Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > PERFORMING ARTS AND CREATIVE WRITING (190400) > Musicology and Ethnomusicology (190409)"

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Number of items at this level: 143.

Book

Brader, Andy (2011) Songs of Resilience. Meaningful Music Making For Life, 3. Cambridge Scholars Publishing, United Kingdom.
Number of full-text downloads 486

Dillon, Steven C. (2007) Music meaning and transformation: meaningful music making for life. Cambridge Scholars Publishing, Newcastle, United Kingdom.
Number of full-text downloads 2,200

Dillon, Steven C. & Brown, Andrew R. (2011) Sound thinking : tips and tools for understanding popular music. Exploding Art Pty Ltd, Brisbane, QLD.
Number of full-text downloads 59

Book Chapter

Arthurs, Andrew C. & Vella, Richard J. (2000) Musical Environments: A Manual for Listening, Improvising and Composing. Special Topics and Appendix 2. In Musical Environments. Currency Press Ltd, Sydney.

Arthurs, Andy C. & Vella, Richard J. (2003) Sounds in Space, Sounds in Time. In Vella, Richard J. (Ed.) Sounds in Space. Sounds in Time. Boosey & Hawkes Music Publishers, London, UK, pp 21 ; 26 ; 33 ; 40-41 ; 53.

Brown, Andrew R. & Dillon, Steven C. (2007) Networked improvisational musical environments : learning through online collaborative music making. In Finney, John & Burnard, Pamela (Eds.) Teaching Music in the Digital Age. Continuum International Publishing Group, pp. 96-106.

Brown, Andrew R. & Sorensen, Andrew C. (2009) Integrating Creative Practice and Research in the Digital Media Arts. In Smith, Hazel & Dean, Roger (Eds.) Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh University Press, Edinburgh, pp. 153-165.
Number of full-text downloads 258

Bruns, Axel (2008) Futures for Webcasting: Regulatory Approaches in Australia and the U.S. In Bloustien, Gerry, Peters, Margaret, & Luckman, Susan (Eds.) Sonic Synergies: Music, Technology, Community, Identity. Ashgate, Aldershot, UK, pp. 25-34.

Davidson, Robert A. (2002) Terry Riley. In Sitsky, Larry (Ed.) Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. Greenwood Press, Westport, Conn., pp. 391-397.

Dillon, Steven C. (2009) Examining meaningful engagement : musicology and virtual music making environments. In Mackinlay, Elizabeth & Bartleet, Brydie-Lee (Eds.) Islands : Proceedings of the Musicological Society of Australasia. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 297-310.
Number of full-text downloads 157

Dillon, Steven C. (2011) Music is a Wordless Knowing of Others : Resilience in Virtual Ensembles. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, p. 239.

Dillon, Steven C. (2006) jam2jam: Networked Improvisational Musical Environments. In Leung, Bo Wah & Moore, Marvelene (Eds.) School Music and Teacher Education: A Global Perspective in the New Century. Hong Kong: Department of CAPE, the Hong Kong Institute of Education & International Society for Music Education (ISME), Hong Kong, pp. 19-30.

Dillon, Steven C. & Chapman, James N. (2005) Without a Song you are Nothing' Songwriter's Perspectives on Indigenising Tertiary Music and Sound Curriculum. In Drummond, John, Sheehan Campbell, Patricia, & Dunbar Hall, Peter (Eds.) Cultural diversity in music education : directions and challenges for the 21st century. Australian Academic Press, Brisbane, pp. 189-198.

Dillon, Steven C., Seeto, Deidre, & Berry, Anne (2011) Ezine and iRadio as knowledge creation metaphors for scaffolding learning in physical and virtual learning spaces. In Keppell, Mike, Souter, Kay, & Riddle, Matthew (Eds.) Physical and Virtual Learning Spaces in Higher Education : Concepts for the Modern Learning Environment. IGI Global, Hershey PA, pp. 163-181.

Howlett, Mike (2009) Performing for (and against) the microphone : personal takes : producing a credible vocal. In Cook, Nicholas, Clarke, Eric, Leech-Wilkinson, Daniel, & Rink, John (Eds.) The Cambridge Companion to Recorded Music. Cambridge University Press, Cambridge, pp. 30-31.

