Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Music Performance (190407)"

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Group by: Authors/Creators | Item Type
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Number of items at this level: 69.

A

Adeney, Roland & Brown, Andrew R. (2009) Performing with grid music systems. In Sorensen, Andrew C. (Ed.) Improvise : The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 102-110.
Number of full-text downloads 281
Number of citations in Web of Science® 1

Armstrong, Keith M., O'Neill, Lisa, Webster, Guy, & Sade, Gavin J. (2000) transit_lounge 2 (The further adventures of Ling Change). [Digital/Creative Work]

Arthurs, Andy & Clark, Darren (2012) "Who Are You" by DeepBlue Orchestra - Production of Recordings. [Digital/Creative Work]

Arthurs, Andy, Loades, Sophie, Grantham, Richard, Jennings, Wayne, Gilfedder-Cooney, Imogen, Kelly, Greta, et al. (2013) DeepBlue India Stories. [Performance]
Number of full-text downloads 57

B

Barrett, Lloyd & Brown, Andrew R. (2009) Towards a definition of the performing AudioVisualist. In Sorensen, Andrew C. (Ed.) ACMA '09 : Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 46-55.
Number of full-text downloads 1,039

Bartleet, Brydie-Leigh, Bennett, Dawn, Bridgstock, Ruth S., Draper, Paul, Harrison, Scott, & Schippers, Huib (2012) Preparing for portfolio careers in Australian music : setting a research agenda. Australian Journal of Music Education, pp. 32-41.

Brader, Andy (2011) Producing better outcomes : music and public services. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 3-19.

Brader, Andy (2005) That's how it was, this is how it is. [Film/Video]
Number of full-text downloads 13

Brader, Andy, Farr-Wharton, Ben, Dodge, Greg, & Dick, Tom (2011) Resourcing resilience through recreational music programs. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 145-164.

Brown, Andrew (2009) Soundcipher : a music and sound library for processing. In Scavone, Gary, Verfaille, Vincent, & da Silva, Andrey (Eds.) Proceedings of the International Computer Music Conference, International Computer Music Association, Montreal, pp. 431-434.
Number of full-text downloads 1,471

Brown, Andrew R. (1995) Defining synthesizer teaching. In Lee, Helen & Barrett, Margaret (Eds.) Honing the Craft : Improving the quality of music education, ASME 10th National Conference, 29 June - 2 July 1995, Hobart.
Number of full-text downloads 85

Brown, Andrew R. (2010) Network jamming : distributed performance using generative music. In Proceedings of the New Instruments for Musical Expression Conference 2010, University of Technology Sydney, University of Technology Sydney, Sydney, pp. 283-286.
Number of full-text downloads 95

Brown, Andrew R., Dillon, Steven C., Kerr, Thorin, & Sorensen, Andrew C. (2009) Evolving interactions : agile design for networked media performance. In Kjeldskov, Jesper, Paay, Jeni, Viller, Stephen, & Schultz, Rebecca (Eds.) OZCHI 2009 Proceedings : Design: Open 24/7, Melbourne, pp. 41-48.
Number of full-text downloads 65
Number of citations in Scopus 1

Brown, Andrew R. & Gifford, Toby (2013) Prediction and proactivity in real-time interactive music systems. In Pasquier, Phillippe, Eigenfeldt, Arne, Bown, Oliver, & McCaig, Graeme (Eds.) Musical Metacreation : Papers from the 2013 AIIDE Workshop, AAAI Press, Northeastern University, Boston, Mass, pp. 35-39.
Number of full-text downloads 75

Brown, Andrew R. & Kerr, Thorin (2009) Adaptive music techniques. In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association, Brisbane, pp. 26-31.
Number of full-text downloads 621

Brown, Andrew R. & Sorensen, Andrew C. (2007) aa-cell in practice : an approach to musical live coding. In Proceedings of the International Computer Music Conference, International Computer Music Association, Copenhagen, pp. 292-299.
Number of full-text downloads 281
Number of citations in Scopus 10

Bruniges, Tim & Knowles, Julian D. Tristate. [Performance]

Burnett, Robert & Wikstrom, Patrik (2006) Music production in times of monopoly : the example of Sweden. Popular Music and Society, 29(5), pp. 575-582.
Number of citations in Scopus 6

C

Chase, Sebastian (2014) Bombs away. [Performance]

Collins, Nick & Brown, Andrew R. (2009) Generative Music editorial. Contemporary Music Review, 28(1), pp. 1-4.
Number of full-text downloads 240
Number of citations in Web of Science® 1

