Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Musicology and Ethnomusicology (190409)"

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Subjects classification (26013)
- Australian and New Zealand Standard Research Classification (26013)
  - STUDIES IN CREATIVE ARTS AND WRITING (190000) (1287)
    - PERFORMING ARTS AND CREATIVE WRITING (190400) (540)
      - Musicology and Ethnomusicology (190409) (140)

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Number of items at this level: 140.

A

Armstrong, Keith M. (2002) Abandon sight ye who enter here. Realtime, 49(Oct-Nov 2002).

Armstrong, Keith M. (2002) (R)everse (E)ngineering (V)irtual Fabrications. Realtime, 49(June-July 2002).

Armstrong, Keith M. (2003) Towards an Ecosophical Praxis of New Media Space design. QUT.

140

Arthurs, Andrew C. (2001) Creative industries' impact on music. In 2001 NACTMUS Conference, Creating Musical Futures: Challenges to Music Education in the 21st Century, June 30- July 2, 2001, Byron Bay.

245

Arthurs, Andrew C. (2006) Same Difference: Transdisciplinary Concepts and Skills in Artistic Practice to Minimise Communication Breakdown in Art Practice when Misusing a Common Language. Contemporary Music Review, 25(4), pp. 367-378.

Arthurs, Andrew C. & Vella, Richard J. (2000) Musical Environments: A Manual for Listening, Improvising and Composing. Special Topics and Appendix 2. In Musical Environments. Currency Press Ltd, Sydney.

Arthurs, Andy & Radbourne, Jennifer J. (2007) The orchestra re-imagined. In Grant, Catherine (Ed.) National Council for Tertiary Music Schools (NACTMUS) National Conference 2007, Music in Australian Tertiary Institutions, Issues for the 2st Century, 9 June - 1 July, Queensland Conservatorium Griffith University, Brisbane, Australia.

250

Arthurs, Andy C. & Vella, Richard J. (2003) Sounds in Space, Sounds in Time. In Vella, Richard J. (Ed.) Sounds in Space. Sounds in Time. Boosey & Hawkes Music Publishers, London, UK, pp 21 ; 26 ; 33 ; 40-41 ; 53.

B

Bentley, Danielle S. (2005) Australian contemporary music in Queensland. (Unpublished)

Brader, Andy (2011) Songs of Resilience. Meaningful Music Making For Life, 3. Cambridge Scholars Publishing, UK.

Brennan, Marc A. (2002) Yet Another Reason to Hate Oasis: Circulation and Branding in the UK Music Press. In Crowdy, Denis, Homan, Shane, & Mitchell, Tony (Eds.) Musical In-Between-Ness: The Proceedings of the 8th IASPM Australia - New Zealand Conference, 27-29 September, Sydney, Australia.

1,423

Brown, Andrew (2004) Playing with Dynamic Sound. In Edmonds, Ernest & Gibson, Ross (Eds.) Interaction: System, Practice, Theory, 16-19 November 2004, Sydney, Australia.

Brown, Andrew & Jenkins, Greg (2004) The Interactive Dynamic Stochastic Synthesizer. In Norris, Michael (Ed.) Australasian Computer Music Conference, 1-3 July 2004, Wellington, New Zealand.

181

Brown, Andrew & Wooller, Rene (2005) Investigating Morphing Algorithms for Generative Music. In Innocent, T (Ed.) Procedings of Third Iteration, 30 November - 2 December 2005, Australia, Victoria, Melbourne.

Brown, Andrew R. (1996) The Art of Engaging: Implications for computer music systems. In Brown, Andrew R. (Ed.) Australian Computer Music Conference, July 12-14 1996, Brisbane, Australia.

104

Brown, Andrew R. (2003) Australasian digital instrument building. In Australasian Computer Music Association Conference 2003: Converging Technologies., 5th - 7th July, 2003, Edith Cowan University Mount Lawley, Western Australia.