Knowles, Julian D. (2008) Setting the scene: Developments in Australian experimental music since the mid-1990s. In Priest, Gail (Ed.) Experimental Music: Audio Explorations in Australia. UNSW Press, Sydney, pp. 6-25.
Number of full-text downloads 45

Procopis, Brian & Dillon, Steven C. (2011) Voices of the Unheard. In Brader, Andy (Ed.) Songs of Resilience. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 165-184.

Journal Article

Brown, Andrew R. (2007) Code Jamming. M/C: a journal of media and culture, 9(6).
Number of full-text downloads 331

Brown, Andrew R. (1998) Composing by Pen: Exploring the effectiveness of a system for writing music notation on computers via pen input. Australian Journal of Music Education, 1998(1), pp. 48-56.

Brown, Andrew R. (1995) Digital Technology and the Study of Music. International Journal of Music Education, 25(1), pp. 14-19.
Number of full-text downloads 564

Brown, Andrew R. (1999) An Introduction to Music Analysis with Computer. XArt Online Journal, 4(1).
Number of full-text downloads 897

Brown, Andrew R. (2001) Modes of Compositional Engagement. Mikropolyphony, 6.
Number of full-text downloads 728

Brown, Andrew R. (2007) Software Development as Music Education Research. International Journal of Education & the Arts, 8(6).
Number of full-text downloads 400

Brown, Andrew R. (1994) Teaching Synthesizer Performance. Research Studies in Music Education, -(3), pp. 25-35.

Brown, Andrew R. (2004) An aesthetic comparison of rule-based and genetic algorithms for generating melodies. Organised Sound, 9(2), pp. 191-198.
Number of full-text downloads 245

Brown, Andrew R. & Dillon, Steve C. (2011) eBILITY : from tool use to partnerships. Journal of Music, Technology and Education, 4(2-3), pp. 201-215.
Number of full-text downloads 123

Brown, Andrew R. & Dillon, Steven C. (2006) ePortfolios in Arts Learning and Assessment. Music Education Research and Innovation, 12(1), pp. 7-36.

Burgess, Jean E. (2005) Sounds in Social Space: Topology and Their Audience as a Subculture. Sounds Australian Journal, 65.

Davidson, Robert A. (2002) Adams' Faith in Music. The Courier Mail, 7 March 2, p. 12.
Number of full-text downloads 67

Davidson, Robert A. (2001) Anumadutchi & The Queensland Orchestra: united by Brophy. RealTime: +onscreen.
Number of full-text downloads 57

Davidson, Robert A. (2001) ELISION: sonic gastronomy. RealTime: +onscreen.
Number of full-text downloads 157

Davidson, Robert A. (1998) The Elena interview : Robert Davidson interviews composer Elena Kats-Chernin. Music Forum, 4(2), pp. 16-19.
Number of full-text downloads 837

Davidson, Robert A. (2001) Louis Andriessen and Orkest de Volharding: seeing is hearing. RealTime: +onscreen.
Number of full-text downloads 298

Davidson, Robert A. (2001) New opera takes us into ourselves. The Courier Mail, 16 August, p. 19.
Number of full-text downloads 90

Davidson, Robert A. (2001) Now Hear This. 24 Hours, p. 12.
Number of full-text downloads 122

Davidson, Robert A. (2001) Sound and Fury. 24 Hours, p. 72.
Number of full-text downloads 196

Davidson, Robert A. (2001) Thank you for the music. 24 Hours, pp. 20-21.
Number of full-text downloads 1,121

Dillon, Steve, Myllykoski, Mikko, Rantalainen, Aapo, Ruthmann, S. Alex, Thorgersen, Ketil, & Väkevä, Lauri (2012) Open source [Editorial]. Journal of Music, Technology and Education, 5(2), pp. 129-132.

Dillon, Steve C. (2012) An open-source approach to music education through jam2jam XO. Journal of Music, Technology and Education, 5(2), pp. 171-180.

Dillon, Steven C. (2007) Before the eyes glaze over. Music Forum, 13(1), pp. 32-33.
Number of full-text downloads 157

Dillon, Steven C. (2007) Maybe we can find Some Common Ground: Indigenous Perspectives, a Music Teacher's Story. Australian Journal of Indigenous Education, 36S, pp. 59-65.
Number of full-text downloads 573

Dillon, Steven C., Bartleet, Brydie-Leigh, & Leong, Samuel (2012) Editorial. International Journal of Community Music, 5(1), pp. 3-9.

