makeham, Paul B. (1997) [Review of] Capelin, S. (ed). Challenging the Centre: Two Decades of Political Theatre. Theatre Research International, 22(3), pp. 272-273.
132
132Makeham, Paul B. (1996) [Review of] Dennis Carroll, "Australian Contemporary Drama" (rev. ed) Sydney: Currency Press, 1996. Australasian Drama Studies, 29, pp. 240-243.
537
537Makeham, Paul B. (1998) [Review of] Janis Balodis, "The Ghosts Trilogy" (Too Young For Ghosts; No Going Back; My Father's Father) Sydney: Currency Press, 1997. Australasian Drama Studies, 32, pp. 159-162.
304
304Makeham, Paul B. (2004) [Review of] Michael Huxley and Noel Witts, ed., "The Twentieth-Century Performance Reader", 2nd ed (London: Routledge, 2002). Australasian Drama Studies, pp. 189-192.
226
226Makeham, Paul B. (1996) Singing the landscape: "Bran Nue Dae". Australasian Drama Studies, pp. 117-132.
3,413
3,413Makeham, Paul B. (2003) Workers' Playtime: Theatre and the Labour Movement since 1970. By Alan Filewod and David Watt. Sydney: Currency Press, 2001. Theatre Research International, 28(1), pp. 112-113.
135
135Makeham, Paul B. (2000) 'The city's surrounded by fire': Michael Gow's "The Kid". Australasian Drama Studies, pp. 73-87.
1,154
1,154Makeham, Paul B., Hadley, Bree J., & Kwok, Joon-Yee (2012) A ‘Value Ecology’ approach to the performing arts. M/C Journal, 15(3).
34
34Makeham, Paul B. & Nichols, Mina (2001) Digging in the Backyard: "Mirthless" at the Powerhouse. ignite, pp. 56-58.
344
344Starrs, D. Bruno (2003) Yours faithfully: "Die Leiden des jungen Werthers" for the English-language stage. Revue de Recherche Interdisciplinaire en Textes et Medias.
Street, Susan (2009) Reframing arguments about the value of contemporary dance : putting creativity at the centre of dance practice, policy and education. Brolga : an Australian journal about dance.
420
420Conference Paper
Ashton-Hay, Sally (2005) Drama: Engaging all Learning Styles. In 9th International INGED (Turkish English Education Association) Conference, 20 - 22 October, 2005, Economics and Technical University, Ankara Turkey.
10,168
10,168Comans, Christine A. (2007) The New Wave: A Brisbane Perspective La Boite Theatre Company’s Distinctive Contribution. In Enter the New Wave Symposium, 26-28 September 2007, University of Melbourne. (In Press)
417
417Comans, Christine A. (2007) Small, Medium, Large: Theatre Companies and Issues of Scale - A Case Study of a Medium-Sized Company. In Australasian Association for Theatre, Drama and Performance Studies Conference: Extreme States 2007: Issues of Scale - Political, Performative, Emotional, 3-6 July 2007, University of Melbourne. (Unpublished)
478
478Delbridge, Matthew (2009) Directing for the 360 degree frame : developing a directorial approach to performance capture. In TaPRA 2009 Annual Conference, 7-9 September 2009, University of Plymouth. (Unpublished)
151
151Delbridge, Matthew (2009) Performance space to performance place. In Queen Mary University of London Postgraduate Symposium, June 2009, London. (Unpublished)
14
14Delbridge, Matthew (2010) The absence of form. In TaPRA Dealing with Digital Symposium 2010, March 20th 2010, Bedford Square, London. (Unpublished)
18
18Delbridge, Matthew & Tompkins, Joanne (2011) Technology, memory and experience : virtual reality, motion capture and early modern theatre. In Performance Studies International (PSi) Conference 2011, 25-29 May 2011, Utrecht University, Utrecht. (Unpublished)
13
13Hadley, Bree (2010) (Dia)logics of difference : disability, performance & spectatorship. In Performance Studies international (PSi) Conference 2010, June 2010, Toronto, Canada. (Unpublished)
Hadley, Bree (2010) Paving for diverse pathways : using industry-linked learning to support Performing Arts students in their transition to protean careers. In Paving for diverse pathways, Canberra, Australia.
