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Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Musicology and Ethnomusicology (190409)"

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Number of items at this level: 144.

A

Armstrong, Keith M. (2002) Abandon sight ye who enter here. Realtime, 49(Oct-Nov 2002).

Armstrong, Keith M. (2002) (R)everse (E)ngineering (V)irtual Fabrications. Realtime, 49(June-July 2002).

Arthurs, Andrew C. (2001) Creative industries' impact on music. In 2001 NACTMUS Conference, Creating Musical Futures: Challenges to Music Education in the 21st Century, June 30- July 2, 2001, Byron Bay.
Number of full-text downloads 273

Arthurs, Andrew C. & Vella, Richard J. (2000) Musical Environments: A Manual for Listening, Improvising and Composing. Special Topics and Appendix 2. In Musical Environments. Currency Press Ltd, Sydney.

Arthurs, Andy & Radbourne, Jennifer J. (2007) The orchestra re-imagined. In Grant, Catherine (Ed.) National Council for Tertiary Music Schools (NACTMUS) National Conference 2007, Music in Australian Tertiary Institutions, Issues for the 2st Century, 9 June - 1 July, Queensland Conservatorium Griffith University, Brisbane, Australia.
Number of full-text downloads 347

Arthurs, Andy C. & Vella, Richard J. (2003) Sounds in Space, Sounds in Time. In Vella, Richard J. (Ed.) Sounds in Space. Sounds in Time. Boosey & Hawkes Music Publishers, London, UK, pp 21 ; 26 ; 33 ; 40-41 ; 53.

B

Bentley, Danielle S. (2005) Australian contemporary music in Queensland. (Unpublished)

Brader, Andy (2011) Songs of Resilience. Meaningful Music Making For Life, 3. Cambridge Scholars Publishing, United Kingdom.
Number of full-text downloads 424

Brennan, Marc A. (2002) Yet Another Reason to Hate Oasis: Circulation and Branding in the UK Music Press. In Crowdy, Denis, Homan, Shane, & Mitchell, Tony (Eds.) Musical In-Between-Ness: The Proceedings of the 8th IASPM Australia - New Zealand Conference, 27-29 September, Sydney, Australia.
Number of full-text downloads 1,880

Brown, Andrew (2004) Playing with Dynamic Sound. In Edmonds, Ernest & Gibson, Ross (Eds.) Interaction: System, Practice, Theory, 16-19 November 2004, Sydney, Australia.
Number of full-text downloads 109

Brown, Andrew & Jenkins, Greg (2004) The Interactive Dynamic Stochastic Synthesizer. In Norris, Michael (Ed.) Australasian Computer Music Conference, 1-3 July 2004, Wellington, New Zealand.
Number of full-text downloads 367

Brown, Andrew & Wooller, Rene (2005) Investigating Morphing Algorithms for Generative Music. In Innocent, T (Ed.) Procedings of Third Iteration, 30 November - 2 December 2005, Australia, Victoria, Melbourne.

Brown, Andrew R. (1996) The Art of Engaging: Implications for computer music systems. In Brown, Andrew R. (Ed.) Australian Computer Music Conference, July 12-14 1996, Brisbane, Australia.
Number of full-text downloads 117

Brown, Andrew R. (2003) Australasian digital instrument building. In Australasian Computer Music Association Conference 2003: Converging Technologies., 5th - 7th July, 2003, Edith Cowan University Mount Lawley, Western Australia.
Number of full-text downloads 796

Brown, Andrew R. (1997) Changing Technologies, Changing Minds: Taking account of music technologies in the curriculum1. In Gifford, E, Brown, A.R., & Thomas, A (Eds.) Australian Society for Music Education XI National Conference.
Number of full-text downloads 160

Brown, Andrew R. (2007) Code Jamming. M/C: a journal of media and culture, 9(6).
Number of full-text downloads 317

Brown, Andrew R. (1998) Composer Views: Context in the use of computers for musical composition. In Actes des Journees d'Imformatique Musicale 1998, 1998, France.
Number of full-text downloads 128

Brown, Andrew R. (1998) Composing by Pen: Exploring the effectiveness of a system for writing music notation on computers via pen input. Australian Journal of Music Education, 1998(1), pp. 48-56.