Graham, Philip W. (2013) Music as innovation system. Music Forum, 20(1), p. 48.

Graham, Philip W. (2013) Music streaming revenue structures stacked against artists. The Conversation.

King, Andrew S. (2010) 'Black is beautiful', and Indigenous : Aboriginal authorship in Australian popular music. Continuum : Journal of Media and Cultural Studies, 24(4), pp. 533-542.
Number of full-text downloads 868

Knowles, Julian D. (2006) Alva Noto. Filter, 62(March 06 - June 06), pp. 17-19.
Number of full-text downloads 345

Knowles, Julian D. (2007) Sound Art and the Extended University. RealTime: +onscreen, p. 24.
Number of full-text downloads 151

Livingstone, Steven R., Muhlberger, Ralf, Brown, Andrew R., & Loch, Andrew (2007) Controlling musical emotionality: an affective computational architecture for influencing musical emotions. Digital Creativity, 18(1), pp. 43-53.
Number of citations in Scopus 22
Number of citations in Web of Science® 13

Montgomery, Lucy (2005) Ringtones may be music to Chinese ears. Asia Times Online.
Number of full-text downloads 181

Starrs, D. Bruno (2008) Graham Tardif and the aural auteur. RealTime: +onscreen, p. 27.
Number of full-text downloads 97

Towsey, Michael W., Brown, Andrew R., Wright, Susan K., & Diederich, Joachim (2001) Towards melodic extension using genetic algorithms. Educational Technology & Society, 4(2), pp. 54-65.
Number of full-text downloads 872
Number of citations in Scopus 20

Conference Paper

Arthurs, Andrew C. (2001) Creative industries' impact on music. In 2001 NACTMUS Conference, Creating Musical Futures: Challenges to Music Education in the 21st Century, June 30- July 2, 2001, Byron Bay.
Number of full-text downloads 279

Arthurs, Andy & Radbourne, Jennifer J. (2007) The orchestra re-imagined. In Grant, Catherine (Ed.) National Council for Tertiary Music Schools (NACTMUS) National Conference 2007, Music in Australian Tertiary Institutions, Issues for the 2st Century, 9 June - 1 July, Queensland Conservatorium Griffith University, Brisbane, Australia.
Number of full-text downloads 371

Brennan, Marc A. (2002) Yet Another Reason to Hate Oasis: Circulation and Branding in the UK Music Press. In Crowdy, Denis, Homan, Shane, & Mitchell, Tony (Eds.) Musical In-Between-Ness: The Proceedings of the 8th IASPM Australia - New Zealand Conference, 27-29 September, Sydney, Australia.
Number of full-text downloads 1,957

Brown, Andrew (2004) Playing with Dynamic Sound. In Edmonds, Ernest & Gibson, Ross (Eds.) Interaction: System, Practice, Theory, 16-19 November 2004, Sydney, Australia.
Number of full-text downloads 119

Brown, Andrew & Jenkins, Greg (2004) The Interactive Dynamic Stochastic Synthesizer. In Norris, Michael (Ed.) Australasian Computer Music Conference, 1-3 July 2004, Wellington, New Zealand.
Number of full-text downloads 387

Brown, Andrew & Wooller, Rene (2005) Investigating Morphing Algorithms for Generative Music. In Innocent, T (Ed.) Procedings of Third Iteration, 30 November - 2 December 2005, Australia, Victoria, Melbourne.

Brown, Andrew R. (1996) The Art of Engaging: Implications for computer music systems. In Brown, Andrew R. (Ed.) Australian Computer Music Conference, July 12-14 1996, Brisbane, Australia.
Number of full-text downloads 124

Brown, Andrew R. (2003) Australasian digital instrument building. In Australasian Computer Music Association Conference 2003: Converging Technologies., 5th - 7th July, 2003, Edith Cowan University Mount Lawley, Western Australia.
Number of full-text downloads 844

Brown, Andrew R. (1997) Changing Technologies, Changing Minds: Taking account of music technologies in the curriculum1. In Gifford, E, Brown, A.R., & Thomas, A (Eds.) Australian Society for Music Education XI National Conference.
Number of full-text downloads 166

Brown, Andrew R. (1998) Composer Views: Context in the use of computers for musical composition. In Actes des Journees d'Imformatique Musicale 1998, 1998, France.
Number of full-text downloads 134