603

Brown, Andrew R. (1997) Changing Technologies, Changing Minds: Taking account of music technologies in the curriculum1. In Gifford, E, Brown, A.R., & Thomas, A (Eds.) Australian Society for Music Education XI National Conference.

128

Brown, Andrew R. (2007) Code Jamming. M/C: a journal of media and culture, 9(6).

220

Brown, Andrew R. (1998) Composer Views: Context in the use of computers for musical composition. In Actes des Journees d'Imformatique Musicale 1998, 1998, France.

100

Brown, Andrew R. (1998) Composing by Pen: Exploring the effectiveness of a system for writing music notation on computers via pen input. Australian Journal of Music Education, 1998(1), pp. 48-56.

Brown, Andrew R. (1995) Digital Technology and the Study of Music. International Journal of Music Education, 25(1), pp. 14-19.

282

Brown, Andrew R. (2005) Extending Dynamic Stochastic Synthesis. In International Computer Music Conference, 5-9 September 2005, Barcelona, Spain.

304

Brown, Andrew R. (2005) Generative Music in Live Performance. In Opie, Timothy T. & Brown, Andrew R. (Eds.) Australasian Computer Music Conference, July 12-14, Brisbane.

341

Brown, Andrew R. (2001) How the computer assists composers: A survey of contemporary practise. In Knowles, Julian (Ed.) Australasian Computer Music Conference, June 2001, University of Western Sydney.

245

Brown, Andrew R. (1999) An Introduction to Music Analysis with Computer. XArt Online Journal, 4(1).

610

Brown, Andrew R. (2001) Modes of Compositional Engagement. Mikropolyphony, 6.

379

Brown, Andrew R. (2002) Opportunities for Evolutionary Music Composition. In Doornbusch, Paul (Ed.) Australasian Computer Music Conference, Melbourne.

212

Brown, Andrew R. (2007) Software Development as Music Education Research. International Journal of Education & the Arts, 8(6).

292

Brown, Andrew R. (1994) Teaching Synthesizer Performance. Research Studies in Music Education, -(3), pp. 25-35.

Brown, Andrew R. (1999) Tools and Outcomes: Computer music systems and musical directions. In Australasian Computer Music Conference 1999, July 7, Wellington, New Zealand.

150

Brown, Andrew R. (2004) An aesthetic comparison of rule-based and genetic algorithms for generating melodies. Organised Sound, 9(2), pp. 191-198.

158

Brown, Andrew R. & Dillon, Steven C. (2007) Networked improvisational musical environments : learning through online collaborative music making. In Finney, John & Burnard, Pamela (Eds.) Teaching Music in the Digital Age. Continuum International Publishing Group, pp. 96-106.

Brown, Andrew R. & Dillon, Steven C. (2006) ePortfolios in Arts Learning and Assessment. Music Education Research and Innovation, 12(1), pp. 7-36.

Brown, Andrew R. & Sorensen, Andrew C. (2009) Integrating Creative Practice and Research in the Digital Media Arts. In Smith, Hazel & Dean, Roger (Eds.) Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh University Press, Edinburgh, pp. 153-165.

113

Brown, Andrew R. & Sorensen, Andrew C. (2000) Introducing jMusic. In Brown, Andrew R. & Wilding, Richard (Eds.) Australasian Computer Music Conference, 5-8 July 2000, Queensland University of Technology, Brisbane.

502

Brown, Andrew R., Towsey, Michael W., Wright, Susan K., & Deiderich, Joachim (2001) Statistical Analysis of the features of diatonic music using jMusic software. In Computing ARTS 2001 – Digital resources for research in the Humanities, 26-28th September, 2001, Sydney, Australia: The University of Sydney..

303

Brown, Andrew R., Wooller, Rene W., & Kate, Thomas (2007) The Morph Table: A collaborative interface for musical interaction. In Riddel, Alistair & Thorogood, Alex (Eds.) Australiasian Computer Music Conference, 19-21 June 2007, Canberra, Australia.

