Items where Subject is "Australian and New Zealand Standard Research Classification > STUDIES IN CREATIVE ARTS AND WRITING (190000) > VISUAL ARTS AND CRAFTS (190500)"
![]() | Up a level |
- Subjects classification (32824)
- Australian and New Zealand Standard Research Classification (32824)
- STUDIES IN CREATIVE ARTS AND WRITING (190000) (1649)
- VISUAL ARTS AND CRAFTS (190500) (241)
- Crafts (190501) (4)
- VISUAL ARTS AND CRAFTS (190500) (241)
- STUDIES IN CREATIVE ARTS AND WRITING (190000) (1649)
- Australian and New Zealand Standard Research Classification (32824)
Group by: Authors/Creators | Item Type
Number of items at this level: 120.
NULL
Cobcroft, Rachel S., Coates, Jessica M., & Bledsoe, Elliott (Eds.) (2008) Building an Australasian Commons : Creative Commons case studies vol. 1. Queensland University of Technology, Brisbane, Queensland.
51
51McNamara, Andrew E. & Krapp, Peter (Eds.) (2002) Medium Cool. Duke University Press / South Atlantic Quarterly (SAQ), Duke University, Durham, NC, USA.
48
48A
Armstrong, Keith M. (2005) Videos in 'Creative Queensland' presentation, World Expo, Aichi, Japan. [Creative Work]
Armstrong, Keith M., Barker, Chris, Lickfold, Luke, Pack, Darren, & Lawson, Stuart (2009) Knowmore (House of Commons). [Creative Work]
Armstrong, Keith M., Fry, Tony, Barclay, Leah, Jeremijenko, Natalie, Muller, James, Boyle, Kirsty, et al. (2012) The Remnant Emergency Artlab. [Creative Work]
Armstrong, Keith M., O'Neill, Lisa, Sade, Gavin, & Webster, Guy (2001) Liquid gold (The new adventures of Ling Change). [Creative Work]
Armstrong, Keith M., O'Neill, Lisa, & Webster, Guy (2003) Intimate transactions (stage 1). [Creative Work]
Armstrong, Keith M., O'Neill, Lisa, & Webster, Guy (2004) Intimate transactions (stage 2). [Creative Work]
Armstrong, Keith M., O'Neill, Lisa, & Webster, Guy (2005) Transmute Collective: Intimate transactions (stage 3). [Creative Work]
10
10Armstrong, Keith M., O'Neill, Lisa, Webster, Guy, & Sade, Gavin (1999) Transit Lounge - Version 1. [Creative Work]
Armstrong, Keith M., O'Neill, Lisa, Webster, Guy, & Sade, Gavin J. (2002) Transact (Flesh/Skin/Bone). [Creative Work]
Armstrong, Keith M., Vincent, Charlotte, & Webster, Guy (2006) Shifting intimacies. [Creative Work]
12
12B
Bridgstock, Ruth S. (2011) Making it creatively : building sustainable careers in the arts and creative industries. Australian Career Practitioner Magazine, 22(2), pp. 11-13.
224
224Bridgstock, Ruth S. (2012) Professional capabilities for 21st century creative careers : lessons from outstandingly successful Australian artists and designers. The International Journal of Art and Design Education. (In Press)
Brisbin, Christopher A. (2007) Cracks in the glass : the emergence of a new image typology from the spatio-temporal schisms of the ‘filmic’ Virtual Reality panorama. In 24th International Conference of the Society of Architectural Historians Australia and New Zealand [SAHANZ], Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, 21-24 September 2007, Adelaide, South Australia.
256
256Brisbin, Christopher A. (2003) Perspectival generation in/within the Sala della Pace: broadening the viewfield of spatialised images. In PROGRESS : The 20th annual conference of the Society of Architectural Historians, Australia and New Zealand, 2-5th, October, 2003, Sydney, N.S.W..
245
245Brisbin, Christopher A. (2007) Spatial transfiguration : anamorphic mixed-reality in the Virtual Reality panorama. In 24th International Conference of the Society of Architectural Historians Australia and New Zealand [SAHANZ], Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory, 21-24 September 2007, Adelaide, South Australia.