Brown, Andrew R. (2005) Extending Dynamic Stochastic Synthesis. In International Computer Music Conference, 5-9 September 2005, Barcelona, Spain.
Number of full-text downloads 419

Brown, Andrew R. (2005) Generative Music in Live Performance. In Opie, Timothy T. & Brown, Andrew R. (Eds.) Australasian Computer Music Conference, July 12-14, Brisbane.
Number of full-text downloads 526

Brown, Andrew R. (2001) How the computer assists composers: A survey of contemporary practise. In Knowles, Julian (Ed.) Australasian Computer Music Conference, June 2001, University of Western Sydney.
Number of full-text downloads 338

Brown, Andrew R. (2002) Opportunities for Evolutionary Music Composition. In Doornbusch, Paul (Ed.) Australasian Computer Music Conference, Melbourne.
Number of full-text downloads 577

Brown, Andrew R. (1999) Tools and Outcomes: Computer music systems and musical directions. In Australasian Computer Music Conference 1999, July 7, Wellington, New Zealand.
Number of full-text downloads 175

Brown, Andrew R. & Sorensen, Andrew C. (2000) Introducing jMusic. In Brown, Andrew R. & Wilding, Richard (Eds.) Australasian Computer Music Conference, 5-8 July 2000, Queensland University of Technology, Brisbane.
Number of full-text downloads 1,186

Brown, Andrew R., Towsey, Michael W., Wright, Susan K., & Deiderich, Joachim (2001) Statistical Analysis of the features of diatonic music using jMusic software. In Computing ARTS 2001 – Digital resources for research in the Humanities, 26-28th September, 2001, Sydney, Australia: The University of Sydney..
Number of full-text downloads 663

Brown, Andrew R., Wooller, Rene W., & Kate, Thomas (2007) The Morph Table: A collaborative interface for musical interaction. In Riddel, Alistair & Thorogood, Alex (Eds.) Australiasian Computer Music Conference, 19-21 June 2007, Canberra, Australia.

Brown, Hugh D. (2006) A Digital Business Model for Independent Musicians. In Association of Internet Researchers Doctoral Colloquium, 27 September 2006, Brisbane. (Unpublished)
Number of full-text downloads 2,082

Burnard, Pamela, Dillon, Steven C., Rusinek, Gabriel, & Saether, Eva (2007) Promoting social inclusion in music education - International comparisons of key issues of teaching and learning as perceived by music teachers from four countries. In Research in Music Education, April 10th- 14th 2007, Exeter , UK. (Unpublished)
Number of full-text downloads 331

Chapman, James & Thomas, Adrian (2004) Learning and Teaching Music Online: The Case of Orchestration. In Carrington, N (Ed.) OLT 2004 Conference Proceedings. Online Learning and Teching Conference. Exploring Integrated Learning Environments., 3 November 2004, Brisbane, QLD.

Dillon, Steven (2004) Music, Meaning and Transformation. In Giraldez, A, Aramberri, M, Aautista, F, Diaz, M, Hentschke, L, & Hookey, M (Eds.) Sound Worlds to Discover: ISME 2004 Proceedings, 11-16 July 2004, Tenerife, Spain.

Dillon, Steven (2006) Save to DISC: Documenting, Designing, Evaluating and Presenting Innovation. In Vella, R (Ed.) Speculation and Innovation: Applying Practice Led Research in the Creative Industries, 30 March - 1 April 2005, Australia, Queensland, Brisbane.

Dillon, Steven & Stewart, Donald (2006) Songs of Resilience. In Sims, W & Tahir, R (Eds.) Proceedings 27th World Conference of the International Society for Music Education, 16 - 21 July 2006, Malaysia, Kuala Lumpur.

Dillon, Steven C (2007) Music, Meaning and Transformation:meaningful music making for life. In Murillo, Javier & Molina, Emilio (Eds.) 26th International Society for Music Education Conference,, 14-18 July 2004, Tenerife, Spain..