Brown, Andrew R. (1995) Digital Technology and the Study of Music. International Journal of Music Education, 25(1), pp. 14-19.
Number of full-text downloads 520

Brown, Andrew R. (2005) Extending Dynamic Stochastic Synthesis. In International Computer Music Conference, 5-9 September 2005, Barcelona, Spain.

Brown, Andrew R. (2005) Extending Dynamic Stochastic Synthesis. In International Computer Music Conference, 5-9 September 2005, Barcelona, Spain.
Number of full-text downloads 401

Brown, Andrew R. (2005) Generative Music in Live Performance. In Opie, Timothy T. & Brown, Andrew R. (Eds.) Australasian Computer Music Conference, July 12-14, Brisbane.
Number of full-text downloads 514

Brown, Andrew R. (2001) How the computer assists composers: A survey of contemporary practise. In Knowles, Julian (Ed.) Australasian Computer Music Conference, June 2001, University of Western Sydney.
Number of full-text downloads 321

Brown, Andrew R. (1999) An Introduction to Music Analysis with Computer. XArt Online Journal, 4(1).
Number of full-text downloads 864

Brown, Andrew R. (2001) Modes of Compositional Engagement. Mikropolyphony, 6.
Number of full-text downloads 642

Brown, Andrew R. (2002) Opportunities for Evolutionary Music Composition. In Doornbusch, Paul (Ed.) Australasian Computer Music Conference, Melbourne.
Number of full-text downloads 521

Brown, Andrew R. (2007) Software Development as Music Education Research. International Journal of Education & the Arts, 8(6).
Number of full-text downloads 386

Brown, Andrew R. (1994) Teaching Synthesizer Performance. Research Studies in Music Education, -(3), pp. 25-35.

Brown, Andrew R. (1999) Tools and Outcomes: Computer music systems and musical directions. In Australasian Computer Music Conference 1999, July 7, Wellington, New Zealand.
Number of full-text downloads 172

Brown, Andrew R. (2004) An aesthetic comparison of rule-based and genetic algorithms for generating melodies. Organised Sound, 9(2), pp. 191-198.
Number of full-text downloads 224

Brown, Andrew R. & Dillon, Steve C. (2011) eBILITY : from tool use to partnerships. Journal of Music, Technology and Education, 4(2-3), pp. 201-215.
Number of full-text downloads 96

Brown, Andrew R. & Dillon, Steven C. (2007) Networked improvisational musical environments : learning through online collaborative music making. In Finney, John & Burnard, Pamela (Eds.) Teaching Music in the Digital Age. Continuum International Publishing Group, pp. 96-106.

Brown, Andrew R. & Dillon, Steven C. (2006) ePortfolios in Arts Learning and Assessment. Music Education Research and Innovation, 12(1), pp. 7-36.

Brown, Andrew R. & Sorensen, Andrew C. (2009) Integrating Creative Practice and Research in the Digital Media Arts. In Smith, Hazel & Dean, Roger (Eds.) Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh University Press, Edinburgh, pp. 153-165.
Number of full-text downloads 221

Brown, Andrew R. & Sorensen, Andrew C. (2000) Introducing jMusic. In Brown, Andrew R. & Wilding, Richard (Eds.) Australasian Computer Music Conference, 5-8 July 2000, Queensland University of Technology, Brisbane.
Number of full-text downloads 1,064

Brown, Andrew R., Towsey, Michael W., Wright, Susan K., & Deiderich, Joachim (2001) Statistical Analysis of the features of diatonic music using jMusic software. In Computing ARTS 2001 – Digital resources for research in the Humanities, 26-28th September, 2001, Sydney, Australia: The University of Sydney..
Number of full-text downloads 580

Brown, Andrew R., Wooller, Rene W., & Kate, Thomas (2007) The Morph Table: A collaborative interface for musical interaction. In Riddel, Alistair & Thorogood, Alex (Eds.) Australiasian Computer Music Conference, 19-21 June 2007, Canberra, Australia.

Brown, Hugh D. (2006) A Digital Business Model for Independent Musicians. In Association of Internet Researchers Doctoral Colloquium, 27 September 2006, Brisbane. (Unpublished)
Number of full-text downloads 2,014

Bruns, Axel (2008) Futures for Webcasting: Regulatory Approaches in Australia and the U.S. In Bloustien, Gerry, Peters, Margaret, & Luckman, Susan (Eds.) Sonic Synergies: Music, Technology, Community, Identity. Ashgate, Aldershot, UK, pp. 25-34.