Brown, Hugh D. (2006) A Digital Business Model for Independent Musicians. In Association of Internet Researchers Doctoral Colloquium, 27 September 2006, Brisbane. (Unpublished)

1,422

Bruns, Axel (2008) Futures for Webcasting: Regulatory Approaches in Australia and the U.S. In Bloustien, Gerry, Peters, Margaret, & Luckman, Susan (Eds.) Sonic Synergies: Music, Technology, Community, Identity. Ashgate, Aldershot, UK, pp. 25-34.

Burgess, Jean E. (2005) Sounds in Social Space: Topology and Their Audience as a Subculture. Sounds Australian Journal, 65.

Burnard, Pamela, Dillon, Steven C., Rusinek, Gabriel, & Saether, Eva (2007) Promoting social inclusion in music education - International comparisons of key issues of teaching and learning as perceived by music teachers from four countries. In Research in Music Education, April 10th- 14th 2007, Exeter , UK. (Unpublished)

222

C

Chapman, James & Thomas, Adrian (2004) Learning and Teaching Music Online: The Case of Orchestration. In Carrington, N (Ed.) OLT 2004 Conference Proceedings. Online Learning and Teching Conference. Exploring Integrated Learning Environments., 3 November 2004, Brisbane, QLD.

Cox, Stephen D., Ninan, Abraham, Hearn, Gregory N., Roodhouse, Simon C., & Cunningham, Stuart D. (2004) Queensland Music Industry Basics: People, Businesses and Markets. CIRAC, Creative Industries Faculty, QUT.

1,397

D

Davidson, Robert A. (2007) Above Ground (Karak) for two percussion, string quartet and piano. (Unpublished)

Davidson, Robert A. (2002) Adams' Faith in Music. The Courier Mail, 7 March 2002, p. 12.

Davidson, Robert A. (2001) Anumadutchi & The Queensland Orchestra: united by Brophy. RealTime: +onscreen.

Davidson, Robert A. (1993) Arch for viola. (Unpublished)

Davidson, Robert A. (2001) Big Decisions: The Whitlam Dismissal. (Unpublished)

136

Davidson, Robert A. (2005) Coil for saxophone, violin, viola, double bass and piano. (Unpublished)

Davidson, Robert A. (1993) Conversations, for clarinet, viola and cello. (Unpublished)

Davidson, Robert A. (2001) ELISION: sonic gastronomy. RealTime: +onscreen.

108

Davidson, Robert A. (1998) The Elena interview : Robert Davidson interviews composer Elena Kats-Chernin. Music Forum, 4(2), pp. 16-19.

415

Davidson, Robert A. (2001) Folio of compositions with critical commentary. University of Queensland.

Davidson, Robert A. (1998) Joy - a composition for three or more voices or instruments. (Unpublished)

Davidson, Robert A. (2007) Jump for solo bass clarinet.

151

Davidson, Robert A. (1994) Junction Rd for soprano saxophone, violin, viola, double bass and piano. (Unpublished)

Davidson, Robert A. (2000) Landscape for guitar and string quartet. (Unpublished)

Davidson, Robert A. (2001) Louis Andriessen and Orkest de Volharding: seeing is hearing. RealTime: +onscreen.

174

Davidson, Robert A. (2000) McLibel. (Unpublished)

127

Davidson, Robert A. (2001) New opera takes us into ourselves. The Courier Mail, 16 August 2001, p. 19.

Davidson, Robert A. (2001) Now Hear This. 24 Hours, p. 12.

Davidson, Robert A. (2008) Round Roads: a symphonic poem for six ensembles. (Unpublished)

Davidson, Robert A. (2001) Sound and Fury. 24 Hours, p. 72.

Davidson, Robert A. (1996) String Quartet. (Unpublished)

Davidson, Robert A. (2002) Terry Riley. In Sitsky, Larry (Ed.) Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. Greenwood Press, Westport, Conn., pp. 391-397.

Davidson, Robert A. (2001) Thank you for the music. 24 Hours, pp. 20-21.

