Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Music Performance (190407)"
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- Subjects classification (40559)
- Australian and New Zealand Standard Research Classification (40559)
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Number of items at this level: 66.
Dillon, Steven C. & Brown, Andrew R. (2011) Sound thinking : tips and tools for understanding popular music. Exploding Art Pty Ltd, Brisbane, QLD.
Wikstrom, Patrik (2013) The Music Industry : Music in the Cloud, 2nd edition. Digital Media and Society. Polity Press, Cambridge, United Kingdom.
Brader, Andy (2011) Producing better outcomes : music and public services. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 3-19.
Brader, Andy, Farr-Wharton, Ben, Dodge, Greg, & Dick, Tom (2011) Resourcing resilience through recreational music programs. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 145-164.
Dillon, Steven C. (2005) Meaningful engagement with music technology. In Mackinlay, Elizabeth, Collins, Dennis, & Owens, Samantha (Eds.) Aesthetics and Experience in Music Performance. Cambridge Scholars Press, United Kingdom, Newcastle, pp. 329-341.
Graham, Philip W. (2013) Australian copyright regimes and political economy of music. In Tschmuck, Peter, Pearce, Philip L., & Campbell, Steven (Eds.) Music Business and the Experience Economy : The Australasian Case. Springer Berlin Heidelberg, Berlin, Germany, pp. 11-26.
Wikstrom, Patrik (2010) Acquisition Strategies in the Multinational Recording Industry. In Melesko, Stefan, Tjernström, Sune, & Hultén, Olof (Eds.) Media Mergers and the Defence of Pluralism. Nordicom, Sweden, Goteborg.
Wikstrom, Patrik (2014) The music industry in an age of digital distribution. In Castells, Manuel, Gelemter, David, Vazquez, Juan, & Morozov, Evgeni (Eds.) Change : 19 Key Essays on How the Internet is Changing Our Lives. Turner Madrid, Madrid, pp. 1-24.
Wikstrom, Patrik (2014) The transformation of Sweden from a haven for online pirates to the hope of the digital music industry [Musikbranschens föregångsland]. In Carlsson, Ulla & Facht, Ulrika (Eds.) MedieSverige 2014. Nordicom Sverige, Goteborg, Sweden.
Bartleet, Brydie-Leigh, Bennett, Dawn, Bridgstock, Ruth S., Draper, Paul, Harrison, Scott, & Schippers, Huib (2012) Preparing for portfolio careers in Australian music : setting a research agenda. Australian Journal of Music Education, pp. 32-41.
Burnett, Robert & Wikstrom, Patrik (2006) Music production in times of monopoly : the example of Sweden. Popular Music and Society, 29(5), pp. 575-582.
Collins, Nick & Brown, Andrew R. (2009) Generative Music editorial. Contemporary Music Review, 28(1), pp. 1-4.
Hewitt, Donna & Knowles, Julian (2012) Performance recordivity: Studio music in a live context. Journal on the Art and Record Production, 2012(6), pp. 1-10.
Howlett, Mike (2012) Song means : Analysing and interpreting recorded popular song by Allan Moore. Journal on the Art of Record Production, online-online.
Megarrity, David (2010) Boxing Ears: Performance and Out of the Box 2010. Lowdown Magazine.
Stephensen, Paul C. & Dillon, Steve C. (2013) Designing Web 2.0 ePortfolios for music postgraduate study : A practice-led enquiry. Journal of Music, Technology and Education, 6(2), pp. 163-178.
Wikstrom, Patrik (2009) The adaptive behavior of music firms : a music industry feedback model. Journal of Media Business Studies, 6(2), pp. 67-96.
Wikstrom, Patrik (2005) The enemy of music : modeling the behavior of a cultural industry in crisis. The International Journal on Media Management, 7(1&2), pp. 65-74.
Wikstrom, Patrik & Burnett, Robert (2009) Same songs, different wrapping : the rise of the compilation album. Popular Music and Society, 32(4), pp. 507-522.