Burgess, Jean E. (2005) Sounds in Social Space: Topology and Their Audience as a Subculture. Sounds Australian Journal, 65.

Burnard, Pamela, Dillon, Steven C., Rusinek, Gabriel, & Saether, Eva (2007) Promoting social inclusion in music education - International comparisons of key issues of teaching and learning as perceived by music teachers from four countries. In Research in Music Education, April 10th- 14th 2007, Exeter , UK. (Unpublished)
Number of full-text downloads 316

C

Chapman, James & Thomas, Adrian (2004) Learning and Teaching Music Online: The Case of Orchestration. In Carrington, N (Ed.) OLT 2004 Conference Proceedings. Online Learning and Teching Conference. Exploring Integrated Learning Environments., 3 November 2004, Brisbane, QLD.

Cox, Stephen D., Ninan, Abraham, Hearn, Gregory N., Roodhouse, Simon C., & Cunningham, Stuart D. (2004) Queensland Music Industry Basics: People, Businesses and Markets. CIRAC, Creative Industries Faculty, QUT.
Number of full-text downloads 1,830

D

Davidson, Robert A. (2007) Above Ground (Karak) for two percussion, string quartet and piano. (Unpublished)
Number of full-text downloads 80

Davidson, Robert A. (2002) Adams' Faith in Music. The Courier Mail, 7 March 2, p. 12.
Number of full-text downloads 63

Davidson, Robert A. (2001) Anumadutchi & The Queensland Orchestra: united by Brophy. RealTime: +onscreen.
Number of full-text downloads 50

Davidson, Robert A. (1993) Arch for viola. (Unpublished)
Number of full-text downloads 64

Davidson, Robert A. (2001) Big Decisions: The Whitlam Dismissal. (Unpublished)
Number of full-text downloads 168

Davidson, Robert A. (2005) Coil for saxophone, violin, viola, double bass and piano. (Unpublished)
Number of full-text downloads 25

Davidson, Robert A. (1993) Conversations, for clarinet, viola and cello. (Unpublished)
Number of full-text downloads 79

Davidson, Robert A. (2001) ELISION: sonic gastronomy. RealTime: +onscreen.
Number of full-text downloads 146

Davidson, Robert A. (1998) The Elena interview : Robert Davidson interviews composer Elena Kats-Chernin. Music Forum, 4(2), pp. 16-19.
Number of full-text downloads 664

Davidson, Robert A. (2001) Folio of compositions with critical commentary. University of Queensland.

Davidson, Robert A. (1998) Joy - a composition for three or more voices or instruments. (Unpublished)
Number of full-text downloads 38

Davidson, Robert A. (2007) Jump for solo bass clarinet.
Number of full-text downloads 185

Davidson, Robert A. (2000) Landscape for guitar and string quartet. (Unpublished)
Number of full-text downloads 111

Davidson, Robert A. (2001) Louis Andriessen and Orkest de Volharding: seeing is hearing. RealTime: +onscreen.
Number of full-text downloads 250

Davidson, Robert A. (2000) McLibel. (Unpublished)
Number of full-text downloads 158

Davidson, Robert A. (2001) New opera takes us into ourselves. The Courier Mail, 16 August, p. 19.
Number of full-text downloads 81

Davidson, Robert A. (2001) Now Hear This. 24 Hours, p. 12.
Number of full-text downloads 112

Davidson, Robert A. (2008) Round Roads: a symphonic poem for six ensembles. (Unpublished)
Number of full-text downloads 36

Davidson, Robert A. (2001) Sound and Fury. 24 Hours, p. 72.
Number of full-text downloads 187

Davidson, Robert A. (1996) String Quartet. (Unpublished)
Number of full-text downloads 58

Davidson, Robert A. (2002) Terry Riley. In Sitsky, Larry (Ed.) Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. Greenwood Press, Westport, Conn., pp. 391-397.