Hadley, Bree (2010) Stripping Sight Bare : Alison Jones’ ‘Portraits by Proxy’. In Australasian Association for Drama Theatre and Performance Studies (ADSA) Conference 2010, July 2010, Canberra, Australia. (Unpublished)
Hadley, Bree J. (2008) Body, space, self : locating and dis-locating subjectivities in contemporary performance. In Turangawaewae/A sense of place : Australasian Drama Studies Conference, 30 June – 3 July 2008, University of Otago, Dunedin, New Zealand. (Unpublished)
40
40Hadley, Bree J. (2007) But they can't just be handing out flyers : real-life learning on the Brisbane festivals scene. In ATN Evaluation & Assessment Conference, 28-29 November 2007, Queensland University of Technology, Brisbane, Australia. (Unpublished)
36
36Hadley, Bree J. (2009) Celebrating difference/censoring difference? : Marie Chouinard’s bODY rEMIX. In Silent Voices, Hidden Lives: Performance and Censorship, International Federation of Theatre Research / Federation International de la Recherche Theatrale Conference 2009, 14-18 July 2009, University of Lisbon, Lisbon. (Unpublished)
Hadley, Bree J. (2011) Do you see what I mean? charting changing representations and receptions of the disabled body in contemporary and pop cultural performance. In Hadley, Bree J. (Ed.) Australasian Association for Theatre Drama & Performance Studies Conference 2011, 28 June - 1 July 2011, Monash University, Melbourne, Vic. (Unpublished)
10
10Hadley, Bree J. (2009) Duplicity/complicity : misperforming the social drama of disability. In PSI 15 : Misperformance : Misfitting, Misfiring, Misreading, Performance Studies international Conference #15, June 24-28, 2009, University of Zagreb, Zagreb, Croatia. (Unpublished)
Hadley, Bree J. (2006) During and enduring : forced entertainment's bloody mess and the phenomenon of time in performance. In Maxwell, Ian (Ed.) The Australasian Association for Theatre Drama and Performance Studies Conference, 4-7 July 2006, University of Sydney.
Hadley, Bree J. (2008) Encountering in between bodies : complicity, proximity and the crisis of meaning. In Interregnum : in between states : the 14th performance studies international conference, August 20-24 2008, University of Copenhagen, Copenhagen, Denmark. (Unpublished)
40
40Hadley, Bree J. (2012) Engaging Noemi Lakmeier's living installations : the ethics of embarrassment. In Australasian Association for Theatre, Drama and Performance Studies 2012 : Compass Points - The Locations, Landscapes and Coordinates of Identities, 3-6 July 2012, Queensland University of Technology, Brisbane, QLD. (Unpublished)
Hadley, Bree J. (2012) Improvising a future in the performing arts : a new strategy to help performance studies students successfully shift between academic culture, professional culture, industry and career? In Performance - Culture - Industry, Performance Studies internaitonal (PSi) Conference 2012, 27 June - 1 July 2012, University of Leeds, England. (Unpublished)
Hadley, Bree J. (2009) Practice as method : the ex/centric fixations project. In Material Interventions : Applying Creative Research, 30 November - 1 December 2009, Deakin University, Melbourne. (Unpublished)
Hadley, Bree J. (2008) Recognition, misrecognition and the crisis of meaning : the risky mechanics of staging the 'monstrous'. In Re-constructing Asian-ness(es) in the global age : International Federation of Theatre Research/Federation International de la Recherche Theatrale Conference, July 14-19 2008, Chung-Ang University, Seoul, Korea. (Unpublished)
27
27Hadley, Bree J. (2007) Staging Asian-Australian identities. In The 2nd Asian-Australian Identities : Asian-Australian Studies Research Network Conference, June 27-30 2007, University of Melbourne, Melbourne, Australia. (Unpublished)
95
95Hadley, Bree J. (2011) “That you would post such a thing implies that you are a despicable human being”: spectatorship, social media, & the struggle for meaning in disability performance. In Performance Studies International (PSi) Conference 2011, 25-29 May 2011, Utrecht University, Utrecht. (Unpublished)
1
1Hadley, Bree J. (2007) Virtuosity/discipline/docility. In Somatechnics Conference 2007, April 19-21, 2007, Macquarie University, Sydney, Australia. (Unpublished)
45
45Hadley, Bree J. (2007) With a vengeance : staging identity in contemporary performance. In Extreme states : issues of scale : political, performative, emotional : Australasian Association for Drama, Theatre and Performance Studies Conference, 3-6 July 2007, University of Melbourne/LaTrobe University, Melbourne, Australia. (Unpublished)
33
33Hadley, Bree J. (2005) Yumi Umiumare – Choreographic challenges to (mis)conceptions of Asianness in Australia. In Journeys to the Interior: Australasian Association for Drama, Theatre and Performance Studies (ADSA) Annual Conference 2005, 4th-7th July 2005, Charles Sturt University, Wagga Wagga, 4th-7th July 2005. (Unpublished)
203
203Hadley, Bree J., Richards, Allison, & Guthrie, Adrian (2008) Ma-cinations : finding a place for collaborative practice. In Turangawaewae/A sense of place : Australasian Association for Drama, Theatre and Performance Studies Conference, June 30-July 3 2008, University of Otago, Dunedin, New Zealand. (Unpublished)
17
17Hadley, Bree J., Trace, Genevieve, & Winter, Sarah (2009) The moment of exchange : risk, vulnerability, responsibility. In Australasian Association for Drama, Theatre and Performance Studies Conference 2009 : Boom or Bust, 30 June - 3 July 2009, Edith Cowan University, Perth, Western Australia. (Unpublished)
Haseman, Bradley C. & Rasmussen, Bjorn (2009) Researching the possibilities for knowing in process drama. In Shu, Jack, Chan, Phoebe, McCammon, Laura, Owens, Allan, & Greenwood, Janinka (Eds.) Planting Trees of Drama with Global Vision in Local Knowledge: IDEA 2007 Dialogues, IDEA Publications, Hong Kong Drama/Theatre and Education Forum, Hong Kong, pp. 478-489.
