Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Music Performance (190407)"
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- Subjects classification (35067)
- Australian and New Zealand Standard Research Classification (35067)
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Number of items at this level: 37.
Dillon, Steven C. & Brown, Andrew R. (2011) Sound thinking : tips and tools for understanding popular music. Exploding Art Pty Ltd, Brisbane, QLD.
Brader, Andy (2011) Producing better outcomes : music and public services. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 3-19.
Brader, Andy, Farr-Wharton, Ben, Dodge, Greg, & Dick, Tom (2011) Resourcing resilience through recreational music programs. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 145-164.
Dillon, Steven C. (2005) Meaningful engagement with music technology. In Mackinlay, Elizabeth, Collins, Dennis, & Owens, Samantha (Eds.) Aesthetics and Experience in Music Performance. Cambridge Scholars Press, United Kingdom, Newcastle, pp. 329-341.
Bartleet, Brydie-Leigh, Bennett, Dawn, Bridgstock, Ruth S., Draper, Paul, Harrison, Scott, & Schippers, Huib (2012) Preparing for portfolio careers in Australian music : setting a research agenda. Australian Journal of Music Education, pp. 32-41.
Collins, Nick & Brown, Andrew R. (2009) Generative Music editorial. Contemporary Music Review, 28(1), pp. 1-4.
Howlett, Mike (2012) Song means : Analysing and interpreting recorded popular song by Allan Moore. Journal on the Art of Record Production, online-online.
Megarrity, David (2010) Boxing Ears: Performance and Out of the Box 2010. Lowdown Magazine.
Adeney, Roland & Brown, Andrew R. (2009) Performing with grid music systems. In Sorensen, Andrew C. (Ed.) Improvise : The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 102-110.
Barrett, Lloyd & Brown, Andrew R. (2009) Towards a definition of the performing AudioVisualist. In Sorensen, Andrew C. (Ed.) ACMA '09 : Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 46-55.
Brown, Andrew (2009) Soundcipher : a music and sound library for processing. In Scavone, Gary, Verfaille, Vincent, & da Silva, Andrey (Eds.) Proceedings of the International Computer Music Conference, International Computer Music Association, Montreal, pp. 431-434.
Brown, Andrew R. (1995) Defining synthesizer teaching. In Lee, Helen & Barrett, Margaret (Eds.) Honing the Craft : Improving the quality of music education, ASME 10th National Conference, 29 June - 2 July 1995, Hobart.
Brown, Andrew R. (2010) Network jamming : distributed performance using generative music. In Proceedings of the New Instruments for Musical Expression Conference 2010, University of Technology Sydney, University of Technology Sydney, Sydney, pp. 283-286.
Brown, Andrew R., Dillon, Steven C., Kerr, Thorin, & Sorensen, Andrew C. (2009) Evolving interactions : agile design for networked media performance. In Kjeldskov, Jesper, Paay, Jeni, Viller, Stephen, & Schultz, Rebecca (Eds.) OZCHI 2009 Proceedings : Design: Open 24/7, Melbourne, pp. 41-48.
Brown, Andrew R. & Gifford, Toby (2013) Prediction and proactivity in real-time interactive music systems. In Pasquier, Phillippe, Eigenfeldt, Arne, Bown, Oliver, & McCaig, Graeme (Eds.) Musical Metacreation : Papers from the 2013 AIIDE Workshop, AAAI Press, Northeastern University, Boston, Mass, pp. 35-39.
Brown, Andrew R. & Kerr, Thorin (2009) Adaptive music techniques. In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association, Brisbane, pp. 26-31.
Brown, Andrew R. & Sorensen, Andrew C. (2007) aa-cell in practice : an approach to musical live coding. In Proceedings of the International Computer Music Conference, International Computer Music Association, Copenhagen, pp. 292-299.
Dillon, Steven C. & Brown, Andrew R. (2010) Access to meaningful relationships through virtual instruments and ensembles. In Coffman, Don D (Ed.) Proceedings of the ISME Commission for Community Music Activity: CMA XII Harmonizing the Diversity that is Community Music Activity, ISME, China National Convention Centre and China National Convention Centre, Hangzhou, China.
Dillon, Steven C. & Brown, Andrew R. (2010) The educational affordances of generative media in arts education. In Chova, L. Gómez, Belenguer, D. Martí, & Torres, I. Candel (Eds.) INTED2010 Proceedings CD, International Association of Technology, Education and Development (IATED), Hotel SH Valencia Palace, Valencia, Spain, 005311-005320.
Gifford, Toby & Brown, Andrew R. (2009) Do androids dream of electric chimera? In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 56-63.
Howlett, Mike (2007) Fixing the volatile : studio vocal performance techniques. In Journal of the Art of Record Production, Queensland University of Technology, Brisbane.
Howlett, Mike (2012) The record producer as a nexus. In Zagorski-Thomas, Simon (Ed.) Journal on the Art of Record Production, Art of Record Production, San Francisco State University .
Kelman, Kristina, Loades, Sophie, & Arthurs, Andy (2013) Preparing students for meaningful entrepreneurial careers : two case studies. In 31st World Conference of the International Society for Music Education, 20-25 July 2014, Porto Alegre, Brazil. (Unpublished)
Knowles, Julian D. & Hewitt, Donna (2012) Performance recordivity : studio music in a live context. In Burgess, Richard James & Isakoff, Katia (Eds.) 7th Art of Record Production Conference, 2 - 4 December 2011, San Francisco State University, San Francisco, CA.
Wooller, Rene & Brown, Andrew R. (2009) TraSe algorithm : automatic evolutionary morphing of electronic dance music. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association, Brisbane, pp. 64-71.
Armstrong, Keith M., O'Neill, Lisa, Webster, Guy, & Sade, Gavin J. (2000) transit_lounge 2 (The further adventures of Ling Change). [Digital/Creative Work]
Brader, Andy (2005) That's how it was, this is how it is. [Film/Video]
Davidson, Robert A., Connolly, Gerry, Powell, Christa M., Patterson, Michael D., Davidson, Kylie J., & Babbage, John R. (2007) North of the Border. [Live Performance (Music)]
Knowles, Julian D. (2006) Defibrillator. [Other]
Knowles, Julian D. & Hewitt, Donna G. (2006) Amphibian. [Live Performance (Music)]
Megarrity, David (2005) Cello day. [Textual Work]
Schwartz, Barry, The Arterial Group,, & Armstrong, Keith M. (2001) Elektrosonic Interference:The Arterial Group and Barry Schwartz. [Performance]
Stock, Cheryl F. (2006) Accented Body : the body as site and in site. [Live Performance (Dance)]
Howlett, Mike (2009) The record producer as nexus : creative inspiration, technology and the recording industry. PhD thesis, University of Glamorgan.
Davidson, Robert A., Babbage, John R., Powell, Christa M., Hoey, Bernard, & Davidson, Kylie J. (2008) Spirit dancing. (Unpublished)
Davidson, Robert A., Vella, Richard J., & Bourke, Nike (2008) Ontology. (Unpublished)
Willsteed, John (2010) Leaving home for the party on the roof : Brisbane music and musicians. (Unpublished)