Davidson, Robert A. (2001) Thank you for the music. 24 Hours, pp. 20-21.
Number of full-text downloads 999

Davidson, Robert A. (2007) Tune. (Unpublished)
Number of full-text downloads 22

Davidson, Robert A., Connolly, Gerry, Powell, Christa M., Patterson, Michael D., Davidson, Kylie J., & Babbage, John R. (2007) North of the Border. [Live Performance (Music)]
Number of full-text downloads 38

Davidson, Robert A., Davidson, Kylie J., Hoey, Bernard, Powell, Christa M., Babbage, John R., Griswold, Erik M., et al. (2007) The Seven-headed Music Machine. (Unpublished)
Number of full-text downloads 107

Davidson, Robert A., Davidson, Kylie J., Powell, Christa M., Hoey, Bernard, & Babbage, John R. (2007) Lucid Dreaming. (Unpublished)
Number of full-text downloads 138

Davidson, Robert A., Simmons, Tara E., Powell, Christa M., Hoey, Bernard, Babbage, John R., & Griswold, Erik M. (2007) Topology and Tara Simmons. (Unpublished)
Number of full-text downloads 120

Dillon, Steve, Myllykoski, Mikko, Rantalainen, Aapo, Ruthmann, S. Alex, Thorgersen, Ketil, & Väkevä, Lauri (2012) Open source [Editorial]. Journal of Music, Technology and Education, 5(2), pp. 129-132.

Dillon, Steve C. (2012) An open-source approach to music education through jam2jam XO. Journal of Music, Technology and Education, 5(2), pp. 171-180.

Dillon, Steven (2004) Music, Meaning and Transformation. In Giraldez, A, Aramberri, M, Aautista, F, Diaz, M, Hentschke, L, & Hookey, M (Eds.) Sound Worlds to Discover: ISME 2004 Proceedings, 11-16 July 2004, Tenerife, Spain.

Dillon, Steven (2006) Save to DISC: Documenting, Designing, Evaluating and Presenting Innovation. In Vella, R (Ed.) Speculation and Innovation: Applying Practice Led Research in the Creative Industries, 30 March - 1 April 2005, Australia, Queensland, Brisbane.

Dillon, Steven & Stewart, Donald (2006) Songs of Resilience. In Sims, W & Tahir, R (Eds.) Proceedings 27th World Conference of the International Society for Music Education, 16 - 21 July 2006, Malaysia, Kuala Lumpur.

Dillon, Steven C (2007) Music, Meaning and Transformation:meaningful music making for life. In Murillo, Javier & Molina, Emilio (Eds.) 26th International Society for Music Education Conference,, 14-18 July 2004, Tenerife, Spain..

Dillon, Steven C. (2007) Before the eyes glaze over. Music Forum, 13(1), pp. 32-33.
Number of full-text downloads 146

Dillon, Steven C. (2011) Designing relational pedagogies with jam2jamXO. [Working Paper] (Unpublished)
Number of full-text downloads 50

Dillon, Steven C. (2009) Examining meaningful engagement : musicology and virtual music making environments. In Mackinlay, Elizabeth & Bartleet, Brydie-Lee (Eds.) Islands : Proceedings of the Musicological Society of Australasia. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 297-310.
Number of full-text downloads 144

Dillon, Steven C. (2007) Examining meaningful engagement: Musicology and virtual music making environments. In ISLANDS - Conference of the Australian and New Zealand Musicological Societies, 22-25 November 2007, Brisbane. (Unpublished)
Number of full-text downloads 217

Dillon, Steven C. (2009) Generative systems as relational bridges. In Proceedings of the The 32nd National Conference of the Musicological Society of Australia : BRIDGES, University of Newcastle, New South Wales.
Number of full-text downloads 40

Dillon, Steven C. (2007) Maybe we can find Some Common Ground: Indigenous Perspectives, a Music Teacher's Story. Australian Journal of Indigenous Education, 36S, pp. 59-65.
Number of full-text downloads 539

Dillon, Steven C. (2004) Modelling, meaning through software design. In Stevens, Robyn & Russell Bowie, Deidre (Eds.) Australian Association for Research in Music Education, 25th-28th September 2004, Tweed Heads, New South Wales.
Number of full-text downloads 261

Dillon, Steven C. (2011) Music is a Wordless Knowing of Others : Resilience in Virtual Ensembles. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, p. 239.