Dillon, Steven C. (2007) Examining meaningful engagement: Musicology and virtual music making environments. In ISLANDS - Conference of the Australian and New Zealand Musicological Societies, 22-25 November 2007, Brisbane. (Unpublished)
Number of full-text downloads 229

Dillon, Steven C. (2009) Generative systems as relational bridges. In Proceedings of the The 32nd National Conference of the Musicological Society of Australia : BRIDGES, University of Newcastle, New South Wales.
Number of full-text downloads 46

Dillon, Steven C. (2004) Modelling, meaning through software design. In Stevens, Robyn & Russell Bowie, Deidre (Eds.) Australian Association for Research in Music Education, 25th-28th September 2004, Tweed Heads, New South Wales.
Number of full-text downloads 291

Dillon, Steven C. (2004) Save to DISC: documenting innovation in music learning. In Stevens, Robyn & Russell Bowie, Deidre (Eds.) Australian Association for Research in Music Education, 25th-28th September 2004, Tweed Heads, New South Wales.
Number of full-text downloads 587

Dillon, Steven C. & Brown, Andrew R. (2007) Realising the possibilities of technology in music education research and philosophy. In Fifth International Research in Music Education Conference, 10th- 14th April 2007, Exeter, UK. (Unpublished)
Number of full-text downloads 205

Dillon, Steven C. & Brown, Andrew R. (2010) The educational affordances of generative media in arts education. In Chova, L. Gómez, Belenguer, D. Martí , & Torres, I. Candel (Eds.) INTED2010 Proceedings CD, International Association of Technology, Education and Development (IATED), Hotel SH Valencia Palace, Valencia, Spain, 005311-005320.
Number of full-text downloads 118

Gerber, Anna M. & Brown, Andrew R. (2006) Visualising Music with Impromptu. In Australasian Computer Music Conference, July 2006, Adelaide, Australia.
Number of full-text downloads 302

Gifford, Toby M. & Brown, Andrew R. (2006) The Ambidrum: Automated Rhythmic Improvisation. In Australasian Computer Music Conference, July 2006, Adelaide, Australia.
Number of full-text downloads 183

Gifford, Toby M. & Brown, Andrew R. (2008) Listening for noise: An approach to percussive onset detection. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydeny.
Number of full-text downloads 393

Hedemann, Callum L., Sorensen, Andrew C., & Brown, Andrew R. (2008) Metascore: User Interface Design for Generative Film Scoring. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.
Number of full-text downloads 919

Hewitt, Donna G. (2003) EMIC - Compositional experiments and real-time mapping issues in performance. In Vickery, Lindsay (Ed.) Australasian Computer Music Association Conference 2003 - Converging Technologies, 5th - 7th July 2003, Western Australian Academy of Performing Arts at Edith Cowan University, Perth, Australia.
Number of full-text downloads 321

Hewitt, Donna G. (2006) The Mill on the Floss: A Case Study in the use of Voice and Electronics in the Theatre. In Wilkie, Sonia & Haines, Christian (Eds.) Australasian Computer Music Conference - ACMC-06, July, 2006, Adelaide Elder Conservatorium.
Number of full-text downloads 509

Hewitt, Donna G. & Hood, Anthony (2006) Studio Report – Sydney Conservatorium of Music, University of Sydney. In Wilkie, Sonia & Haines, Christian (Eds.) Meditations Australasian Computer Music Conference 2006, 11-14th July 2006, University of Adelaide, Adelaide, South Australia.
Number of full-text downloads 437

Hewitt, Donna G. & Stevenson, Ian (2003) Emic - Extended Mic-stand Interface Controller. In Thibault, Francois (Ed.) New Interfaces for Musical Expression NIME-03, May 22-24, 2003, McGill University- Montreal, QC, Canada.
Number of full-text downloads 440

Howlett, Mike (2007) Fixing the volatile : studio vocal performance techniques. In Journal of the Art of Record Production, Queensland University of Technology, Brisbane.
Number of full-text downloads 254

Knowles, Julian D. (2008) Australian Musical Futures: The New Music Industry. In Australian Musical Futures: Towards 2020, September 5, 2008, Sydney Conservatorium of Music, Sydney, Australia. (Unpublished)
Number of full-text downloads 1,509

Knowles, Julian D. (2008) Liminal Electronic Musics: Post-Punk Experimentation in Australia in the 1970s-1980s. In Wilkie, Sonia & Hood, Anthony (Eds.) 'Sound : Space' Australasian Computer Music Conference, 2008, July 10-12, 2008, Sydney Conservatorium of Music, University of Sydney.
Number of full-text downloads 694

