Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Music Composition (190406)"
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- Subjects classification (37508)
- Australian and New Zealand Standard Research Classification (37508)
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Number of items at this level: 36.
Dillon, Steven C. & Brown, Andrew R. (2011) Sound thinking : tips and tools for understanding popular music. Exploding Art Pty Ltd, Brisbane, QLD.
Brown, Andrew R. & Dillon, Steve C. (2012) Meaningful engagement with music composition. In The Act of Musical Composition: Studies in the Creative Process. Ashgate, London. (In Press)
Brown, Andrew R. & Sorensen, Andrew C. (2009) Integrating Creative Practice and Research in the Digital Media Arts. In Smith, Hazel & Dean, Roger (Eds.) Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh University Press, Edinburgh, pp. 153-165.
Brown, Andrew R., Wooller, Rene, & Miranda, Eduardo (2011) Evolutionary morphing for music composition. In Miranda, Eduardo (Ed.) A-Life for Music : Music and Computer Models of Living Systems. A-R Editions, Middleton, Wis, pp. 115-132.
Dillon, Steven C. (2005) Meaningful engagement with music technology. In Mackinlay, Elizabeth, Collins, Dennis, & Owens, Samantha (Eds.) Aesthetics and Experience in Music Performance. Cambridge Scholars Press, United Kingdom, Newcastle, pp. 329-341.
Bartleet, Brydie-Leigh, Bennett, Dawn, Bridgstock, Ruth S., Draper, Paul, Harrison, Scott, & Schippers, Huib (2012) Preparing for portfolio careers in Australian music : setting a research agenda. Australian Journal of Music Education, pp. 32-41.
Brader, Andy (2009) Synchronous learner support for music sequencing software. Journal of Music, Technology and Education, 2(2-3), pp. 159-174.
Carroll, Adrian (2013) Beat-mixing rock music. eJournalist, 13(1), pp. 102-115.
Collins, Nick & Brown, Andrew R. (2009) Generative Music editorial. Contemporary Music Review, 28(1), pp. 1-4.
Howlett, Mike (2012) Song means : Analysing and interpreting recorded popular song by Allan Moore. Journal on the Art of Record Production, online-online.
Wooller, Rene & Brown, Andrew R. (2011) Note sequence morphing algorithms for performance of electronic dance music. Digital Creativity, 22(1), pp. 13-25.
Brown, Andrew (2009) Soundcipher : a music and sound library for processing. In Scavone, Gary, Verfaille, Vincent, & da Silva, Andrey (Eds.) Proceedings of the International Computer Music Conference, International Computer Music Association, Montreal, pp. 431-434.
Brown, Andrew R. & Gifford, Toby M. (2009) Generation in context : an exploratory method for musical enquiry. In Stevens, Catherine, Schubert, Emery, Kruithof, Bridget, Buckley, Kym, & Fazio, Steven (Eds.) The Second International Conference on Music Communication Science, HCSNet, Sydney, pp. 7-10.
Brown, Andrew R. & Gifford, Toby M. (2010) Interrogating statistical models of music perception. In Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11), University of Washington, Seattle, Washington, pp. 715-717.
Brown, Andrew R. & Kerr, Thorin (2009) Adaptive music techniques. In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association, Brisbane, pp. 26-31.
Gifford, Toby & Brown, Andrew R. (2009) Do androids dream of electric chimera? In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 56-63.
Howlett, Mike (2012) The record producer as a nexus. In Zagorski-Thomas, Simon (Ed.) Journal on the Art of Record Production, Art of Record Production, San Francisco State University .
Knowles, Julian D. & Hewitt, Donna (2012) Performance recordivity : studio music in a live context. In Burgess, Richard James & Isakoff, Katia (Eds.) 7th Art of Record Production Conference, 2 - 4 December 2011, San Francisco State University, San Francisco, CA.
Opie, Timothy T. & Brown, Andrew R. (2009) Eco-structure data forms : classification of data analysis using perceived design affordances for musical outcomes. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association (ACMA), Brisbane, pp. 123-129.
Wooller, Rene & Brown, Andrew R. (2009) TraSe algorithm : automatic evolutionary morphing of electronic dance music. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association, Brisbane, pp. 64-71.
Arthurs, Andy & Clark, Darren (2012) "Who Are You" by DeepBlue Orchestra - Production of Recordings. [Digital/Creative Work]
Arthurs, Andy, Loades, Sophie, Grantham, Richard, Jennings, Wayne, Gilfedder-Cooney, Imogen, Kelly, Greta, et al. (2013) DeepBlue India Stories. [Performance]
Davidson, Robert & Dean, Paul (2002) Taken. [Other]
Davidson, Robert A., Connolly, Gerry, Powell, Christa M., Patterson, Michael D., Davidson, Kylie J., & Babbage, John R. (2007) North of the Border. [Live Performance (Music)]
Davidson, Robert A. & Dimond, Jonathan (2007) Airwaves: 100 years of radio. [Other]
Gaffney, Kiley (2011) GOMA Birthday Song. [Digital/Creative Work]
Knowles, Julian D. (2006) Defibrillator. [Other]
Knowles, Julian D. (2008) Guitar Environment #1. [Digital/Creative Work]
Knowles, Julian D. & Hewitt, Donna G. (2006) Amphibian. [Live Performance (Music)]
Megarrity, David & Collery, Brett (2007) Sonic loom (Volume 1). [Other]
Megarrity, David Robert (2014) Sounds From The Empty City (soundtrack). [Inter-arts]
Stock, Cheryl F. (2002) here/there/then/now. [Live Performance (Dance)]
Willsteed, John, Graham, Philip W., & Hunt, Tom (2013) Any old love. [Digital/Creative Work]
Brown, Andrew R. (2009) SoundCipher.
Davidson, Robert A. (2008) Insufficient Knowledge. (Unpublished)
Davidson, Robert A. (2008) Remember. (Unpublished)