D

Davidson, Robert A., Babbage, John R., Powell, Christa M., Hoey, Bernard, & Davidson, Kylie J. (2008) Spirit dancing. (Unpublished)
Number of full-text downloads 149

Davidson, Robert A., Connolly, Gerry, Powell, Christa M., Patterson, Michael D., Davidson, Kylie J., & Babbage, John R. (2007) North of the Border. [Live Performance (Music)]
Number of full-text downloads 54

Davidson, Robert A., Vella, Richard J., & Bourke, Nike (2008) Ontology. (Unpublished)
Number of full-text downloads 100

Dillon, Steven C. (2005) Meaningful engagement with music technology. In Mackinlay, Elizabeth, Collins, Dennis, & Owens, Samantha (Eds.) Aesthetics and Experience in Music Performance. Cambridge Scholars Press, United Kingdom, Newcastle, pp. 329-341.

Dillon, Steven C. & Brown, Andrew R. (2010) Access to meaningful relationships through virtual instruments and ensembles. In Coffman, Don D (Ed.) Proceedings of the ISME Commission for Community Music Activity: CMA XII Harmonizing the Diversity that is Community Music Activity, ISME, China National Convention Centre and China National Convention Centre, Hangzhou, China.
Number of full-text downloads 119

Dillon, Steven C. & Brown, Andrew R. (2011) Sound thinking : tips and tools for understanding popular music. Exploding Art Pty Ltd, Brisbane, QLD.
Number of full-text downloads 75

Dillon, Steven C. & Brown, Andrew R. (2010) The educational affordances of generative media in arts education. In Chova, L. Gómez, Belenguer, D. Martí , & Torres, I. Candel (Eds.) INTED2010 Proceedings CD, International Association of Technology, Education and Development (IATED), Hotel SH Valencia Palace, Valencia, Spain, 005311-005320.
Number of full-text downloads 154

G

Gaffney, Kiley (2014) Capital-C culture : the perfect American at the Brisbane Festival. The Conversation, September(18).
Number of full-text downloads 38

Gaffney, Kiley (2014) Cold & fire. [Digital/Creative Work]

Gaffney, Kiley (2013) Ephemerality, affect and the "Art Dump". [Live Performance (Music)]

Gaffney, Kiley (2014) On the road. [Digital/Creative Work]

Gaffney, Kiley (2014) Sun went down. [Digital/Creative Work]

Gaffney, Kiley & Hunt, Tom (2013) BlaqCarrie - Raw Shining (engineer/producer). [Digital/Creative Work]

Gifford, Toby & Brown, Andrew R. (2009) Do androids dream of electric chimera? In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 56-63.
Number of full-text downloads 205

Graham, Phil & Millington, Heidi (2013) Feathers. [Other]
Number of full-text downloads 3

Graham, Philip, Knowles, Julian, Brader, Andy, Arthurs, Andy, & Willsteed, John (2010) Q150 Big Jam Live Music Event. [UNSPECIFIED]

Graham, Philip W. (2013) Australian copyright regimes and political economy of music. In Tschmuck, Peter, Pearce, Philip L., & Campbell, Steven (Eds.) Music Business and the Experience Economy : The Australasian Case. Springer Berlin Heidelberg, Berlin, Germany, pp. 11-26.

Graham, Philip W., Dezuanni, Michael L., Arthurs, Andy, & Hearn, Gregory N. (2015) A Deweyan experience economy for higher education : The case of the Australian Indie 100 Music Event. Cultural Politics, 11(1), pp. 111-124.
Number of full-text downloads 12

H

Hewitt, Donna, Huddy, Avril, & Mafe-Keane, Vanessa (2010) Idol. [Performance]

Hewitt, Donna & Knowles, Julian (2012) Performance recordivity: Studio music in a live context. Journal on the Art and Record Production, 2012(6), pp. 1-10.