616

Davidson, Robert A. (2007) Tune. (Unpublished)

Davidson, Robert A. (2007) Vague Memories 1 for clarinet/bass clarinet, violin, two guitars, double bass, percussion and piano. (Unpublished)

Davidson, Robert A. (2007) Vague Memories 2 for clarinet/bass clarinet, violin, two guitars, double bass, percussion and piano. (Unpublished)

Davidson, Robert A., Connolly, Gerry, Powell, Christa M., Patterson, Michael D., Davidson, Kylie J., & Babbage, John R. (2007) North of the Border. [Creative Work]

Davidson, Robert A., Davidson, Kylie J., Hoey, Bernard, Powell, Christa M., Babbage, John R., Griswold, Erik M., et al. (2007) The Seven-headed Music Machine. (Unpublished)

Davidson, Robert A., Davidson, Kylie J., Powell, Christa M., Hoey, Bernard, & Babbage, John R. (2007) Lucid Dreaming. (Unpublished)

Davidson, Robert A., Simmons, Tara E., Powell, Christa M., Hoey, Bernard, Babbage, John R., & Griswold, Erik M. (2007) Topology and Tara Simmons. (Unpublished)

Dillon, Steve C. (2005) The music teacher as Cultural Manager (English translation from Spanish)Construir comunidades culturalmente sostenibles mediante actividades musicales expresivas. Revista Electronica Complutense de Investigacion en Educacion Musical, 2(3).

246

Dillon, Steven (2004) Music, Meaning and Transformation. In Giraldez, A, Aramberri, M, Aautista, F, Diaz, M, Hentschke, L, & Hookey, M (Eds.) Sound Worlds to Discover: ISME 2004 Proceedings, 11-16 July 2004, Tenerife, Spain.

Dillon, Steven (2006) Save to DISC: Documenting, Designing, Evaluating and Presenting Innovation. In Vella, R (Ed.) Speculation and Innovation: Applying Practice Led Research in the Creative Industries, 30 March - 1 April 2005, Australia, Queensland, Brisbane.

Dillon, Steven & Stewart, Donald (2006) Songs of Resilience. In Sims, W & Tahir, R (Eds.) Proceedings 27th World Conference of the International Society for Music Education, 16 - 21 July 2006, Malaysia, Kuala Lumpur.

Dillon, Steven C (2007) Music, Meaning and Transformation:meaningful music making for life. In Murillo, Javier & Molina, Emilio (Eds.) 26th International Society for Music Education Conference,, 14-18 July 2004, Tenerife, Spain..

Dillon, Steven C. (2007) Before the eyes glaze over. Music Forum, 13(1), pp. 32-33.

Dillon, Steven C. (2011) Designing relational pedagogies with jam2jamXO. .

Dillon, Steven C. (2009) Examining meaningful engagement : musicology and virtual music making environments. In Mackinlay, Elizabeth & Bartleet, Brydie-Lee (Eds.) Islands : Proceedings of the Musicological Society of Australasia. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 297-310.

Dillon, Steven C. (2007) Examining meaningful engagement: Musicology and virtual music making environments. In ISLANDS - Conference of the Australian and New Zealand Musicological Societies, 22-25 November 2007, Brisbane. (Unpublished)

153

Dillon, Steven C. (2009) Generative systems as relational bridges. In Proceedings of the The 32nd National Conference of the Musicological Society of Australia : BRIDGES, University of Newcastle, New South Wales.

Dillon, Steven C. (2007) Maybe we can find Some Common Ground: Indigenous Perspectives, a Music Teacher's Story. Australian Journal of Indigenous Education, 36S, pp. 59-65.

371

Dillon, Steven C. (2004) Modelling, meaning through software design. In Stevens, Robyn & Russell Bowie, Deidre (Eds.) Australian Association for Research in Music Education, 25th-28th September 2004, Tweed Heads, New South Wales.

143

Dillon, Steven C. (2010) ‘Music is a wordless knowing of others.’ Resilience in virtual ensembles. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne. (In Press)

Dillon, Steven C. (2007) Music meaning and transformation: meaningful music making for life. Cambridge Scholars Publishing, Newcastle, United Kingdom.