Knowles, Julian D. (2007) A Survey of Web 2.0 Music Trends and Some Implications for Tertiary Music Communities. In Grant, Catherine (Ed.) Music in Australian Tertiary Institutions: Issues for the 21st Century, June 29-July 1, Queensland Conservatorium Griffith University, Brisbane, Australia.
Number of full-text downloads 1,647

Livingstone, Steven R. & Brown, Andrew R. (2005) Dynamic Response: Real-Time Adaptation for Music Emotion. In Second Australasian conference on Interactive entertainment, Sydney.
Number of full-text downloads 589

Livingstone, Steven R., Brown, Andrew R., & Muhlberger, Ralf (2005) Influencing the Perceived Emotions of Music with Intent. In Innocent, Troy (Ed.) 3rd Iteration, December 2005, Melbourne.
Number of full-text downloads 933

Livingstone, Steven R., Brown, Andrew R., & Muhlberger, Ralf (2005) Playing With Affect: Music performance with awareness of score and audience. In Opie, Tim & Brown, Andrew R. (Eds.) Australasian Computer Music Conference, July 2005, Brisbane, Australia.
Number of full-text downloads 1,079

Mafe, Daniel J. & Brown, Andrew R. (2006) Emergent Matters: Reflections on Collaborative Practice-led Research. In Speculation and Innovation, April 2005, QUT Brisbane, Australia.
Number of full-text downloads 551

McCombe, Christine (2001) Imagining space through sound. In UK and Ireland Soundscape Community Conference: Sound Practice, 16-20 Feb, Dartington, Devon, UK.
Number of full-text downloads 1,535

McCombe, Christine (2003) An Opera of Clouds : Time and Space in mixed media performance. In Australasian Computer Music Association Conference: Converginh Technologies., 5-7 July, Melbourne, Victoria..
Number of full-text downloads 578

Montgomery, Lucy (2007) China's Film and Music Industries: Copyright, Business Models and Lessons for Developed Markets? In Defining the Field: Themes in Contemporary China Studies, 12-15 April 2007, Cambridge University, United Kingdom. (Unpublished)

Opie, Timothy T. & Brown, Andrew R. (2006) An Introduction to Eco-Structuralism. In International Computer Music Conference, New Orleans, USA.
Number of full-text downloads 568
Number of citations in Scopus 1

Radbourne, Jennifer & Arthurs, Andy (2007) Adapting musicology for commercial outcomes. In Radbourne, Jennifer & Arthurs, Andy (Eds.) Valencia Spain - 9th International Conference on Arts and Cultural Management (AIMAC 2007), 8-11 July, Valencia, Spain.
Number of full-text downloads 390

Sorensen, Andrew C. & Brown, Andrew R. (2008) A Computational Model For The Generation Of Orchestral Music In The Germanic Symphonic Tradition: A progress report. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.
Number of full-text downloads 287

Wooller, Rene (2006) Review of Composition Morphing: Works, Techniques, Applications and Possibilities. In Wilkie, S & Haines, C (Eds.) Medi(t)ations: Computers/Music/Intermedia: Proceedings of the Australasian Computer Music Conference 2006, 11-14 July 2006, Australia, South Australia, Adelaide.

Wooller, Rene, Brown, Andrew R, Miranda, Eduardo, Diederich, Joachim, & Berry, Rodney (2005) A framework for comparison of process in algorithmic music systems. In David, Burraston & Ernest, Edmonds (Eds.) Generative Arts Practice, 5-7 December 2005, Sydney, Australia.
Number of full-text downloads 1,265

Wooller, Rene W. & Brown, Andrew R. (2008) A framework for discussing tonality in electronic dance music. In Wilkie, Sonia & Hood, Anthony (Eds.) Sound : Space - The Australasian Computer Music Conference, 13 July 2008, Sydney.
Number of full-text downloads 389

Conference Item

Willsteed, Terence John (2011) View from a bridge : what makes a musical city. In Byrne, Jean (Ed.) Creative Workers in Creative Cities, 5-6 May 2011, Barcelona, Spain.
Number of full-text downloads 205

Creative Work

Davidson, Robert A., Connolly, Gerry, Powell, Christa M., Patterson, Michael D., Davidson, Kylie J., & Babbage, John R. (2007) North of the Border. [Live Performance (Music)]
Number of full-text downloads 46

Knowles, Julian D., Fahey, Shane, & Rue, Rik (2007) Social Interiors 'Spatial Circumference'. [UNSPECIFIED]
Number of full-text downloads 42

Schwartz, Barry, The Arterial Group, , & Armstrong, Keith M. (2001) Elektrosonic Interference:The Arterial Group and Barry Schwartz. [Performance]

Reference Entry

Starrs, D. Bruno (2007) The Seven Streams of the River Ota. In Cody, Gabrielle H. & Sprinchorn, Evert (Eds.) The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, pp. 1214-1215.