Hewitt, Donna G. & Knowles, Julian D. (2011) Macrophonics. [Exhibition/Event]

Howlett, Mike (2007) Fixing the volatile : studio vocal performance techniques. In Journal of the Art of Record Production, Queensland University of Technology, Brisbane.
Number of full-text downloads 321

Howlett, Mike (2012) Song means : Analysing and interpreting recorded popular song by Allan Moore. Journal on the Art of Record Production, online-online.
Number of full-text downloads 342

Howlett, Mike (2012) The record producer as a nexus. In Zagorski-Thomas, Simon (Ed.) Journal on the Art of Record Production, Art of Record Production, San Francisco State University .
Number of full-text downloads 521

Howlett, Mike (2009) The record producer as nexus : creative inspiration, technology and the recording industry. PhD thesis, University of Glamorgan.
Number of full-text downloads 491

K

Knowles, Julian & Hewitt, Donna (2011) Gracht. [UNSPECIFIED]

Knowles, Julian D. (2006) Defibrillator. [Other]
Number of full-text downloads 2,917

Knowles, Julian D. & Hewitt, Donna (2012) Performance recordivity : studio music in a live context. In Burgess, Richard James & Isakoff, Katia (Eds.) 7th Art of Record Production Conference, 2 - 4 December 2011, San Francisco State University, San Francisco, CA.
Number of full-text downloads 303

Knowles, Julian D. & Hewitt, Donna G. (2006) Amphibian. [Live Performance (Music)]

Knowles, Julian D. & Hewitt, Donna G. (2012) Macrophonics II. [Exhibition/Event]

M

Mee, Sean, Bridie, David, Greenwell, Andree, Forde, Margery, & Forde, Michael Behind the cane. [Live Performance (Play)]
Number of full-text downloads 7

Megarrity, David (2010) Boxing Ears: Performance and Out of the Box 2010. Lowdown Magazine.
Number of full-text downloads 105

Megarrity, David (2005) Cello day. [Textual Work]
Number of full-text downloads 109

Megarrity, David (2014) Gentlemen Songsters. [Performance]

S

Schwartz, Barry, The Arterial Group, & Armstrong, Keith M. (2001) Elektrosonic Interference:The Arterial Group and Barry Schwartz. [Performance]

Stephensen, Paul C. & Dillon, Steve C. (2013) Designing Web 2.0 ePortfolios for music postgraduate study : A practice-led enquiry. Journal of Music, Technology and Education, 6(2), pp. 163-178.

Stock, Cheryl F. (2006) Accented Body : the body as site and in site. [Live Performance (Dance)]
Number of full-text downloads 1,088

W

Wikstrom, Patrik (2010) Acquisition Strategies in the Multinational Recording Industry. In Melesko, Stefan, Tjernström, Sune, & Hultén, Olof (Eds.) Media Mergers and the Defence of Pluralism. Nordicom, Sweden, Goteborg.

Wikstrom, Patrik (2013) Commercial successes in the music industry. In Edmondson, Jacqueline (Ed.) Music in American Life : An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped Our Culture. ABC-CLIO, Santa Barbara, Calif., pp. 256-260.

Wikstrom, Patrik (2013) The Music Industry : Music in the Cloud, 2nd edition. Digital Media and Society. Polity Press, Cambridge, United Kingdom.

Wikstrom, Patrik (2006) Reluctantly virtual : modelling copyright industry dynamics. PhD thesis, Karlstad University, Sweden.
Number of full-text downloads 217

Wikstrom, Patrik (2009) The adaptive behavior of music firms : a music industry feedback model. Journal of Media Business Studies, 6(2), pp. 67-96.

Wikstrom, Patrik (2005) The enemy of music : modeling the behavior of a cultural industry in crisis. The International Journal on Media Management, 7(1&2), pp. 65-74.

Wikstrom, Patrik (2013) The future of the music industry in an age of digital distribution. Communication University in China. (Unpublished)
Number of full-text downloads 14

Wikstrom, Patrik (2014) The music industry in an age of digital distribution. In Castells, Manuel, Gelemter, David, Vazquez, Juan, & Morozov, Evgeni (Eds.) Change : 19 Key Essays on How the Internet is Changing Our Lives. Turner Madrid, Madrid, pp. 1-24.

Wikstrom, Patrik (2014) The transformation of Sweden from a haven for online pirates to the hope of the digital music industry [Musikbranschens föregångsland]. In Carlsson, Ulla & Facht, Ulrika (Eds.) MedieSverige 2014 : Statistics and Analysis. Nordicom, Goteborg, Sweden, pp. 85-91.

Wikstrom, Patrik & Burnett, Robert (2009) Same songs, different wrapping : the rise of the compilation album. Popular Music and Society, 32(4), pp. 507-522.
Number of full-text downloads 12

Wooller, Rene & Brown, Andrew R. (2009) TraSe algorithm : automatic evolutionary morphing of electronic dance music. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association, Brisbane, pp. 64-71.
Number of full-text downloads 108

This list was generated on Sat Sep 24 19:26:29 2016 AEST.