Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Music Performance (190407)"

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Number of items at this level: 70.


Dillon, Steven C. & Brown, Andrew R. (2011) Sound thinking : tips and tools for understanding popular music. Exploding Art Pty Ltd, Brisbane, QLD.
Number of full-text downloads 70

Wikstrom, Patrik (2013) The Music Industry : Music in the Cloud, 2nd edition. Digital Media and Society. Polity Press, Cambridge, United Kingdom.

Book Chapter

Brader, Andy (2011) Producing better outcomes : music and public services. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 3-19.

Brader, Andy, Farr-Wharton, Ben, Dodge, Greg, & Dick, Tom (2011) Resourcing resilience through recreational music programs. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 145-164.

Dillon, Steven C. (2005) Meaningful engagement with music technology. In Mackinlay, Elizabeth, Collins, Dennis, & Owens, Samantha (Eds.) Aesthetics and Experience in Music Performance. Cambridge Scholars Press, United Kingdom, Newcastle, pp. 329-341.

Graham, Philip W. (2013) Australian copyright regimes and political economy of music. In Tschmuck, Peter, Pearce, Philip L., & Campbell, Steven (Eds.) Music Business and the Experience Economy : The Australasian Case. Springer Berlin Heidelberg, Berlin, Germany, pp. 11-26.

Wikstrom, Patrik (2010) Acquisition Strategies in the Multinational Recording Industry. In Melesko, Stefan, Tjernström, Sune, & Hultén, Olof (Eds.) Media Mergers and the Defence of Pluralism. Nordicom, Sweden, Goteborg.

Wikstrom, Patrik (2014) The music industry in an age of digital distribution. In Castells, Manuel, Gelemter, David, Vazquez, Juan, & Morozov, Evgeni (Eds.) Change : 19 Key Essays on How the Internet is Changing Our Lives. Turner Madrid, Madrid, pp. 1-24.

Wikstrom, Patrik (2014) The transformation of Sweden from a haven for online pirates to the hope of the digital music industry [Musikbranschens föregångsland]. In Carlsson, Ulla & Facht, Ulrika (Eds.) MedieSverige 2014 : Statistics and Analysis. Nordicom, Goteborg, Sweden, pp. 85-91.

Journal Article

Bartleet, Brydie-Leigh, Bennett, Dawn, Bridgstock, Ruth S., Draper, Paul, Harrison, Scott, & Schippers, Huib (2012) Preparing for portfolio careers in Australian music : setting a research agenda. Australian Journal of Music Education, pp. 32-41.

Burnett, Robert & Wikstrom, Patrik (2006) Music production in times of monopoly : the example of Sweden. Popular Music and Society, 29(5), pp. 575-582.
Number of citations in Scopus 6

Collins, Nick & Brown, Andrew R. (2009) Generative Music editorial. Contemporary Music Review, 28(1), pp. 1-4.
Number of full-text downloads 221
Number of citations in Web of Science® 1

Graham, Philip W., Dezuanni, Michael L., Arthurs, Andy, & Hearn, Gregory N. (2015) A Deweyan experience economy for higher education: The case of the Australian Indie 100 Music Event. Cultural Politics, 11(1), pp. 111-124.

Hewitt, Donna & Knowles, Julian (2012) Performance recordivity: Studio music in a live context. Journal on the Art and Record Production, 2012(6), pp. 1-10.

Howlett, Mike (2012) Song means : Analysing and interpreting recorded popular song by Allan Moore. Journal on the Art of Record Production, online-online.
Number of full-text downloads 288

Megarrity, David (2010) Boxing Ears: Performance and Out of the Box 2010. Lowdown Magazine.
Number of full-text downloads 96

Stephensen, Paul C. & Dillon, Steve C. (2013) Designing Web 2.0 ePortfolios for music postgraduate study : A practice-led enquiry. Journal of Music, Technology and Education, 6(2), pp. 163-178.

Wikstrom, Patrik (2009) The adaptive behavior of music firms : a music industry feedback model. Journal of Media Business Studies, 6(2), pp. 67-96.

Wikstrom, Patrik (2005) The enemy of music : modeling the behavior of a cultural industry in crisis. The International Journal on Media Management, 7(1&2), pp. 65-74.

Wikstrom, Patrik & Burnett, Robert (2009) Same songs, different wrapping : the rise of the compilation album. Popular Music and Society, 32(4), pp. 507-522.