Dillon, Steven C. (2007) Music meaning and transformation: meaningful music making for life. Cambridge Scholars Publishing, Newcastle, United Kingdom.
Number of full-text downloads 1,881

Dillon, Steven C. (2004) Save to DISC: documenting innovation in music learning. In Stevens, Robyn & Russell Bowie, Deidre (Eds.) Australian Association for Research in Music Education, 25th-28th September 2004, Tweed Heads, New South Wales.
Number of full-text downloads 570

Dillon, Steven C. (2006) jam2jam: Networked Improvisational Musical Environments. In Leung, Bo Wah & Moore, Marvelene (Eds.) School Music and Teacher Education: A Global Perspective in the New Century. Hong Kong: Department of CAPE, the Hong Kong Institute of Education & International Society for Music Education (ISME), Hong Kong, pp. 19-30.

Dillon, Steven C., Bartleet, Brydie-Leigh, & Leong, Samuel (2012) Editorial. International Journal of Community Music, 5(1), pp. 3-9.

Dillon, Steven C. & Brown, Andrew R. (2007) Realising the possibilities of technology in music education research and philosophy. In Fifth International Research in Music Education Conference, 10th- 14th April 2007, Exeter, UK. (Unpublished)
Number of full-text downloads 191

Dillon, Steven C. & Brown, Andrew R. (2011) Sound thinking : tips and tools for understanding popular music. Exploding Art Pty Ltd, Brisbane, QLD.
Number of full-text downloads 42

Dillon, Steven C. & Brown, Andrew R. (2010) The educational affordances of generative media in arts education. In Chova, L. Gómez, Belenguer, D. Martí, & Torres, I. Candel (Eds.) INTED2010 Proceedings CD, International Association of Technology, Education and Development (IATED), Hotel SH Valencia Palace, Valencia, Spain, 005311-005320.
Number of full-text downloads 107

Dillon, Steven C. & Chapman, James N. (2005) Without a Song you are Nothing' Songwriter's Perspectives on Indigenising Tertiary Music and Sound Curriculum. In Drummond, John, Sheehan Campbell, Patricia, & Dunbar Hall, Peter (Eds.) Cultural diversity in music education : directions and challenges for the 21st century. Australian Academic Press, Brisbane, pp. 189-198.

Dillon, Steven C., Seeto, Deidre, & Berry, Anne (2011) Ezine and iRadio as knowledge creation metaphors for scaffolding learning in physical and virtual learning spaces. In Keppell, Mike, Souter, Kay, & Riddle, Matthew (Eds.) Physical and Virtual Learning Spaces in Higher Education : Concepts for the Modern Learning Environment. IGI Global, Hershey PA, pp. 163-181.

G

Gerber, Anna M. & Brown, Andrew R. (2006) Visualising Music with Impromptu. In Australasian Computer Music Conference, July 2006, Adelaide, Australia.
Number of full-text downloads 292

Gifford, Toby M. & Brown, Andrew R. (2006) The Ambidrum: Automated Rhythmic Improvisation. In Australasian Computer Music Conference, July 2006, Adelaide, Australia.
Number of full-text downloads 178

Gifford, Toby M. & Brown, Andrew R. (2008) Listening for noise: An approach to percussive onset detection. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydeny.
Number of full-text downloads 366

Graham, Philip W. (2013) Music as innovation system. Music Forum, 20(1), p. 48.

Graham, Philip W. (2013) Music streaming revenue structures stacked against artists. The Conversation.

H

Hedemann, Callum L., Sorensen, Andrew C., & Brown, Andrew R. (2008) Metascore: User Interface Design for Generative Film Scoring. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.
Number of full-text downloads 855

Hewitt, Donna G. (2006) Compositions for Voice and Technology. University of Western Sydney, Penrith.
Number of full-text downloads 942

Hewitt, Donna G. (2003) EMIC - Compositional experiments and real-time mapping issues in performance. In Vickery, Lindsay (Ed.) Australasian Computer Music Association Conference 2003 - Converging Technologies, 5th - 7th July 2003, Western Australian Academy of Performing Arts at Edith Cowan University, Perth, Australia.
Number of full-text downloads 243

Hewitt, Donna G. (2006) The Mill on the Floss: A Case Study in the use of Voice and Electronics in the Theatre. In Wilkie, Sonia & Haines, Christian (Eds.) Australasian Computer Music Conference - ACMC-06, July, 2006, Adelaide Elder Conservatorium.
Number of full-text downloads 469