428
428Brisbin, Christopher A. (2005) Unframed Movement: Issues in digital media and a history of framed visuality. In School of Geography, Planning, and Archietcure Research Showcase, The University of Queensland.
42
42Brisbin, Christopher A. (2006) framelessness + temporality : the nineteenth-century & virtual reality panorama. In School of Geography, Planning, and Archietcure Research Showcase, The University of Queensland.
67
67Brough, Dean (2011) Reflections around artefacts - using a deliberative approach to teaching reflective practices in fashion. In Teaching and Assessing Reflection in Higher Education: QUT ALTC Forum, 20 September 2011, QUT Brisbane . (Unpublished)
10
10Brough, Dean (2009) ‘Spotty Dick’ : a research experiment to test design suitability for the use of jewelled spot matrix patterns for UV aware men’s swimwear. [Creative Work]
Brough, Dean (2011) A burning issue : fashion and sun protection. In 2nd Annual POPCAANZ Conference, 29 June - 1 July 2011, Auckland, New Zealand. (Unpublished)
Browne, Cameron B. (2007) Efficient Pythagorean trees: Greed is good. Computers & Graphics, 31(4), pp. 610-616.
286
1
1
286
1
1Browne, Cameron B. (2007) Taiji variations: Yin and Yang in multiple dimensions. Computers & Graphics, 31(1), pp. 142-146.
346
3
1
346
3
1C
Cunningham, Stuart D., Ryan, Mark David, Keane, Michael A., & Ordonez, Diego (2004) Financing Creative Industries in Developing Country Contexts.
1,043
1,043F
Fredericks, Bronwyn (2007) Mapping Climate and Environmental Change in Country. Women and Environments International Magazine, 74-75, pp. 12-14.
218
218Fredericks, Bronwyn (2006) Pamela Croft and "bothways" philosophy. n.paradoxa : International Feminist Arts Journal, 17, pp. 77-82.
208
208Fredericks, Bronwyn (2004) Sharing and Arts Journey, Opening Address, for Pamela Croft, Mapping the Past: Paintings and Objects. An Overview of Pamela Croft's Achievements in America. 14 February 2004, Larcombe Hall, Keppel Sands, Queensland, Australia. (Unpublished)
75
75Fredericks, Bronwyn L. (1997) land home place belong - Pamela Croft. Land home place belong - Pamela Croft. Rockhampton Art Gallery, Local Product Exhibition No.4, pp. 2-3.
68
68G
Grayson, Louise (2009) Genres of editorial photographs and patterns of photographic practice. In Australian and New Zealand Communication Association Conference : Communication, Creativity and Global Citizenship (ANZCA09), 8-10 July 2009, Creative Industries Precinct, Queensland University of Technology, Brisbane. (Unpublished)
H
Hartig, Falk (2012) Cultural diplomacy with Chinese characteristics : the case of Confucius Institutes in Australia. Communication, Politics & Culture, 42(Part 2), pp. 256-276.
Hartley, John (2009) "Her lively Looks a sprightly Mind disclose, Quick as her Eyes, and as unfix'd as those." - looking, fashion media, and risk culture. In Vaughan, Suzi & Schmidt, Christine Margaret (Eds.) Five : Fashion musings. Post Pressed, Teneriffe, Qld., pp. 54-63.
42
42Hong, Christina, Essig, Linda, & Bridgstock, Ruth S. (2012) The enterprising artist and the arts entrepreneur : Emergent pedagogies for new disciplinary habits of mind. In Chick, Nancy, Haynie, Aeron, & Gurung, Regan A.R. (Eds.) Exploring More Signature Pedagogies: Approaches to Teaching Disciplinary Habits of Mind. Stylus Publishing, LLC., Sterling, United States of America, pp. 68-81.
Hudson, Peter, Lewis, Karen, & Hudson, Suzanne (2011) Preservice teachers' real-world experiences for teaching art. Australian Art Education, 34(1), pp. 79-98.
K
Knight, Linda M. (2002) The 'Art' of research. In Crossing the Boundaries. Pearson Australia, Frences Forest, NSW, pp. 65-86.
Knight, Linda M. (2003) Telling the tale : how Australian illustrators create anthropomorphic animals in picture books. Lu Rees Archives Notes, Books and Authors, 25, pp. 20-34.