711

Dillon, Steven C. (2004) Save to DISC: documenting innovation in music learning. In Stevens, Robyn & Russell Bowie, Deidre (Eds.) Australian Association for Research in Music Education, 25th-28th September 2004, Tweed Heads, New South Wales.

461

Dillon, Steven C. (2006) jam2jam: Networked Improvisational Musical Environments. In Leung, Bo Wah & Moore, Marvelene (Eds.) School Music and Teacher Education: A Global Perspective in the New Century. Hong Kong: Department of CAPE, the Hong Kong Institute of Education & International Society for Music Education (ISME), Hong Kong, pp. 19-30.

Dillon, Steven C. & Brown, Andrew R. (2007) Realising the possibilities of technology in music education research and philosophy. In Fifth International Research in Music Education Conference, 10th- 14th April 2007, Exeter, UK. (Unpublished)

117

Dillon, Steven C. & Brown, Andrew R. (2011) Sound thinking : tips and tools for understanding popular music. Exploding Art Pty Ltd, Brisbane.

Dillon, Steven C. & Brown, Andrew R. (2010) The educational affordances of generative media in arts education. In Chova, L. Gómez, Belenguer, D. Martí, & Torres, I. Candel (Eds.) INTED2010 Proceedings CD, International Association of Technology, Education and Development (IATED), Hotel SH Valencia Palace, Valencia, Spain, 005311-005320.

Dillon, Steven C. & Chapman, James N. (2005) Without a Song you are Nothing' Songwriter's Perspectives on Indigenising Tertiary Music and Sound Curriculum. In Drummond, John, Sheehan Campbell, Patricia, & Dunbar Hall, Peter (Eds.) Cultural diversity in music education : directions and challenges for the 21st century. Australian Academic Press, Brisbane, pp. 189-198.

Dillon, Steven C., Seeto, Deidre, & Berry, Anne (2011) Ezine and iRadio as knowledge creation metaphors for scaffolding learning in physical and virtual learning spaces. In Keppell, Mike, Souter, Kay, & Riddle, Matthew (Eds.) Physical and Virtual Learning Spaces in Higher Education : Concepts for the Modern Learning Environment. IGI Global, Hershey PA, pp. 163-181.

Dillon, Steven C., Seeto, Deidre, & Berry, Anne (2010) Planning for success in a blended learning environment. In Keppell, Mike, Souter, Kay, & Riddle, Matthew (Eds.) Physical and Virtual Learning Spaces in Higher Education : Concepts for the Modern Learning Environment. IGI Global. (In Press)

G

Gerber, Anna M. & Brown, Andrew R. (2006) Visualising Music with Impromptu. In Australasian Computer Music Conference, July 2006, Adelaide, Australia.

238

Gifford, Toby M. & Brown, Andrew R. (2006) The Ambidrum: Automated Rhythmic Improvisation. In Australasian Computer Music Conference, July 2006, Adelaide, Australia.

129

Gifford, Toby M. & Brown, Andrew R. (2008) Listening for noise: An approach to percussive onset detection. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydeny.

204

H

Hedemann, Callum L., Sorensen, Andrew C., & Brown, Andrew R. (2008) Metascore: User Interface Design for Generative Film Scoring. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.

187

Hewitt, Donna G. (2006) Compositions for Voice and Technology. University of Western Sydney, Penrith.

803

Hewitt, Donna G. (2003) EMIC - Compositional experiments and real-time mapping issues in performance. In Vickery, Lindsay (Ed.) Australasian Computer Music Association Conference 2003 - Converging Technologies, 5th - 7th July 2003, Western Australian Academy of Performing Arts at Edith Cowan University, Perth, Australia.

166

Hewitt, Donna G. (2006) The Mill on the Floss: A Case Study in the use of Voice and Electronics in the Theatre. In Wilkie, Sonia & Haines, Christian (Eds.) Australasian Computer Music Conference - ACMC-06, July, 2006, Adelaide Elder Conservatorium.