Hewitt, Donna G. & Hood, Anthony (2006) Studio Report – Sydney Conservatorium of Music, University of Sydney. In Wilkie, Sonia & Haines, Christian (Eds.) Meditations Australasian Computer Music Conference 2006, 11-14th July 2006, University of Adelaide, Adelaide, South Australia.
Number of full-text downloads 381

Hewitt, Donna G. & Stevenson, Ian (2003) Emic - Extended Mic-stand Interface Controller. In Thibault, Francois (Ed.) New Interfaces for Musical Expression NIME-03, May 22-24, 2003, McGill University- Montreal, QC, Canada.
Number of full-text downloads 412

Howlett, Mike (2007) Fixing the volatile : studio vocal performance techniques. In Journal of the Art of Record Production, Queensland University of Technology, Brisbane.
Number of full-text downloads 203

Howlett, Mike (2009) Performing for (and against) the microphone : personal takes : producing a credible vocal. In Cook, Nicholas, Clarke, Eric, Leech-Wilkinson, Daniel, & Rink, John (Eds.) The Cambridge Companion to Recorded Music. Cambridge University Press, Cambridge, pp. 30-31.

Howlett, Mike (2009) The record producer as nexus : creative inspiration, technology and the recording industry. PhD thesis, University of Glamorgan.
Number of full-text downloads 291

K

King, Andrew S. (2010) 'Black is beautiful', and Indigenous : Aboriginal authorship in Australian popular music. Continuum : Journal of Media and Cultural Studies, 24(4), pp. 533-542.
Number of full-text downloads 753

Knowles, Julian D. (2006) Alva Noto. Filter, 62(March 06 - June 06), pp. 17-19.
Number of full-text downloads 310

Knowles, Julian D. (2008) Australian Musical Futures: The New Music Industry. In Australian Musical Futures: Towards 2020, September 5, 2008, Sydney Conservatorium of Music, Sydney, Australia. (Unpublished)
Number of full-text downloads 1,142

Knowles, Julian D. (2008) Liminal Electronic Musics: Post-Punk Experimentation in Australia in the 1970s-1980s. In Wilkie, Sonia & Hood, Anthony (Eds.) 'Sound : Space' Australasian Computer Music Conference, 2008, July 10-12, 2008, Sydney Conservatorium of Music, University of Sydney.
Number of full-text downloads 548

Knowles, Julian D. (2008) Setting the scene: Developments in Australian experimental music since the mid-1990s. In Priest, Gail (Ed.) Experimental Music: Audio Explorations in Australia. UNSW Press, Sydney, pp. 6-25.
Number of full-text downloads 44

Knowles, Julian D. (2007) Sound Art and the Extended University. RealTime: +onscreen, p. 24.
Number of full-text downloads 108

Knowles, Julian D. (2007) A Survey of Web 2.0 Music Trends and Some Implications for Tertiary Music Communities. In Grant, Catherine (Ed.) Music in Australian Tertiary Institutions: Issues for the 21st Century, June 29-July 1, Queensland Conservatorium Griffith University, Brisbane, Australia.
Number of full-text downloads 1,478

Knowles, Julian D., Fahey, Shane, & Rue, Rik (2007) Social Interiors 'Spatial Circumference'. [UNSPECIFIED]
Number of full-text downloads 42

L

Livingstone, Steven R. & Brown, Andrew R. (2005) Dynamic Response: Real-Time Adaptation for Music Emotion. In Second Australasian conference on Interactive entertainment, Sydney.
Number of full-text downloads 523

Livingstone, Steven R., Brown, Andrew R., & Muhlberger, Ralf (2005) Influencing the Perceived Emotions of Music with Intent. In Innocent, Troy (Ed.) 3rd Iteration, December 2005, Melbourne.
Number of full-text downloads 859

Livingstone, Steven R., Brown, Andrew R., & Muhlberger, Ralf (2005) Playing With Affect: Music performance with awareness of score and audience. In Opie, Tim & Brown, Andrew R. (Eds.) Australasian Computer Music Conference, July 2005, Brisbane, Australia.
Number of full-text downloads 1,043

Livingstone, Steven R., Muhlberger, Ralf, Brown, Andrew R., & Loch, Andrew (2007) Controlling musical emotionality: an affective computational architecture for influencing musical emotions. Digital Creativity, 18(1), pp. 43-53.
Number of citations in Scopus 20
Number of citations in Web of Science® 13

