Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Music Performance (190407)"

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Group by: Authors/Creators | Item Type
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Number of items at this level: 69.

A

Adeney, Roland & Brown, Andrew R. (2009) Performing with grid music systems. In Sorensen, Andrew C. (Ed.) Improvise : The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 102-110.
Number of full-text downloads 259
Number of citations in Web of Science® 1

Armstrong, Keith M., O'Neill, Lisa, Webster, Guy, & Sade, Gavin J. (2000) transit_lounge 2 (The further adventures of Ling Change). [Digital/Creative Work]

Arthurs, Andy & Clark, Darren (2012) "Who Are You" by DeepBlue Orchestra - Production of Recordings. [Digital/Creative Work]

Arthurs, Andy, Loades, Sophie, Grantham, Richard, Jennings, Wayne, Gilfedder-Cooney, Imogen, Kelly, Greta, et al. (2013) DeepBlue India Stories. [Performance]
Number of full-text downloads 34

B

Barrett, Lloyd & Brown, Andrew R. (2009) Towards a definition of the performing AudioVisualist. In Sorensen, Andrew C. (Ed.) ACMA '09 : Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 46-55.
Number of full-text downloads 954

Bartleet, Brydie-Leigh, Bennett, Dawn, Bridgstock, Ruth S., Draper, Paul, Harrison, Scott, & Schippers, Huib (2012) Preparing for portfolio careers in Australian music : setting a research agenda. Australian Journal of Music Education, pp. 32-41.

Brader, Andy (2011) Producing better outcomes : music and public services. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 3-19.

Brader, Andy (2005) That's how it was, this is how it is. [Film/Video]
Number of full-text downloads 9

Brader, Andy, Farr-Wharton, Ben, Dodge, Greg, & Dick, Tom (2011) Resourcing resilience through recreational music programs. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 145-164.

Brown, Andrew (2009) Soundcipher : a music and sound library for processing. In Scavone, Gary, Verfaille, Vincent, & da Silva, Andrey (Eds.) Proceedings of the International Computer Music Conference, International Computer Music Association, Montreal, pp. 431-434.
Number of full-text downloads 499

Brown, Andrew R. (1995) Defining synthesizer teaching. In Lee, Helen & Barrett, Margaret (Eds.) Honing the Craft : Improving the quality of music education, ASME 10th National Conference, 29 June - 2 July 1995, Hobart.
Number of full-text downloads 76

Brown, Andrew R. (2010) Network jamming : distributed performance using generative music. In Proceedings of the New Instruments for Musical Expression Conference 2010, University of Technology Sydney, University of Technology Sydney, Sydney, pp. 283-286.
Number of full-text downloads 86

Brown, Andrew R., Dillon, Steven C., Kerr, Thorin, & Sorensen, Andrew C. (2009) Evolving interactions : agile design for networked media performance. In Kjeldskov, Jesper, Paay, Jeni, Viller, Stephen, & Schultz, Rebecca (Eds.) OZCHI 2009 Proceedings : Design: Open 24/7, Melbourne, pp. 41-48.
Number of full-text downloads 58
Number of citations in Scopus 1

Brown, Andrew R. & Gifford, Toby (2013) Prediction and proactivity in real-time interactive music systems. In Pasquier, Phillippe, Eigenfeldt, Arne, Bown, Oliver, & McCaig, Graeme (Eds.) Musical Metacreation : Papers from the 2013 AIIDE Workshop, AAAI Press, Northeastern University, Boston, Mass, pp. 35-39.
Number of full-text downloads 49

Brown, Andrew R. & Kerr, Thorin (2009) Adaptive music techniques. In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association, Brisbane, pp. 26-31.
Number of full-text downloads 530

Brown, Andrew R. & Sorensen, Andrew C. (2007) aa-cell in practice : an approach to musical live coding. In Proceedings of the International Computer Music Conference, International Computer Music Association, Copenhagen, pp. 292-299.
Number of full-text downloads 218
Number of citations in Scopus 9

Bruniges, Tim & Knowles, Julian D. Tristate. [Performance]

Burnett, Robert & Wikstrom, Patrik (2006) Music production in times of monopoly : the example of Sweden. Popular Music and Society, 29(5), pp. 575-582.
Number of citations in Scopus 6

C

Chase, Sebastian (2014) Bombs away. [Performance]

Collins, Nick & Brown, Andrew R. (2009) Generative Music editorial. Contemporary Music Review, 28(1), pp. 1-4.
Number of full-text downloads 206
Number of citations in Web of Science® 1