273

Hewitt, Donna G. & Hood, Anthony (2006) Studio Report – Sydney Conservatorium of Music, University of Sydney. In Wilkie, Sonia & Haines, Christian (Eds.) Meditations Australasian Computer Music Conference 2006, 11-14th July 2006, University of Adelaide, Adelaide, South Australia.

257

Hewitt, Donna G. & Stevenson, Ian (2003) Emic - Extended Mic-stand Interface Controller. In Thibault, Francois (Ed.) New Interfaces for Musical Expression NIME-03, May 22-24, 2003, McGill University- Montreal, QC, Canada.

114

Howlett, Mike (2007) Fixing the volatile : studio vocal performance techniques. In Journal of the Art of Record Production, Queensland University of Technology, Brisbane.

Howlett, Mike (2009) Performing for (and against) the microphone : personal takes : producing a credible vocal. In Cook, Nicholas, Clarke, Eric, Leech-Wilkinson, Daniel, & Rink, John (Eds.) The Cambridge Companion to Recorded Music. Cambridge University Press, Cambridge, pp. 30-31.

Howlett, Mike (2009) The record producer as nexus : creative inspiration, technology and the recording industry. PhD thesis, University of Glamorgan.

K

King, Andrew S. (2010) 'Black is beautiful', and Indigenous : Aboriginal authorship in Australian popular music. Continuum : Journal of Media and Cultural Studies, 24(4), pp. 533-542.

273

Knowles, Julian D. (2006) Alva Noto. Filter, 62(March 06 - June 06), pp. 17-19.

220

Knowles, Julian D. (2008) Australian Musical Futures: The New Music Industry. In Australian Musical Futures: Towards 2020, September 5, 2008, Sydney Conservatorium of Music, Sydney, Australia. (Unpublished)

538

Knowles, Julian D. (2008) Liminal Electronic Musics: Post-Punk Experimentation in Australia in the 1970s-1980s. In Wilkie, Sonia & Hood, Anthony (Eds.) 'Sound : Space' Australasian Computer Music Conference, 2008, July 10-12, 2008, Sydney Conservatorium of Music, University of Sydney.

333

Knowles, Julian D. (2008) Setting the scene: Developments in Australian experimental music since the mid-1990s. In Priest, Gail (Ed.) Experimental Music: Audio Explorations in Australia. UNSW Press, Sydney, pp. 6-25.

Knowles, Julian D. (2007) Sound Art and the Extended University. RealTime: +onscreen, p. 24.

Knowles, Julian D. (2007) A Survey of Web 2.0 Music Trends and Some Implications for Tertiary Music Communities. In Grant, Catherine (Ed.) Music in Australian Tertiary Institutions: Issues for the 21st Century, June 29-July 1, Queensland Conservatorium Griffith University, Brisbane, Australia.

832

Knowles, Julian D., Fahey, Shane, & Rue, Rik (2007) Social Interiors 'Spatial Circumference'. [Creative Work]

L

Livingstone, Steven R. & Brown, Andrew R. (2005) Dynamic Response: Real-Time Adaptation for Music Emotion. In Second Australasian conference on Interactive entertainment, Sydney.

212

Livingstone, Steven R., Brown, Andrew R., & Muhlberger, Ralf (2005) Influencing the Perceived Emotions of Music with Intent. In Innocent, Troy (Ed.) 3rd Iteration, December 2005, Melbourne.

392

Livingstone, Steven R., Brown, Andrew R., & Muhlberger, Ralf (2005) Playing With Affect: Music performance with awareness of score and audience. In Opie, Tim & Brown, Andrew R. (Eds.) Australasian Computer Music Conference, July 2005, Brisbane, Australia.

841

Livingstone, Steven R., Muhlberger, Ralf, Brown, Andrew R., & Loch, Andrew (2007) Controlling musical emotionality: an affective computational architecture for influencing musical emotions. Digital Creativity, 18(1), pp. 43-53.