M
Mafe, Daniel (2011) Affect and inarticulacy : the silent voice of the artist. In Bullimore, Gordon (Ed.) ACUADS 2011 Conference, Australian National University, the University of Canberra, and the Canberra Institute of Technology.
27
27Mafe, Daniel & Brown, Andrew R. (2012) Abstraction as noise : enhancing the poetic. In Baker, Su & Thomas, Paul (Eds.) The Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture: Interference as a Strategy for Art Conference Proceedings, Transdisciplinary Imaging Conference, Victorian College of the Arts, Melbourne, VIC, pp. 194-205.
11
11McArdle, Felicity A. & Piscitelli, Barbara (2002) Early childhood art education : a palimpsest. Australian Art Education, 25(1), pp. 11-15.
6,253
6,253McKelvey, Bridgette, Thomas, Lubi, & Klaebe, Helen (2008) Subtext : Anything but Run of the Mill. [Creative Work]
McMahon, Kay (2010) Frock Paper Scissors [annual hard copy fashion magazine editions]. [Creative Work]
58
58McMahon, Kay & Morley, Jane (2011) Innovation, interaction, and inclusion : heritage luxury brands in collusion with the consumer. In Fashion & Luxury : Between Heritage & Innovation. Institut Francais de la Mode, Paris, France, pp. 69-78.
McNamara, Andrew E. (2011) "Introduction". In McNamara, Andrew E. (Ed.) Sweat : the Subtropical Imaginary. IMA Publishing, Brisbane , Qld, pp. 8-15.
McNamara, Andrew E. (2005) No two ways about it: on the Clifford Possum Tjapaltjarri retrospective. Eyeline, pp. 13-17.
2,434
2,434McNamara, Andrew E. (2011) Place and displacement : southeast Queensland architecture. In McNamara, Andrew E. (Ed.) Sweat : the Subtropical Imaginary. IMA Publishing, Brisbane , Qld, pp. 181-198.
McNamara, Andrew E. (2011) Two ways : between tradition and innovation. In McLean, Ian (Ed.) How Aborigines Invented the Idea of Contemporary Art : Writings on Aboriginal Contemporary Art. IMA Publishing & Power Publications, Sydney, Brisbane, pp. 111-113.
McNamara, Andrew E. (2010) Visual acuity is not what it seems : on Ian Burn's 'Late' reflections. In Stephen, Ann (Ed.) Mirror Mirror : Then and Now. Institute of Modern Art, Brisbane, QLD, pp. 24-32.
McNamara, Andrew E. (2012) "What is contemporary art? A review of two books by Terry Smith'. Australian and New Zealand Journal of Art, 12, pp. 252-258.
35
35McNamara, Andrew E. (2009) An apprehensive aesthetic : the legacy of modernist culture. Peter Lang Publishing, Bern.
McNamara, Andrew E. (2009) The colour of modernism : colour-form experiments in Europe and Australia. In Bru, Sascha & Nicholls, Peter (Eds.) Europa! Europa? : The Avant-Garde, Modernism and the Fate of a Continent. De Gruyter, Berlin, pp. 494-513.
McNamara, Andrew E. & Krapp, Peter (2002) Medium Cool. Duke University Press / South Atlantic Quarterly (SAQ), Duke University, Durham, NC, USA.
McNamara, Andrew E. & Stephen, Ann (2011) The story of the sixties...a pile-up on the freeway of advanced art. In Anderson, Jaynie (Ed.) The Cambridge Companion to Australian Art. Cambridge University Press, Melbourne, VIC, pp. 168-179.
McNamara, Andrew E., Stephen, Ann, & Goad, Philip (2008) Modern Times : The Untold Story of Modernism in Australia. Melbourne University Press/The Miegunyah Press, Melbourne.
Morley, Jane & McMahon, Kay (2011) Innovation, interaction, and inclusion : heritage luxury brands in collusion with the consumer. In Fashion & Luxury : Between Heritage & Innovation : the 13th Annual Conference for the International Foundation of Fashion Technology Institutes, 11-16 April 2011, Institut Français de la Mode, Paris.
899
899P
Pedersen, Courtney B. (2011) Running dry : Brisbane's public fountains. In McNamara, Andrew E. (Ed.) Sweat : the Subtropical Imaginary. Institute of Modern Art, Brisbane, QLD, pp. 65-77.