D

Davidson, Robert A., Babbage, John R., Powell, Christa M., Hoey, Bernard, & Davidson, Kylie J. (2008) Spirit dancing. (Unpublished)
Number of full-text downloads 110

Davidson, Robert A., Connolly, Gerry, Powell, Christa M., Patterson, Michael D., Davidson, Kylie J., & Babbage, John R. (2007) North of the Border. [Live Performance (Music)]
Number of full-text downloads 47

Davidson, Robert A., Vella, Richard J., & Bourke, Nike (2008) Ontology. (Unpublished)
Number of full-text downloads 82

Dillon, Steven C. (2005) Meaningful engagement with music technology. In Mackinlay, Elizabeth, Collins, Dennis, & Owens, Samantha (Eds.) Aesthetics and Experience in Music Performance. Cambridge Scholars Press, United Kingdom, Newcastle, pp. 329-341.

Dillon, Steven C. & Brown, Andrew R. (2010) Access to meaningful relationships through virtual instruments and ensembles. In Coffman, Don D (Ed.) Proceedings of the ISME Commission for Community Music Activity: CMA XII Harmonizing the Diversity that is Community Music Activity, ISME, China National Convention Centre and China National Convention Centre, Hangzhou, China.
Number of full-text downloads 105

Dillon, Steven C. & Brown, Andrew R. (2011) Sound thinking : tips and tools for understanding popular music. Exploding Art Pty Ltd, Brisbane, QLD.
Number of full-text downloads 63

Dillon, Steven C. & Brown, Andrew R. (2010) The educational affordances of generative media in arts education. In Chova, L. Gómez, Belenguer, D. Martí , & Torres, I. Candel (Eds.) INTED2010 Proceedings CD, International Association of Technology, Education and Development (IATED), Hotel SH Valencia Palace, Valencia, Spain, 005311-005320.
Number of full-text downloads 123

G

Gaffney, Kiley (2014) Capital-C culture : the perfect American at the Brisbane Festival. The Conversation, September(18).
Number of full-text downloads 17

Gaffney, Kiley (2014) Cold & fire. [Digital/Creative Work]

Gaffney, Kiley (2013) Ephemerality, affect and the "Art Dump". [Live Performance (Music)]

Gaffney, Kiley (2014) On the road. [Digital/Creative Work]

Gaffney, Kiley (2014) Sun went down. [Digital/Creative Work]

Gaffney, Kiley & Hunt, Tom (2013) BlaqCarrie - Raw Shining (engineer/producer). [Digital/Creative Work]

Gifford, Toby & Brown, Andrew R. (2009) Do androids dream of electric chimera? In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 56-63.
Number of full-text downloads 167

Graham, Phil & Millington, Heidi (2013) Feathers. [Other]
Number of full-text downloads 3

Graham, Philip, Knowles, Julian, Brader, Andy, Arthurs, Andy, & Willsteed, John (2010) Q150 Big Jam Live Music Event. [UNSPECIFIED]

Graham, Philip W. (2013) Australian copyright regimes and political economy of music. In Tschmuck, Peter, Pearce, Philip L., & Campbell, Steven (Eds.) Music Business and the Experience Economy : The Australasian Case. Springer Berlin Heidelberg, Berlin, Germany, pp. 11-26.

H

Hewitt, Donna, Huddy, Avril, & Mafe-Keane, Vanessa (2010) Idol. [Performance]

Hewitt, Donna & Knowles, Julian (2012) Performance recordivity: Studio music in a live context. Journal on the Art and Record Production, 2012(6), pp. 1-10.

Hewitt, Donna G. & Knowles, Julian D. (2011) Macrophonics. [Exhibition/Event]

Howlett, Mike (2007) Fixing the volatile : studio vocal performance techniques. In Journal of the Art of Record Production, Queensland University of Technology, Brisbane.
Number of full-text downloads 260

Howlett, Mike (2012) Song means : Analysing and interpreting recorded popular song by Allan Moore. Journal on the Art of Record Production, online-online.
Number of full-text downloads 243

Howlett, Mike (2012) The record producer as a nexus. In Zagorski-Thomas, Simon (Ed.) Journal on the Art of Record Production, Art of Record Production, San Francisco State University .
Number of full-text downloads 391

Howlett, Mike (2009) The record producer as nexus : creative inspiration, technology and the recording industry. PhD thesis, University of Glamorgan.
Number of full-text downloads 407