M

Mafe, Daniel J. & Brown, Andrew R. (2006) Emergent Matters: Reflections on Collaborative Practice-led Research. In Speculation and Innovation, April 2005, QUT Brisbane, Australia.

260

McCombe, Christine (2001) Imagining space through sound. In UK and Ireland Soundscape Community Conference: Sound Practice, 16-20 Feb, Dartington, Devon, UK.

919

McCombe, Christine (2003) An Opera of Clouds : Time and Space in mixed media performance. In Australasian Computer Music Association Conference: Converginh Technologies., 5-7 July, Melbourne, Victoria..

402

Megarrity, David & de Saint Exupery, Antoine (2002) The Little Prince (studio adaptation). [Creative Work]

Montgomery, Lucy (2007) China's Film and Music Industries: Copyright, Business Models and Lessons for Developed Markets? In Defining the Field: Themes in Contemporary China Studies, 12-15 April 2007, Cambridge University, United Kingdom. (Unpublished)

Montgomery, Lucy (2005) Ringtones may be music to Chinese ears. Asia Times Online.

131

N

Ninan, Abraham, Oakley, Kate, & Hearn, Gregory N. (2004) Queensland Music Industry Trends: Independence Day? CIRAC, Creative Industries Faculty, QUT.

1,805

O

Opie, Timothy T. & Brown, Andrew R. (2006) An Introduction to Eco-Structuralism. In International Computer Music Conference, New Orleans, USA.

292

P

Procopis, Brian & Dillon, Steven C. (2010) Voices of the unheard. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 177-195. (In Press)

R

Radbourne, Jennifer & Arthurs, Andy (2007) Adapting musicology for commercial outcomes. In Radbourne, Jennifer & Arthurs, Andy (Eds.) Valencia Spain - 9th International Conference on Arts and Cultural Management (AIMAC 2007), 8-11 July, Valencia, Spain.

288

Rogers, Ian K., Ninan, Abraham, Hearn, Gregory N., Cunningham, Stuart D., & Luckman, Susan H. (2004) Queensland Music Industry Value Web: From the Margins to the Mainstream. CIRAC, Creative Industries Faculty, QUT.

1,207

S

Schwartz, Barry, The Arterial Group,, & Armstrong, Keith M. (2001) Elektrosonic Interference:The Arterial Group and Barry Schwartz. [Creative Work]

Sorensen, Andrew C. & Brown, Andrew R. (2008) A Computational Model For The Generation Of Orchestral Music In The Germanic Symphonic Tradition: A progress report. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.

150

Starrs, D. Bruno (2008) Graham Tardif and the aural auteur. RealTime: +onscreen, p. 27.

Starrs, D. Bruno (2007) The Seven Streams of the River Ota. In Cody, Gabrielle H. & Sprinchorn, Evert (Eds.) The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, pp. 1214-1215.

T

Towsey, Michael W., Brown, Andrew R., Wright, Susan K., & Diederich, Joachim (2001) Towards melodic extension using genetic algorithms. Educational Technology & Society, 4(2), pp. 54-65.

489

W

Willsteed, Terence John (2011) View from a bridge : What makes A musical City. In Byrne, Jean (Ed.) Creative Workers in Creative Cities, 5-6 May 2011, Barcelona, Spain.

Wooller, Rene (2006) Review of Composition Morphing: Works, Techniques, Applications and Possibilities. In Wilkie, S & Haines, C (Eds.) Medi(t)ations: Computers/Music/Intermedia: Proceedings of the Australasian Computer Music Conference 2006, 11-14 July 2006, Australia, South Australia, Adelaide.

Wooller, Rene, Brown, Andrew R, Miranda, Eduardo, Diederich, Joachim, & Berry, Rodney (2005) A framework for comparison of process in algorithmic music systems. In David, Burraston & Ernest, Edmonds (Eds.) Generative Arts Practice, 5-7 December 2005, Sydney, Australia.

414

Wooller, Rene W. & Brown, Andrew R. (2008) A framework for discussing tonality in electronic dance music. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.

172

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