M

Mafe, Daniel J. & Brown, Andrew R. (2006) Emergent Matters: Reflections on Collaborative Practice-led Research. In Speculation and Innovation, April 2005, QUT Brisbane, Australia.
Number of full-text downloads 492

McCombe, Christine (2001) Imagining space through sound. In UK and Ireland Soundscape Community Conference: Sound Practice, 16-20 Feb, Dartington, Devon, UK.
Number of full-text downloads 1,420

McCombe, Christine (2003) An Opera of Clouds : Time and Space in mixed media performance. In Australasian Computer Music Association Conference: Converginh Technologies., 5-7 July, Melbourne, Victoria..
Number of full-text downloads 540

Montgomery, Lucy (2007) China's Film and Music Industries: Copyright, Business Models and Lessons for Developed Markets? In Defining the Field: Themes in Contemporary China Studies, 12-15 April 2007, Cambridge University, United Kingdom. (Unpublished)

Montgomery, Lucy (2005) Ringtones may be music to Chinese ears. Asia Times Online.
Number of full-text downloads 163

N

Ninan, Abraham, Oakley, Kate, & Hearn, Gregory N. (2004) Queensland Music Industry Trends: Independence Day? CIRAC, Creative Industries Faculty, QUT.
Number of full-text downloads 2,087

O

Opie, Timothy T. & Brown, Andrew R. (2006) An Introduction to Eco-Structuralism. In International Computer Music Conference, New Orleans, USA.
Number of full-text downloads 492

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Procopis, Brian & Dillon, Steven C. (2011) Voices of the Unheard. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 165-184.

R

Radbourne, Jennifer & Arthurs, Andy (2007) Adapting musicology for commercial outcomes. In Radbourne, Jennifer & Arthurs, Andy (Eds.) Valencia Spain - 9th International Conference on Arts and Cultural Management (AIMAC 2007), 8-11 July, Valencia, Spain.
Number of full-text downloads 373

Rogers, Ian K., Ninan, Abraham, Hearn, Gregory N., Cunningham, Stuart D., & Luckman, Susan H. (2004) Queensland Music Industry Value Web: From the Margins to the Mainstream. CIRAC, Creative Industries Faculty, QUT.
Number of full-text downloads 1,378

S

Schwartz, Barry, The Arterial Group,, & Armstrong, Keith M. (2001) Elektrosonic Interference:The Arterial Group and Barry Schwartz. [Performance]

Sorensen, Andrew C. & Brown, Andrew R. (2008) A Computational Model For The Generation Of Orchestral Music In The Germanic Symphonic Tradition: A progress report. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.
Number of full-text downloads 271

Starrs, D. Bruno (2008) Graham Tardif and the aural auteur. RealTime: +onscreen, p. 27.
Number of full-text downloads 85

Starrs, D. Bruno (2007) The Seven Streams of the River Ota. In Cody, Gabrielle H. & Sprinchorn, Evert (Eds.) The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, pp. 1214-1215.

T

Towsey, Michael W., Brown, Andrew R., Wright, Susan K., & Diederich, Joachim (2001) Towards melodic extension using genetic algorithms. Educational Technology & Society, 4(2), pp. 54-65.
Number of full-text downloads 804
Number of citations in Scopus 17

W

Willsteed, Terence John (2011) View from a bridge : what makes a musical city. In Byrne, Jean (Ed.) Creative Workers in Creative Cities, 5-6 May 2011, Barcelona, Spain.
Number of full-text downloads 173

Wooller, Rene (2006) Review of Composition Morphing: Works, Techniques, Applications and Possibilities. In Wilkie, S & Haines, C (Eds.) Medi(t)ations: Computers/Music/Intermedia: Proceedings of the Australasian Computer Music Conference 2006, 11-14 July 2006, Australia, South Australia, Adelaide.

Wooller, Rene, Brown, Andrew R, Miranda, Eduardo, Diederich, Joachim, & Berry, Rodney (2005) A framework for comparison of process in algorithmic music systems. In David, Burraston & Ernest, Edmonds (Eds.) Generative Arts Practice, 5-7 December 2005, Sydney, Australia.
Number of full-text downloads 1,117

Wooller, Rene W. & Brown, Andrew R. (2008) A framework for discussing tonality in electronic dance music. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.
Number of full-text downloads 336

This list was generated on Sat Aug 23 08:31:44 2014 EST.