K

Kelman, Kristina, Loades, Sophie, & Arthurs, Andy (2013) Preparing students for meaningful entrepreneurial careers : two case studies. In 31st World Conference of the International Society for Music Education, 20-25 July 2014, Porto Alegre, Brazil. (Unpublished)
Number of full-text downloads 24

Knowles, Julian & Hewitt, Donna (2011) Gracht. [UNSPECIFIED]

Knowles, Julian D. (2006) Defibrillator. [Other]
Number of full-text downloads 2,885

Knowles, Julian D. & Hewitt, Donna (2012) Performance recordivity : studio music in a live context. In Burgess, Richard James & Isakoff, Katia (Eds.) 7th Art of Record Production Conference, 2 - 4 December 2011, San Francisco State University, San Francisco, CA.
Number of full-text downloads 266

Knowles, Julian D. & Hewitt, Donna G. (2006) Amphibian. [Live Performance (Music)]

Knowles, Julian D. & Hewitt, Donna G. (2012) Macrophonics II. [Exhibition/Event]

M

Mee, Sean, Bridie, David, Greenwell, Andree, Forde, Margery, Forde, Michael, & , Behind the cane. [Live Performance (Play)]
Number of full-text downloads 1

Megarrity, David (2010) Boxing Ears: Performance and Out of the Box 2010. Lowdown Magazine.
Number of full-text downloads 78

Megarrity, David (2005) Cello day. [Textual Work]
Number of full-text downloads 96

Megarrity, David (2014) Gentlemen Songsters. [Performance]

S

Schwartz, Barry, The Arterial Group, , & Armstrong, Keith M. (2001) Elektrosonic Interference:The Arterial Group and Barry Schwartz. [Performance]

Stephensen, Paul C. & Dillon, Steve C. (2013) Designing Web 2.0 ePortfolios for music postgraduate study : A practice-led enquiry. Journal of Music, Technology and Education, 6(2), pp. 163-178.

Stock, Cheryl F. (2006) Accented Body : the body as site and in site. [Live Performance (Dance)]
Number of full-text downloads 908

W

Wikstrom, Patrik (2010) Acquisition Strategies in the Multinational Recording Industry. In Melesko, Stefan, Tjernström, Sune, & Hultén, Olof (Eds.) Media Mergers and the Defence of Pluralism. Nordicom, Sweden, Goteborg.

Wikstrom, Patrik (2013) Commercial successes in the music industry. In Edmondson, Jacqueline (Ed.) Music in American Life : An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped Our Culture. ABC-CLIO, Santa Barbara, Calif., pp. 256-260.

Wikstrom, Patrik (2013) The Music Industry : Music in the Cloud, 2nd edition. Digital Media and Society. Polity Press, Cambridge, United Kingdom.

Wikstrom, Patrik (2006) Reluctantly virtual : modelling copyright industry dynamics. PhD thesis, Karlstad University, Sweden.
Number of full-text downloads 156

Wikstrom, Patrik (2009) The adaptive behavior of music firms : a music industry feedback model. Journal of Media Business Studies, 6(2), pp. 67-96.

Wikstrom, Patrik (2005) The enemy of music : modeling the behavior of a cultural industry in crisis. The International Journal on Media Management, 7(1&2), pp. 65-74.

Wikstrom, Patrik (2013) The future of the music industry in an age of digital distribution. Communication University in China. (Unpublished)

Wikstrom, Patrik (2014) The music industry in an age of digital distribution. In Castells, Manuel, Gelemter, David, Vazquez, Juan, & Morozov, Evgeni (Eds.) Change : 19 Key Essays on How the Internet is Changing Our Lives. Turner Madrid, Madrid, pp. 1-24.

Wikstrom, Patrik (2014) The transformation of Sweden from a haven for online pirates to the hope of the digital music industry [Musikbranschens föregångsland]. In Carlsson, Ulla & Facht, Ulrika (Eds.) MedieSverige 2014 : Statistics and Analysis. Nordicom, Goteborg, Sweden, pp. 85-91.

Wikstrom, Patrik & Burnett, Robert (2009) Same songs, different wrapping : the rise of the compilation album. Popular Music and Society, 32(4), pp. 507-522.

Wooller, Rene & Brown, Andrew R. (2009) TraSe algorithm : automatic evolutionary morphing of electronic dance music. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association, Brisbane, pp. 64-71.
Number of full-text downloads 99

This list was generated on Sat Jun 27 13:22:39 2015 AEST.