Conference Paper

Adeney, Roland & Brown, Andrew R. (2009) Performing with grid music systems. In Sorensen, Andrew C. (Ed.) Improvise : The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 102-110.
Number of full-text downloads 276
Number of citations in Web of Science® 1

Barrett, Lloyd & Brown, Andrew R. (2009) Towards a definition of the performing AudioVisualist. In Sorensen, Andrew C. (Ed.) ACMA '09 : Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 46-55.
Number of full-text downloads 1,014

Brown, Andrew (2009) Soundcipher : a music and sound library for processing. In Scavone, Gary, Verfaille, Vincent, & da Silva, Andrey (Eds.) Proceedings of the International Computer Music Conference, International Computer Music Association, Montreal, pp. 431-434.
Number of full-text downloads 545

Brown, Andrew R. (1995) Defining synthesizer teaching. In Lee, Helen & Barrett, Margaret (Eds.) Honing the Craft : Improving the quality of music education, ASME 10th National Conference, 29 June - 2 July 1995, Hobart.
Number of full-text downloads 80

Brown, Andrew R. (2010) Network jamming : distributed performance using generative music. In Proceedings of the New Instruments for Musical Expression Conference 2010, University of Technology Sydney, University of Technology Sydney, Sydney, pp. 283-286.
Number of full-text downloads 94

Brown, Andrew R., Dillon, Steven C., Kerr, Thorin, & Sorensen, Andrew C. (2009) Evolving interactions : agile design for networked media performance. In Kjeldskov, Jesper, Paay, Jeni, Viller, Stephen, & Schultz, Rebecca (Eds.) OZCHI 2009 Proceedings : Design: Open 24/7, Melbourne, pp. 41-48.
Number of full-text downloads 60
Number of citations in Scopus 1

Brown, Andrew R. & Gifford, Toby (2013) Prediction and proactivity in real-time interactive music systems. In Pasquier, Phillippe, Eigenfeldt, Arne, Bown, Oliver, & McCaig, Graeme (Eds.) Musical Metacreation : Papers from the 2013 AIIDE Workshop, AAAI Press, Northeastern University, Boston, Mass, pp. 35-39.
Number of full-text downloads 57

Brown, Andrew R. & Kerr, Thorin (2009) Adaptive music techniques. In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association, Brisbane, pp. 26-31.
Number of full-text downloads 590

Brown, Andrew R. & Sorensen, Andrew C. (2007) aa-cell in practice : an approach to musical live coding. In Proceedings of the International Computer Music Conference, International Computer Music Association, Copenhagen, pp. 292-299.
Number of full-text downloads 243
Number of citations in Scopus 10

Dillon, Steven C. & Brown, Andrew R. (2010) Access to meaningful relationships through virtual instruments and ensembles. In Coffman, Don D (Ed.) Proceedings of the ISME Commission for Community Music Activity: CMA XII Harmonizing the Diversity that is Community Music Activity, ISME, China National Convention Centre and China National Convention Centre, Hangzhou, China.
Number of full-text downloads 112

Dillon, Steven C. & Brown, Andrew R. (2010) The educational affordances of generative media in arts education. In Chova, L. Gómez, Belenguer, D. Martí , & Torres, I. Candel (Eds.) INTED2010 Proceedings CD, International Association of Technology, Education and Development (IATED), Hotel SH Valencia Palace, Valencia, Spain, 005311-005320.
Number of full-text downloads 144

Gifford, Toby & Brown, Andrew R. (2009) Do androids dream of electric chimera? In Sorensen, Andrew C. (Ed.) Improvise: The Australasian Computer Music Conference 2009, Australasian Computer Music Association (ACMA), Brisbane, pp. 56-63.
Number of full-text downloads 196

Howlett, Mike (2007) Fixing the volatile : studio vocal performance techniques. In Journal of the Art of Record Production, Queensland University of Technology, Brisbane.
Number of full-text downloads 296

Howlett, Mike (2012) The record producer as a nexus. In Zagorski-Thomas, Simon (Ed.) Journal on the Art of Record Production, Art of Record Production, San Francisco State University .
Number of full-text downloads 441

Kelman, Kristina, Loades, Sophie, & Arthurs, Andy (2013) Preparing students for meaningful entrepreneurial careers : two case studies. In 31st World Conference of the International Society for Music Education, 20-25 July 2014, Porto Alegre, Brazil. (Unpublished)
Number of full-text downloads 41

Knowles, Julian D. & Hewitt, Donna (2012) Performance recordivity : studio music in a live context. In Burgess, Richard James & Isakoff, Katia (Eds.) 7th Art of Record Production Conference, 2 - 4 December 2011, San Francisco State University, San Francisco, CA.
Number of full-text downloads 279

Wooller, Rene & Brown, Andrew R. (2009) TraSe algorithm : automatic evolutionary morphing of electronic dance music. In Sorensen, Andrew C. (Ed.) Improvisation: Australasian Computer Music Conference, Australasian Computer Music Association, Brisbane, pp. 64-71.
Number of full-text downloads 102