Pedersen, Courtney Brook (2012) Contemporary Australia : women, Queensland Art Gallery/Gallery of Modern Art, Brisbane 21 April–22 July 2012. Australian and New Zealand Journal of Art, 12, pp. 243-245. (In Press)
37
37Pedersen, Courtney Brook (2011) Cutting to the punchline: Milne's montage as metafiction. In Beautiful Lies: Notes toward a history of Australia. Queensland Centre for Photography, Queensland, Brisbane, pp. 114-115.
Pedersen, Courtney Brook & Haynes, Rachael Anne (2012) Double blind : women as creative practice-led researchers. In Australian Women and Gender Studies Association Conference - Interventions: Reflections, Critiques, Practices, 21-23 November 2012, University of New South Wales, NSW. (Unpublished)
Pennings, Mark W. (2007) Zidane, A 21st century portrait. The Australian and New Zealand Journal of Art, 8(1), pp. 145-147.
157
157R
Robb, Charles (2008) The Self as Subject and Sculpture. Masters by Research thesis, Monash University.
341
341Robb, Charles (2010) Stephen Russell : Super Vanitas. In Breikers, Joseph, Goodwin, Channon, Kerr, Timothy P., McKewen, Daniel, Rajkowski, Raymonda, & Woodward, Tim (Eds.) Boxcopy 2009/2010. Boxcopy, Brisbane, pp. 27-31.
12
12Ryan, Mark D., Keane, Michael A., & Cunningham, Stuart D. (2005) From remote 'outback' beginnings to cultural export phenomenon: A case study of finance and the internationalisation of Indigenous Australian visual art. In Breit, Rhonda & Servaes, Jan (Eds.) Information Society or Knowledge Societies? UNESCO in the Smart State. Southbound Publications, Malaysia, Penang, pp. 93-110.
143
143Ryan, Mark David, Keane, Michael A., & Cunningham, Stuart D. (2008) Australian Indigenous Art: Local Dreamings, Global Consumption. In Anheier, Helmut & Raj Isar, Yudhishthir (Eds.) Cultures and Globalization: The Cultural Economy. Sage Publications, Los Angeles and London, pp. 284-291.
S
Schmidt, Christine Margaret (2009) Patterning fashion : drafting a visual framework. In Five: fashion musing. Post Pressed, Teneriffe, Qld, pp. 73-103.
Schmidt, Christine Margaret (2009) Undressing Kellerman, Uncovering Broadhurst : the modern woman and "un-Australia". Fashion Theory : The Journal of Dress, Body & Culture, 13(4), pp. 481-498.
Schwartz, Barry, The Arterial Group,, & Armstrong, Keith M. (2001) Elektrosonic Interference:The Arterial Group and Barry Schwartz. [Creative Work]
Stevens, Grant William (2012) Cutting on action : interference strategies in contemporary art practice. In Baker, Su, Thomas, Paul, & Varano, Andrew (Eds.) The Second International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture : Interference as a Strategy for Art Conference Proceedings, Transdisciplinary Imaging Conference, Melbourne, Victoria, pp. 261-270.
19
19Stevens, Grant William (2012) David M. Thomas : a party disguised as work or work disguised as a party. Eyeline, pp. 76-77.
7
7T
Thomas, Lubi & Danzig, Stephen (2006) 2006 International Digital Art Awards : Beijing Film Academy Galleries, China. [Creative Work]
Thomas, Lubi, Danzig, Stephen, Milton Hampe, Benjamin, & Li , Xian Ting (2010) The vernacular terrain : Songzhang Art Museum, Beijing, China. [Creative Work]
W
Wilson, Andrew, McNamara, Andrew E., & Pennings, Mark W. (2011) Brisbane ~ Tokyo : subtropical lifestyle research. In McNamara, Andrew E. (Ed.) Sweat : the Subtropical Imaginary. Institute of Modern Art, Brisbane, QLD, pp. 106-127.
Wu, Chengtie, Chang, Jiang, & Zhai, Wanyin (2005) A novel hardystonite bioceramic: preparation and characteristics. Ceramics International, 31(1), pp. 27-31.
18
17
18
17