Adeney, Roland & Brown, Andrew R. (2009) Performing with grid music systems. In Sorensen, Andrew C. (Ed.) Improvise : The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 102-110.
Barrett, Lloyd & Brown, Andrew R. (2009) Towards a definition of the performing AudioVisualist. In Sorensen, Andrew C. (Ed.) ACMA '09 : Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 46-55.
Brown, Andrew (2009) Soundcipher : a music and sound library for processing. In Scavone, Gary, Verfaille, Vincent, & da Silva, Andrey (Eds.) Proceedings of the International Computer Music Conference, International Computer Music Association, Montreal, pp. 431-434.
Brown, Andrew R. (1995) Defining synthesizer teaching. In Lee, Helen & Barrett, Margaret (Eds.) Honing the Craft : Improving the quality of music education, ASME 10th National Conference, 29 June - 2 July 1995, Hobart.
Brown, Andrew R. (2010) Network jamming : distributed performance using generative music. In Proceedings of the New Instruments for Musical Expression Conference 2010, University of Technology Sydney, University of Technology Sydney, Sydney, pp. 283-286.
Brown, Andrew R., Dillon, Steven C., Kerr, Thorin, & Sorensen, Andrew C. (2009) Evolving interactions : agile design for networked media performance. In Kjeldskov, Jesper, Paay, Jeni, Viller, Stephen, & Schultz, Rebecca (Eds.) OZCHI 2009 Proceedings : Design: Open 24/7, Melbourne, pp. 41-48.
Brown, Andrew R. & Gifford, Toby (2013) Prediction and proactivity in real-time interactive music systems. In Pasquier, Phillippe, Eigenfeldt, Arne, Bown, Oliver, & McCaig, Graeme (Eds.) Musical Metacreation : Papers from the 2013 AIIDE Workshop, AAAI Press, Northeastern University, Boston, Mass, pp. 35-39.
Brown, Andrew R. & Kerr, Thorin (2009) Adaptive music techniques. In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association, Brisbane, pp. 26-31.
Brown, Andrew R. & Sorensen, Andrew C. (2007) aa-cell in practice : an approach to musical live coding. In Proceedings of the International Computer Music Conference, International Computer Music Association, Copenhagen, pp. 292-299.
Dillon, Steven C. & Brown, Andrew R. (2010) Access to meaningful relationships through virtual instruments and ensembles. In Coffman, Don D (Ed.) Proceedings of the ISME Commission for Community Music Activity: CMA XII Harmonizing the Diversity that is Community Music Activity, ISME, China National Convention Centre and China National Convention Centre, Hangzhou, China.
Dillon, Steven C. & Brown, Andrew R. (2010) The educational affordances of generative media in arts education. In Chova, L. Gómez, Belenguer, D. Martí, & Torres, I. Candel (Eds.) INTED2010 Proceedings CD, International Association of Technology, Education and Development (IATED), Hotel SH Valencia Palace, Valencia, Spain, 005311-005320.
Gifford, Toby & Brown, Andrew R. (2009) Do androids dream of electric chimera? In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 56-63.
Howlett, Mike (2007) Fixing the volatile : studio vocal performance techniques. In Journal of the Art of Record Production, Queensland University of Technology, Brisbane.
Howlett, Mike (2012) The record producer as a nexus. In Zagorski-Thomas, Simon (Ed.) Journal on the Art of Record Production, Art of Record Production, San Francisco State University .
Kelman, Kristina, Loades, Sophie, & Arthurs, Andy (2013) Preparing students for meaningful entrepreneurial careers : two case studies. In 31st World Conference of the International Society for Music Education, 20-25 July 2014, Porto Alegre, Brazil. (Unpublished)
Knowles, Julian D. & Hewitt, Donna (2012) Performance recordivity : studio music in a live context. In Burgess, Richard James & Isakoff, Katia (Eds.) 7th Art of Record Production Conference, 2 - 4 December 2011, San Francisco State University, San Francisco, CA.