Creative Work

Armstrong, Keith M., O'Neill, Lisa, Webster, Guy, & Sade, Gavin J. (2000) transit_lounge 2 (The further adventures of Ling Change). [Digital/Creative Work]

Arthurs, Andy & Clark, Darren (2012) "Who Are You" by DeepBlue Orchestra - Production of Recordings. [Digital/Creative Work]

Arthurs, Andy, Loades, Sophie, Grantham, Richard, Jennings, Wayne, Gilfedder-Cooney, Imogen, Kelly, Greta, et al. (2013) DeepBlue India Stories. [Performance]
Number of full-text downloads 47

Brader, Andy (2005) That's how it was, this is how it is. [Film/Video]
Number of full-text downloads 9

Bruniges, Tim & Knowles, Julian D. Tristate. [Performance]

Chase, Sebastian (2014) Bombs away. [Performance]

Davidson, Robert A., Connolly, Gerry, Powell, Christa M., Patterson, Michael D., Davidson, Kylie J., & Babbage, John R. (2007) North of the Border. [Live Performance (Music)]
Number of full-text downloads 52

Gaffney, Kiley (2014) Cold & fire. [Digital/Creative Work]

Gaffney, Kiley (2013) Ephemerality, affect and the "Art Dump". [Live Performance (Music)]

Gaffney, Kiley (2014) On the road. [Digital/Creative Work]

Gaffney, Kiley (2014) Sun went down. [Digital/Creative Work]

Gaffney, Kiley & Hunt, Tom (2013) BlaqCarrie - Raw Shining (engineer/producer). [Digital/Creative Work]

Graham, Phil & Millington, Heidi (2013) Feathers. [Other]
Number of full-text downloads 3

Graham, Philip, Knowles, Julian, Brader, Andy, Arthurs, Andy, & Willsteed, John (2010) Q150 Big Jam Live Music Event. [UNSPECIFIED]

Hewitt, Donna, Huddy, Avril, & Mafe-Keane, Vanessa (2010) Idol. [Performance]

Hewitt, Donna G. & Knowles, Julian D. (2011) Macrophonics. [Exhibition/Event]

Knowles, Julian & Hewitt, Donna (2011) Gracht. [UNSPECIFIED]

Knowles, Julian D. (2006) Defibrillator. [Other]
Number of full-text downloads 2,914

Knowles, Julian D. & Hewitt, Donna G. (2006) Amphibian. [Live Performance (Music)]

Knowles, Julian D. & Hewitt, Donna G. (2012) Macrophonics II. [Exhibition/Event]

Mee, Sean, Bridie, David, Greenwell, Andree, Forde, Margery, Forde, Michael, & , Behind the cane. [Live Performance (Play)]
Number of full-text downloads 2

Megarrity, David (2005) Cello day. [Textual Work]
Number of full-text downloads 106

Megarrity, David (2014) Gentlemen Songsters. [Performance]

Schwartz, Barry, The Arterial Group, , & Armstrong, Keith M. (2001) Elektrosonic Interference:The Arterial Group and Barry Schwartz. [Performance]

Stock, Cheryl F. (2006) Accented Body : the body as site and in site. [Live Performance (Dance)]
Number of full-text downloads 1,015

Reference Entry

Wikstrom, Patrik (2013) Commercial successes in the music industry. In Edmondson, Jacqueline (Ed.) Music in American Life : An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped Our Culture. ABC-CLIO, Santa Barbara, Calif., pp. 256-260.


Gaffney, Kiley (2014) Capital-C culture : the perfect American at the Brisbane Festival. The Conversation, September(18).
Number of full-text downloads 21


Howlett, Mike (2009) The record producer as nexus : creative inspiration, technology and the recording industry. PhD thesis, University of Glamorgan.
Number of full-text downloads 440

Wikstrom, Patrik (2006) Reluctantly virtual : modelling copyright industry dynamics. PhD thesis, Karlstad University, Sweden.
Number of full-text downloads 183


Davidson, Robert A., Babbage, John R., Powell, Christa M., Hoey, Bernard, & Davidson, Kylie J. (2008) Spirit dancing. (Unpublished)
Number of full-text downloads 133

Davidson, Robert A., Vella, Richard J., & Bourke, Nike (2008) Ontology. (Unpublished)
Number of full-text downloads 93

Wikstrom, Patrik (2013) The future of the music industry in an age of digital distribution. Communication University in China. (Unpublished)

This list was generated on Sat Nov 28 13:28:50 2015 AEST.