Heim, Caroline L. (2011) ‘Wide Atlantic Ocean’ : acting methods and cultural translation in mainstream theatre. In Transcultural. Transnational. Transformation.Australasian Association for Theatre, Drama and Performance Studies Conference, 28 June – 1 July 2011, Monash University. (Unpublished)
Heim, Caroline L. (2010) The naked audience : audience performance at a recent staging of Gibson’s "the Miracle Worker". In Australasian Association for Drama, Theatre and Performance Studies Conference 2010, 29 June - 2 July 2010, Australian National University. (Unpublished)
Megarrity, David (2007) COLLABORATORY : characteristics of collaborative creativity. In Effective Teaching and Learning Conference : Preparing Students for Work in the Real World, 1-2 November 2007, Queensland University of Technology, Brisbane, Queensland. (Unpublished)
133
133Megarrity, David (2004) Creating theatre for young audiences : UKULELE MEKULELE and SHOW. In Creating Theatre for Young People, June 16, 2004, Sydney Opera House, Sydney. (Unpublished)
27
27Conference Item
Delbridge, Matthew (2010) Devising a scenographic approach in Jonzi D's Hip Hop theatre. In London Scenography Conference : Scenography Stages the Nation, 19-22 July 2010, Regents College, London. (Unpublished)
200
200Delbridge, Matthew (2011) Preparing the actor for performance capture. In Shakespeare Reverie Symposium, 6-8 October 2011, Cobb and Co Museum, Toowoomba, QLD. (Unpublished)
6
6Delbridge, Matthew, Flaus, John, & Strangio, Lawrence (2010) Stretch : episodes of a recreation in progress. In Enter the New Wave Symposium, 26-28 September 2007, University of Melbourne, Victoria. (Unpublished)
15
15Delbridge, Matthew & Tompkins, Joanne (2010) A world elsewhere : virtual reality, motion capture and early modern theatre. In Shakespeare's Spaces, 28-29 August 2010, University of Tasmania, Hobart. (Unpublished)
44
44McElwain, Sean & Lavender, Nigel (2011) Large-scale community projects in regional Queensland : unlocking creative potential and community identity : Artspoken Queensland Regional Arts and Culture Conference 2011. In Artspoken Queensland Regional Arts and Culture Conference 2011, 13th - 14th October 2011, Bundaberg, Qld. (Unpublished)
2
2Megarrity, David (2011) Development sites in the empty city : from picture book to performance. In 20th Biennial Congress of the International Research Society for Children’s Literature: Fear and Safety in Children’s Literature, 4-8 July 2011, Queensland University of Technology, Brisbane, Qld. (Unpublished)
28
28Creative Work
Delbridge, Matthew (2009) Digital scenography for "Markus the Sadist" : UK National Tour. [Creative Work]
31
31Delbridge, Matthew (2009) "The Lost Lounge" - Split Britches (Lois Weaver, Peggy Shaw). [Creative Work]
109
109Hadley, Bree J. (2008) Exist documentation: description of creative works in the International Live Art Event "exist in 08". [Creative Work]
38
38Heim, Caroline L. & Heim, Christian (2010) Shadowlands (Directed by Caroline Heim). [Creative Work]
13
13Heim, Caroline L. & Heim, Christian (2013) An afternoon with Chopin and George Sand. [Creative Work]
Makeham, Paul B., Gattenhof, Sandra J., & Haseman, Bradley C. (2008) TAFE Governance Transitions Prophetical. [Creative Work]
Megarrity, David, Fenton, David, & Oxlade, Jonathon (2010) The empty city (Stage adaptation). [Creative Work]
480
480Megarrity, David & McGough, Roger (2006) Unlucky for Some : 13 poems by Roger McGough. [Creative Work]
134
134Megarrity, David & de Saint Exupery, Antoine (2002) The Little Prince (studio adaptation). [Creative Work]
283
283Reference Entry
Starrs, D. Bruno (2007) Needles and Opium. In Cody, Gabrielle H. & Sprinchorn, Evert (Eds.) The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, pp. 952-953.