Report

Cox, Stephen D., Ninan, Abraham, Hearn, Gregory N., Roodhouse, Simon C., & Cunningham, Stuart D. (2004) Queensland Music Industry Basics: People, Businesses and Markets. CIRAC, Creative Industries Faculty, QUT.
Number of full-text downloads 1,981

Ninan, Abraham, Oakley, Kate, & Hearn, Gregory N. (2004) Queensland Music Industry Trends: Independence Day? CIRAC, Creative Industries Faculty, QUT.
Number of full-text downloads 2,162

Rogers, Ian K., Ninan, Abraham, Hearn, Gregory N., Cunningham, Stuart D., & Luckman, Susan H. (2004) Queensland Music Industry Value Web: From the Margins to the Mainstream. CIRAC, Creative Industries Faculty, QUT.
Number of full-text downloads 1,422

Review

Armstrong, Keith M. (2002) Abandon sight ye who enter here. Realtime, 49(Oct-Nov 2002).

Armstrong, Keith M. (2002) (R)everse (E)ngineering (V)irtual Fabrications. Realtime, 49(June-July 2002).

Thesis

Davidson, Robert A. (2001) Folio of compositions with critical commentary. University of Queensland.

Hewitt, Donna G. (2006) Compositions for Voice and Technology. University of Western Sydney, Penrith.
Number of full-text downloads 985

Howlett, Mike (2009) The record producer as nexus : creative inspiration, technology and the recording industry. PhD thesis, University of Glamorgan.
Number of full-text downloads 394

Working Paper

Dillon, Steven C. (2011) Designing relational pedagogies with jam2jamXO. [Working Paper] (Unpublished)
Number of full-text downloads 58

Other

Bentley, Danielle S. (2005) Australian contemporary music in Queensland. (Unpublished)

Davidson, Robert A. (1993) Arch for viola. (Unpublished)
Number of full-text downloads 67

Davidson, Robert A. (2001) Big Decisions: The Whitlam Dismissal. (Unpublished)
Number of full-text downloads 171

Davidson, Robert A. (2005) Coil for saxophone, violin, viola, double bass and piano. (Unpublished)
Number of full-text downloads 26

Davidson, Robert A. (1993) Conversations, for clarinet, viola and cello. (Unpublished)
Number of full-text downloads 82

Davidson, Robert A. (1998) Joy - a composition for three or more voices or instruments. (Unpublished)
Number of full-text downloads 40

Davidson, Robert A. (2007) Jump for solo bass clarinet.
Number of full-text downloads 202

Davidson, Robert A. (2000) Landscape for guitar and string quartet. (Unpublished)
Number of full-text downloads 114

Davidson, Robert A. (2000) McLibel. (Unpublished)
Number of full-text downloads 164

Davidson, Robert A. (2008) Round Roads: a symphonic poem for six ensembles. (Unpublished)
Number of full-text downloads 40

Davidson, Robert A. (1996) String Quartet. (Unpublished)
Number of full-text downloads 60

Davidson, Robert A. (2007) Tune. (Unpublished)
Number of full-text downloads 25

Davidson, Robert A., Davidson, Kylie J., Hoey, Bernard, Powell, Christa M., Babbage, John R., Griswold, Erik M., et al. (2007) The Seven-headed Music Machine. (Unpublished)
Number of full-text downloads 131

Davidson, Robert A., Davidson, Kylie J., Powell, Christa M., Hoey, Bernard, & Babbage, John R. (2007) Lucid Dreaming. (Unpublished)
Number of full-text downloads 164

Davidson, Robert A., Simmons, Tara E., Powell, Christa M., Hoey, Bernard, Babbage, John R., & Griswold, Erik M. (2007) Topology and Tara Simmons. (Unpublished)
Number of full-text downloads 168

This list was generated on Sat May 2 05:26:51 2015 AEST.