Wooller, Rene & Brown, Andrew R. (2009) TraSe algorithm : automatic evolutionary morphing of electronic dance music. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association, Brisbane, pp. 64-71.
Armstrong, Keith M., O'Neill, Lisa, Webster, Guy, & Sade, Gavin J. (2000) transit_lounge 2 (The further adventures of Ling Change). [Digital/Creative Work]
Arthurs, Andy & Clark, Darren (2012) "Who Are You" by DeepBlue Orchestra - Production of Recordings. [Digital/Creative Work]
Arthurs, Andy, Loades, Sophie, Grantham, Richard, Jennings, Wayne, Gilfedder-Cooney, Imogen, Kelly, Greta, et al. (2013) DeepBlue India Stories. [Performance]
Brader, Andy (2005) That's how it was, this is how it is. [Film/Video]
Bruniges, Tim & Knowles, Julian D. Tristate. [Performance]
Chase, Sebastian (2014) Bombs away. [Performance]
Davidson, Robert A., Connolly, Gerry, Powell, Christa M., Patterson, Michael D., Davidson, Kylie J., & Babbage, John R. (2007) North of the Border. [Live Performance (Music)]
Gaffney, Kiley (2014) Cold & fire. [Digital/Creative Work]
Gaffney, Kiley (2013) Ephemerality, affect and the "Art Dump". [Live Performance (Music)]
Gaffney, Kiley (2014) On the road. [Digital/Creative Work]
Gaffney, Kiley (2014) Sun went down. [Digital/Creative Work]
Gaffney, Kiley & Hunt, Tom (2013) BlaqCarrie - Raw Shining (engineer/producer). [Digital/Creative Work]
Graham, Phil & Millington, Heidi (2013) Feathers. [Other]
Hewitt, Donna, Huddy, Avril, & Mafe-Keane, Vanessa (2010) Idol. [Performance]
Hewitt, Donna G. & Knowles, Julian D. (2011) Macrophonics. [Exhibition/Event]
Knowles, Julian D. (2006) Defibrillator. [Other]
Knowles, Julian D. & Hewitt, Donna G. (2006) Amphibian. [Live Performance (Music)]
Knowles, Julian D. & Hewitt, Donna G. (2012) Macrophonics II. [Exhibition/Event]
Mee, Sean, Bridie, David, Greenwell, Andree, Forde, Margery, Forde, Michael, & , Behind the cane. [Live Performance (Play)]
Megarrity, David (2005) Cello day. [Textual Work]
Schwartz, Barry, The Arterial Group,, & Armstrong, Keith M. (2001) Elektrosonic Interference:The Arterial Group and Barry Schwartz. [Performance]
Stock, Cheryl F. (2006) Accented Body : the body as site and in site. [Live Performance (Dance)]
Wikstrom, Patrik (2013) Commercial successes in the music industry. In Edmondson, Jacqueline (Ed.) Music in American Life : An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped Our Culture. ABC-CLIO, Santa Barbara, Calif., pp. 256-260.
Gaffney, Kiley (2014) Capital-C culture : the perfect American at the Brisbane Festival. The Conversation, September(18).
Howlett, Mike (2009) The record producer as nexus : creative inspiration, technology and the recording industry. PhD thesis, University of Glamorgan.
Wikstrom, Patrik (2006) Reluctantly virtual : modelling copyright industry dynamics. PhD thesis, Karlstad University, Sweden.
Davidson, Robert A., Babbage, John R., Powell, Christa M., Hoey, Bernard, & Davidson, Kylie J. (2008) Spirit dancing. (Unpublished)
Davidson, Robert A., Vella, Richard J., & Bourke, Nike (2008) Ontology. (Unpublished)
Wikstrom, Patrik (2013) The future of the music industry in an age of digital distribution. Communication University in China. (Unpublished)
Willsteed, John (2010) Leaving home for the party on the roof : Brisbane music and musicians. (Unpublished)