Starrs, D. Bruno (2007) The Seven Streams of the River Ota. In Cody, Gabrielle H. & Sprinchorn, Evert (Eds.) The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, pp. 1214-1215.
Review
Cantrell, Kate (2009) Entertaining the E Word : Barrie Kosky's On Ecstasy [A Review]. M/C Reviews.
19
19Hadley, Bree (2010) Hoodie-wearing Hamlet mixes horror with humour in a play for our times [REVIEW]. Hoodie-wearing Hamlet mixes horror with humour in a play for our times [REVIEW], Feb(12).
Hadley, Bree (2010) Independent Brisbane: Four Plays [BOOK REVIEW]. Australasian Drama Studies, 56, pp. 242-244.
Hadley, Bree (2006) Review : Peta Tait, Circus Bodies : cultural identity in aerial performance. Australasian Drama Studies, 48, pp. 252-255.
138
138Hadley, Bree J. (2012) Colour and Camp Bring Shakespeare’s As You Like It to Life. The Australian, 27(Feb).
Hadley, Bree J. (2011) Contemporary take on Caesar a triumph of style over substance [Review]. The Australian, Feb(21).
Hadley, Bree J. (2010) Contemporary take on deconstructed Medea : a review. The Australian, 23(Nov).
Hadley, Bree J. (2008) Desires and despair given voice in Russian. Desires and despair given voice in Russian.
Hadley, Bree J. (2010) Eschewing the fat: strong production but Neil LaBute below his best : a review. The Australian, 7(Jun).
Hadley, Bree J. (2011) Four characters stuck inside a mystery [Review]. The Australian, September(26).
Hadley, Bree J. (2011) Loss and grief at the heart of text messages [REVIEW]. The AUstralian, June(30).
Hadley, Bree J. (2011) Review of "Christoph Schlingensief : art without borders" edited by Tara Forrest and Anna Teresa Scheer. Performance Paradigm, 7, pp. 1-5.
Hadley, Bree J. (2012) Review: "Transfigured Stages : Major Practitioners and Theatre Aesthetics in Australia" by Margaret Hamilton. Theatre Research International, 37(2), pp. 198-199.
Hadley, Bree J. (2010) Teenager loner in a chat room tangled up in guile and guilability : a review. The Australian, 26(Jul).
Hadley, Bree J. (2010) Textbook portrayal of grieving stereotypes fails to cohere : a review. The Australian, 30(Aug).
Hadley, Bree J. (2011) An emotional father and son reunion that sometimes is at a loss for words [Review]. The Australian, April(11).
Hadley, Bree J. (2008) The female of the species by Joanna Murray-Smith [REVIEW]. Australian Stage Online.
Makeham, Paul B. (2009) "Men at play : masculinities in Australian theater since the 1950s" -- By Jonathan Bollen, Adrian Kiernander and Bruce Parr. Theatre Research International, 35(2), pp. 215-216.
211
211Thesis
Makeham, Paul B. (1996) "Across the long, dry stage": Discourses of Landscape in Australian Drama. University of Newcastle, NSW, Australia.
57
57Other
Comans, Christine A. (2006) "Without La Boite, the heart sinks to one’s thongs": La Boite Theatre in the 1970s and early 1980s.
118
118Gattenhof, Sandra J., Last, Daniel W., & Brown, Hannah F. 2008 Brisbane Festival The Grand Inquisitor Teacher Resource Materials. (Unpublished)
317
317Gattenhof, Sandra J., Saunders, John N., & Hughes, Kelty (2008) 2008 Brisbane Festival The Three Sisters Teacher Resource Materials. (Unpublished)
318
318Gattenhof, Sandra J., Short, Karlee J., & Young, Kate L. (2008) 2008 Brisbane Festival The Kingdom of Desire Teacher Resource Materials. (Unpublished)
Gattenhof, Sandra J., Winn, Kelisha E., & Tester, Nikia M. (2008) 2008 Brisbane Festival bODY_rEMIX/gOLDBERG_vARIATIONS Teacher Resource Materials. (Unpublished)
228
228